This paper explores Landmann-Kalischer’s analogy between the sensing of secondary qualities and the feeling of values in her work “Philosophie der Werte” (Philosophy of Values) (1910). Attention is paid to the epistemic motivation of the analogy, the distinction between pure feelings and affects, and the relation of pure feelings to value judgments. Her account is contrasted with two other accounts of the Brentanian tradition: Scheler’s approach within early phenomenology and Meinong’s account within the Graz School. I demonstrate that Landmann-Kalischer’s (...) pioneering work helped to forge a new view of affectivity which became dominant among Brentano’s followers. According to this new view, there is a type of affective experience which is both intentional and cognitive. More precisely, she argued that the affective experience in question is a feeling. The paper also argues that her account can enrich today’s meta-ethical research. It is argued that her account of pure feelings provides arguments against the view that makes emotions responsible for the apprehension of value. Furthermore, it is shown that we need an analysis of how objective knowledge of value can be obtained from our affective intuitions. -/- . (shrink)

A whole set of apprehensions blocks the relation of value theory to science. There is fear of a scientific authoritarianism in which a presumed scientific account of man's nature will dictate men's duties. There is a sensitive theoretical concern with the dangers of reductionism, the danger of sweeping aside the finer shades of human reactions that so far only phenomenological inspection has been able to reveal. There is the apprehension that causal inquiry will be substituted for responsible evaluative (...) decision, or that there may be helpless acquiescence in man's pitiful smallness instead of a sense of commitment and a stiffening of moral fibre. There is the danger too that the temporary character of many scientific hypotheses will be forgotten when they become the factual bases of ethical decisions. One cannot say that value theory which has spoken in the name of science has wholly avoided these dangerous pitfalls. But does not the avoidance of science in the realm of values have its own roster of dangers? Have not the dogmatisms of intuition, tradition, authority, been far more peremptory and far more arrogant in rejecting the need for evidence than a scientific dogmatism could ever be, hampered as it is by a built-in probabilism? Think of the many anxious beliefs about life and death that have taken the garb of certainty in issuing moral imperatives, or of arbitrary preferences unchecked in their universal pretensions. Recall the historical clinging to the familiar in a world that demands change, and the harsh striking down of the unconforming, the cramping effect on value creativity in all domains from art to morals. And what of the likelihood--if indeed there are scientific bases for value judgments--that turning the other way means simply making a faith out of outworn beliefs or yesterday's science rather than incorporating what is vital and growing in the expansion of human knowledge? One who would work in value theory has no other recourse than to appraise the relation of science and value in its own terms as a theoretical issue, and one of central importance. (shrink)

This article examines the main approaches to public understanding of science in light of recent developments in social and cultural theory. While traditional and critical perspectives on PUS differ in terms of their models of the public, science, and understanding, they nevertheless share a number of commonalities, which are humanism, incorporeality, and discrete sites. These are contrasted, respectively, to versions of the person as hybridic, to treatments of embodiment drawing especially on Whitehead’s notion of prehension, and to a rhizomic view (...) of science and public as interwoven. Throughout, it is stressed that the alternatives posed do not constitute an accusation of deficit on the part of traditional and critical PUS. Some research and political implications of interweaving these three perspectives are presented. (shrink)

In this paper I will delineate the psychological operations and faculties required for linguistic apprehension within a Thomistic psychology. This will require first identifying the proper object of linguistic apprehension, which will then allow me to specify the distinct operations and faculties necessary for linguisticapprehension. I will argue that the semantic value of any linguistic term is a type of incidental sensible and that its cognitive apprehension is a type of incidentalsensation. Hence, the faculties necessary for (...) the apprehension of any linguistic term’s semantic value will be the cogitative power and the intellect. The cogitativepower, because it is the faculty of particular intentions, and the intellect, because it is the faculty of universal intentions. (shrink)

In this paper I will delineate the psychological operations and faculties required for linguistic apprehension within a Thomistic psychology. This will require first identifying the proper object of linguistic apprehension, which will then allow me to specify the distinct operations and faculties necessary for linguisticapprehension. I will argue that the semantic value of any linguistic term is a type of incidental sensible and that its cognitive apprehension is a type of incidentalsensation. Hence, the faculties necessary for (...) the apprehension of any linguistic term’s semantic value will be the cogitative power and the intellect. The cogitativepower, because it is the faculty of particular intentions, and the intellect, because it is the faculty of universal intentions. (shrink)

