Results for 'Annette Christy McGaha'

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  1.  35
    The emergence of interest in the ethics of psychological research with humans.Annette Christy McGaha & James H. Korn - 1995 - Ethics and Behavior 5 (2):147 – 159.
    We describe the growth of interest in the ethics of research with human participants based on articles abstracted in Psychological Abstracts and PsycLZT. Interest was low and variable until 1974, after which there was a marked increase in the number of articles published. We explain this emergence of ethical interest in terms of the social climate of concern for human rights in the 1960s and 1970s, the 1973 revision of the American Psychological Association's ethical principles, and the development of federal (...)
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  2.  18
    Cultivating Curious and Creative Minds: The Role of Teachers and Teacher Educators, Part I.Annette D. Digby, Gadi Alexander, Carole G. Basile, Kevin Cloninger, F. Michael Connelly, Jessica T. DeCuir-Gunby, John P. Gaa, Herbert P. Ginsburg, Angela McNeal Haynes, Ming Fang He, Terri R. Hebert, Sharon Johnson, Patricia L. Marshall, Joan V. Mast, Allison W. McCulloch, Christina Mengert, Christy M. Moroye, F. Richard Olenchak, Wynnetta Scott-Simmons, Merrie Snow, Derrick M. Tennial, P. Bruce Uhrmacher, Shijing Xu & JeongAe You (eds.) - 2009 - R&L Education.
    Presents a plethora of approaches to developing human potential in areas not conventionally addressed. Organized in two parts, this international collection of essays provides viable educational alternatives to those currently holding sway in an era of high-stakes accountability.
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  3.  25
    Farm size and job quality: mixed-methods studies of hired farm work in California and Wisconsin.Jill Lindsey Harrison & Christy Getz - 2015 - Agriculture and Human Values 32 (4):617-634.
    Agrifood scholars have long investigated the relationship between farm size and a wide variety of social and ecological outcomes. Yet neither this scholarship nor the extensive research on farmworkers has addressed the relationship between farm size and job quality for hired workers. Moreover, although this question has not been systematically investigated, many advocates, popular food writers, and documentaries appear to have the answer—portraying precarious work as common on large farms and nonexistent on small farms. In this paper, we take on (...)
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  4.  12
    The value of values-based supply chains: farmer perspective.Gwenael Engelskirchen, Christy Anderson Brekken, Keiko Tanaka, Marcia Ostrom, Gail Feenstra & Hikaru Hanawa Peterson - 2021 - Agriculture and Human Values 39 (1):385-403.
    In the last few decades, the emergence of mid-scale, intermediated marketing channels that fall between commodity and direct markets has attracted growing interest from scholars for their potential to preserve small and mid-sized farms while scaling up alternative agrifood sourcing. When such mid-scale supply chains are formed among multiple business partners with shared ethics or values related to the qualities of the food and the business relationships along the supply chain, they may be termed “values-based supply chains (VBSCs).” Most of (...)
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  5.  11
    Public Maternalism Goes to Market: Recruitment, Hiring, and Promotion in Postsocialist Hungary.Éva Fodor & Christy Glass - 2011 - Gender and Society 25 (1):5-26.
    Under what conditions do motherhood penalties emerge in countries undergoing transition from state socialism to capitalism? This analysis identifies the ways managers in global financial firms employ gendered assumptions in constructing and implementing labor practices among highly skilled professional workers in Hungary. Relying on 33 in-depth interviews with employers as well as interviews with headhunting firms, labor and employment lawyers, and analysis of antidiscrimination cases brought before Hungary’s Equal Treatment Authority between 2004 and 2008, we identify several strategies global employers (...)
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  6.  2
    3 What's So Bad about Blackface?Christy Mag Uidhir - 2013 - In Mary K. Bloodsworth-Lugo & Dan Flory (eds.), Race, Philosophy, and Film. New York: Routledge. pp. 51.
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  7.  43
    An innovative, inclusive process for meso-level health policy development.Jeff Kirby & Christy Simpson - 2007 - HEC Forum 19 (2):161-176.
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  8.  46
    Between Utopia and Event: Beyond the Banality of Local Politics in Eisenstein.Julia Vassilieva - 2011 - Film-Philosophy 15 (1):140-160.
