This Element analyzes the various forms that design arguments for the existence of God can take, but the main focus is on two such arguments. The first concerns the complex adaptive features that organisms have. Creationists who advance this argument contend that evolution by natural selection cannot be the right explanation. The second design argument - the argument from fine-tuning - begins with the fact that life could not exist in our universe if the constants found in the (...) laws of physics had values that differed more than a little from their actual values. Since probability is the main analytical tool used, the book provides a primer on probability theory. (shrink)

Sober has reconstructed the biological design argument in the framework of likelihoodism, purporting to demonstrate that it is defective for intrinsic reasons. We argue that Sober’s restriction on the introduction of auxiliary hypotheses is too restrictive, as it commits him to rejecting types of everyday reasoning that are clearly valid. Our account shows that the design argument fails, not because it is intrinsically untestable but because it clashes with the empirical evidence and fails to satisfy certain theoretical desiderata (...) (in particular, unification). Likewise, Sober’s critique of the arguments from imperfections and from evil against design is off the mark. (shrink)

The International Competition on Computational Models of Argumentation (ICCMA) focuses on reasoning tasks in abstract argumentation frameworks. Submitted solvers are tested on a selected collection of benchmark instances, including artificially generated argumentation frameworks and some frameworks formalizing real-world problems. This paper presents the novelties introduced in the organization of the Third (2019) and Fourth (2021) editions of the competition. In particular, we proposed new tracks to competitors, one dedicated to dynamic solvers (i.e., solvers that incrementally compute solutions (...) of frameworks obtained by incrementally modifying original ones) in ICCMA’19 and one dedicated to approximate algorithms in ICCMA’21. From the analysis of the results, we noticed that i) dynamic recomputation of solutions leads to significant performance improvements, ii) approximation provides much faster results with satisfactory accuracy, and iii) classical solvers improved with respect to previous editions, thus revealing advancement in state of the art. (shrink)

This essay proposes a design perspective on argumentation, intended as complementary to empirical and critical scholarship. In any substantive domain, design can provide insights that differ from those provided by scientific or humanistic perspectives. For argumentation, the key advantage of a design perspective is the recognition that humanity’s natural capacity for reason and reasonableness can be extended through inventions that improve on unaided human intellect. Historically, these inventions have fallen into three broad classes: logical systems, (...) scientific methods, and disputation frameworks. Behind each such invention is a specifiable “design hypothesis”: an idea about how to decrease error or how to increase the quality of outcomes from reasoning. As problems in contemporary argumentation practice become more complex, design thinking rises in relevance and importance. A design research agenda in argumentation would focus on theorizing design innovations and on evaluating design hypotheses. (shrink)

Empirical research in bioethics has developed rapidly over the past decade, but has largely eschewed the use of technology-driven methodologies. We propose “design bioethics” as an area of conjoined theoretical and methodological innovation in the field, working across bioethics, health sciences and human-centred technological design. We demonstrate the potential of digital tools, particularly purpose-built digital games, to align with theoretical frameworks in bioethics for empirical research, integrating context, narrative and embodiment in moral decision-making. Purpose-built digital tools can engender (...) situated engagement with bioethical questions; can achieve such engagement at scale; and can access groups traditionally under-represented in bioethics research and theory. If developed and used with appropriate rigor, tools motivated by “design bioethics” could offer unique insights into new and familiar normative and empirical issues in the field. (shrink)

ARGUMENTS FROM DESIGN TO THE EXISTENCE OF GOD MAY TAKE AS THEIR PREMISS EITHER THE EXISTENCE OF REGULARITIES OF COPRESENCE OR THE EXISTENCE OF REGULARITIES OF SUCCESSION. THERE ARE NO VALID FORMAL OBJECTIONS TO A CAREFULLY ARTICULATED ARGUMENT OF THE LATTER TYPE. AGAINST SUCH AN ARGUMENT NONE OF THE OBJECTIONS IN HUME’S "DIALOGUES" HAVE ANY WORTH. THE ARGUMENT MAY HOWEVER GIVE ONLY A SMALL DEGREE OF SUPPORT TO ITS CONCLUSION.