This paper explores Moritz Geiger’s work on the role of emotions in aesthetic appreciation and shows its potential for contemporary research. Drawing on the main tenets of Geiger’s phenomenological aesthetics as an aesthetics of value, the paper begins by elaborating his model of aesthetic appreciation. I argue that, placed in the contemporary debate, his model is close to affective models which make affective states responsible for the apprehension of the aesthetic value of an artwork, though Geiger also (...) makes important concessions to the intellectualist. Indeed, like proponents of the affective model, Geiger argues that a work’s aesthetic values are extracted by means of an affective state though the affective state in question is neither an emotion nor a feeling but a “liking”. In fact, like the intellectualist, he considers that a focus on the emotions might on certain occasions interfere in the aesthetic appreciation of the artwork. Next, I reconstruct Geiger’s distinction between surface and depth effects in terms of a distinction between two types of emotional responses to artworks. It is argued that Geiger’s distinction offers a powerful tool to distinguish those emotions that are intrinsically related to aesthetic values from those that are not and that this distinction can be useful to understand how different kinds of emotions contribute to aesthetic appreciation. I proceed to examine the historical sources of Geiger’s distinction between surface and depth effects in Theodor Lipps’s aesthetics and compare Geiger’s account with the works of other early phenomenologists working on values. In the final part, I illustrate the place of Geiger’s model in the contemporary discussion by means of an example. (shrink)

Ethical reasoning of all types is anthropocentric, in that it is addressed to agents, but anthropocentric starting points vary in the preference they accord the human species. Realist claims about environmental values, utilitarian reasoning and rights-based reasoning all have difficulties in according ethical concern to certain all aspects of natural world. Obligation-based reasoning can provide quite strong if incomplete reasons to protect the natural world, including individual non-human animals. Although it cannot establish all the conclusions to which anti-speciesists aspire, it (...) may establish many of them with some clarity. (shrink)

Empathy is a form of emotionally charged imaginative perspective‐taking. It is also the unique source of a particular form of understanding, which I will call humane understanding. Humane understanding consists in the direct apprehension of the intelligibility of others’ emotions. This apprehension is an epistemic good whose ethical significance is multifarious. In this paper, I focus on elaborating the sense in which humane understanding of others is non‐instrumentally valuable to its recipients. People have a complex but profound need (...) to be humanely understood. Because we respond to others’ very real need when we pursue this sort of understanding of their emotions, empathy is best understood as itself a way of caring, rather than just a means to promote other caring behavior. (shrink)

We must therefore begin again from the metaphysical end of the main problem. We find in Whitehead's thought a picture of the kind of world in which value is possible, in which organic relatedness and continuity between diverse elements are made possible through "participation", through the agency of God. But we find that there is contradiction between his theory of value as atomic feeling and his whole metaphysics. True to our acceptance of "objectivity", we rather conceive value (...) to be the source and goal of feeling, the "participation of reality in ideality, of individuality in community". Both the nature and function of God in the world suggest that he is the absolute value in terms of which and because of which all "relative values" are achieved. ;The problem of the relation of value and existence is one of the special problems of value-theory in general. But it is particularly central not only to axiology but also to ontology, and the relation of these two fields to one another. It is the problem of a contrast between "realms" of Being; we are asking ourselves in what ways the contrast arises and is felt, and whether it can be metaphysically overcome. ;We must begin with an analysis of the value-situation in empirical terms. Ethics, as a field of thought concerned with value-factors, may serve to present the typical problems of the relation of value to existence: the objectivity of value, arising from a consideration of the judgment and definition of value and also from the normative character of ethical principles; the apprehension of value, following upon our admission, with Hartmann, of "objectivity" to value; the realization of value, introduced by the previous two problems taken together and by the further conception of the place and function of man the subject-agent. Thus, though we begin with the "phenomena" we find we must go beyond them to the metaphysical reference which they themselves presuppose. We agree with Hartmann that value has "objectivity" and is genuinely given in and for knowledge; we do not however concur that "objectivity" necessarily implies "essentiality" in value. (shrink)

