The so-called "Big Typescript" is Wittgenstein's first attempt to publish in a book his collected thoughts since his return to Cambridge and to philosophical writing, thus correcting the "serious errors" (Wittgenstein) of his early work. Among the texts in Wittgenstein's estate, the "Big Typescript" is the one that, next to the "Logisch-Philosophische Abhandlung" (the "Tractatus") of 1918, appears to be the most "finished", with a table of contents structured in chapters and sections. It is, however, a fragment, (...) without either title, motto or conclusion. To Wittgenstein, it was important "that the thoughts in [the book] should progress from one subject to another in well-ordered consecutiveness." It is precisely this structure of the "Big Typescript", though ultimately rejected by Wittgenstein, which constitutes the immeasurable value of the text for the study of and as an introduction to Wittgenstein's thinking. (shrink)

In 1929, Wittgenstein reconsidered the vexing color-Incompatibility problem: explaining how and why more than one color cannot be at a single time and place. He continued discussing the problem in 1930 and later. He offered solutions in the "tractatus", In 1929 and in 1930. Are the solutions the same? clearly not, Because the 1929 solution differs from his earlier one. However, I argue that the 1930 solution is substantially identical with that of 1929 and that the 1929-30 solution is (...) continuous with the "tractatus" as well as some later doctrines. Therefore 1929-30 marks a period of intellectual ferment rather than massive abandonment of his earlier views. (shrink)

endorsed one kind of inverted spectrum hypothesis and rejected another. This paper argues that the kind of inverted spectrum hypothesis that Wittgenstein endorsed is the thin end of the wedge that precludes a Wittgensteinian critique of the kind of inverted spectrum hypothesis he rejected. The danger of the dangerous kind is that it provides an argument for qualia, where qualia are contents of experiential states which cannot be fully captured in natural language. I will pinpoint the difference between (...) the innocuous and dangerous scenarios that matters for the argument for qualia, give arguments in favor of the coherence and possibility of the dangerous scenario, and try to show that some standard arguments against inverted spectra are ineffective against the version of the dangerous scenario I will be advocating. The leading idea of the paper is that an argument for qualia based on spectrum inversion does not require that the inversion be behaviorally indistinguishable. At one crucial point, I will rely on a less controversial version of an argument I gave in Block. Wittgenstein's views provide a convenient starting point for a paper that is much more about qualia than about Wittgenstein. (shrink)

According to Mark Steiner, Wittgenstein’s intense work in the philosophy of mathematics during the early 1930s brought about a distinct turning point in his philosophy. The crux of this transition, Steiner contends, is that Wittgenstein came to see mathematical truths as originating in empirical regularities that in the course of time have been hardened into rules. This interpretation, which construes Wittgenstein’s later philosophy of mathematics as more realist than his earlier philosophy, challenges another influential interpretation which (...) reads Wittgenstein as moving in the opposite direction, from a more realist toward a less realist position. Both of these readings, I argue here, tend to overlook the crucial role of conventionalism in shaping Wittgenstein’s later philosophy. I show that during the transition period, Wittgenstein was first strongly attracted to conventionalism, but then, upon discovery of the rule following paradox, came to realize its weaknesses. Did this realization mark the end of the liaison with conventionalism and a wholehearted acceptance of the empirical regularities account? Illustrating Wittgenstein’s ongoing ambivalence toward conventionalism and pointing to his novel understanding of this position, I answer this question in the negative. (shrink)

Wittgenstein's ideal of “coolness” seems to be represented by the idea of a temple which provides a larger perspective than those of the passions, which remain present but untroubling. Wittgenstein's temple is the image of a powerful condition of mind with an intentional, cognitive content whose saliencies contrast with those of the passions, which are not so much restrained by a contrary and coercive force as subdued precisely by a transfer of power to another and therefore strengthened (...) form of attention. A form of attention, according to the author, that belongs to the Greek virtue of s ophrosun e, a virtue which is the “coolness” toward which Wittgenstein aspires. The author suggests that “coolness” is best understood as the disclosure of an emergent moral sensibility in the revelation of the natural objects of its attention. (shrink)

Wittgenstein was one of the most powerful influences on contemporary philosophy, yet he shunned publicity and was essentially a private man. This remarkable, vivid, personal memoir is written by one of his friends, the eminent philosopher Norman Malcolm. Reissued in paperback, this edition includes the complete text of fifty-seven letters which Wittgenstein wrote to Malcolm over a period of eleven years. Also included is a concise biographical sketch by another of Wittgenstein's philosopher friends, Georg Henrik von (...) Wright. 'A reader does not need to care about philosophy to be excited by Mr Malcolm's book; it is about Wittgenstein as a man, and its interest is human interest'. (shrink)

Wittgenstein's Folly: Philosophy, Psychoanalysis and Language Games presents a dialogue between the philosopher Ludwig Wittgenstein, the author Françoise Davoine, and Davoine's patients with extreme lived experience. The book begins with Davoine's seminar at the École des Hautes Études en Sciences Sociales in Paris, which is attended by Wittgenstein. He then accompanies Davoine on visits to colleagues at the Austen Riggs Center in Massachusetts, in California, on a Sioux reservation in South Dakota, and at Freud's house in Vienna. (...) The dialogic form of the book allows a performance centered on the psychotherapy of madness and trauma, in which Wittgenstein takes the floor. Davoine introduces us to a contemporary Feast of Fools and creates new language games with madness, enlarging the scope of psychoanalytic approaches to authors like Wittgenstein. The chapters of this book closely resemble short plays in which a conversation with living human beings or with characters from philosophy, literature, science, and the arts encounter one another and begin to open new ways of speaking that can render the "mad" more familiar and more manageable. Wittgenstein's Folly: Philosophy, Psychoanalysis and Language Games will be of great interest to psychoanalysts and to academics and students engaged in psychoanalytic studies, philosophy and trauma-related studies. (shrink)

