Results for 'Art, Greek History'

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  1.  25
    New view R. Osborne: Archaic and classical greek art (oxford history of art). Pp. VII + 270, maps, 142 ills. Oxford and new York: Oxford university press, 1998. Cased, £30 (paper, £9.99). Isbn: 0-19-284264-1 (0-19-284202-1 pbk). [REVIEW]Brian A. Sparkes - 2000 - The Classical Review 50 (01):239-.
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  2.  8
    Ageing, Aura, and Vanitas in Art: Greek Laughter and Death.Babette Babich - 2023 - Espes. The Slovak Journal of Aesthetics 12 (2):56-86.
    Beginning with the representation of age in extremis in the nature morte or still life, a depiction of aged artifacts and representations of vanitas, artistic representations particularly in painting associate woman and death. Looking at artistic allegories for age and ageing, raising the question of aura for Walter Benjamin along with Ivan Illich and David Hume, this essay reflects on Heidegger on history together with reflections on the ‘death of art’ as well as Arakawa and Gins and Bazon Brock, (...)
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  3.  11
    On the Greek Origins of Biopolitics: A Reinterpretation of the History of Biopower.Mika Ojakangas - 2016 - New York, NY: Routledge.
    This book explores the origins of western biopolitics in ancient Greek political thought. Ojakangas's argues that the conception of politics as the regulation of the quantity and quality of population in the name of the security and happiness of the state and its inhabitants is as old as the western political thought itself: the politico-philosophical categories of classical thought, particularly those of Plato and Aristotle, were already biopolitical categories. In their books on politics, Plato and Aristotle do not only (...)
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  4.  45
    Greek Architecture - A. W. Lawrence: Greek Architecture. (The Pelican History of Art.) Pp. xxxiv+327; 152 plates, 171 figs. West Drayton: Penguin Books, 1957. Cloth, 63s. net. [REVIEW]Hugh Plommer - 1958 - The Classical Review 8 (3-4):276-279.
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  5. Razvitie fiziki v SSSR, 1917-1967.L. A. Art︠s︡imovich (ed.) - 1967 - Moskva,: Nauka.
     
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  6.  46
    The History and Implications of Testing Thalidomide on Animals.Ray Greek, Niall Shanks & Mark J. Rice - 2011 - Journal of Philosophy, Science and Law 11:1-32.
    The current use of animals to test for potential teratogenic effects of drugs and other chemicals dates back to the thalidomide disaster of the late 1950s and early 1960s. Controversy surrounds the following questions: 1. What was known about placental transfer of drugs when thalidomide was developed? 2. Was thalidomide tested on animals for teratogenicity prior to its release? 3. Would more animal testing have prevented the thalidomide disaster? 4. What lessons should be learned from the thalidomide disaster regarding animal (...)
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  7.  54
    A history of greek art and archaeology - R.t. Neer art & archaeology of the greek world. A new history, C. 2500–150 bce. Pp. 400, b/w & colour ills, colour maps. London: Thames & Hudson, 2012. Cased, £35. Isbn: 978-0-500-05166-5. [REVIEW]Susan I. Rotroff - 2013 - The Classical Review 63 (1):225-226.
  8.  8
    Image and Myth: A History of Pictorial Narration in Greek Art.John Boardman - 2015 - Common Knowledge 21 (2):345-346.
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  9. The Nuremberg Code subverts human health and safety by requiring animal modeling.Ray Greek, Annalea Pippus & Lawrence A. Hansen - 2012 - BMC Medical Ethics 13 (1):16.
    Background: The requirement that animals be used in research and testing in order to protect humans was formalized in the Nuremberg Code and subsequent national and international laws, codes, and declarations.DiscussionWe review the history of these requirements and contrast what was known via science about animal models then with what is known now. We further analyze the predictive value of animal models when used as test subjects for human response to drugs and disease. We explore the use of animals (...)
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  10.  74
    Complex systems, evolution, and animal models.Ray Greek & Niall Shanks - 2011 - Studies in History and Philosophy of Science Part A 42 (4):542-544.
  11.  18
    A survey of greek art and architecture. Stansbury-O'Donnell a history of greek art. Pp. XXXII + 402, b/w & colour ills, b/w & colour maps. Malden, ma and oxford: Wiley Blackwell, 2015. Paper, £40, €54, us$66.95 . Isbn: 978-1-4443-5015-9. [REVIEW]Jane Masséglia - 2017 - The Classical Review 67 (1):220-222.