The status of pornography is commonly disputed strictly in moralistic or legalistic terms. Although these approaches are vastly significant for promulgating and instituting public policy, they ignore serious aesthetic values of pornographic productions. I argue that an aesthetic approach clearly reveals some fundamental difficulties and categorizational flaws that policy makers often make. By incorporating the methodology of aesthetic distance theories, this study addresses pornographic perception from the realm of psychical aesthetic confrontation. In making these comparisons with another type of aesthetic (...) experience, namely artworks, we find that we cannot specifically discern any clearly defined boundary which empirically determines where the experience of art ends and pornography begins. In developing and supporting theses psychical concepts, I introduce the problem of the indeterminate psychical aesthetic distance. In sum, our deliberation upon any human creation must be conscientiously investigated from every perspective that philosophical analysis has to offer; doing so will undoubtedly supplement and enrich our understanding of complex philosophical concerns. Thus, this study is an imperative prerequisite for anyone thinking about the status of pornography from any serious philosophical perspective. (shrink)

There is a striking contrast between the significance of Harold Hotelling’s contribution to industrial economics and the fact that his location model was invalid, unrealistic and non-robust. It is difficult to make sense of the explanatory value of Hotelling’s model based on philosophical accounts that emphasize logical validity, representational adequacy, and robustness as determinants of explanatory value. However, these accounts are misleading because they overlook the context within which the explanatory value added of a model is apprehensible. (...) We present Hotelling’s model in its historical context and show why it is an important and explanatory model despite its apparent deficiencies. (shrink)

I propose a construal of aesthetic value that gives us reason to emphasize some aesthetic practices over others. This construal rests on the existence of a central aesthetic value, namely apprehension-testing intricacy within an appropriate domain. I address three objections: the objection that asks how an aesthetic value based on intricacy can account for the value of minimalism; the objection that asks about the difference between intricacy within a medium and intricacy between media; and the (...) objection that asks about the danger of a regress. I then say that, although this central aesthetic value can in principle allow us to adjudicate between aesthetic practices, we have epistemic limits (about the potential of certain artistic domains to allow for apprehension-testing intricacy) that prevent adjudication in some cases. Even if there is a difference between the vastness of the potential-intricacy-fields somewhere down the line, it is too far for us to see. (shrink)

There is the world of ideas and the world of practice; the French are often for sup pressing the one and the English the other; but neither is to be suppressed. -Matthew Arnold The Function of Criticism at the Present Time From its inception, bioethics has confronted the need to reconcile theory and practice. At first the confrontation was purely intellectual, as writers on ethical theory (within phi losophy, theology, or other humanistic disciplines) turned their attention to topics from the (...) world of medical practice. Recently the confrontation has grown more intense. The ap pointment of clinical ethicists in hospitals and other health care settings is an accelerating trend in North America. Concomitantly, those institutions involved in training peo ple in clinical ethics have added organized exposure to the world of practice, in the form of placement requirements, to the normal academic course load. In common with other dis ciplines, bioethics has begun to see clinical training as a con dition of didactic theory and apprenticeship. (shrink)

What is the role of emotions in elucidating the nature of value? For example, should dangerousness be understood in term of the fear response? What is the role of emotions in our getting access to values? For example, what may be the role of fear in becoming aware that a given animal is dangerous? What value do emotions have? For example, is fear of special value because it helps behaving appropriately towards its object? We shall take up (...) these three questions in turn and survey the most important answers they have received in the literature. As we shall discover, answering the first question amounts to surveying a variety of theories according to which there is an ontological relation between values and emotions since the former should be elucidated in terms of the latter. Addressing the second question consists in reviewing theories according to which there is an intentional relation between emotions and values because the former are apprehensions of value or evaluations. Grappling with the third question, we shall explore some reasons for thinking that emotions can exemplify values. (shrink)

This study analyzes the ideals of responsibility and accountability, asking such questions as when it is legitimate to blame top officials of an organization for mistakes made by personnel below them in the bureaucratic hierarchy; when things go wrong in a large and complex organization like the Canadian Forces, who is responsible and accountable; and whether a plea of ignorance is a good excuse. The study also analyzes the doctrine of ministerial responsibility in both the British and Canadian parliamentary traditions, (...) asking whether it is realistic to expect that a government minister should be held responsible for everything that goes wrong in his/her department. Finally, traditional military values are examined, considering the kinds of attitudes and values expected from Canada's armed forces and the differences between the military and civilian sectors. (shrink)