This paper addresses the question of whether all that unites the main parts of John Stuart Mill’s On Liberty—the liberty principle, the defense of free discussion, the promotion of individuality, and the claims concerning individual competence about one’s own good—is a general concern with individual liberty, or whether we can say something more concrete about how they are related. I attempt to show that the arguments of On Liberty exemplify Mill’s institutional design approach set out in Considerations of Representative (...) Government and related works. Mill’s approach reflects both his debt to Bentham and his own progressive development of the utilitarian tradition. The paper proceeds by setting out the elements of Mill’s institutional designs and then showing that On Liberty neatly applies them, thereby clarifying the structure of the arguments of On Liberty. (shrink)

The design argument is one of three main arguments for the existence of God; the others are the ontological argument and the cosmological argument. Unlike the ontological argument, the design argument and the cosmological argument are a posteriori. And whereas the cosmological argument could focus on any present event to get the ball rolling (arguing that it must trace back to a first cause, namely God), design theorists are usually more selective.

This paper offers insights into the nature and design of critical questions as they are found in argumentation schemes. In the first part of the paper, I address some general concerns regarding their purpose and formulation. These include a discussion of their evaluative function, their relationship with the patterns of reasoning they accompany, as well as the differing formulations of critical questions currently on offer. I argue that the purpose of critical questions for humans ought to be to (...) provide the means for a scalar evaluation of the reasoning at hand. To do so, critical questions should be closely paired with individual premises in the accompanying pattern of reasoning and be open-ended. Doing so allows the roles of raising considerations relevant for the reasoning and scrutinizing those considerations to be clearly distinguished. In the second part of the paper, I offer a positive methodological proposal for the construction of questions and premises that aims at overcoming a number of the individual and systematic shortcomings of extant question styles. The paper concludes by arguing that the newly proposed approach is both normatively strong and practically useful for argumentation in context. (shrink)

A central thesis of intelligent‐design theorists is that physical and chemical laws and chance are insufficient to account for irreducibly complex biological structures and that intelligent design is necessary to account for such phenomena. This assertion, however, still implies a reductionist ontology. We need to recognize that reality displays multiple modes of being beyond simply chemical and physical modes of being, each of which is governed by laws for that mode of being. This essay argues for an alternate (...) framework for understanding life phenomena that is neither philosophical materialism nor intelligent‐design theory. (shrink)

Contemporary philosophers have largely neglected Richard Taylor’s design argument. Given that the initial responses to the argument were largely negative, one might be tempted to conclude that the argument is simply philosophically inadequate. This paper rejects that conclusion by showing how Taylor’s argument has been misunderstood by his critics. In defending Taylor, it is shown that the two types of objections levied against him fail to even blemish his design argument, let alone refute it. Consideration is also given (...) to the argument’s historical lineage, along with a proposal for future considerations of the connection between epistemological realism and design. (shrink)

This article offers a brief overview of the argument for God's existence grounded in the evidence of design. It gives particular attention to the way the argument has evolved over time and in relation to changing scientific perspectives. The argument from de‐sign has in fact been formulated and reformulated in response to the discoveries and challenges it has encountered from the field of science. The conclusion of the article explores the theological importance of this argument—its extent and its limits.

This article criticises Alvin Plantinga’s claim that ‘basic’ design beliefs, which arise without a conscious inference, have more positive epistemic status than non-basic ones and that we cannot evaluate the probabilities involved in inferential, inductive design arguments.