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  12.  23
    A Shorter History of Greek Art - Martin Robertson: A Shorter History of Greek Art. Pp. xi + 240; frontispiece, 1 map, 299 black and white illustrations. Cambridge University Press, 1981. £28. [REVIEW]Dyfri Williams - 1983 - The Classical Review 33 (2):290-291.
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  13.  2
    Classical Art: A Life History from Antiquity to the Present.Jeffrey M. Perl - 2022 - Common Knowledge 28 (3):464-466.
    To write a history “from antiquity to the present” of classical art or literature (or, worst of all, classicism) is the ultimate nightmare aspiration for a scholar whose colleagues are attentive methodologists. The product, when there is one (which I add because the aspiration can yield paralysis), is always in part an apologetic treatise on historical method. Professor Vout—of Christ's College, Cambridge—apologizes with the first word of her subtitle, A, which stresses that many differing histories may be as valid (...)
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  14.  11
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to what (...)
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  15. Internationaldissociation of (Dealers in Ancient Art.Galerie Fuer Antike Kunst, Roman Greek, Egyptian Antiquities, Galerie Arete & Herbert A. Cahn - 1996 - Minerva 7.
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  16.  3
    Classical Art: A Life History.David Cast - 2019 - Arion 27 (1):171-176.
    In lieu of an abstract, here is a brief excerpt of the content: Classical Art: A Life History DAVID CAST This is a wonderful book, rich in its purposes, wide in its range and, thanks to the author’s home institution, Christ’s College, Cambridge, lavishly illustrated with images of objects, many familiar, some less so. And it is written with an elegance and clarity that belies the depths of scholarship in its history. The first letter of the subtitle suggests (...)
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  17.  39
    Acta Pauli et Petri Apocrypha y Patrística griega.José Antonio Artés Hernández - 2004 - Augustinianum 44 (2):321-336.
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  18.  61
    Essay on the Philosophy and History of Art.Johann Joachim Winckelmann - 2005 - Continuum. Edited by Curtis Bowman & Johann Joachim Winckelmann.
    v. 1. Description of the torso in the Belvedere in Rome, Essay on the capacity for the sentiment for the beautiful in art, Reflections on the painting and sculpture of the Greeks -- v. 2. The history of ancient art (vols. I, II) -- v. 3. The history of ancient art (vols. III, IV).
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  19.  5
    Kʻartʻvel pʻilosopʻostʻa lekʻsikoni: personalia.Tamaz Buachidze & Sak°Art°Velos P.°Ilosop°Iuri Sazogadoeba (eds.) - 2000 - Tʻbilisi: Gamomcʻemloba "Oazisi".
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  20.  37
    For Some Histories of Greek Mathematics.Roy Wagner - 2009 - Science in Context 22 (4):535-565.
    ArgumentThis paper argues for the viability of a different philosophical point of view concerning classical Greek geometry. It reviews Reviel Netz's interpretation of classical Greek geometry and offers a Deleuzian, post-structural alternative. Deleuze's notion of haptic vision is imported from its art history context to propose an analysis of Greek geometric practices that serves as counterpoint to their linear modular cognitive narration by Netz. Our interpretation highlights the relation between embodied practices, noisy material constraints, and operational (...)
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  21. Antiquarianism, the History of Objects, and the History of Art before Winckelmann.Thomas DaCosta Kaufmann - 2001 - Journal of the History of Ideas 62 (3):523-541.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.3 (2001) 523-541 [Access article in PDF] Antiquarianism, the History of Objects, and the History of Art before Winckelmann Thomas DaCosta Kaufmann [Figures] To the Memory of Franklin LeVan Baumer. In light of postmodernist and poststructuralist trends in the humanities which have contested notions of originality and of authorship, it might seem surprising that one outstanding myth of the eighteenth (...)
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  22.  30
    The Hadrianic School; A Chapter in the History of Greek Art. [REVIEW]T. B. L. Webster - 1934 - The Classical Review 48 (5):197-198.
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  23.  36
    L. Giuliani Image and Myth. A History of Pictorial Narration in Greek Art. Translated by Joseph O'Donnell. Pp. xx + 335, ills. Chicago and London: The University of Chicago Press, 2013 . Cased, £45.50, US$65. ISBN: 978-0-226-29765-1. [REVIEW]Caspar Meyer - 2015 - The Classical Review 65 (1):307-308.
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  24.  29
    Viewing Culture S. Goldhill, R. Osborne (edd.): Art and Text in Ancient Greek Culture. (Cambridge Studies in New Art History and Criticism.) Pp. xiii+341, 34 figs. Cambridge: Cambridge University Press, 1994. Cased, £40/$64.95. [REVIEW]Jennifer R. March - 1995 - The Classical Review 45 (02):375-377.
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  25.  37
    Rhetoric - G. A. Kennedy: A New History of Classical Rhetoric. An Extensive Revision and Abridgement of The Art of Persuasion in Greece, The Art of Rhetoric in the Roman World_ and _Greek Rhetoric Under Christian Emperors With Additional Discussion of Late Latin Rhetoric. Pp. xii+301. Princeton, NJ: Princeton University Press, 1994. Paper. [REVIEW]Y. L. Too - 1996 - The Classical Review 46 (1):60-61.
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  26.  31
    Originals and Imitations M. Bieber: Ancient Copies. Contributions to the History of Greek and Roman Art. Pp. xliv + 362, 911 figures (161 plates). New York University Press, 1977. $75. [REVIEW]C. E. Vafopoulou-Richardson - 1979 - The Classical Review 29 (02):291-294.
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  27.  5
    Ėстетические категории и искусство.Viktor Pigulevskiæi & Institutul Moldovenesk de Stat de Arte (eds.) - 1989 - Kishinev: "Shtiint︠s︡a".
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  28.  8
    Conrad Peutinger’s Treatise on Greek Art.William Theiss - 2019 - Journal of the Warburg and Courtauld Institutes 82 (1):159-194.
    In 1903 the German art historian Karl Giehlow argued that a 1514 treatise on Greek numismatics, written by the Augsburg humanist Conrad Peutinger and addressed to the Holy Roman Emperor Maximilian I, shed new light on Albrecht Dürer’s mysterious engraving Melencolia I. Since the treatise has never been published, the question has never been investigated. This article presents a transcription, commentary and translation of the treatise for the first time in any language. It also situates Peutinger’s work within the (...)
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  29.  8
    Early Greek philosophies of nature.Andrew Gregory - 2021 - New York: Bloomsbury Academic.
    This book examines the philosophies of nature of the early Greek thinkers and argues that a significant and thoroughgoing shift is required in our understanding of them. In contrast with the natural world of the earliest Greek literature, often the result of arbitrary divine causation, in the work of early Ionian philosophers we see the idea of a cosmos: ordered worlds where there is complete regularity. How was this order generated and maintained and what underpinned those regularities? What (...)
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  30.  10
    Acta Pauli et Petri Apocrypha y Patrística griega.José Antonio Artés Hernández - 2004 - Augustinianum 44 (2):321-336.
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  31.  20
    Greek Origins and Organic Metaphors: Ideals of Cultural Autonomy in Neohumanist Germany from Winckelmann to Curtius.Brian E. Vick - 2002 - Journal of the History of Ideas 63 (3):483-500.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 63.3 (2002) 483-500 [Access article in PDF] Greek Origins and Organic Metaphors: Ideals of Cultural Autonomy in Neohumanist Germany from Winckelmann to Curtius Brian Vick That the educated classes of late eighteenth- and nineteenth-century Germany were increasingly captivated by images of both nationality and Greek antiquity is a fact long noted and long puzzled over. This seemingly strange confluence of (...)
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  32.  6
    Discourses on Painting and the Fine Arts, Delivered at the Royal Academy.Joshua Reynolds, Jones & Co & Royal Academy of Arts Britain) - 2023 - Legare Street Press.
    As the first President of the Royal Academy of Arts, Joshua Reynolds played a pivotal role in shaping the course of British art in the 18th century. In these discourses, Reynolds reflects on the nature of art, the role of the artist, and the importance of aesthetic education. With insightful commentary on the works of the Old Masters and a wealth of practical advice for aspiring artists, this volume is a must-read for anyone interested in the history of art (...)
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  33. Art & physics: parallel visions in space, time, and light.Leonard Shlain - 1991 - New York: Quill/W. Morrow.
    Art interprets the visible world, physics charts its unseen workings--making the two realms seem completely opposed. But in Art & Physics, Leonard Shlain tracks their breakthroughs side by side throughout history to reveal an astonishing correlation of visions. From teh classical Greek sculptors to Andy Warhol and Jasper Johns, and from Aristotle to Einstein, aritsts have foreshadowed the discoveries of scientists, such as when Money and Cezanne intuited the coming upheaval in physics that Einstein would initiate. In this (...)
     
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  34.  5
    Philosophy before the Greeks: the pursuit of truth in ancient Babylonia.Marc Van de Mieroop - 2016 - Princeton: Princeton University Press.