There are close links between emotions and values, or at least this is what our ordinary ways of talking suggest. For many, if not all, types of emotion it is thus possible to find a corresponding evaluative term, one often derived from the name of the emotion in question. These are for example evaluative terms such as ‘shameful', ‘offensive, ‘annoying', ‘dangerous', ‘contemptible', ‘admirable', ‘amusing', ‘exciting', ‘boring', and the like. Starting perhaps from these linguistic observations, the philosophical task is of course (...) to elucidate the nature of the links between emotions and values, and attempts at doing so have traditionally revolved around the following three questions: first, what is the role of emotions in elucidating the nature of value? For example, should dangerousness be understood in term of the fear response? Second, what is the role of emotions in our getting access to values? For example, what may be the role of fear in becoming aware that a given animal is dangerous? Third, what value do emotions have? For example, is fear of special value because it helps behaving appropriately towards its object? We hall take up these questions in turn and survey the most important answers they have received in the literature. As we shall discover, answering the first question amounts to surveying a variety of theories according to which there is an ontological relation between values and emotions since the former should be elucidated in terms of the latter (Sec. 1). Addressing the second question consists in reviewing theories according to which there is an intentional relation between emotions and values because the former are apprehensions of value or evaluations (Sec. 2). Grappling with the third question, we shall explore some reasons for thinking that emotions can exemplify values (Sec. 3). (shrink)

Rumour has been part of collective human life for centuries. Communities deal with anxiety and make sense of the unknowable by mixing apprehensions with what is already known to them. With modernity, and in line with studies on a range of social phenomena, there have been efforts to develop a science on rumour. Most of these studies deal with rumour at the propositional level, such that the rumouring or rumour-rebutting subject invariably belongs to one of the two sides of the (...) ‘true–false’ divide. Similar categories are followed in the study of rumour in social media, where the nodes in a rumour chain are, however, less hierarchical, and where images are increasingly used for persuasion. This paper, following a value-oriented approach, argues that the science on rumour has objectivized the problem, and has suggested instrumental solutions like enhancing the digital literacy of social media users. Whereas a value position should ideally attempt to efface the dilemma of the rumouring/rumour-rebutting subject, and locate rumours within the larger socio-political and historical context of a society. (shrink)

The article argues that Schopenhauer seeks to defend art against Plato's critique, but that he does so by adopting two distinct strategies that to some extent conflect: a 'cognitivist strategy' according to which art provides the most objective knowledge of reality, and an 'aesthetic experience' strategy, in which there is a peculiarly aesthetic state of mind which gives our pleasure in art a value of its own. The truly unifying notion in Schopenhauer's aesthetic theory is that of tranquil, will-less (...) contemplation, a state of non-identification with the striving, suffering, bodily individual that one is. The Ideas testify to the endurance of Schopenhauer's early Platonic ambitions, but they do not really produce a convincing theory. At one end of the spectrum, the Ideas are otiose: pleasure is in the tranquility of contemplation, which may well be of an empirical object. At the other end of the spectrum, apprehension of the Ideas serves an all-important cognitive function, but our pleasure cannot stem from our knowing the horrifying Idea of humanity per se. Rather, the key to the satisfaction we take in tragedy is, in Schopenhauer's account, the will-lessness of sublime resignation in face of the Idea. (shrink)

Background:Moral courage is defined as courage to act according to one’s own ethical values and principles even at the risk of negative consequences for the individual. In a complex nursing practice, ethical considerations are integral. Moral courage is needed throughout nurses’ career.Aim:To analyse graduating nursing students’ moral courage and the factors associated with it in six European countries.Research design:A cross-sectional design, using a structured questionnaire, as part of a larger international ProCompNurse study. In the questionnaire, moral courage was assessed with (...) a single question (visual analogue scale 0–100), the questionnaire also covered several background variables.Participants and research context:The sample comprised graduating nursing students (n = 1796) from all participating countries. To get a comprehensive view about graduating nursing students’ moral courage, the views of nurse managers (n = 538) and patients (n = 1327) from the same units in which the graduating nursing students practised were also explored, with parallel questionnaires.Ethical considerations:Ethical approvals and research permissions were obtained according to national standards in every country and all participants gave their informed consent.Results:The mean of graduating nursing students’ self-assessed moral courage was 77.8 (standard deviation 17.0; on a 0–100 scale), with statistically significant differences between countries. Higher moral courage was associated with many factors, especially the level of professional competence. The managers assessed the graduating nursing students’ moral courage lower (66.5; standard deviation 18.4) and the patients slightly higher (80.6; standard deviation 19.4) than the graduating nursing students themselves.Discussion and conclusions:In all countries, the graduating nursing students’ moral courage was assessed as rather high, with differences between countries and populations. These differences and associations between moral courage and ethics education require further research. (shrink)

Mojca Kuplen connects 18th-century German aesthetics to contemporary theories of self-knowledge in order to highlight the unique cognitive value of art. She does this through revisiting Kant's account of aesthetic ideas, and demonstrating how works of art can increase our understanding of abstract concepts whilst promoting self-knowledge. Addressing some of the most fundamental questions in contemporary aesthetics and philosophy of art, this study covers the value and importance of art, the relationship between art and beauty, the role of (...) knowledge in art and the criteria for artistic excellence. It offers an insight into problems related to the apprehension of meaning and the cognitive processing of abstract representations that have been of interest to contemporary cognitive science. Kant's Aesthetic Cognitivism presents these arguments in a lucid and wide-ranging engagement with the history of aesthetics and current academic debates to understand what art is and why it is valuable. (shrink)

This book analyses the use of the crucial concept of 'taste' in the works of five major seventeenth-century French authors, Méré, Saint Evremond, La Rochefoucauld, La Bruyère and Boileau. It combines close readings of important texts with a thoroughgoing political analysis of seventeenth-century French society in terms of class and gender. Dr Moriarty shows that far from being timeless and universal, the term 'taste' is culture-specific, shifting according to the needs of a writer and his social group. The notion of (...) 'taste' not only helped to shape a new dominant culture, but also registered the conflicts within that culture between a view of taste that presupposted the values of 'polite society' as an exclusive (though not necessarily aristocratic) group, and a view that stressed the value of the classical-humanist tradition as a source of standards ratified by a broader public. this study sheds light not only on the central concept, but also on the individual authors discussed and on the norms of French classical literature in general. (shrink)

According to much recent work in metaethics, we have a perceptual access to normative properties and relations. On a common approach, this access has a presentational character. Here, ‘presentational’ specifies a characteristic feature of the way aspects of the environment are apprehended in sensory experience. While many authors have argued that we enjoy presentations of value properties, thus far comparatively less effort has been invested into developing a presentational view of the apprehension of normative reasons. Since it appears (...) that this view would offer much the same theoretical benefits as presentational views of the apprehension of value, it seems worthwhile redressing this imbalance. My paper aims at doing so, focusing on concern-dependent practical reasons. After clarifying the central commitment of this view, I assess a recent proposal by Dancy :787-812, 2014) which provides a detailed characterization of the relevant type of cognition. I argue that Dancy ignores one of the central features of a presentational access to normative reasons and therefore misidentifies which actual psychological phenomena are apt to play this role. In this context, I also assess and reject further candidates that might seem fitting for this purpose. In the remainder of the paper, I then offer a more adequate account which specifies an actual form of presentational access to concern-dependent practical reasons and provide the contours of a more substantive account of its nature. (shrink)

According to «the emotional intentionality thesis», emotional experiences exhibit a sui generis intentional structure which consists in presenting the values of the objects they target. This paper examines the versions of this thesis put forward by Meinong and Scheler. While Meinong’s «emotional presentation account» maintains that emotions present values, Scheler’s «value-ception account» carefully dis-tinguishes between the apprehension of value in a feeling and the emotional response. The comparative study of both accounts is articulated around two issues central (...) to contemporary emotion research: 1) the «epistemic question» that examines which emotional experience is in fact responsible for the appre-hension of value; and 2) the «cognitive bases question» which explores the relation between emotional experiences and the cognitive states responsible for presenting the objects that the emotional experiences target. After introducing the emotional intentionality thesis and its historical roots in Brentano (sec-tion 1), the next two sections examine in turn the versions of this thesis provided by Meinong and Scheler (sections 2 and 3). The paper concludes by summarizing the results of the comparative study and extracting some teachings for current research (section 4). (shrink)

This article argues that there is a discrepancy between Jürgen Habermas's initial plea for critical and rational identities and his more recent glorification of the European model. Initially, Constitutional Patriotism could be apprehended as a critical standard for existing political practices. However, Habermas's recent political texts tend to lose all kind of reflexive distance in their apprehension of the European identity — which is presented as distinct and even superior to its counter-model, the US. Such a `Europatriotic' temptation should (...) be resisted. The `thick' European identity advocated by Habermas has no truly federative dimension and could undermine the unique normative potential of a political entity composed of distinct identities. Consequently, the article suggests an elucidation of liberal postnationalism with a view to explaining its refusal to tie Europe's legitimacy to an identification logic. (shrink)

Democracy has been a flawed hegemony since the fall of communism. Its flexibility, its commitment to equality of representation, and its recognition of the legitimacy of opposition politics are all positive features for political institutions. But democracy has many deficiencies: it is all too easily held hostage by powerful interests; it often fails to advance social justice; and it does not cope well with a number of features of the political landscape, such as political identities, boundary disputes, and environmental crises. (...) Although democracy is valuable it fits uneasily with other political values and is in many respects less than equal to the demands it confronts. In this volume prominent political theorists and social scientists present original discussions of such central issues. Democracy's Values deals with the nature and value of democracy, particularly the tensions between it and such goods as justice, equality, efficiency, and freedom. (shrink)

Genuineness is an important property of objects that are rare, old, or preserved as memorials. Being genuine enhances economic value for objects such as works of art, and it is obviously critical for historical purposes, such as assessing the artefacts from a past culture. Here I argue that genuineness is also an aesthetic property that delivers an experience of its own. I contend that the sense of touch covertly operates in such experiences, as this sense conveys the impression of (...) being in contact with the ‘real thing’. Touch seems to operate with a kind of transitivity that conducts the past into the present. However, the foundation for that impression may appear dubious, as it compares closely with what has been dubbed ‘magical thinking’. Under these circumstances, is the aesthetic value accorded genuineness sensible or irrational? An apprehension of something real or a pleasant delusion? I defend the transitivity of touch by comparing it to similar phenomena already recognized in studies of perception and emotion. (shrink)

It is popular to hold that emotions are evaluative. On the standard account, the evaluative character of emotion is understood in epistemic terms: emotions apprehend or make us aware of value properties. As this account is commonly elaborated, emotions are experiences with evaluative intentional content. In this paper, I am concerned with a recent alternative proposal on how emotions afford awareness of value. This proposal does not ascribe evaluative content to emotions, but instead conceives of them as evaluative (...) at the level of intentional mode or attitude. I first argue that this proposal fails to make emotions intelligible as value apprehensions. There are reasons to suppose that emotions do not apprehend value to begin with, but are related to values in a different, non-epistemic sense. I then go on to show that the notion of an evaluative intentional mode can still help elucidate the evaluative character of emotion. I argue that there is a plausible non-epistemic understanding of the view that emotions are evaluative modes. On this account, emotions are not ways of apprehending values, but ways of acknowledging values. (shrink)

The chronicle of John of Worcester is one of the most important sources of earlier English history. The chronicle, which was written at Worcester by 1140, is of considerable interest to historians of both the Anglo-Saxon period and of the late eleventh and twelfth centuries. Its backbone is a translation of an Anglo-Saxon chronicle with varied connections, and this edition makes possible the detailed examination of these allegiances. Its annals for the second half of the ninth century provide one of (...) the earliest surviving witnesses to the text of Asser's Life of Alfred. The author had access to otherwise unrecorded sources of events in the eleventh century, and the chronicle's value as a contemporary source for the reign of Stephen has long been acknowledged. Dr McGurk has completed the edition of the work left unfinished by R. R. Darlington on his death in 1977. The chronicle will be published in three volumes. Volume II covers the annals for 450 to 1066, and volume III the annals from 1067 to 1140. Volume I will be published last, and will contain a general introduction and supplementary material. (shrink)

Literary criticism at the present moment seems ready to open its doors once again to the outside world, even if that world is only a series of other academic disciplines, each cloistered in its own way. For the reader of black African literature in French, the opening comes none too soon. The program for reading Camara Laye, Ahmadou Kourouma, and Yambo Ouologuem should never have been the program prescribed for Rousseau, Wordsworth, or Blanchot. If one is willing to read a (...) literature that might not be a rewriting of Hegel , and if the negative knowledge of recent theoretical criticism is questioned in the universality of its applications, then what is really open to a Western reader of non-Western literature? Claiming a break with his/her own culture and critical upbringing, can he/she the Other, the African, as if from an authentically African point of view, interpreting Africa in African terms, perceiving rather than projecting?The goal of breaking through the nets of Western criticism, of reading African literature in a nonethnocentric, nonprojective fashion, will remain both indisputably desirable and ultimately unattainable. No matter how many languages I learn or ethnologies I study, I cannot make myself into an African. The Western scholar’s claim to mastery of things African, albeit motivated by xenophilia rather than xenophobia, risks subjugation of the object to a new set of Western models. J. P. Makouta-M’Boukou rightly scolds Western critics who refuse to take into account the distance between themselves and African culture, and who read African literature only in function of their own cultural context.1 Wole Soyinka, more forbiddingly, complains: “We black Africans have been blandly invited to submit ourselves to a second epoch of colonisation—this time by a universal-humanoid abstraction defined and conducted by individuals whose theories and prescriptions are derived from the apprehension of their world and their history, their social neuroses and their value systems.”2 1. See J. P. Makouta-M’Boukou, Introduction à l’étude du roman négro-africain de langue française , p. 9.2. Wole Soyinka, Myth, Literature, and the African World , p. x. Christopher L. Miller, Charles B. G. Murphy Assistant Professor of French and of African and Afro-American Studies at Yale University, is author of Blank Darkness: Africanist Discourse in French . He is working at present on a study of francophone black African literature, for which he will have a Fulbright Africa Research grant. (shrink)

This paper explores the nature of ourexperiences of values– ourvalueceptions. In the recent literature, two main standpoints have emerged. On the one hand, the ‘Meinongian’ side claims that axiological properties are experienced exclusively in emotions. On the other hand, the ‘Hildebrandian’ side contends that since valueceptions can be ‘cold’, they are not accomplished in emotions but rather reside in ‘value-feelings’ – emotions, in this framework, being conceived of asreactionsto the values thus revealed. The aim of the paper is to (...) argue that theHusserlianphenomenology of affectivity, especially as it is developed during his Göttingen period, can help to overcome these two accounts. I start by pointing out that, contrary to what most scholars have assumed so far, Husserl’s theory of valueception is not tantamount to Meinong’s, as it is very sensitive to ‘Hildebrandian’ arguments (Part 2). The core of the paper is then devoted to a systematic reconstruction of Husserl’s solution to this controversy. Drawing on the analogy between thing-perceptions and value-perceptions (Part 3), I show, first, that ‘cold’ valueceptions are to be identified with empty apprehensions (Auffassungen) of value, in which an emotion is notactually experiencedbut isanticipatedin such-and-such kinaesthetic circumstances (Part 4); second, that the realization of this anticipation amounts to thefulfillmentof the valueception (Part 5). As a result, Husserl acknowledges the relevance of ‘value-feelings’, yet his account appears more satisfactory than traditional ‘Hildebrandian’ theories in that it demystifies these ‘value-feelings’ by reducing them topotential emotions. (shrink)

A monumental and riveting account of how a poet, a physicist, and a philosopher pursued truth to the very limits of human apprehension and revealed the fundamental nature of our place in the universe Spiraling in the wreckage of a failed love affair, Argentine poet Jorge Luis Borges channeled his devastation into his work, reassessing the slippery nature of our own identities and the way we perceive reality, ultimately securing his place in the literary pantheon. Doggedly fighting against the (...) scientific establishment for his controversial interpretation of quantum mechanics, German physicist Werner Heisenberg dared to accept the experimental evidence at face value, leading him to a principle that has been a guiding light for physicists ever since. Prussian philosopher Immanuel Kant, horrified by the possibility that all knowledge might rest on uncertain grounds, undertook to test the limits of reason, placing human understanding on a firmer footing than ever before. What these three thinkers shared, in addition to their uncommon intellect, was their skepticism-not only of the accepted wisdom of their culture, but also of their own reasoning. What set them apart was their willingness to submit their ideas to the same rigor they would bring to someone else's. In so doing, they made extraordinary leaps in answering some of the most enduring questions about the nature of reality-about the flow of time in human consciousness, about the origins and nature of the universe, but most importantly, about the possibility of coming to know reality as it is itself. In an era like ours, in which dogma of all kinds seems to rule the day, the story of these thinkers serves as a crucial reminder that maverick thinking demands submitting our intuitions and even our own deeply held beliefs to the cold light of reason. In their lives and work we recognize that the mysteries of our place in the world may always loom over us, not as a threat, but as a reminder of our humble humanity. (shrink)

The article presents an account of the visual relations created by garments through their plastic formants, examining the role played by form, material, and composition in creating body hierarchies that produce prescribed behaviors between different subjects. The work dissects the concept of thematic role from Greimasian theory, investigating the manners in which an eighteenth-century wedding dress presents the chaining of programs governing materials, garments, and the body in the production of narrative interactions between subjects. The work utilizes a combination of (...) Greimas’ method with the Visual Semiotics continued by Floch and Oliveira, as well as Hammad’s Semiotics of Space which permit the exam of optical relations created in the body through its clothing – relations that can be read as manifesting values that are both historically and socially determined, or in the act of apprehension of an object. The eighteenth century provides a type of “original” case, whose results are pertinent to a broader study of the relations between body and dress: the work concludes with the understanding that Fashion changes through the transit of values and roles invested in the body and dress – a set of changes closely linked to the construction of social roles. (shrink)

Husserl seldom refers to feelings, and when he does, he mainly focuses on their axiological character, which corresponds to a specific kind of value apprehension. This paper aims to discuss the role of feelings in Husserl from a different angle. For this purpose it makes a detour through Husserl’s early account of attention. In a text from 1898 on attention the aspect of interest, which is said to have a basis in feeling, plays an essential role. Although Husserl (...) argues here that every specific interest is dependent on an objectifying act of perception, he at the same time states that every act of perception necessarily has to be accompanied by an interest of some sort. In the latter sense, the genuine motivational force and necessity of this feeling aspect, namely interest, is emphasized. This ambiguity – or even contradiction – shall be the point of departure for the following considerations. The paper argues that it is possible to interpret the role of feelings in intentionality in a different way, namely not as an effect of current perception but as a cause of further perceptions. This tendency is first indicated in the text from 1898 and elaborated further in Husserl’s genetic approach in Experience and Judgment. In Experience and Judgment Husserl develops a broader notion of interest, defining it as a general perceptual drive. This general drive – so the paper will argue – expresses itself in concrete perception as a specific preference: it discloses or makes manifest what is relevant for an individual subject at a given time. (shrink)

Plotinus maintains that our intellect is always thinking. This is due to his view that our intellect remains in the intelligible world and shares a natural kinship with the hypostasis Intellect, whose being and activity consists in eternal contemplation of the Forms. Moreover, Plotinus maintains that although our intellect is always thinking we do not always apprehend our thoughts. This is due to his view that “we“ descend into the sensible world while our intellect remains in the intelligible world. Furthermore, (...) Plotinus maintains that it is only when logoi unfold the content of our thoughts into the imagination that we apprehend them. This is due to a complex account between, on the one hand, the relationship between intellect and discursive reasoning, and on the other hand, the relationship between discursive reasoning and language. Plotinus tells this story with remarkable brevity in Ennead 4.3.30. In this paper I explain the role the imagination plays in the apprehension of thoughts through a close analysis of this treatise in connection with Ennead 1.4.10. (shrink)

Finnis claims that his theory proceeds from seven basic principles of practical reason that are self-evidently true. While much has been written about the claim of self-evidence, this article considers it in relation to the rigorous claims of logic and mathematics. It argues that when considered in this light, Finnis equivocates in his use of the concept of self-evidence between the realist Thomistic conception and a purely formal, modern symbolic conception. Given his respect for the modern positivist separation of fact (...) and value, the realism of the Thomistic conception cannot be the foundation for the natural law as Finnis would reconstruct it. Nor can the purely formal modern conception of self-evidence provide a foundation for practical reason. This raises some doubt as to whether there can be self-evident principles of practical reason as Finnis suggests. The article contributes to the analysis of the Finnis reconstruction of the natural law by providing a rigorous analysis of his claim for self-evidence. It frames this analysis historically, suggesting the roles that certainty and mystery play in the apprehension of moral meaning. (shrink)

The sense of balance remains a Cinderella among our senses. Although the vestibular apparatus and the apprehension of motion, equilibrium and orientation which it serves has now been studied extensively and descriptions abound in textbooks on perceptual psychology, its key role in our agency remains neglected in philosophical accounts of perception. Popularly received wisdom on the senses also largely ignores balance and it has recently even been called 'the lost sense'. -/- Recognition for the discovery of this sense should (...) probably be accorded to Thomas Reid and his contemporary William Charles Wells. Both made crucial observations before the close of the eighteenth century. Since there is now a tendency to emphasize the role of the agent, brain plasticity, and the development of motor skills in all perceptual tasks, some of Reid's comments in particular strike us as remarkably modern. Reid also differs from many authorities in crediting the sense with specific sensations, as would be expected given the role of sensations in his epistemological scheme. -/- In this paper some of the fascinating facts about the sense of balance are reviewed so that Reid's remarks can be evaluated in a modern context. Similarities and differences in the approaches of Wells and Reid are considered and the value that Reid's insights have even now in understanding perceptual processes is explored. It is suggested that Reid should indeed be counted among the hitherto unacknowledged discoverers of this fundamental sense. (shrink)