Arguments do not occur against silent backdrops. From the drone of televisions to the music in a retail space to the symphony of combustion engines on the street, we are perpetually immersed in sound. We live in a noisy world. The combined sounds of these environments, or soundscapes, provide the very conditions of social interaction. Charles Hirschkind remarked that soundscapes are as necessary "to politics and public reason as are markets, associations, formal institutions, and information networks". These soundscapes are far (...) from neutral and can be designed to promote desired outcomes: soothing tones as you board an airplane to alleviate fear, a blaring voice over the loudspeaker to compel... (shrink)

The object of this paper is to show that there are no valid formal objections to the argument from design, so long as the argument is articulated with sufficient care. In particular I wish to analyse Hume's attack on the argument in Dialogues Concerning Natural Religion and to show that none of the formal objections made therein by Philo have any validity against a carefully articulated version of the argument.

“NATURAL theology” is generally used as the name of a study which seeks to “get at religious truth” by the use of man's reasoning powers, and not to expound revelation. But I want to limit its application to part of this field. By natural theology I mean here a study which seeks to “get at religious truth” by an empirical examination of things, and not by “pure reason.” It is a “scientific” theology. An example of a natural theologian in this (...) sense would be, I suppose, the author of any one of the Bridgewater Treatises, or Paley, or F. R. Tennant. Perhaps I might have called this kind of theology “empirical theology” ; but I do not want to invent new terms more than I have to. (shrink)

The argument from design for God's existence is involved with important questions about the conditions under which it is reasonable to believe that a state of affairs was brought about intentionally. In this paper I shall offer a version of the argument and defend it, if not quite in the sense of trying to show conclusively that it succeeds, then, at least, in the sense of trying to show that it deserves to be taken seriously. In Part I, I (...) shall present a number of objections to the argument that, for the most part, are quite well known and, I think, quite weighty. Most are descendants of objections to be found in the writings of David Hume.l Then, in Part II, I shall present the specific version of the argument I wish to offer here and, finally, in Part III, try to show that it does not succumb to the objections raised at the start. (shrink)

I. The argument from design or ‘teleological argument’ purports to be an inductive proof for the existence of God, proceeding from the evidence of the order exhibited by natural phenomena to the probable conclusion of a rational agent responsible for producing that order. The argument was severely criticized by David Hume in his Dialogues Concerning Natural Religion , and it was widely conceded that Hume's objections had cast serious doubt on the adequacy of the teleological argument, if not destroyed (...) its credibility entirely. However, there has been a recent reappraisal of this claim by R. G. Swinburne, who maintains that none of Hume's criticisms have any validity against a ‘carefully articulated version of the argument’. Using an analogical argument based on temporal regularities rather than on spatial regularities , Swinburne claims to have shown that the teleological argument is a legitimate inference to the best explanation whose force depends only on the strength of the analogy and on the degree to which the resulting theory makes explanation of empirical matters simpler and more coherent. Moreover, he claims to have shown that the argument provides support for the Christian monotheistic hypothesis and not merely for the weak claim that the universe was designed . This is an important claim since it has long been thought that Hume's most devastating blow was dealt when he showed that the teleological argument provides just as much support for the negation of certain propositions considered essential to Christian monotheism as it does for their affirmation. (shrink)

Mr Olding's recent attack on my exposition of the argument from design gives me an opportunity to defend the central theses of my original article. My article pointed out that there were arguments from design of two types—those which take as their premisses regularities of copresence and those which take as their premisses regularities of succession. I sought to defend an argument of the second type. One merit of such an argument is that there is no doubt about (...) the truth of its premisses. Almost all objects in the world behave in a highly regular way describable by scientific laws. Further, any scientific explanation of such a regularity must invoke some more general regularity. The most general regularities of all are, as such, scientifically inexplicable. The question arises whether there is a possible explanation of another kind which can be provided for them, and whether their occurrence gives any or much support to that explanation. I urged that we do explain some phenomena by explanation of an entirely different kind from the scientific. We explain states of affairs by the action of agents who bring them about intentionally of their own choice. Regularities of succession, as well as other phenomena may be explained in this way. Explanation of this kind I will term intentional explanation. Intentional explanation of some phenomenon E consists in adducing an agent A who brought E about of his own choice and a further end G which, he believed, would be forwarded by the production of E. (shrink)

This argument map presents Paul Loewi’s crucial experiment in which he showed that neural transmissions of signals are chemical in nature, not electrical, in form of an argumentation. The map can be used in science education to show how the formulation of hypotheses should be related to a corresponding determination of experimental designs.