The title of this chapter is borrowed from John McDowell's ‘One strand in the private language argument’ (1998b). In that paper, he argues that much of what is best in Wittgenstein's discussion of private language can be seen as a development of the Kantian insight that there is no such thing as an unconceptualized experience - that even the most elementary sensation must have a conceptual aspect. On McDowell's view, a sensation is a ‘perfectly good something - an object, (...) if you like, of concept involving awareness. What is a nothing … is the supposed pre-conceptual this that is supposed to ground our conceptualizations’ (1998b: 283). McDowell's Sellarsian objections to the notion of the Given in that paper are an insightful and illuminating development of Wittgenstein's discussion of the topic. However, McDowell's recoil from the notion of an unconceptualized experience, a conception of sensation on which it turns out to be ‘simply a nothing’ (ibid.), leads him to reject Wittgenstein's cryptic proposal that a sensation is ‘not a something, but not a nothing either’ (PI 304). Instead, McDowell embraces the opposed view on which every experience is a ‘perfectly good something’ (1998b: 283), something of one kind or another, for it must be possible to bring it under the appropriate concepts. What McDowell misses here, I believe, is that a central aim of Wittgenstein's discussion of our supposed ability to refer to inner objects is to attack the very idea of ‘pre-linguistic awareness … as a substratum on which the capacity for concept-carried awareness is constructed’ (ibid.). (shrink)

Ludwig Wittgenstein, who died in Cambridge in 1951, is one of the most powerful influences on contemporary philosophy, yet he shunned publicity and was essentially a private man. His friend Norman Malcolm (himself an eminent philosopher) wrote this remarkably vivid personal memoir ofWittgenstein, which was published in 1958 and was immediately recognized as a moving and truthful portrait of this gifted, difficult man.This edition includes also the complete text of the fifty-seven letters which Wittgenstein wrote to Malcolm over (...) a period of eleven years. Apart from the quotations in the Memoir these letters are previously unpublished. They reveal how much friendships mattered to Wittgenstein, and how concerned hewas for the health and well-being of his friends. His human qualities become evident; he advises, warns, jokes. and is grateful and affectionate.The volume also features a concise biographical sketch by another leading philosopher who was a friend of Wittgenstein, Georg Henrik von Wright.Much has been published about Wittgenstein since his death, but nothing brings us closer to the man himself than this modest classic of philosophical biography. (shrink)

What is the nature of a conceptual scheme? Are there alternative conceptual schemes? If so, are some more justifiable or correct than others? The later Wittgenstein already addresses these fundamental philosophical questions under the general rubric of "grammar" and the question of its "arbitrariness"--and does so with great subtlety. This book explores Wittgenstein's views on these questions. Part I interprets his conception of grammar as a generalized version of Kant's transcendental idealist solution to a puzzle about necessity. It (...) also seeks to reconcile Wittgenstein's seemingly inconsistent answers to the question of whether or not grammar is arbitrary by showing that he believed grammar to be arbitrary in one sense and non-arbitrary in another. Part II focuses on an especially central and contested feature of Wittgenstein's account: a thesis of the diversity of grammars. The author discusses this thesis in connection with the nature of formal logic, the limits of language, and the conditions of semantic understanding or access. Strongly argued and cleary written, this book will appeal not only to philosophers but also to students of the human sciences, for whom Wittgenstein's work holds great relevance. (shrink)

The papers in this volume can be roughly divided between?the philosophy of mind? and?the philosophy of language?. They are, however, united by the idea that this standard philosophical classification stands in the way of clear thinking about many of the core issues. With this, they are united by the idea that the notion of a human being must be central to any philosophical discussion of issues in this area, and by an insistence on an inescapably ethical dimension of any adequate (...) discussion of these issues. None of the papers is well described as?exegetical?, but most of them are, in one way or another, papers about Wittgenstein, and all of them are discussions of themes central to his later work and strongly influenced by it. While the debt to Wittgenstein is enormous, many of the papers involve significant criticisms of ideas widely drawn from him, and some of these criticisms may have application to Wittgenstein himself.00David Cockburn Is Emeritus Professor of Philosophy at University of Wales, Trinity St David. He is the author of books on philosophy of mind and philosophy of time, and of papers on Wittgenstein, philosophy of mind, time, religion, language and ethics. (shrink)

Ludwig Wittgenstein was an outstanding 20th-century philosopher whose influence has reverberated throughout not only philosophy but also numerous other areas of inquiry, including theology and the study of religions. Exemplifying how Wittgenstein's thought can be engaged with both sympathetically and critically, Wittgenstein, Religion and Ethics pushes forward our thinking about religion and ethics and their place in the modern world. Bringing Wittgenstein's ideas into productive dialogue with several other important thinkers, including Elizabeth Anscombe, St Thomas Aquinas, (...) Georg Cantor, Søren Kierkegaard and George Orwell, this collection fosters a highly informative picture of how different strands of contemporary and historical thought intersect and bear upon one another. Chapters are written by leading scholars in the field and tackle current debates concerning religious and ethical matters, with particular attention to the nature of religious language. This is a substantial contribution to religion and ethics, demonstrating the significance of Wittgenstein's ideas for these and related subjects. (shrink)

