The earlier volume in this series dealt with two religions of Indian origin, namely, Buddhism and Jainism. The Indian religious scene, however, is characterized by not only religions which originated in India but also by religions which entered India from outside India and made their home here. Thus religious life in India has been enlivened throughout its history by the presence of religions of foreign origin on its soil almost from the very time they came into existence. This volume covers (...) three such religions—Zoraoastrianism, Judaism, and Islam. In the case of Zoraostianism, even its very beginnings are intertwined with India, as Zoroastrianism reformed a preexisting religion which had strong links to the Vedic heritage of India. This relationship took on a new dimension when a Zoroastrian community, fearing persecution in Persia after its Arab conquest, sought shelter in western India and ultimately went on to produce India’s pioneering nationalist in the figure of Dadabhai Naoroji ( 1825-1917), also known as the Grand Old Man of India. Jews found refuge in south India after the destruction of the Temple by the Romans in 70 C.E. and have remained a part of the Indian religious scene since then, some even returning to Israel after it was founded in 1948. Islam arrived in Kerala as soon as it was founded and one of the earliest mosques in the history of Islam is found in India. Islam differs from the previously mentioned religions inasmuch as it went on to gain political hegemony over parts of the country for considerable periods of time, which meant that its impact on the religious life of the subcontinent has been greater compared to the other religions. It has also meant that Islam has existed in a religiously plural environment in India for a longer period than elsewhere in the world so that not only has Islam left a mark on India, India has also left its mark on it. Indeed all the three religions covered in this volume share this dual feature, that they have profoundly influenced Indian religious life and have also in turn been profoundly influenced by their presence in India. (shrink)

Constantin Reliu had been working for twenty years as a cook in Turkey when he returned to his hometown of Barlad, Romania, to discover that, there, he was dead. His former wife had, unbeknownst to him, at some point during his stay in Turkey registered him as deceased in Romania. He has since been living a legal nightmare trying to prove to Romanian authorities that he is, in fact, alive. Reliu is not alone in finding out that the legal system (...) is not as attuned to physiological activity or biological assessment by doctors in determining death as one might think. If one starts with the assumption that death is a purely biological concept, solely the province of doctors, Reliu's story seems entirely unrelated to the concept of death in the medical context. A brain scan would not lead to a reversal of his being assessed as dead. The story is a reminder, however, that how death is used is not just biological, and therefore that the standard of death even in the clinic must answer to cultural considerations. Values, the law, and custom matter a great deal in determining who is alive and who is not, whether in the courtroom, the coroner's office, or the clinic. (shrink)

Provides an introduction to the philosophy of Alfred North Whitehead in the form of a dialogue between Whitehead and the author.

Understanding intellectual lineages is vital if we are to understand our own era more clearly and deeply. It is not enough to investigate this or that figure in isolation. An author who is worth reading embodies many forebears, so by recognizing them, one comes to understand not only the work of a given individual but also much larger currents that have shaped and that continue to shape the often hidden intellectual architecture of our time. Carl Schmitt is particularly instructive in (...) this regard, because he drew upon—indeed, foregrounded—political and religious figures with much in common. At the same time, what…. (shrink)

But even with respect to inductive arguments there are a number of different philosophical problems. One is to make explicit the fundamental or most general pattern or patterns of inductive argument. Once these patterns are known a second and third problem arise. The second is to justify man's use of and faith in inductive arguments. And the third is to formulate some general propositions about nature which could reasonably be accepted by users of inductive arguments and which when added to (...) the premises of these arguments make them explicitly deductive. (shrink)

This book interprets Thomas Hardy's Tess of the D'Urbervilles with the openness toward experience recommended by John Dewey's Art as Experience. The characters of Tess are considered as real people with sexual bodies and complex minds. Efron identifies the "experience blockers" that the critical tradition has stumbled upon, and defends Hardy's involvement in telling his story. Efron offers a new way of evaluating literature inspired by Dewey's pragmatist aesthetics.

The author outlines his thoughts on the force that animates body and mind, discussing how it can provide happiness when present and how its lack can cause illness.

The literary criticism of the Greeks and Romans furnishes some of the most baffling documents which have come down to us from antiquity. Nor could it be otherwise. Few elements of language can be at once so ephemeral and so elusive as the overtones of words used in aesthetic contexts; even in our own language it is only with a conscious effort that the appropriate overtones of words used by quite recent critics can be recalled. Such recall must be much (...) more difficult where the reader is concerned with a dead language; in the case of some terms it may well be virtually impossible; but where the ancient critic is discussing ethical criteria for literature, as Aristotle does in Poetics 13, the modern interpreter is in a somewhat better position, for ethical terms are used in wider contexts, contexts which involve action, and there is more opportunity for studying their usage and endeavouring to recapture their elusive overtones. (shrink)

There is an obscure passage in a letter from Keats to Benjamin Bailey, written in 1817, which says: I am certain of nothing but of the holiness of the Heart's affections and the truth of Imagination...This does not seem to make much sense. Nor does it help much to find an echo of that passage in the famous last lines of the Ode on a Grecian Urn, written two years later: Beauty is truth, truth beauty — that is all Ye (...) know on earth, and all ye need to know. (shrink)

The contributors discuss why character education is considered valuable, what character education is taken to mean, and identify and test hypotheses about various influences on the development of character through reporting on our research in UK schools, universities and businesses.

The cultures here in question are those of mathematics and of physics that I shall interpret with the goal of exploring different modes of creativity. As case studies I will consider two scientists who were exemplars of these cultures, the mathematician Henri Poincaré (1854-1912) and the physicist Albert Einstein (1879-1955). The modes of creativity that I will compare and contrast are their notions of aesthetics and intuition. In order to accomplish this we begin by studying their introspections.