Unter ›Design-Argumenten‹ fasst man Argumente zusammen, die von der Existenz bestimmter struktureller Merkmale M der natürlichen, also nicht auf menschliches Handeln zurückgehenden Welt auf die Existenz eines nicht-menschlichen intelligenten Urhebers dieser Merkmale schließen. Da die strukturellen Merkmale M in der Regel eine bestimmte Zweckmäßigkeit und damit den Anschein einer Anpassung an bestimmte Ziele einschließen, wie man ihn von menschlichen Artefakten kennt, die für einen bestimmten Zweck gemacht sind, nennt man diese Merkmale auch › Design‹ und den erschlossenen Urheber (...) einen ›Designer‹. (shrink)

Although Hume’s critique of the design argument is a powerful non-inductive meta-argument, the main line of critical reasoning is not analogical but rather a complex meta-argument. It consists of two parts, one interpretive, the other evaluative. The critical meta-argument advances twelve criticisms: that the design argument is weak because two of its three premises are justified by inadequate subarguments; because its main inference embodies four flaws; and because the conclusion is in itself problematic for four reasons. Such complexity (...) is quite manageable in a meta-argumentation approach. (shrink)

“NATURAL theology” is generally used as the name of a study which seeks to “get at religious truth” by the use of man's reasoning powers, and not to expound revelation. But I want to limit its application to part of this field. By natural theology I mean here a study which seeks to “get at religious truth” by an empirical examination of things, and not by “pure reason.” It is a “scientific” theology. An example of a natural theologian in this (...) sense would be, I suppose, the author of any one of the Bridgewater Treatises, or Paley, or F. R. Tennant. Perhaps I might have called this kind of theology “empirical theology” ; but I do not want to invent new terms more than I have to. (shrink)

I point out that, though animal bodies and their parts are not sufficiently similar to the products of conscious design to warrant an inference to a supernatural designer of the former things, the proponent of the design argument would be on firmer ground were he to base his inference on the more specific resemblance of well-functioning human eyes and brains to well-functioning cameras and computers. Though I argue that Darwin has not refuted the design argument, I conclude (...) that the design arguer needs to show that there is a first cause in the enormously lengthy causal sequences which have culminated in human eyes and brains. (shrink)

In this article, after reviewing traditional arguments from design, I consider some more recent versions: the so-called ‘new design arguments’ for the existence of God. These arguments enjoy an apparent advantage over the traditional arguments from design by avoiding some of Hume’s famous criticisms. However, in seeking to render religion and science compatible, it seems that they require a modification not only of our scientific understanding but also of the traditional conception of God. Moreover, there is a (...) key problem with arguments from design that Mill raised to which the new arguments seem no less vulnerable than the older versions. The view that science and religion are complementary has at least one significant advantage over other positions, such as the view that they are in an antagonistic relationship or the view that they are so incommensurable that they are neither complementary nor antagonistic. The advantage is that it aspires to provide a unified worldview that is sensitive to the claims of both science and religion. And surely, such a worldview, if available, would seem to be superior to one in which, say, scientific and religious claims were held despite their obvious contradictions. Given this, it should come as no surprise that many religious thinkers have been attracted to the view that science and religion are complementary. Here, I wish to consider a cluster of arguments exemplifying this position: namely, ‘new design arguments’ for the existence of God. These arguments rely directly on developments in late twentieth-century natural science in attempting to establish their conclusions. One question that will need to be addressed is: To what extent are they susceptible to the criticism that they only succeed by distorting the religious beliefs they claim to champion? But before we examine new design arguments, it would be wise to consider first of 1 all the traditional arguments from design, and note some of the problems they have faced.. (shrink)