I discuss some reservations about the exegetical power of the claim that the Tractatus is “anti-metaphysical.” The “resolute” reading has the virtue of fidelity to important and neglected features of the work, both its anti-metaphysical moves and its account of the nature of the activity of philosophy and its status. However, its proponents underestimate the barriers to maintaining a consistent fidelity to these features of the text. The image of a ladder suggests a mere instrumental means to arrive at a (...) place that can itself be characterized independently of our means of arrival; where we arrive via the process of the TLP is the conclusion of an argument, and so cannot be characterized independently of the argument that got us there. In his commitments about the process of logical analysis “within language,” he strives as much as in his statements about the world to return us to our ordinary ways of talking and making sense of what we say to one another. Given the internal relationship Wittgenstein is at pains to emphasize between language, thought, and reality, he could hardly have philosophical commitments about one of these terms (have a residual metaphysics of language) and isolate this from how he thinks about the others. In a discussion of “Senator, you’re no Jack Kennedy” and “Chairman Mao is rare,” I argue that, pace Conant and Diamond’s claims to the contrary, logical categories are being invoked to explain why one cannot mean what one thinks one means in this phrase, and that Wittgenstein is both more anti-metaphysical in his treatment of these logical categories (in contrast with Frege) than the resolute readers consider him to be, and less successful in his treatment of how logical categories rule our judgments of sense and nonsense than they imply he is. Finally, I question the sharp boundary between logic and psychology and the “claustrophobic” feel that is created by a narrow construal of what one can make sense of in another’s words and person that underwrites their account of nonsense via a conflict between the meaning words can contain and our confused desires. Throughout, I discuss relevant passages of the Investigations that resolute readers treat as a re-expression of the themes of the Tractatus, to contrast the “anti-metaphysical” treatment these themes express in the Tractatus with the less dogmatic treatment they receive in the Investigations. (shrink)

What is the nature of a conceptual scheme? Are there alternative conceptual schemes? If so, are some more justifiable or correct than others? The later Wittgenstein already addresses these fundamental philosophical questions under the general rubric of "grammar" and the question of its "arbitrariness"--and does so with great subtlety. This book explores Wittgenstein's views on these questions. Part I interprets his conception of grammar as a generalized version of Kant's transcendental idealist solution to a puzzle about necessity. It (...) also seeks to reconcile Wittgenstein's seemingly inconsistent answers to the question of whether or not grammar is arbitrary by showing that he believed grammar to be arbitrary in one sense and non-arbitrary in another. Part II focuses on an especially central and contested feature of Wittgenstein's account: a thesis of the diversity of grammars. The author discusses this thesis in connection with the nature of formal logic, the limits of language, and the conditions of semantic understanding or access. Strongly argued and cleary written, this book will appeal not only to philosophers but also to students of the human sciences, for whom Wittgenstein's work holds great relevance. (shrink)

Many authors have identified a link between later Wittgenstein and enactivism. But few have also recognised how Wittgenstein may in fact challenge enactivist approaches. In this paper, I consider one such challenge. For example, Wittgenstein is well known for his discussion of seeing-as, most famously through his use of Jastrow’s ambiguous duck-rabbit picture. Seen one way, the picture looks like a duck. Seen another way, the picture looks like a rabbit. Drawing on some of Wittgenstein’s (...) remarks about seeing-as, I show how Wittgenstein poses a challenge for proponents of Sensorimotor Enactivism, like O’Regan and Noë, namely to provide a sensorimotor framework within which seeing-as can be explained. I claim that if these proponents want to address this challenge, then they should endorse what I call Sensorimotor Identification, according to which visual experiences can be identified with what agents do. (shrink)

If we read Ludwig Wittgenstein's works and take his scientific formation in mathematical logic into account, it comes as a surprise that he ever developed a particular interest in anthropological questions. The following questions immediately arise: What role does anthropology play in Wittgenstein's work? How do problems concerning mankind as a whole relate to his philosophy? How does his approach relate to philosophical anthropology? How does he view classical issues about Man's affairs and actions? The aim of this (...) book is to investigate the anthropological questions that Wittgenstein raised in his works. The answers to the questions raised in this introduction may be found on the intersection between forms of life and radical translation from another culture into ours. The book presents an extensive analysis of anthropological issues with emphasis on language and social elements. (shrink)

Inspired by Bertrand Russell's theory of descriptions, Wittgenstein held that the surface grammar of a proposition may be highly misleading as to the underlying structure of a proposition. Wittgenstein explains how elementary propositions can have sense by drawing an analogy with a picture or model, such as the model of the scene of an accident. One key claim of the picture theory of meaning is that elementary propositions are capable of being true and capable of being false independently (...) of one another. If it is a matter of debate whether or not Wittgenstein adhered to a deflationary account of truth at the time of the Tractatus, it is clear that he later espoused deflationary views about truth. One problem for deflationary accounts of truth along the lines of Prior has been the treatment of propositions in which we seem to be faced with an ascription of truth to a named proposition. (shrink)

A dualism characteristic of modern philosophy is the conception of the inner and the outer as two independently intelligible domains. Wittgenstein’s attack on this dualism contains deep insights. The main insight (excavated from §304 and §293 of the Philosophical Investigations) is this: our sensory consciousness is deeply shaped by language and this shaping plays a fundamental role in the etiology of the dualism. I locate this role in the learning of a sensation-language (as described in §244), by showing that (...) this learning is, under another aspect, the incision of language, namely the infliction of cuts upon certain natural-primitive unities between the inner and the outer. These cuts, driven by powerful forces, eventually harden into an entrenched division between the inner and the outer, thereby providing a constant soil for the dualism. That this dualism is rooted in the very learning of a language is cause for ambivalence about language. (shrink)

This volume draws connections between Wittgenstein's philosophy and the work of Saul Kripke, especially his Naming and Necessity. Saul Kripke is regarded as one of the foremost representatives of contemporary analytic philosophy. His most important contributions include the strict distinction between metaphysical and epistemological questions, the introduction of the notions of contingent a priori truth and necessary a posteriori truth and original accounts of names, descriptions, identity, necessity and realism. The chapters in this book elucidate the relevant connections between (...) Kripke's work and Wittgenstein, specifically concerning the standard meter, contingent apriori and rule-following. The contributions shed light on how Kripke's philosophical outlook was influenced by Wittgenstein, and how mainstream analytic philosophy and Wittgensteinian philosophy can fruitfully engage with one another. Kripke and Wittgenstein will be of interest to philosophers working on Wittgenstein, Kripke, and the history of analytic philosophy. (shrink)

The subject of this paper is not Wittgensteinian ethics but Wittgenstein’s own ethical beliefs, specifically as these are revealed in the so-called Koder diaries. While the Koder Diaries, also known as Manuscript 183, do contain the kind of thing that one would expect to find in a diary (e.g. accounts of travel and personal relationships), they also contain more obviously philosophical remarks, sometimes as reflections on these personal remarks. Wittgenstein’s diaries illustrate well a point that Iris Murdoch has (...) emphasized, that a person’s inner life can have an ethical dimension not necessarily directly related to overt action or to other people. The kind of ethical concern that we see in these diaries is one with what we might call global implications. Not in the sense that they might affect the whole planet but in the sense that, for Wittgenstein (or anyone else involved in such struggles or deliberations), they might affect every aspect of his life in the way that a religious conversion might change one’s whole life. This ethical ubiquity is another idea that Murdoch has brought to attention. (shrink)

Visitors is a hybrid art film fusing photography and music into a complex abstract texture for the attention of the viewer. It is also a requiem for our ‘New Order for the Ages’ in which humanity grows more and more technologically interconnected and communality means being alone together. We argue that Visitors can be experienced as a seeing aid designed to situate the viewer bewilderingly as needing to reacquire the capacity to see human beings as human beings. This is achieved (...) by various cinematic strategies of dépaysement, which render the familiar uncommon again by enabling us to recapture the uncanniness of what it is to be human. Most strikingly, seeing one another anew is facilitated in Visitors by the autonomous gradual musical processes of Philip Glass’s minimalist score, which not only affords a musical narrative for the imagery but also binds the film ironically to Beethoven’s Ninth Symphony. (shrink)

The label ‘ordinary language philosophy’ was often used by the enemies than by the alleged practitioners of what it was intended to designate. It was supposed to designate a certain kind of philosophy that flourished, mainly in Britain and therein mainly in Oxford roughly after 1945. Early analytic philosophy was associated with logical positivism. According to von Wright, the Tractatus made Wittgenstein one of the 'spiritual fathers' of logical positivism. 'Sophistry and illusion' also summed up the positivist attitude toward (...) the metaphysics that they saw as being practiced largely in Continental Europe in the nineteenth and early twentieth centuries. From common roots in Kant's writings one sees philosophy on the Continent proceed in one direction while in Britain proceed in quite another. The question of the business of philosophy, and its relationship to the business of science are matters of deep importance to the academic and intellectual life of the community. (shrink)

Maurice Merleau-Ponty and Ludwig Wittgenstein are two of the most important philosophers of the twentieth century, yet their work is generally regarded as standing in contrast to one another. However, as this outstanding collection demonstrates they both reject a Cartesian picture of the mind and sought to offer an alternative that does justice to the role played by bodily action, language, and our membership within a community that shares a way of life. This is the first collection to (...) compare and contrast the work of these two major philosophers. Fundamental topics and problems discussed include the role of community in their philosophies; Merleau-Ponty on description and depiction and Wittgenstein on saying and doing; the role of language; their treatment of expression; their relation to the philosophy of the Vienna Circle; solipsism; and rule-following. It is essential reading for anyone studying the work of Wittgenstein and Merleau-Ponty, as well as those interested in phenomenology, philosophy of mind, and philosophy of language. (shrink)

This addition to the Midwest Studies in Philosophy series comprises the most recent volume on the philosophy of Ludwig Wittgenstein to date. Here 16 philosophers explore both the challenges Wittgenstein presented to philosophy as well as the responses to those challenges from such noted thinkers as Kripke. By addressing various questions raised by Wittgenstein's work, these original essays aim to illuminate in one way or another the impact Wittgenstein's legacy has had on 20th-century philosophy.

Wittgenstein remarked 'What we do is to bring words back from their metaphysical to their everyday use' (PI §116). On this basis, his 'later philosophy' is generally regarded as a version of 'ordinary language philosophy'. He is taken to criticize philosophers for making ('metaphysical') statements which deviate in different ways from the everyday use of some of their component expressions. I marshal textual evidence for another reading of this remark, and show that he used 'metaphysical' in a traditional (...) way, namely, to describe philosophical attempts to delineate the essence of things by establishing necessities and impossibilities. On his conception, 'everyday' simply means 'non-metaphysical' (in this precise sense). Comparisons of philosophical utterances with non-philosophical uses of words are meant to call attention to this crucial distinction. (shrink)

We argue that all general concepts are family resemblance concepts. These include concepts introduced by ostension, such as colour. Concepts of colour and of each of the specific colours are family resemblance concepts because similarities concerning an open-ended range of colour or of appearance features crop up and disappear. After discussing the notion of “same colour” and Wittgenstein's use of the phrase “our colours”, we suggest family resemblance concepts in one tradition can often be extended to family resemblance concepts (...) in another tradition, illustrated by Wittgenstein's use of the words Spiel and “game”. (shrink)

Wittgenstein: Connections and Controversies consists of thirteen thematically linked essays on different aspects of the philosophy of Wittgenstein, by one of the leading commentators on his work. After an opening overview of Wittgenstein's philosophy the following essays fall into two classes: those that investigate connections between the philosophy of Wittgenstein and other philosophers and philosophical trends, and those which enter into some of the controversies that, over the last two decades, have raged over the interpretation of (...) one aspect or another of Wittgenstein's writings. The connections that are explored include the relationship between Wittgenstein's philosophy and the humanistic and hermeneutic traditions in European philosophy, Wittgenstein's response to Frazer's Golden Bough and the interpretation of ritual actions, his attitude towards and criticisms of Frege, the relationship between his ideas and those of members of the Vienna Circle on the matter of ostensive definition, and a comparison of Carnap's conception of the elimination of metaphysics and of Strawson's rehabilitation of metaphysics with Wittgenstein's later criticisms of metaphysics. The controversies into which Hacker enters include the Diamond-Conant interpretation of the Tractatus, Winch's interpretation of the Tractatus conception of names, Kripke's interpretation of Wittgenstein's discussion of following a rule, and Malcolm's defence of the idea that Wittgenstein claimed that mastery of a language logically requires that the language be shared with other speakers. These far-ranging essays, several of them previously unpublished or difficult to find, shed much light upon different aspects of Wittgenstein's thought, and upon the controversies which it has stimulated. (shrink)

"Munz argues that the later Wittgenstein and Popper ought to be seen as complementing one another. Popper believed that when truth is discovered meaning will take care of itself. However, since, in Popper's view, we can never verify a general proposition, we can never be certain of its truth. There must therefore be a way of understanding what it means even though we cannot be sure of its truth. The post-Tractatus Wittgenstein enables us to see how propositions (...) are meaningful regardless of whether we can ascertain their truth and thus fills a gap in Popper's philosophy." "At the same time, Popper was able to make up a deficiency in Wittgenstein's later philosophy. While Wittgenstein had had it that meaningful propositions can be generated in any social order, Popper showed that if propositions are to be true as well as have meaning, the socio-political order in which they are put forward, has to be free and open.". (shrink)

Throughout his whole work, Wittgenstein seizes on a distinction between logical and physical possibility, and impossibility. Despite this continuity and although, Wittgenstein brings in this distinction in various contexts and from different vantage points, he often solely brushes over it without elaborating in detail. In the so-called Big Typescript, however, he dedicates himself not only to the distinction between logical and physical possibility but also to the distinction between logical possibility and impossibility in particular investigations. In the course (...) of these investigations, another aspect arises and is tossed and turned repeatedly by Wittgenstein – namely, the place of “imaginability” in these considerations. On the basis of three focussed chapters in the Big Typescript, I argue that “imaginability” as an utterance of the form “being able to imagine ‘what it would be like’” can be allocated the place of a criterion for logical possibility. To this end, I will first outline the chapters 96., 27. and 26. in one section each. Although in these chapters, Wittgenstein only indicates rather than claiming explicitly “imaginability” to be a criterion for logical possibility, I will discuss in the last section how this conclusion can be drawn by combining the results of the previous sections. (shrink)

Perspicuous representation, Wittgenstein offers, is not another methodology, but it consists in seeing the connections. The Wittgensteinian perspicuous representation is therapeutic. The method he suggests for philosophy is the same method he suggests for social sciences. In both of these cases, he tries to get us to see the confusions we become entangled in when philosophizing and theorizing. In both of these disciplines he warns us not to advance explanatory, metaphysical theories. In this paper, I connect this concern (...) with Wittgenstein’s critique of Frazer. In criticizing Frazer, Wittgenstein adopts the important part of Spengler’s view. Nonetheless, there are differences between Wittgenstein’s views and those of Spengler; this paper aims to show similarities as well as these differences. The first part of the paper briefly summarizes Frazer’s views. The second part focuses on Wittgenstein’s critique of Frazer concerning science and technology. The third part gives an account of his critique regarding method of social sciences and philosophy. The last part concentrates on Wittgenstein’s critique of Frazer pertaining to the tolerance towards alternative forms of life. Key Words: context-free vacuum • evolutionary explanation • incommensurability • methodology of social sciences • perspicuous representation • science • technology • tolerance • totem and taboo. (shrink)

Perspicuous representation, Wittgenstein offers, is not another methodology, but it consists in seeing the connections. The Wittgensteinian perspicuous representation is therapeutic. The method he suggests for philosophy is the same method he suggests for social sciences. In both of these cases, he tries to get us to see the confusions we become entangled in when philosophizing and theorizing. In both of these disciplines he warns us not to advance explanatory, metaphysical theories. In this paper, I connect Wittgenstein's (...) this concern with his critique of Frazer. In criticizing Frazer Wittgenstein adopts the important part of Spengler's view. Nonetheless, there are differences between the views of Wittgenstein and those of Spengler; this paper aims to show similarities as well as these differences. The first part of the paper briefly summarizes Frazer's views. The second part focusses on Wittgenstein's critique of Frazer regarding science. The third part gives an account of his critique concerning method of social sciences and philosophy. The last part concentrates on Wittgenstein's critique of Frazer regarding the tolerance towards alternative forms of life. (shrink)

The philosophy of mathematics was of colossal importance to Wittgenstein. Its problems had a peculiarly strong hold on him; and he seems to have thought that it was in addressing these problems that he produced his greatest work. However robust the distinction between the calculus and the surrounding prose, the prose may infect the calculus; or the prose may infect how we couch the calculus. Yet Wittgenstein's writings in the philosophy of mathematics stand in a curious relation to (...) this self‐assessment. By 1938, he had written an early version of his master‐work Philosophical Investigations, the second half of which was on the philosophy of mathematics. This material did not survive into the version of Philosophical Investigations that was eventually published after his death. Instead it appeared, modified in various ways, along with notes that he wrote during World War II, as Remarks on the Foundations of Mathematics, another posthumous publication, assembled by his literary executors. (shrink)

Does Wittgenstein have a method? There are two challenges to an affirmative answer. One is put forth by Schulte, who claims that Wittgenstein’s method is little more than a skill, and thus not a method in any ambitious sense of that word. Another is Conant’s view that the philosophy of the later Wittgenstein entertains not one method, but a variety of methods. I tackle these challenges by questioning what I take to be their presupposed conceptions of (...) ‘method’ and conclude that we can indeed speak of Wittgenstein’s method in an interesting sense. Thereby, the concept of method will be elucidated and the sense in which Wittgenstein’s philosophy has a method clarified. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Wittgenstein, Tolstoy, and ShakespearePeter B. LewisNear the middle of the first of his 1938 Lectures on Aesthetics, Wittgenstein talks about what he calls "the tremendous things in art"(LC, I 23 8, italics in original).1 Apart from a brief indication of the way in which our response to the tremendous differs from the non-tremendous, he does not refer again in this way to the tremendous things in art, (...) though he does refer elsewhere to what he calls "supreme art." But he does provide a couple of examples of the tremendous in art, the symphonies of Beethoven and Gothic Cathedrals. Suppose, now, like the student in the Investigations §185, we are asked to continue the series. I take it that, even given the lack of information, we could safely propose, say, Homer—the Iliad and the Odyssey—and Michelangelo—the Sistine Chapel—as further examples of the tremendous things in art. The idea is that the tremendous things in art are not works that are just very good or very fine, but rather they are great, supremely great; works of stature; special cases; instances of the highest kind of artistic achievement, occupying a distinctive place in the history of (Western) civilization.Another obvious candidate for the list of the tremendous things in art would be Shakespeare, where the name is shorthand for the great plays, the tragedies in particular, Lear, Hamlet, Othello,and so on. So it comes as something of a surprise to discover on reading that miscellaneous compendium of remarks known as Culture and Value that Wittgenstein himself had serious doubts about including Shakespeare in the pantheon of the tremendous things in art. There are seven passages in Culture and Value in which Wittgenstein reflects on Shakespeare.2 The earliest is dated 1939–40, though this passage does not appear to be critical of Shakespeare. The next two passages are [End Page 241] dated August 1946, the remainder coming in 1949 and 1950. The remarks critical of Shakespeare are, then, all very much late Wittgenstein.It is well-known that lots of people dislike Shakespeare's plays. Generations of school children have developed indifference or boredom or hatred that persists throughout their lives. And yet that does not count against Shakespeare's greatness; for, to borrow Hume's remark on those who would prefer Ogilby to Milton, "no one pays attention to such a taste; and we pronounce without scruple the sentiment of these [people] to be absurd and ridiculous."3 That rhetoric is, however, not available, at least not immediately, when the "pretended critic" (Hume's phrase) has the intellectual clout and aesthetic sensibility of a Wittgenstein; nor, for that matter, the artistic achievement of a Tolstoy.I have particular grounds for bringing Tolstoy into this discussion. In the first place, there is the importance of Tolstoy in the development of Wittgenstein's thinking about religious, moral and aesthetic issues. Secondly, it is by contrast with Tolstoy's criticism of Shakespeare that we can gain further understanding of Wittgenstein's remarks on Shakespeare. These two points are related. For it seems to me that it is partly through his reflections on Tolstoy's theories about art that Wittgenstein is led into commenting upon Shakespeare.Tolstoy famously attacks Shakespeare in his pamphlet, "Shakespeare and the Drama,"4 published in 1903 when Tolstoy was seventy-five years of age. Some have taken this essay as evidence that Tolstoy was in his dotage, his mind warped by religious-moralistic fervor. Not only does this fail to do justice to Tolstoy's reasons for criticizing Shakespeare—reasons that Howard Mounce has recently argued are by no means ridiculous5 —it also neglects the fact that the essay is the culmination of Tolstoy's life-long antagonism to Shakespeare. Nevertheless, that very slur on Tolstoy's sanity attests to Shakespeare's status in our culture as something tremendous. His achievement is a standard against which others are measured. And this, I think, is at least partly what Wittgenstein is hinting at in his remarks about the contrast between the tremendous and the non-tremendous in art when he says of the tremendous that "it plays an entirely different role... (shrink)

There is definitely a family resemblance between what contemporary contextualism maintains in philosophy of language and some of the claims about meaning put forward by the later Wittgenstein. Yet the main contextualist thesis, namely that linguistic meaning undermines truth-conditions, was not defended by Wittgenstein. If a claim in this regard can be retrieved in Wittgenstein despite his manifest antitheoretical attitude, it is instead that truth-conditions trivially supervene on linguistic meaning. There is, however, another Wittgensteinian claim that (...) truly has a contextualist flavour, namely that linguistic meaning is itself wide-contextual. To be sure, this claim does not lead to the eliminativist/intentionalist conception of linguistic meaning that radical contextualists have recently developed. Rather, it goes together with a robust conception of linguistic meaning as intrinsically normative. Yet it may explain why Wittgenstein is taken to be a forerunner of contemporary contextualism. (shrink)

According to an influential reading of his later philosophy, Wittgenstein thinks that nonsense can result from combining expressions in ways prohibited by the rules to which their use is subject. According to another influential reading, the later Wittgenstein thinks that nonsense only ever results from privation—that is, from a failure to assign a meaning to one or more of the relevant expressions. This chapter challenges Glock’s defence of the view that the later Wittgenstein allows for combinatorial (...) nonsense. In doing so, it defends a version of the privation view. According to it, Wittgenstein thinks that nonsense results, not so much from a failure to assign a meaning to an expression, as a failure to use an expression in a way that has a point or purpose. As the chapter shows, this interpretation is consistent with prominent themes in Wittgenstein’s later philosophy, such as that meaning and explanation are coordinate notions, that for a word to have a meaning is for there to be a rule-governed practice of using it, that the rules of the practice are arbitrary, and that they determine the bounds of sense. (shrink)

The task of giving some sort of interpretation of Wittgenstein's Remarks on Colour is an extraordinarily difficult one. The book is exceptionally fragmentary. Many of the remarks seem to raise questions that are then left completely unanswered, or to invite us to imagine various circumstances that are then left without any further comment. Although nearly all the remarks are related in one way or another to the problem of colour, the range of topics that Wittgenstein touches on (...) is extremely wide, and covers areas that are not normally mentioned in contemporary philosophical discussions of colour. For example, apart from the familiar ‘Why can't there be a transparent white?’ and ‘Why can't there be a reddish-green?’, he asks ‘Can a transparent piece of glass have the same colour as an opaque piece of paper?’, ‘Is white always the lightest colour?’, ‘Do I see blond hair in the black and white photograph of a blond youth?’, ‘Does it make sense to point to a colour in the iris of a Rembrandt eye and ask for the walls of my room to be painted the same colour?’, ‘Do the colour-blind have the same concept of colour-blindness as the normally sighted?’, ‘Can normal vision be described?’, and so on. (shrink)

In the book Remarks on Colors, Wittgenstein has claimed that transparent white objects do not and cannot exist, and that they cannot even be imagined. He had also claimed that luminous gray does not exist and cannot even be conceived. However, his arguments which aim to identify contradictory features of hypothetical transparent white media rely on incorrect assumptions about their properties and effects. Furthermore, some real objects and atmospheric phenomena can have features of transparent white media. As concrete examples (...) of Wittgenstein's 'impossible' colors, this paper contains two simple computer-generated graphical displays, one depicting a scene that includes a transparent white sheet, and another which conveys the impression of luminous gray. (shrink)

In "Wittgenstein in relation to his times" Von Wright1 poses a dilemma regarding the relationship between three wittgensteinian tenets: (i) the view that individual's beliefs and thoughts are entrenched in accepted language games and socially sanctioned forms of life (ii) the view that "philosophical problems are disquietudes of the mind caused by some malfunctioning in the language games, and hence in the way of life of the community". (iii) the "rejection of the scientific-technological civilisation of industrialised societies". The dilemma (...) is the following: is Wittgenstein's rejection of technological civilisation strictly linked to his general view of philosophy? Or is it "only contingently - that is for historical and psychological reasons, connected with the other two in Wittgenstein's thought"? Von Wright argues, even with some doubts, for a strong link between Wittgenstein's rejection of technological society and his general approach to philosophy; the argument is as follows: "because of the interlocking of language and ways of life, a disorder in the former reflects disorder in the latter. If philosophical problems are symptomatic of language, producing malignant outgrowths which obscure our thinking, then there must be a cancer in the Lebensweise, in the way of life itself" (p.119). The argument seems to be not compelling; among some of the main philosophical problems Wittgenstein is willing to "cure" there are misunderstandings lying in the history of our language much time before our technological civilisation (Wittgenstein refers to Augustine and Plato as suffering these disorder of language). We should generalise the criticism to technological society to the effect of enclosing ancient Greece. In this way the criticism seems to loose all its polemical vein, becoming a generic criticism of the structures of western thought since Greece. But probably this was the point Wittgenstein wanted to make in his criticism of the idea of progress and technological civilisation. I will argue therefore for the second horn of the dilemma, relying on another kind of de facto argument: contemporary technological civilisation is embodying some of Wittgenstein's main ideas (we might also note that these ideas are among the strongest points Wittgenstein gives against Greek classical tradition in philosophy).. (shrink)

In this paper, I explore Wittgenstein’s inheritance of one specific strand of Kant’s criticism, in the Critique of Pure Reason, of reason’s inherent pretensions to totality. This exploration reveals new critical possibilities in Wittgenstein’s own philosophical method, challenging existing interpretations of Wittgenstein’s political thought as “conservative” and exhibiting the closeness of its connection to another inheritor of Kant’s critique of totality, the Frankfurt school’s criticism of “identity thinking” and the reification of reason to which it leads. (...) Additionally, it shows how Wittgenstein’s linguistic philosophy offers to challenge and undermine, in a historically novel way, the metaphysical assumptions underlying some of our most characteristic and ubiquitous social practices. (shrink)

In his contribution to this volume, Avrum Stroll makes the assertion that there is ‘a feature of [Wittgenstein's] later philosophy that occurs only in On Certainty. This is a unique form of foundationalism that is neither doxastic nor non-doxastic' (Stroll, this volume, p. 2). He also holds that Wittgenstein’s increased attention to metaphorical language in explicating this foundationalism is yet another feature that sets it apart from the rest of his corpus. I raise doubts about appealing to (...) either of these aspects as a rationale for identifying a third Wittgenstein. I argue that Wittgenstein's commitment to foundationalism – to the extent we should recognise it at all – and his concern with the non-literal are not unprecedented; they are present in his earliest writings. (shrink)

The task of giving some sort of interpretation of Wittgenstein's Remarks on Colour is an extraordinarily difficult one. The book is exceptionally fragmentary. Many of the remarks seem to raise questions that are then left completely unanswered, or to invite us to imagine various circumstances that are then left without any further comment. Although nearly all the remarks are related in one way or another to the problem of colour, the range of topics that Wittgenstein touches on (...) is extremely wide, and covers areas that are not normally mentioned in contemporary philosophical discussions of colour. For example, apart from the familiar ‘Why can't there be a transparent white?’ and ‘Why can't there be a reddish-green?’, he asks ‘Can a transparent piece of glass have the same colour as an opaque piece of paper?’, ‘Is white always the lightest colour?’, ‘Do I see blond hair in the black and white photograph of a blond youth?’, ‘Does it make sense to point to a colour in the iris of a Rembrandt eye and ask for the walls of my room to be painted the same colour?’, ‘Do the colour-blind have the same concept of colour-blindness as the normally sighted?’, ‘Can normal vision be described?’, and so on. (shrink)

SummaryIn his Remarks on Frazer's Golden Bough, Wittgenstein holds that in studying or interpreting a language and associated activities we should not attempt to explain what goes on, just describe, for description is able to give us everything we could ask for. He seems to presents two arguments for this descriptivist approach. I criticize both. Generally, I argue that Wittgenstein's position seems to presuppose a radical distinction between description and explanation that cannot be supported.Specifically, I show that (...) class='Hi'>Wittgenstein's first objection to explanatory concerns in interpretive contexts is an overly quick generalization from limitations in Frazer's early attempts at explanation. The inadequacy of one attempt at explaining some phenomena hardly implies that it is wrong to attempt an explanation of that phenomena. Nor does the fact that a false explanation may support a false description of some phenomena show that a correct explanation would not support a correct description. Wittgenstein's second, and most important, objection turns on the crucial claim that correct description is at least as satisfying as explanation. There is one significant respect in which I agree this claim, and another in which I disagree. I show that, on Wittgenstein's view, a description is a perspicuous story about an effect and its antecedents. It answers a “why”‐question. This is to say, a good description is something of a condensed explanation. Now, when description is so understood, it would be foolish to deny that description is as satisfying as explanation, for here, description is not just theory‐laden, it is also explanation‐laden. However, I argue that in contexts where reliability worries become pressing, the more familiar, explicit, forms of explanation have important advantages. (shrink)

This is a longer version of the paper published as 'Wittgenstein, Davidson, and Radical Interpretation. In everyday life we understand one another's utterances and actions, and hence interpret one another's linguistic and non-linguistic behaviour, with remarkable certainty, precision, and accuracy; and understanding of this kind seems basic to much else. Our interactions with others are mediated by interpretation of their actions, including speech; and much of what we regard ourselves as knowing is registered in language, or understood (...) through our use of it. In taking ourselves to understand a scientific theory, for example, we also take ourselves to understand, and so to be able to interpret, the linguistic behaviour of those who propound it; and again in describing our thoughts and feelings, we assume that we understand the terms in which we do so, and in such a way as to be answerable to others' interpretation of them. In this epistemic perspective the reach of intepretive understanding seems to approach that of language itself; and there seems nothing we understand better than our own language, and in that sense ourselves. (shrink)

The proposition 'seattle is west of spokane' has three parts: two\nproper names and the predicate 'is west of.' the fact pictured has\ntwo: seattle and spokane. but the picture theory holds that there\nmust be a one-to-one correspondence between fact and proposition.\nhow does wittgenstein solve this problem in the 'tractatus'? on one\ninterpretation the fact contains a third part, a relation, corresponding\nto the predicate (evans and stenius). on another the proposition\nis transformed by analysis into a two-dimensional diagram, the predicate\ndisappearing in the (...) process (copi and anscombe). both are rejected.\ntwo new suggestions are offered: (1) the number of possible configurations\nof 'simple' objects is not greater than the number concatenations\nof names, so no predicate is needed in 'elementary' propositions;\n(2) or the predicate can be taken as the analogue of the direction\narrow on a map and not counted as a part of the proposition. (shrink)