    Sergei Eisenstein’s 110th anniversary celebrated in 2008 calls for a re-assessment of his overall heritage, which until now has been customarily perceived in Western film scholarship as - in Annette Michelson’s words - ’indissolubly linked to the project of construction of socialism’ - a view shared from Marie Seton to Jacques Aumont, from Kristin Thompson to Ian Christie and from David Bordwell to Anna Bohn. Not only did Eisenstein’s output magnificently and persuasively outlive this project, but from our vantage (...)
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  9. Art Concept Pluralism.Christy Mag Uidhir & P. D. Magnus - 2011 - Metaphilosophy 42 (1-2):83-97.
    Abstract: There is a long tradition of trying to analyze art either by providing a definition (essentialism) or by tracing its contours as an indefinable, open concept (anti-essentialism). Both art essentialists and art anti-essentialists share an implicit assumption of art concept monism. This article argues that this assumption is a mistake. Species concept pluralism—a well-explored position in philosophy of biology—provides a model for art concept pluralism. The article explores the conditions under which concept pluralism is appropriate, and argues that they (...)
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  10.  23
    A Textual Deconstruction of Rudolph the Red-Nosed Reindeer.Susan Gately & Christy Hammer - 2008 - Essays in Philosophy 9 (1):84-92.
    The extremely well-known holiday television special Rudolph the Red Nosed Reindeer is deconstructed to expose an underlying philosophical paradigm towards people, especially children, with disabilities that is mechanistic and utilitarian. This paradigm includes a static and over-determined view of any disability a person may have, and can be erroneously supported by a philosophy of “radical freedom.” Examples of this philosophy of disability as applied to the K-12 realm of special education are also provided, showing how the lessons learned from the (...)
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  11.  10
    Hospital Vertical Integration Into Subacute Care as a Strategic Response to Value-Based Payment Incentives, Market Factors, and Organizational Factors: A Multiple-Case Study.Tory H. Hogan, Christy Harris Lemak, Nataliya Ivankova, Larry R. Hearld, Jack Wheeler & Nir Menachemi - 2018 - Inquiry: The Journal of Health Care Organization, Provision, and Financing 55:004695801878136.
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  12. Photographic Art: An Ontology Fit to Print.Christy Mag Uidhir - 2012 - Journal of Aesthetics and Art Criticism 70 (1):31-42.
    A standard art-ontological position is to construe repeatable artworks as abstract objects that admit multiple concrete instances. Since photographic artworks are putatively repeatable, the ontology of photographic art is by default modelled after standard repeatable-work ontology. I argue, however, that the construal of photographic artworks as abstracta mistakenly ignores photography’s printmaking genealogy, specifically its ontological inheritance. More precisely, I claim that the products of printmaking media (prints) minimally must be construed in a manner consistent with basic print ontology, the most (...)
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  13.  24
    The myth of the protected worker: Southeast Asian micro-farmers in California agriculture.Jennifer Sowerwine, Christy Getz & Nancy Peluso - 2015 - Agriculture and Human Values 32 (4):579-595.
    In this paper we highlight the racialized effects of agricultural labor laws on Southeast Asian family farmers in California’s Central Valley. We show how agricultural labor laws intended to protect farmworkers on industrial farms discriminate against and challenge small Southeast Asian refugee farmers. Hmong, Iu-Mien and Lao family farmers rely on cultural practices of labor reciprocity and unpaid help from extended family and clan networks to sustain the economic viability of their farms. This kind of labor sharing, a central tenet (...)
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  14. The myth of moral fictionalism.Terence Cuneo & Sean Christy - 2010 - In Michael Brady (ed.), New Waves in Metaethics. New York: Palgrave-Macmillan.
     
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  15. Comics & Seriality.Christy Mag Uidhir - 2016 - In Frank Bramlett, Roy T. Cook & Aaron Meskin (eds.), The Routledge Companion to Comics. Routledge. pp. 248-256.
     
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  16.  47
    Including Organizational Ethics in Policy Review Processes in Healthcare Institutions: A View from Canada.Fiona McDonald, Christy Simpson & Fran O’Brien - 2008 - HEC Forum 20 (2):137-153.
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  17.  34
    Do proposed facial expressions of contempt, shame, embarrassment, and compassion communicate the predicted emotion?Sherri C. Widen, Anita M. Christy, Kristen Hewett & James A. Russell - 2011 - Cognition and Emotion 25 (5):898-906.
  18.  11
    Code poverty: An adaptation of the social‐ecological model to inform a more strategic direction toward nursing advocacy.Lesley Hodge & Christy Raymond - 2023 - Nursing Inquiry 30 (1):e12511.
    The purpose of this discussion paper is to explore how nurses can be strategically poised to advocate for needed policy change in support of greater income equality and other social determinants of health. We adapted Bronfenbrenner's social‐ecological model to highlight how four broad pervasive subsystems shape the opportunities that nurses have to engage in advocacy at the policy level. These subsystems include organizations (the microsystem), professional bodies (the mesosystem), public policies (the exosystem), and societal values (the macrosystem). On the basis (...)
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  19.  61
    Mythologies.Roland Barthes & Annette Lavers - 1973 - Journal of Aesthetics and Art Criticism 31 (4):563-564.
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  20. Why Pornography Can't Be Art.Christy Mag Uidhir - 2009 - Philosophy and Literature 33 (1):193-203.
    Claims that pornography cannot be art typically depend on controversial claims about essential value differences (moral, aesthetic) between pornography and art. In this paper, I offer a value-neutral exclusionary claim, showing pornography to be descriptively at odds with art. I then show how my view is an improvement on similar claims made by Jerrold Levinson. Finally I draw parallels between art and pornography and art and advertising as well as show that my view is consistent with our typical usage of (...)
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  21. How to Frame Serial Art.Christy Mag Uidhir - 2013 - Journal of Aesthetics and Art Criticism 71 (3):261-265.
    Most artworks—or at least most among those standardly subject to philosophical scrutiny—appear to be singular, stand-alone works. However, some artworks (indeed, perhaps a good many) are by contrast best viewed in terms of some larger grouping or ordering of artworks. i.e., as a series. The operative art-theoretic notion of series in which I am interested here is that of an individual and distinct artwork that is itself non-trivially composed of a non-trivial sequence of artworks (e.g., Walter de Maria’s Statement Series, (...)
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  22. Failed-Art and Failed Art-Theory.Christy Mag Uidhir - 2010 - Australasian Journal of Philosophy 88 (3):381-400.
    An object being non-art appears only trivially informative. Some non-art objects, however, could be saliently 'almost' art, and therefore objects for which being non-art is non-trivially informative. I call these kinds of non-art objects 'failed-art' objects—non-art objects aetiologically similar to art-objects, diverging only in virtue of some relevant failure. I take failed-art to be the right sort of thing, to result from the right sort of action, and to have the right sort of history required to be art, but to (...)
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  23. Unrealistic Fictions.Allan Hazlett & Christy Mag Uidhir - 2011 - American Philosophical Quarterly 48 (1):33--46.
    In this paper, we develop an analysis of unrealistic fiction that captures the everyday sense of ‘unrealistic’. On our view, unrealistic fictions are a species of inconsistent fictions, but fictions for which such inconsistency, given the supporting role we claim played by genre, needn’t be a critical defect. We first consider and reject an analysis of unrealistic fiction as fiction that depicts or describes unlikely events; we then develop our own account and make an initial statement of it: unrealistic fictions (...)
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  24. Getting Emotional Over Contours: Response to Seeley.Christy Mag Uidhir - 2012 - Essays in Philosophy 13 (2):518-521.
    Bill Seeley suggests that what follows from research into crossmodal perception for expression and emotion in the arts is that there is an emotional contour (i.e., a contour constitutive of the content of an emotion and potentially realizable across a range of media). As a response of sorts, I speculate as to what this might hold for philosophical and empirical enquiry into expression and emotion across the arts as well as into the nature of the emotions themselves.
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  25.  20
    Análisis de la ayuda humanitaria por los cárteles de narcotráfico a la población mexicana como fenómeno violento.Jonathan Christy Baldazo Delgadillo, Lilia López López, Arturo Román Cesar Sanjuan, Selene Roldán Ruiz & José Luis Albarrán Mejía - 2020 - International Journal of Žižek Studies 14 (3).
    Resumen El presente artículo realiza un análisis de los apoyos otorgados por los cárteles de narcotráfico en México, desde la lectura del aparato crítico de Slavoj Žižek, quien sienta las bases para la interpretación de la ayuda humanitaria como un acto violento. Por lo que, el siguiente texto abarca desde la filosofía Žižekianay el psicoanálisis lacaniano, el fenómeno de la violencia ejercida por la figura del comunista liberal, en un comparativo con el crimen organizado mexicano, intentando desentrañar la estructura básica (...)
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  26. Introduction to Special Issue on Printmaking.Christy Mag Uidhir - 2015 - Journal of Aesthetics and Art Criticism 73 (1):1-8.
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  27.  14
    Only a Promise of Happiness: The Place of Beauty in a World of Art. [REVIEW]Christy Mag Uidhir - 2009 - Philosophical Review 118 (4):540-542.
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  28. Art, Metaphysics, & the Paradox of Standards.Christy Mag Uidhir - 2013 - In Art & Abstract Objects. Oxford University Press.
    I consider the field of aesthetics to be at its most productive and engaging when adopting a broadly philosophically informative approach to its core issues (e.g., shaping and testing putative art theoretic commitments against the relevant standard models employed in philosophy of language, metaphysics, and philosophy of mind) and to be at its most impotent and bewildering when cultivating a philosophically insular character (e.g., selecting interpretative, ontological, or conceptual models solely for fit with pre-fixed art theoretic commitments). For example, when (...)
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  29. Minimal authorship (of sorts).Christy Mag Uidhir - 2011 - Philosophical Studies 154 (3):373 - 387.
    I propose a minimal account of authorship that specifies the fundamental nature of the author-relation and its minimal domain composition in terms of a three-place causal-intentional relation holding between agents and sort-relative works. I contrast my account with the minimal account tacitly held by most authorship theories, which is a two-place relation holding between agents and works simpliciter. I claim that only my view can ground productive and informative principled distincitons between collective production and collective authorship.
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  30.  12
    The First Step: DNAR Outside the Hospital and the Role of Pediatric Medical Care Providers.Julie Collier & Christy Sandborg - 2005 - American Journal of Bioethics 5 (1):85-86.
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  31.  8
    Introduction.Christy Mag Uidhir - 2015 - Journal of Aesthetics and Art Criticism 73 (1):1-8.
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  32. Unlimited Additions to Limited Editions.Christy Mag Uidhir - 2009 - Contemporary Aesthetics 7.
    In this paper I target the relationship between two prints that are roughly qualitatively identical and share a causal history. Is one an artwork if and only if the other is an artwork? To answer this, I propose two competing principles. The first claims that certain intentional relations must be shared by the prints (e.g., editioned prints vs. non-editioned prints). The second, which I endorse, appeals only to minimal print ontology, claiming that the two prints need only be what I (...)
     
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  33. Taking It to the Next Level: Organisational Ethics.Fiona McDonald & Christy Simpson - 2017 - In Fiona McDonald & Christy Simpson (eds.), Rethinking Rural Health Ethics. Cham: Springer Verlag.
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  34. The Paradox of Suspense Realism.Christy Mag Uidhir - 2011 - Journal of Aesthetics and Art Criticism 69 (2):161-171.
    Most theories of suspense implicitly or explicitly have as a background assumption what I call suspense realism, i.e., that suspense is itself a genuine, distinct emotion. I claim that for a theory of suspense to entail suspense realism is for that theory to entail a contradiction, and so, we ought instead assume a background of suspense eliminativism, i.e., that there is no such genuine, distinct emotion that is the emotion of suspense. More precisely, I argue that i) any suspense realist (...)
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  35. An eliminativist theory of suspense.Christy Mag Uidhir - 2011 - Philosophy and Literature 35 (1):121-133.
    Motivating philosophical interest in the notion of suspense requires comparatively little appeal to what goes on in our ordinary work-a-day lives. After all, with respect to our everyday engagements with the actual world suspense appears to be largely absent—most of us seem to lead lives relatively suspense-free. The notion of suspense strikes us as interesting largely because of its significance with respect to our engagements with (largely fictional) narratives. So, when I indicate a preference for suspense novels, I indicate a (...)
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  36. Recordings as Performances.Christy Mag Uidhir - 2007 - British Journal of Aesthetics 47 (3):298-314.
    This article claims that there is no in principle aesthetic difference between a live performance and a recording of that performance, and as such, performance individuation ought to be revised to reflect this. We ought to regard performances as types able to be instantiated both by live performances and by recordings of those performances, or we ought to abandon performances qua aesthetic objects.
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  37. Comics & Collective Authorship.Christy Mag Uidhir - 2011 - In Aaron Meskin, Roy T. Cook & Warren Ellis (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 47-67.
    Most mass-art comics (e.g., “superhero” comics) are collectively produced, that is, different people are responsible for different production elements. As such, the more disparate comic production roles we begin to regard as significantly or uniquely contributory, the more difficult questions of comic authorship become, and the more we view various distinct production roles as potentially constitutive is the more we must view comic authorship as potentially collective authorship. Given the general unreliability of intuitions with respect to collective authorship (coupled with (...)
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  38.  30
    A Study to Elicit Behavioral Health Patients' and Providers' Opinions on Health Records Consent.Maria Adela Grando, Anita Murcko, Srividya Mahankali, Michael Saks, Michael Zent, Darwyn Chern, Christy Dye, Richard Sharp, Laura Young, Patricia Davis, Megan Hiestand & Neda Hassanzadeh - 2017 - Journal of Law, Medicine and Ethics 45 (2):238-259.
    A main objective of this study is to assess the opinions of 50 behavioral health patients on selective control over their behavioral and physical health information. We explored patients' preferences regarding current consent models, what health information should be shared for care and research and whether these preferences vary based on the sensitivity of health information and/or the type of provider involved. The other objective of this study was to solicit opinions of 8 behavioral health providers on patient-driven granular control (...)
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  39.  19
    Ethische Reflexion und Entscheidungsfindung im professionellen Pflegehandeln realisieren.Prof Dr Annette Riedel - 2013 - Ethik in der Medizin 25 (1):1-4.
  40. Art & Abstract Objects.Christy Mag Uidhir (ed.) - 2013 - Oxford University Press.
    Art and Abstract Objects presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally efficacious, located in space and time). Da Vinci's Mona Lisa is currently located in Paris. Richard Serra's Tilted Arc is 73 tonnes of solid steel. Johannes Vermeer's The Concert was stolen in 1990 and remains missing. Michaelangelo's (...)
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  41. A Portrait of the Artist as an Aesthetic Expert.Christy Mag Uidhir & Cameron Buckner - 2014 - In Greg Currie, Matthew Kieran, Aaron Meskin & Jon Robson (eds.), Aesthetics and the Sciences of Mind. New York, NY: Oxford University Press.
    For the most part, the Aesthetic Theory of Art—any theory of art claiming that the aesthetic is a descriptively necessary feature of art—has been repudiated, especially in light of what are now considered traditional counterexamples. We argue that the Aesthetic Theory of Art can instead be far more plausibly recast by abandoning aesthetic-feature possession by the artwork for a claim about aesthetic-concept possession by the artist. This move productively re-frames and re-energizes the debate surrounding the relationship between art and the (...)
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  42. What's So Bad about Blackface?Christy Mag Uidhir - 2013 - In Mary K. Bloodsworth-Lugo & Dan Flory (eds.), Race, Philosophy, and Film. New York: Routledge. pp. 51-68.
    I argue that what’s so bad (qua film fiction) about the cinematic practice of actor-character race-mismatching—be it the historically infamous and intuitively repugnant practice of blackface or one of its more contemporary kin—is that the extent to which film-fictions employ such practices is typically the extent to which such film-fictions unrealistically depict facts about race. More precisely, I claim that race-mismatching film fictions—understood as a species of unrealistic fiction—are prima facie inconsistent fictions with the capacity to mislead their audiences about (...)
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  43. The Aesthetics of Actor-Character Race Matching in Film Fictions.Christy Mag Uidhir - 2012 - Philosophers' Imprint 12.
    Marguerite Clark as Topsy in Uncle Tom’s Cabin (1918). Charlton Heston as Ramon Miguel Vargas in Touch of Evil (1958). Mizuo Peck as Sacagawea in Night at the Museum (2006). From the early days of cinema to its classic-era through to the contemporary Hollywood age, the history of cinema is replete with films in which the racial (or ethnic) background of a principal character does not match the background of the actor or actress portraying that character. I call this actor-character (...)
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  44. Pornography at the Edge: Depiction, Fiction, & Sexual Predilection.Christy Mag Uidhir & Henry Pratt - 2012 - In Hans Maes & Jerrold Levinson (eds.), Art and Pornography: Philosophical Essays. Oxford, GB: Oxford University Press UK. pp. 137-160.
    The primary purpose of depictive works of pornography, we take it, is sexual arousal through sexually explicit representations; what we callprototypical pornography satisfies those aims through the adoption of a ceteris paribus maximally realistic depictive style. Given that the purpose of sexual arousal seems best fulfilled by establishing the most robust connections between the viewer and the depictive subject, we find it curious that not all works of pornography aspire to prototypical status. Accordingly, we target for philosophical scrutiny several non-standard (...)
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  45.  5
    Dianoemata.Matthias Baltes, Annette Hüffmeier, Marie-Luise Lakmann & Matthias Vorwerk - 1999 - ISSN.
    Die Beiträge zur Altertumskunde enthalten Monographien, Sammelbände, Editionen, Übersetzungen und Kommentare zu Themen aus den Bereichen Klassische, Mittel- und Neulateinische Philologie, Alte Geschichte, Archäologie, Antike Philosophie sowie Nachwirken der Antike bis in die Neuzeit. Dadurch leistet die Reihe einen umfassenden Beitrag zur Erschließung klassischer Literatur und zur Forschung im gesamten Gebiet der Altertumswissenschaften.
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  46.  43
    Empfehlungen zur Evaluation von Ethikberatung in Einrichtungen des Gesundheitswesens.Gerald Neitzke, Annette Riedel, Stefan Dinges, Uwe Fahr & Arnd T. May - 2013 - Ethik in der Medizin 25 (2):149-156.
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  47.  8
    Ernesto Grassi in München: Aspekte von Werk und Wirkung.Sonja Asal & Annette Meyer (eds.) - 2020 - Paderborn: Wilhelm Fink.
    Ernesto Grassi (1902-1991) was one of the most ambivalent and at the same time most influential professors of philosophy in Western Germany after World War II. Not only his philosophical works on humanism but also his role as a university teacher and editor of the first paperback textbooks on philosophy and theory in general made him to leading figure in post-war academic debates. Mit Ernesto Grassi widmet sich der Band einem schillernden Gelehrten der Nachkriegszeit, der als bedeutender Stichwortgeber in den (...)
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  48.  70
    Brain Metabolite Levels in Sedentary Women and Non-contact Athletes Differ From Contact Athletes.Amy L. Schranz, Gregory A. Dekaban, Lisa Fischer, Kevin Blackney, Christy Barreira, Timothy J. Doherty, Douglas D. Fraser, Arthur Brown, Jeff Holmes, Ravi S. Menon & Robert Bartha - 2020 - Frontiers in Human Neuroscience 14.
    White matter tracts are known to be susceptible to injury following concussion. The objective of this study was to determine whether contact play in sport could alter white matter metabolite levels in female varsity athletes independent of changes induced by long-term exercise. Metabolite levels were measured by single voxel proton magnetic resonance spectroscopy in the prefrontal white matter at the beginning and end of season in contact and non-contact varsity athletes. Sedentary women were scanned once, at a time equivalent to (...)
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  49.  37
    Women and Moral Theory.Eva Feder Kittay, Carol Gilligan, Annette C. Baier, Michael Stocker, Christina H. Sommers, Kathryn Pyne Addelson, Virginia Held, Thomas E. Hill Jr, Seyla Benhabib, George Sher, Marilyn Friedman, Jonathan Adler, Sara Ruddick, Mary Fainsod, David D. Laitin, Lizbeth Hasse & Sandra Harding - 1987 - Rowman & Littlefield Publishers.
    To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.
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  50.  9
    Paediatric Physician–Researchers: Coping With Tensions in Dual Accountability.Katherine Boydell, Randi Zlotnik Shaul, Lori D'Agincourt–Canning, Michael Da Silva, Christy Simpson, Christine D. Czoli, Natalie Rashkovan, Celine C. Kim, Alex V. Levin & Rayfel Schneider - 2012 - Narrative Inquiry in Bioethics 2 (3):213-221.
    Potential conflicts between the roles of physicians and researchers have been described at the theoretical level in the bioethics literature (Czoli, et al., 2011). Physicians and researchers are generally in mutually distinct roles, responsible for patients and participants respectively. With increasing emphasis on integration of research into clinical settings, however, the role divide is sometimes unclear. Consequently, physician–researchers must consider and negotiate salient ethical differences between clinical– and research–based obligations (Miller et al, 1998). This paper explores the subjective experiences and (...)
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