In the broadest sense, natural theology is the effort to gain knowledge of God from non-revealed sources – that is, from sources other than scripture and religious experience – but there is also a much narrower sense of natural theology: the construction of arguments for the existence of God from empirical evidence. This narrower sense is most strongly associated with the argument for God's existence from the appearance that the natural world has been constructed for a purpose. This argument is (...) referred to as ‘the Design Argument’. This chapter addresses a generic theological question confounding the Design Argument. Why would God design or create anything at all, much less a world like this one? Let us call this question ‘Why design?’. It is shown that answering WD entangles proponents of the Design Argument in age-old debates about divine freedom, divine moral perfection, and divine rationality. Despite the pretensions of some of its proponents, the Design Argument is not and never has been ‘strictly scientific’. (shrink)

Of all the arguments for the existence of God, the argument from design is in many respects the most impressive, as everyone remarks that Kant remarked. Certainly it is an argument which seems to have appealed to the popular imagination and even today does not lack philosophical proponents. The purpose of the present paper is to examine a recent formulation of the argument. In particular I shall be concerned to bring into the open its dualist assumptions and to show (...) how these militate against its general plausibility. (shrink)

Most of the contemporary literature regarding teleology or design in nature assumes that we human beings make some sort of tacit inference when we form "design beliefs" person is causally relevant to the occurrence of some event). It is often held that this inference occurs so quickly that we are unaware of the inferential process. Attempts to reconstruct this inference have met with varying degrees of success, but none of them seem to match the strength with which ordinary (...) design beliefs are held. This dissertation therefore offers a challenge to this "inferential model" of design belief formation by arguing that in many ordinary cases we do not infer to design beliefs at all. Rather, human design beliefs often form spontaneously and properly whenever certain conditions are met, and receive some measure of positive epistemic status just in virtue of their proper and spontaneous formation. This alternative model is called a "Reidian" model because it is analogous to Thomas Reid's account of sense perception. The Reidian model offers the dialectical advantage of shifting the burden of proof from the one arguing for design to the one who claims to have a suitable "defeater" belief. It also better matches our introspective judgments about design beliefs and resolves some puzzling problems that have been noted in recent literature on design inferences. ;The Reidian model can also generate some reasonably persuasive design arguments from the deliverances of the natural sciences , but it does not sanction the inclusion of design hypotheses within the content of the natural sciences. It is also argued that none of the "defeater" propositions one might consider carries enough epistemic "weight" to defeat design beliefs that form according to the model. The resulting Reidian design arguments also have the advantage that they do not require the rejection of the Darwinian paradigm. However, it is also noted that the Reidian model presents several occasions for dialectical impasse between disputants about design in nature. (shrink)

Many things in the natural world work so well that they seem to have been designed. But by what? Could nature itself, by processes including those of evolution, be the designer? Or must their complex structure and function be attributed to some intelligent designer or God? Is natural design compatible with intelligent design? How good is the argument from the presence of design to an intelligent designer? And if we could legitimately infer the probable existence of an (...) intelligent designer from the presence of design in the natural world, what could we then infer about that designer's nature? (shrink)

In an article in Philosophy R. G. Swinburne set out to argue that none of Hume's formal objections to the design argument ‘have any validity against a carefully articulated version of the argument’ . This, he maintained, is largely because Hume's criticisms ‘are bad criticisms of the argument in any form’ . The ensuing controversy between Swinburne and Olding 1 has focused upon the acceptable/unacceptable aspects of the dualism presupposed in Swinburne's defence of the design argument; upon whether (...) any simplification is achieved by reducing scientific explanation to agent explanation; and upon the problems which arise from taking a man's acting upon his body as the analogy for understanding a disembodied agent acting upon matter. In this article I shall refer to the Swinburne-Olding controversy when appropriate but my main concern is to return to Swinburne's original article and argue, seriatim , that Hume's individual criticisms of the design argument are for the most part a great deal more powerful than Swinburne allowed. I shall contend that cumulatively they destroy the design argument as any sort of rational foundation for theistic belief. But first I shall indicate briefly the character of the argument together with one or two of the distinctions and refinements in terms of which it has been found helpful to carry on the discussion in recent years. (shrink)