    There is a growing recognition that philosophy isn’t unique to the West, that it didn’t begin only with the classical Greeks, and that Greek philosophy was influenced by Near Eastern traditions. Yet even today there is a widespread assumption that what came before the Greeks was "before philosophy." In Philosophy before the Greeks, Marc Van De Mieroop, an acclaimed historian of the ancient Near East, presents a groundbreaking argument that, for three millennia before the Greeks, one Near Eastern people (...)
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  35.  9
    Arts of Invention and Arts of Memory: Creation and Criticism.Richard McKeon - 1975 - Critical Inquiry 1 (4):723-739.
    The arts of poetry and the arts of criticism are uncovered and studied in their products, in poems and in judgments. Poetry and criticism, however, the making and judging of poems, are processes. The study of literature as a product - existing poems and existing interpretations and appreciations of poetry - develops a body of knowledge which is sometimes called "poetic sciences." The recognition and use of poetic and critical processes - producing and judging poems which did not previously exist, (...)
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  36.  16
    Forging Links with the PastForgers and Critics: Creativity and Duplicity in Western ScholarshipFake? The Art of DeceptionDid the Greeks Believe in their Myths? An Essay on the Constitutive ImaginationCarlo Sigonio: The Changing World of the Late Renaissance.James Hankins, Anthony Grafton, Mark Jones, Paul Veyne & William McCuaig - 1991 - Journal of the History of Ideas 52 (3):509.
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  37.  50
    Heidegger's philosophy of art.Julian Young - 2001 - New York: Cambridge University Press.
    This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art (...)
  38. Greek Statuary, Roman Portraits: The Problem of Copies.Jean Charles Balty - 1998 - Diogenes 46 (183):41-56.
    The originals of great classical Greek statuary—cult idols (agalmata) raised in the cella of a temple, or ex-voto (anathemata, offerings) dedicated in a sanctuary, or even, more rarely, political dedications erected in public places, were not destined to be copied and only the pure chance of history, from the fall of Greece to Rome and the emergence of a taste for these works of art, gave rise to a process of copying that would snowball. The Urbild of a (...)
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  39.  2
    Greek Statuary, Roman Portraits.Charles Balty - 1998 - Diogenes 46 (183):41-56.
    The originals of great classical Greek statuary—cult idols (agalmata) raised in the cella of a temple, or ex-voto (anathemata, offerings) dedicated in a sanctuary, or even, more rarely, political dedications erected in public places, were not destined to be copied and only the pure chance of history, from the fall of Greece to Rome and the emergence of a taste for these works of art, gave rise to a process of copying that would snowball. The Urbild of a (...)
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  40.  13
    Greek Statuary, Roman Portraits.Jean Charles Balty - 1998 - Diogenes 46 (183):41-56.
    The originals of great classical Greek statuary—cult idols (agalmata) raised in the cella of a temple, or ex-voto (anathemata, offerings) dedicated in a sanctuary, or even, more rarely, political dedications erected in public places, were not destined to be copied and only the pure chance of history, from the fall of Greece to Rome and the emergence of a taste for these works of art, gave rise to a process of copying that would snowball. The Urbild of a (...)
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  41.  21
    What is Pythagorean in the Pseudo-Pythagorean Literature?Leonid ZhmudCorresponding authorRussian Acadamy of the SciencesInstitute for the History of Science & Technologyst Petersburgrussian Federationemailother Articles by This Author:De Gruyter Onlinegoogle Scholar - forthcoming - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption.
    Philologus, founded in 1846, is one of the oldest and most respected periodicals in the field of Classics. It publishes articles on Greek and Latin literature, historiography, philosophy, history of religion, linguistics, reception, and the history of scholarship. The journal aims to contribute to our understanding of Greco-Roman culture and its lasting influence on European civilization. The journal Philologus, conceived as a forum for discussion among different methodological approaches to the study of ancient texts and their reception, (...)
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  42. Literaturis tʻeoriisa da estʻetikis sakitʻxebi: literaturis tʻeoriis ganqopʻilebis šromebi.M. I. Duduchava, Rust Avelis Saxelobis K. Art Uli Literaturis Instituti & Sot A. Rust Avelis Saxelobis K. Art Uli Literaturis Istoriis Instituti (eds.) - 1963 - Tʻbilisi: Sakʻartʻvelos SSR mecʻnierebatʻa akademiis gamomcʻemloba.
     
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  43.  5
    Art’s Passing for Hegel, Lacoue-Labarthe, and Nancy.John McKeane - 2021 - Angelaki 26 (3-4):101-112.
    This article explores the understanding of æsthetics in the work of Philippe Lacoue-Labarthe and Jean-Luc Nancy. It does so in relation to Hegel’s claim about art’s dissolution or passing at the end of the classical Greek age, as the world entered the modern Christian age. For the two French thinkers, their relation to Hegel (and to a large extent æsthetics generally) turns on the claim that art was, but is not. The article looks first at Nancy’s discussion of the (...)
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  44.  59
    History As Symbolic Form.Thora Ilin Bayer - 2004 - Idealistic Studies 34 (1):49-65.
    Cassirer counts history as a symbolic form in his list that includes myth, religion, language, art, and science, but his discussion of history is confined to a chapter in An Essay on Man. A more complete understanding requires attention to a year-long seminar he taught at Yale on “The Philosophy of History” in 1941–1942. The partially unpublished texts of this seminar are the most extended exposition of Cassirer’s conception of history as a symbolic form. The key (...)
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  45.  24
    The Art Criticism Of John Ruskin.John Ruskin & Robert L. Herbert - 1987 - Da Capo Press.
    "Ruskin was the most important aesthetic authority of the 19th century. In his dozens of books and lectures he wrote about the qualities of art. the key figure, the history that connected one to another. In The Stones of Venice, Modern Painters, Seven Lamps of Architecture he developed rules and standards that are amazingly contemporary in their range of sympathies. However, Ruskin wrote thousands of pages of criticism; for the modern reader his thought needs always to be rediscovered. This (...)
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  46. Art as Self-Origination in Winckelmann and Hegel.Donovan Miyasaki - 2006 - Graduate Faculty Philosophy Journal 27 (1):129-150.
    Eighteenth-century art historian Johann Joachim Winckelmann (1717-1768) shared with Hegel a profound admiration for the art and culture of ancient Greece. Both viewed ancient Greece as, in some sense, an ideal to which the modern world might aspire—a pinnacle of spiritual perfection and originality that contemporary civilization might, through an understanding of ancient Greek culture, one day equal or surpass. This rather competitive form of nostalgia suggests a paradoxical demand to produce an original and higher state of culture through (...)
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  47.  46
    Liberal arts and mixing methods: Good reasons to educate citizens and poor pilgrims as free men.José Andrés-Gallego - 2019 - Arbor 195 (794):1-11.
    Mixing methods is a well-known innovative meth- odologic proposal for research in the second half of the 20th century social sciences. Reading literature about it, I observed the aspect that justifies this paper: Authors of theoretical contributions on mixing methods recognized that this was known to be a practice already in use many centuries ago. Some of them even have re-examined the whole history of the scientific method to search precedents. They are however individual and theoretical precedents. I add (...)
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  48.  55
    "New" media, art, and intercultural communication.Bart Vandenabeele - 2004 - Journal of Aesthetic Education 38 (4):1-9.
    In lieu of an abstract, here is a brief excerpt of the content:"New" Media, Art, and Intercultural CommunicationBart Vandenabeele (bio)It is fairly common — but perhaps not altogether innocent — to avoid addressing new media and intercultural aspects of communication in one and the same essay. Here, however, both issues are treated together. I shall investigate, in a perhaps somewhat unusual way, the phenomenon of "new" artistic media and some related issues such as virtual reality, computer and telecommunications technology, and (...)
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  49.  12
    "New" Media, Art, and Intercultural Communication.Bart Vandenabeele - 2004 - Journal of Aesthetic Education 38 (4):1.
    In lieu of an abstract, here is a brief excerpt of the content:"New" Media, Art, and Intercultural CommunicationBart Vandenabeele (bio)It is fairly common — but perhaps not altogether innocent — to avoid addressing new media and intercultural aspects of communication in one and the same essay. Here, however, both issues are treated together. I shall investigate, in a perhaps somewhat unusual way, the phenomenon of "new" artistic media and some related issues such as virtual reality, computer and telecommunications technology, and (...)
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  50.  17
    Ancient Salt: The New Rhetoric and the OldThe Art of Rhetoric in the Roman World, 300 B.C.-A.D. 300.The Speeches in Vergil's Aeneid.Generic Composition in Greek and Roman Poetry.Greek Sophists in the Roman Empire.Hermogenes and the Renaissance: Seven Ideas of Style. [REVIEW]Helen F. North, George Kennedy, Gilbert Highet, Francis Cairns, G. W. Bowersock & Annabel M. Patterson - 1974 - Journal of the History of Ideas 35 (2):349.
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