The authors report the first Italian experience of a research ethics committee (REC) audit focused on the evaluation of the REC’s compliance with standard operating procedures, requirements in insurance coverage, informed consent, protection of privacy and confidentiality, predictable risks/harms, selection of subjects, withdrawal criteria and other issues, such as advertisement details and justification of placebo. The internal audit was conducted over a two-year period (March 2009–February 2011) divided into quarters to better value the influence of the new insurance coverage regulation (...) that came into effect in March 2010 (Ministerial Decree of 14 July, 2009) and expand the requirements to safeguard participants in clinical drug trials including other critical items as information and consent and the risks to benefits ratio. Out of a total of 639 REC’s opinions and research studies, 316 were reviewed. Regarding the insurance policy requirements, Auditor/REC non-compliance occurred only in one case. The highest number of Auditor/REC non-compliance was in regard to information and consent, which should have incurred a suspended decision rather than a favorable opinion. This internal audit shows the importance and the difficulty of the review process. For this reason, specific courses for members of the research ethics committee and for those who aspire to become auditors will be provided. There may also be efforts to improve the standard operating procedures already in place. (shrink)

Most contemporary approaches to meaning presume the limitation of semiotics (Didi-Huberman, Gumbrecht, Belting). The question of what kind of “semiotics” is required has not been asked. However, without some general science of meaning it is impossible to reform theory without committing past errors or ignoring progress. In the interest of reconnecting contemporary interests in “presence” to long-evolving needs, I review the ossification and decline of one theory of semiotics that serves as the tacit model rejected today. I return to problems (...) of the nature of the sign – whether it is “digital” or “analog” and conceived as “communication” or merely “meaning.” I then reconstitute a workable visual cognitive semiotics based on phenomenological premises. (shrink)

En 1990, Georges Didi-Huberman, filósofo e historiador del arte contemporáneo, anuncia que va a elaborar una «estética del síntoma». La expresión está cargada de consecuencias epistemológicas. Nos proponemos exponer aquí las claves de tal filosofía del arte y aclarar los problemas que plantea. ¿Cuáles son, según Didi-Huberman, los síntomas de las imágenes? Antes de responder a esta pregunta es preciso hacer un rodeo por el pensamiento crítico de Freud mostrando lo que es para él un síntoma y evocando sobre todo (...) la figura de la histeria. El concepto de síntoma, tomado en su acepción freudiana y reactualizado en los confines de la obra de arte, permite a Didi-Huberman hacer ver de qué forma compleja significaciones heterogéneas pueden resumirse, articularse en una imagen. Designa esta articulación de sentidos mediante la noción de síntoma, cuyo «pan» es una circunstancia particular. Retomando los análisis de Didi-Huberman sobre la pintura de Fra Angelico, mostramos todo el poder de los síntomas de la pintura y la apertura epistemológica que imponen a los teóricos del arte. (shrink)

¿Puede Tomás de Aquino, pensador del siglo XIII, decirnos algo a nuestra realidad política latinoamericana actual? Un texto entre dos contextos es el pretexto para generar una reflexión en torno al derecho a la rebelión, desde la perspectiva de la no-violencia y el derecho a la desobediencia civil. Un camino desde la justicia y el buen gobierno en el Aquinate, seguido del bien común político y las virtudes políticas en el Angélico para desembocar en el derecho a la rebelión, es (...) la ruta que se traza para esta exposición. Una lectura desde la propuesta exegética hermenéutica del Dr. René Padilla, es decir, una comprensión intuitiva, una comprensión gramático-histórica y una comprensión contextualizadora son el cómo y modo del presente trabajo. (shrink)

Qu'ont de commun Pascal et la peinture de La Tour? La théologie de Thomas d'Aquin et les fresques de Fra Angelico? La philosophie de Schelling et la musique de Liszt? La pensée de Diderot et les toiles de Fragonard, ou encore la phénoménologie de Maldiney et les sculptures de Giacometti? Et si œuvres d'art et œuvres philosophiques, dans leurs façons d'être au monde, tissaient de profondes correspondances, souvent même à l'insu de leur créateur? C'est la thèse de Philippe Grosos (...) qui revisite ici les grandes œuvres de la pensée humaine et les plus belles productions de l'art pour en dévoiler les liens les plus intimes et les intuitions communes. De telles correspondances, qui entendent mettre en évidence des gestes communs à l'élaboration de leurs œuvres, supposent alors que ce que nous nommons esthétique a bien davantage à voir avec l'existence qu'avec la seule œuvre d'art ou le jugement de goût. (shrink)

El presente texto se interroga sobre los efectos performativos del himno de Chile en cuanto éste designa al país en la forma de una "copia feliz del Edén". A partir de ahí, se pregunta ¿cómo podría una copia afirmarse en la originalidad de una soberanía? Para solucionar la distancia entre copia y original y, por tanto, dar lugar al funcionamiento de la soberanía, el himno designa a esa copia como "feliz". El término "feliz" se constituye, así, en el operador que (...) vendría tanto a apuntalar a la constitución de una soberanía como a revelar el límite de su imposibilidad. "Feliz" permite disminuir la distancia entre copia y original, pero a la vez, la conserva irremediablemente. Por eso, decir que el país es la copia "feliz" es lo mismo que decir "infeliz" toda vez que ambos términos no hacen más que corroborar la diferencia ontológica entre copia y original. Se argumenta que el término "feliz" constituye un dispositivo teológico político, toda vez que replica la función angélica destinada a la administración de la creación divina. En estos términos se pregunta: ¿no será el proyecto de la República de Chile un proyecto esencialmente administrativo? A esta luz, el texto plantea la contraposición entre himno con el poema: el himno -se plantea- constituye el operador angélico que hace posible la articulación de una soberanía. El poema, en cambio, constituiría el resto irreductible que le resiste. This essay asks on the performative efects of the chilean hymn, because it names the country as a "happy copy of Eden". Since this problem, the essay asks: how could the copy may posits as the originality of the sovereignity? To solve the distance between the copy and the original and make posible the sovereignity´s operation, the hymn names the copy as "happy". The word "happy" supports the constitution of the sovereignity and reveals the limit of its own imposibility. "Happy" reduce the distance between the copy and the original but, at the same time, absolutely preserve it. That´s why, say that the country is the "happy" copy is the same than to say that is a "unhappy" one, because both words shows the ontological difference between the copy and the original. This essay argues that the word "happy" is a political theological device because repeats the angelical task of manage the divine creation. In theses terms we ask: ¿Is the chilean republican proyect an administrative one? In this light, the essay posits an aporia between the hymn and poem: the hymn constitutes the angelical operator that makes sovereignity posible, the poem constitutes a singular rest that resist it. (shrink)

Il presente contributo indaga la trasformazione della definizione di “giustizia” da Tommaso d’Aquino (analogica) a Tommaso De Vio (univoca). Esaminando la connessione fra logica e filosofia morale si considera il tema della virtù e l‘interpretazione del pensiero dell’Angelico da parte del Gaetano. Si intende approfondire il rapporto fra la giustizia e il bene comune attraverso l’uso dell’analogia (Tommaso) o in altri termini (Gaetano). Il lavoro fa riferimento anche alla tesi di S. Hofstadter, secondo cui l’analogia è quasi un a (...) priori cognitivo con cui l’uomo concettualizza il mondo e progredisce nella conoscenza, tenendo presente il ruolo fondamentale che l’analogia svolge nella filosofia e nella teologia del Gaetano. Partendo dal presupposto che la nozione analogica di giustizia esprima più chiaramente il pensiero dell’Angelico sul rapporto con il bene comune, si osserva che il Gaetano fa uso di uno strumento diverso, interpretando la stessa virtù secondo una concettualizzazione di carattere univoco. E ciò, precisamente, per il suo modo di concepire l’analogia. Appaiono, quindi, due nozioni di giustizia in relazione al bene comune e a tutte le altre virtù morali. Come influisce tutto ciò sul discorso etico e sulla riflessione politica? Qual è il rapporto con la suprema potestas, il governo ecc.? