Compendium, with Kr̥ṣṇālaṅkāra commentary of Acyutakr̥ṣṇānandatīrtha, on the fundamentals of Advaita philosophy.

Treatise on the rules (vidhis) of Mimāṃsā school in Hindu philosophy with two classical commentaries.

v. 1. Translation -- v. 2. Roman and Sanskrit texts.

Compendium, with Sanskrit commentaries on the fundamentals of Advaita school in Hindu philosophy; includes Vedāntasiddhāntasūktimañjarī of Gaṅgādharendrasarasvatī.

Supercommentary on the Vedāntakalpataru of Amalānanda, 13th cent., commentary on the Bhāmatī of Vācaspatimiśra, fl. 976-1000; Advaita viewpoint.

Compendium of Advaita philosophy with two Sanskrit commentaries and Hindi translation.

The seventeenth century author Nīlakaṇṭha Caturdhara wrote several works criticising the Vedāntic theology of the sixteenth century author, Appayya Dīkṣita. In one of these works, the Vedāntakataka, Nīlakaṇṭha picks out two doctrines for criticism: that the liberated soul becomes the Lord, and that souls thus liberated remain the Lord until all other souls are liberated. These doctrines appear both in Appayya’s Advaitin and in his Śivādvaitin writings. They appear to be ones to which Appayya was committed. They (...) raise theological and conceptual problems, however, both in themselves as doctrines, and as part of nondual Vedāntic teaching. A study of the Vedāntakataka reveals those features of Appayya’s Vedānta that Advaitins in Banaras in the century after his life considered to be anomalous, and illuminates aspects of the context in which his ideas developed and circulated. (shrink)

In the last few years, several scholars have attempted to analyze the historical circumstances of Bhaṭṭoji Dīkṣita and the development of his specific stances in the area of Pāṇinian grammar. This paper seeks to broaden that investigation by exploring Bhaṭṭoji Dīkṣita’s relationship to Appayya Dīkṣita. Appayya Dīkṣita’s works, such as the Madhvatantramukhamardana, were the direct source of inspiration not only for the critique of the Mādhva Vedānta that appears in Bhaṭṭoji Dīkṣita’s Tantrādhikārinirṇaya and Tattvakaustubha. They may also be (...) seen as the ideological source for Bhaṭṭoji Dīkṣita’s grammatical fundamentalism, in rejecting any views that are not strictly in agreement with the views of the three founding sages of Sanskrit grammar, namely Pāṇini, Kātyāyana and Patañjali. (shrink)

This essay is a first attempt to trace the evolution of biographical accounts of Appayya Dīkṣita from the sixteenth century onward, with special attention to their continuities and changes. It explores what these rich materials teach us about Appayya Dīkṣita and his times, and what lessons they offer about the changing historical sensibilities in South India during the transition to the colonial and postcolonial eras. I tentatively identify two important junctures in the development of these materials: one that (...) took place in the first generation to be born after his death, when the idea of him as an avatar of Śiva was introduced, and another at the end of the nineteenth century and the beginning of the twentieth, when many new stories about his encounters with his colleagues and students surfaced. The essay follows a set of themes and tensions that pertain to Appayya Dīkṣita’s social and political affiliations, his sectarian agendas, and the geographic sphere of his activities. These themes and tensions are closely related and prove to be surprisingly resilient, despite the many changes that occurred during the five centuries of recollection that this essay sketches. This overall coherence, I argue, is integral to Appayya Dīkṣita’s sociopolitical context and self-chosen identity. (shrink)

The Siddhāntaleśasaṅgraha written by Appayyadīkshitar in the seventeenth century is one of the rare texts where the author brings together the different views of Advaita present at his time. The book itself starts with the controversy surrounding whether the sentence “śrotavyaḥ…” is a vidhi-vākya or not. This paper attempts to summarize the various approaches to this question in the SLS and gives us a glimpse as to how the debate was conducted. Even though the SLS was translated by Suryanarayana Sastri (...) in 1933 the vocabulary and the style is so out-dated that it was not of much use. I then decided to do a fresh translation of the SLS and have succeeded only in translating the first uddeśa. I have condensed the arguments presented in the SLS under some broad headings and thus tried to recreate the arguments presented in the text. (shrink)

Although today Appayya Dīkṣīta enjoys a reputation as the preeminent Śaiva polemicist of the sixteenth century, it must be remembered that he also wrote works from a distinctively Vaiṣṇava perspective, in which Viṣṇu is extolled as the paramount god rather than Śiva. This paper examines one of those works, the Varadarājastava and its autocommentary. It places special emphasis on how the poem is patterned on the Varadarājapañcāśat of the fourteenth-century Śrīvaiṣṇava poet and philosopher, Vedānta Deśika, with close attention to (...) the Varadarājastava’s use of the Vaiṣṇava imagery of the dahara-vidyā or meditation on brahman as the small space within the lotus-shaped heart. While this meditation was the central devotional practice for Appayya Dīkṣita and for his Śaiva predecessor Śrīkaṇṭha, in the Varadarājastava, Appayya is able to develop a more overtly Advaita dahara-vidyā, unfettered by hermeneutic fidelity to Śrīkaṇṭha’s Śaiva approach. The paper also considers the anomaly of Appayya writing as a Vaiṣṇava in the context of the institutional conflicts that took place between Śaivas and Vaiṣṇavas at sites close to where Appayya received patronage. (shrink)

Apart from his voluminous, immensely learned, and spectacularly successful contributions to the fields of Hermeneutics, non-dualist Metaphysics, and poetics, the sixteenth century South Indian polymath Appayyadīkṣita is famed for reviving from obscurity the moribund Śaivite Vedānta tradition represented by the Brahmasūtrabhāṣya of Śrīkaṇṭha. Appayya’s voluminous commentary on this work, his Śivārkamaṇidīpikā, not only reconstitutes Śrīkaṇṭha’s system, but radically transforms it, making it into a springboard for Appayya’s own highly original critiques of standard views of Mīmāṃsā and Vedānta. (...) class='Hi'>Appayya addresses long sections of his commentary to matters dealt with glancingly or not at all in the root text, drawing conclusions which Śrīkaṇṭha nowhere endorses. Furthermore, the distinctive positions Appayya develops in the Śivārkamaṇidīpikā feed into Appayya’s other works in ways that have so far been largely ignored by modern scholars. For example, most or all the discussions Appayya’s Pūrvottaramīmāṃsāvādanakṣatramālā, twenty-seven essays on scattered topics in Mīmāṃsā and Vedānta, build on arguments first advanced in the Śivārkamaṇidīpikā—most notably Appayya’s totally original theory of the signification of adjectives, first developed in the Śivārkamaṇidīpikā, the full elaboration and defense of which takes up fully sixteen of the twenty-seven essays that make up the Pūrvottaramīmāṃsāvādanakṣatramālā. (shrink)

Recognizing newness is a difficult task in any intellectual history, and different cultures have gauged and evaluated novelty in different ways. In this paper we ponder the status of innovation in the context of the somewhat unusual history of one Sanskrit knowledge system, that of poetics, and try to define what in the methodology, views, style, and self-awareness of Sanskrit literary theorists in the early modern period was new. The paper focuses primarily on one thinker, Jagannātha Paṇḍitarāja, the most famous (...) and influential author on poetics in the seventeenth century, and his relationship with his important sixteenth-century predecessor, Appayya Dīkṣita. We discuss Jagannātha’s complex system of labeling of ideas as “new” and “old,” the new essay style that he used to chart the evolution of ideas in his tradition, his notion of himself as an independent thinker capable of improving the system created by his predecessors in order to protect its essential assets, and the reasons his critique of Appayya was so harsh. For both scholars what emerges as new is not so much their opinions on particular topics as the new ways in which they position themselves in relation to their system. (shrink)

Classical and modern figures in numerous religious traditions—including Judaism, Christianity, Sufism, Hinduism, Mahāyāna Buddhism, and the Baha’i faith—have championed the doctrine of universal salvation, the view that everyone without exception will be saved.1 However, recent scholarly work on the topic has made clear that universal salvation is not a monolithic concept. Rather, the doctrine of universal salvation takes a wide variety of forms, depending on the broader theological or metaphysical framework within which it is embedded.Within Hinduism, for instance, figures as (...) diverse as Appayya Dīkṣita, Sri Ramakrishna, Sri Aurobindo, and Sarvepalli Radhakrishnan have all advocated the general doctrine of... (shrink)

First Words, Last Words charts an intense "pamphlet war" that took place in sixteenth-century South India. The book explores this controversy as a case study in the dynamics of innovation in early modern India, a time of great intellectual innovation. This debate took place within the traditional discourses of Vedic Hermeneutics, or Mīmāṃsā, and its increasingly influential sibling discipline of Vedānta, and its proponents among the leading intellectuals and public figures of the period. At the heart of this dispute lies (...) the role of sequence in the cognitive processing of textual information, especially of a scriptural nature. Vyāsatīrtha and his grand-pupil Vijayīndratīrtha, writers belonging to the camp of Dualist Vedānta, purported to uphold the radical view of their founding father, Madhva, who believed, against a long tradition of Mīmāṃsā interpreters, that the closing portion of a scriptural passage should govern the interpretation of its opening. By contrast, the Nondualist Appayya Dikshita ostensibly defended this tradition's preference for the opening. But, as the book shows, the debaters gradually converged on a profoundly novel hermeneutic-cognitive theory in which sequence played little role, if any. In fact, they knowingly broke new ground, and only postured as traditionalists. First Words, Last Words explores the nature of theoretical innovation in this debate and sets it against the background of comparative examples from other major scriptural interpretive traditions. The book briefly surveys the use of sequence in Jewish, Christian, and Islamic hermeneutics and also seeks out parallel cases of covert innovation in these traditions. (shrink)

This article tells an intellectual history of Mammaṭa Bhaṭṭa’s Kāvyaprakāśa in the Benares-Centered Network of Sanskrit Learning from c. 1600–1750 CE. The core narrative proposed herein is that the discourse on Sanskrit Poetics reaches a bifurcated state by the 1400s and 1500s: the Kāvyaprakāśa commentarial tradition constitutes a distinct domain, wherein commentators debate exclusively among themselves on lower-order issues. This period of normalcy is ruptured by Appayya Dīkṣita, who effectively destabilizes the discourse, overhauling the conventional wisdom via his empiricist (...) polemics and via the importation of a new doxographical methodology from Vedānta in his magnum opus on Sanskrit Poetics, the Citramīmāṃsā. Shortly thereafter, Jayarāma Nyāyapañcānana, the Benares-based Naiyāyika from the East, substantially defends Mammaṭa’s system of poetic ornaments against Appayya’s polemics within his Kāvyaprakāśa commentary, marking the beginning of the bifurcation’s erosion. The tension of how to resolve Appayya’s system with Mammaṭa’s dominates the literature for the ensuing century, and commentators such as Kamalākara Bhaṭṭa, Bhīmasena Dīkṣita, and Nāgeśa Bhaṭṭa all champion defenses of the Kāvyaprakāśa’s authoritative and conservative system against Appayya. This tension culminates in the discourse’s last major treatise, the Alaṅkārakaustubha of Viśveśvara Paṇḍita, wherein Viśveśvara situates himself on a continuum with Jayarāma and defends the core contours of Mammaṭa’s system against Appayya and Jagannātha Paṇḍitarāja. Viśveśvara systematically utilizes the most up-to-date frameworks and positions of Nyāya, entailing radical transformations for the core terminology, standards of debate, and philosophical underpinnings in Sanskrit Poetics. The article concludes by way of contextualizing Jagannātha Paṇḍitarāja within this new narrative. (shrink)