The history of design arguments stretches back to before Aquinas, who claimed that things which lack intelligence nevertheless act for an end to achieve the best result. Although science has advanced to discredit this claim, it remains true that many biological systems display remarkable adaptations of means to ends. Versions of design arguments have persisted over the centuries and have culminated in theories that propose an intelligent designer of the universe. This volume is the only comprehensive survey of (...) 2,000 years of debate, drawing on both historical and modern literature to identify, clarify and assess critically the many forms of design argument for the existence of God. It provides a neutral, informative account of the topic from antiquity to Darwin, and includes concise primers on probability and cosmology. It will be of great value to upper-level undergraduates and graduates in philosophy of religion, theology, and philosophy of science. (shrink)

This article discusses a particular example of the intelligent design argument, which is one of the theistic arguments put forward to prove the existence of God. The intelligent design argument, in contrast to evolutionary theory, is central to the debate between religion and science. In this context, the problem that the article deals with is the validity and persuasiveness of William A. Dembski's design argument based on spatial regularities. Both historical and contemporary versions of design arguments (...) mainly focus on spatial regularities. However, with the widespread acceptance of evolutionary theory in scientific and philosophical circles, design arguments based on spatial regularities have been severely criticized. The article aims to examine a contemporary example of design arguments based on spatial regularities, and to determine whether it maintains its strength against the objections originating from the theory of evolution. Literature review, one of the qualitative data collection methods, was used in the study, and the data were philosophically evaluated in terms of consistency and defensibility. This subject, which has a very comprehensive place in the debates in the context of philosophy of religion, science and religion, is limited to Dembski's proof and objections to him. As a result of this study, it will be argued that Dembski's design argument based on spatial regularities is not convincing enough in the face of criticisms originating from the theory of evolution. (shrink)

If you have taken a college biology class, or just watched Animal Planet, you may have been struck by the startling complexity of living organisms. From the grandest mammal to the lowliest cell, life displays intricacy and structure that would put a high-paid team of engineers to shame. How could such fantastically organized, complex structures arise blindly out of unintelligent matter? Speaking of matter, why is it the way it is? Though unimaginably vast, our universe has precise features, as does (...) the matter in it. A glance at the inside back cover of a college physics textbook shows that there are extremely precise numbers describing the fundamental properties of matter. These include numbers for the speed of light in a vacuum, for the masses of fundamental particles like the electron, proton, and neutron, and for the strengths of forces like gravity and electromagnetism that act on those particles. These numbers seem utterly arbitrary. For all we know, they could have been completely different. Yet they turn out to be exactly what a universe needs in order for complex life to emerge in it. Likewise, the cosmology section of an astronomy course will teach you that there are very precise values for the temperature of the universe, for how much matter there is per cubic centimeter in the universe, for the rate at which the universe is expanding, and so on. How did those numbers get to be what they are? Were they just magically pulled out of a cosmic hat at the Big Bang? (shrink)

Some features within the physical universe appear to be so well-ordered that they have been regarded as evidence of the existence of a supernatural being who has designed them. This history of the so-called design argument is millennia-long, and various formulations of the argument have been presented. In this paper, I explore one contemporary version of the design argument proposed by the Intelligent Design movement, and analyze its advantages and disadvantages in comparison to one of the most (...) famous classical versions of the argument. (shrink)

Argument and Designfeatures fifteen essays by leading scholars of the Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, discussing the Mahābhārata's upākhyānas, subtales that branch off from the central storyline and provide vantage points for reflecting on it.