Results for 'Art Philosophy'

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  1. Art, Philosophy, and Creativity.Said Mikki - manuscript
    We reflect on the nature of art, the creative process, and the connection between art and philosophy.
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  2.  27
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2012 - MIT Press.
    With _Relationscapes_, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity--the incipiency at the heart of movement--Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take (...)
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  3. The Ethics of Narrative Art: Philosophy in Schools, Compassion and Learning From Stories.Laura D’Olimpio & Andrew Peterson - 2018 - Journal of Philosophy in Schools 5 (1):92-110.
    Following neo-Aristotelians Alasdair MacIntyre and Martha Nussbaum, we claim that humans are story-telling animals who learn from the stories of diverse others. Moral agents use rational emotions, such as compassion which is our focus here, to imaginatively reconstruct others’ thoughts, feelings and goals. In turn, this imaginative reconstruction plays a crucial role in deliberating and discerning how to act. A body of literature has developed in support of the role narrative artworks (i.e. novels and films) can play in allowing us (...)
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  4.  58
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2009 - MIT Press.
    Prelude -- What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Perceptions in folding -- Grace taking form : Marey's movement machines -- Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves (...)
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  5.  3
    Art & Philosophy.Timothy Taubes - 1993 - Prometheus Books.
    Explores painting as a form of communication through a language of aesthetics. Concludes that successful paintings teach viewers something about their own world, rather than about the ideas or the techniques of the artist, and that such learning should be effortless and intuitive. Annotation copyright by Book News, Inc., Portland, OR.
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  6.  20
    Art, Philosophy and the Connectivity of Concepts: Ricoeur and Deleuze and Guattari.Clive Cazeaux - 2019 - Journal of Aesthetics and Phenomenology 6 (1):21-40.
    ABSTRACTConcepts are traditionally pictured as discrete containers that bring together objects or qualities based on the possession of shared, uniform properties. This paper focuses on a contrasting notion of the concept which holds that concepts are defined by their capacity to reach out and connect with other concepts. Two theories in recent continental philosophy maintain this view: one from Ricoeur, the other from Deleuze and Guattari. Both are offered as attempts to bring art and philosophy into relation, but (...)
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  7.  26
    Border Arte Philosophy: Altogether Beyond Philosophy.Nancy Tuana & Charles Scott - 2018 - Journal of Speculative Philosophy 32 (1):70-91.
    ABSTRACT We are concerned with borders and their crucial importance in people's lives. Throughout we place emphasis on liberatory critique and knowledge and on the importance of the forces lineages exercise in the ways we live. How might we speak of whatever is bordered and allow that of which we speak its manifest differences? How are we able to engage differences and maintain our own differences? How might we, as philosophers, speak philosophically about what is beyond philosophy? Such speaking (...)
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  8.  50
    Art, Philosophy and Concreteness in Hegel.William Desmond - 1985 - The Owl of Minerva 16 (2):131-146.
    It is a philosophical commonplace to juxtapose logic and imagination, reason and sensibility, the concept and intuition, philosophy itself and art. Frequently these pairs are thought of as opposites, one mediated through abstract reflection, the other a more intimate participant in the given of concrete existence. Philosophy does not always come off uncriticized in this opposition. Its reflective, analytical impulse is often thought to abstract us, remove us from the concretely real. Art, by contrast, it is said, serves (...)
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  9.  4
    Postmodern Arts, Philosophy of Language and Phenomenology.Caroline Guibet Lafaye - 2006 - Studia Phaenomenologica 6:407-424.
    The identification of a post-modern art requires the determination of its implicit patterns of signification, as is the case with the modern art’s patterns of signification. In fact, the mere formal and stylistic analyses are not able to distinguish the post-modern art from the modern art. Actually, the specificity of minimalist and post-minimalist sculpture is founded on a phenomenological interpretation of subjective aesthetic experience and on a phenomenological interpretation of significance. In other words, this phenomenological interpretation gives a positive content (...)
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  10. Expérience, Art, Philosophie.Guido Morpurgo-Tagliabue - 1964 - Revue Internationale de Philosophie 18 (68/69):209.
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  11.  11
    Art & Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse, Langer, Reid.Sushil Kumar Saxena - 1996 - Journal of Aesthetics and Art Criticism 54 (2):188-189.
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  12.  9
    Complexity: Architecture, Art, Philosophy.Andrew Benjamin (ed.) - 1995 - Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. (...)
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  13.  17
    Art, Philosophy, and Life.Horace Meyer Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
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  14.  2
    Art, Philosophy, and Life.Horace M. Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
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  15.  4
    Samarasya: Studies in Indian Art, Philosophy, and Interreligious Dialogue: In Honour of Bettina Bäumer.Bettina Bäumer, Sadananda Das & Ernst Fürlinger (eds.) - 2005 - D.K. Printworld.
    This Inspirational Guide To An Open, Critical Exchange Between India And The West Is Framed As A Tribute To Dr. Bettina Baumer, An Eminent Scholar Of Indology. Comprising 32 Essays, Segregated Into Three Sections Indian Philosophy And Spirituality, Indian Arts And Aesthetics, And Interreligious And Intercultural Dialogue.
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  16.  1
    Practicing Mortality: Art, Philosophy, and Contemplative Seeing.Christopher A. Dustin - 2005 - Palgrave-Macmillan.
    A collaborative undertaking between an artist and a philosopher, this monograph attempts to deepen our understanding of "contemplative seeing" by addressing the works of Plato, Thoreau, Heidegger, and more. The authors explore what it means to "see" reality and contemplate how viewing reality philosophically and artfully is a form of spirituality. In this way, by developing a new conception of active visual engagement, the authors propose a way of seeing that unites both critical scrutiny and spiritual involvement, as opposed to (...)
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  17.  30
    End-of-Art Philosophy in Hegel, Nietzsche and Danto.Stephen Snyder - 2018 - Palgrave Macmillan.
    This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels (...)
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  18. Jhoon Rhee Martial Arts: Philosophy & Life Skills.Jhoon Rhee - 2000 - Jhoon Rhee Foundation for International Leadership.
     
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  19.  29
    The End of Art? (Philosophy of Art History).Noel Carroll - 1998 - History and Theory 37 (4):17-29.
    This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed. The author also contends that Danto's end-of-art thesis is better construed as a specimen of art criticism than as an example of the speculative philosophy of art history.
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  20. Practices of Form: Art – Philosophy – Life – History.Alison Ross - 2017 - Critical Horizons 18 (4):289-294.
    This article canvases some of the issues involved in the idea of form as a practice in Kant, Blumenberg and Foucault, and it also outlines the different contexts and approaches the individual papers collected in this Special Issue use to explore this idea.
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  21. L'art, la Science Et la M'etaphysique 'Etudes Offertes Áa Andr'e Mercier Áa l'Occasion de Son Quatre-Vingtiáeme Anniversaire Et Recueillies au Nom de l'Acad'emie Internationale de Philosophie de L'Art.Luz Garcâia Alonso, E. Moutsopoulos, Gerhard Seel, Andrâe Mercier & Acadâemie Internationale de Philosophie de L'art - 1993
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  22. Why Philosophy of Art Cannot Handle Kissing, Touching, and Crying.Nicholas Wolterstorff - 2003 - Journal of Aesthetics and Art Criticism 61 (1):17–27.
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  23.  1
    Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2019 - Estetika: The European Journal of Aesthetics 56 (2):263-272.
    A review of Stephen Snyder’s End-of-Art Philosophy in Hegel, Nietzsche and Danto.
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  24.  11
    The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century Germany.Adam S. Cohen - 2000 - Pennsylvania State University Press.
    Created at the behest of the abbess Uta, it is not only one of the most beautiful of Ottonian manuscripts but also one of the most complex. The collection of liturgical readings is preceded by four full-page frontispieces illustrating the Hand of God, Uta dedicating the codex to the Virgin and Child, a Crucifixion, and Saint Erhard celebrating Mass. Four evangelist portraits accompany the readings from each Gospel. In this groundbreaking study, Adam Cohen provides comprehensive explications of the codex’s renowned (...)
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  25. Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2020 - Estetika: The European Journal of Aesthetics 56 (2):263.
  26.  9
    Ecophilosophy as Liberal Arts Philosophy.Hiromasa Mase - 1989 - Philosophical Inquiry 11 (1-2):28-36.
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    The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century GermanyAdam S. Cohen.Karen Blough - 2003 - Speculum 78 (3):856-858.
  28.  19
    The Art of Science: Quine and the Speculative Reach of Philosophy in Natural Science.Chalmers C. Clark - 1998 - Dialectica 52 (4):275–290.
    In this essay it is shown that the imaginative art of scientific theorizing – at its technical best – animates Quine's philosophy as importantly as the more Spartan norms honored in his present pantheon of virtues. By drawing a contrast between the standing of theories in philosophy and theories in science, it will be shown that the speculative reaches of philosophy, along with developments in semantic theory, now oblige an internal revision of Quine's stance against meaning as (...)
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  29.  11
    Blanchot's Communism: Art, Philosophy and the Political, by Lars Iyer.William Large - 2006 - Journal of the British Society for Phenomenology 37 (2):219-221.
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  30.  83
    A Philosophy of Computer Art.Dominic Lopes - 2009 - Routledge.
    What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? _A Philosophy of Computer Art_ is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’. Drawing on a (...)
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  31. Philosophy of the Performing Arts.David Davies - 2011 - Wiley-Blackwell.
    This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts.
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  32. Philosophies of Arts: An Essay in Differences.Peter Kivy - 1997 - Cambridge, England: Cambridge University Press.
    Since the beginning of the eighteenth century the philosophy of art has been engaged on the project of trying to find out what the fine arts have in common and, thus, how they might be defined. Peter Kivy's purpose in this accessible and lucid book is to trace the history of that enterprise and argue that the definitional project has been unsuccessful. He offers a fruitful change of strategy: instead of engaging in an obsessive quest for sameness, let us (...)
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  33.  24
    Philosophy as Art.Jerry H. Gill - 1983 - Metaphilosophy 14 (2):141–150.
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  34. Imagination, Philosophy and the Arts.Matthew Kieran & Dominic McIver Lopes (eds.) - 2003 - Routledge.
    _Imagination, Philosophy and the Arts_ is the first comprehensive collection of papers by philosophers examining the nature of imagination and its role in understanding and making art. Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. This collection of seventeen brand new essays critically examines just how and in what form the (...)
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  35. Philosophy of Art: A Contemporary Introduction.Noël Carroll - 1999 - Routledge.
    _Philosophy of Art_ is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art. Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way (...)
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  36.  38
    Art and Philosophy.Joseph Margolis - 1980 - Humanities Press.
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  37. A Philosophy of Mass Art.Noël Carroll - 1997 - Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
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  38. Philosophy as Art in Aristotle’s Protrepticus.Refik Güremen - 2020 - Metaphilosophy 51 (4):571-592.
    Observing certain affinities with Plato’s Alcibiades I , this paper argues that a distinction between care (epimeleia ) of the soul and philosophy as its art (technê ) is reflected in Aristotle’s Protrepticus . On the basis of this distinction, it claims that two notions of philosophy can be distinguished in the Protrepticus : philosophy as epistêmê and philosophy as technê . The former has the function of contemplating the truth of nature, and Aristotle praises it (...)
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  39.  13
    George Grant and the Subversion of Modernity: Art, Philosophy, Politics, Religion, and Education.Arthur Davis (ed.) - 1996 - University of Toronto Press.
    This is a bold and vigorous Grant, writing on a topic about which he is passionate and deeply informed.
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  40. Art and Imagination: A Study in the Philosophy of Mind.Roger Scruton - 1974 - St. Augustine's Press.
    My intention is to show that, starting from an empiricist philosophy of mind, it is possible to give a systematic account of aesthetic experience. I argue that empiricism involves a certain theory of meaning and truth; one problem is to show how this theory is compatible with the activity of aesthetic judgment. I investigate and reject two attempts to delimit the realm of the aesthetic: one in terms of the individuality of the aesthetic object, and the other in terms (...)
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  41.  32
    Analytische Philosophie Peter Bieris Frage nach der richtigen Art, Philosophie zu betreiben.Ansgar Beckermann - 2008 - Deutsche Zeitschrift für Philosophie 56 (4):599-613.
    In seinem Beitrag Was bleibt von der Analytischen Philosophie? hat Peter Bieri all das aufgelistet, was ihm an der gegenwärtigen Analytischen Philosophie missfällt. In dieser Replik wird erstens die Geschichte der Analytischen Philosophie in Erinnerung gerufen. Zweitens wird in Auseinandersetzung mit Bieris Kritik folgendes Bild von Philosophie entworfen: Es gibt überdauernde philosophische Fragen, und Philosophie sollte nicht als ein essayistisches Unternehmen, sondern als der systematische Versuch verstanden werden, Antworten auf diese Fragen zu finden. Allerdings lassen sich philosophische Fragen niemals definitiv (...)
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  42.  90
    A Philosophy of Cinematic Art.Berys Gaut - 2010 - Cambridge: Cambridge University Press.
    A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
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  43.  98
    The Art of Living: The Stoics on the Nature and Function of Philosophy.John Sellars - 2003 - Ashgate.
    Questioning the premise that philosophy can only be conceived as a rational discourse, Sellars presents it instead as an art (techne) that combines both 'logos' ...
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  44.  5
    Philosophy And The Visual Arts.Andrew Harrison - 1987 - Dordrecht: Kluwer Academic Publishers.
    This volume consists of papers given to the Royal Institute of Philos ophy Conference on 'Philosophy and the Visual Arts: Seeing and Abstracting' given at the University of Bristol in September 1985. The contributors here come about equally from the disciplines of Philosophy and Art History and for that reason the Conference was hosted jointly by the Bristol University Departments of Philosophy and History of Art. Other conferences sponsored by the Royal Institute of Philosophy have been (...)
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  45. The Philosophy of Art History.Arnold Hauser - 1958 - New York: Knopf.
    First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in (...)
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  46.  40
    The Art of Living with Technology: Turning Over Philosophy of Technology’s Empirical Turn.Yoni Van Den Eede, Gert Goeminne & Marc Van den Bossche - 2017 - Foundations of Science 22 (2):235-246.
    In this article we seek to lay bare a couple of potential conceptual and methodological issues that, we believe, are implicitly present in contemporary philosophy of technology. At stake are the sustained pertinence of and need for coping strategies as to ‘how to live with technology ’ notwithstanding PhilTech’s advancement in its non-essentialist analysis of ‘technology’ as such; the issue of whether ‘living with technology’ is a technological affair or not ; and the tightly related question concerning the status (...)
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  47. Estado de la Cuestión: Filosofia Del Lenguaje (State of the Art: Philosophy of Language).Manuel García-Carpintero - 2005 - Theoria 20 (2):223-238.
    Se presentan propuestas recientes en tres ámbitos de la filosofía del lenguaje en que se están haciendo contribuciones significativas: el fenómeno de la vaguedad; la distinción entre semántica y pragmática, y el uso de semánticas “bidimensionales” para tratar problemas generados por las tesis de “referencia directa”. Hace unos años existia una percepción de la pérdida por la filosofia del lenguaje, en favor de la filosofia de la mente, del lugar central ocupado en la tradición analítica -una perdida que equivaldría según (...)
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  48.  15
    Edward Branigan Tracking Color in Cinema and Art: Philosophy and Aesthetics. New York: Routledge, 2018. 344 Pp. [REVIEW]Jordan Schonig - 2021 - Critical Inquiry 47 (2):418-420.
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  49.  54
    Philosophy of Art.Virgil C. Aldrich - 1963 - Englewood Cliffs, N.J., Prentice-Hall.
  50.  33
    Heidegger’s Philosophy of Art.Julian Young - 2001 - Cambridge University Press.
    This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the (...)
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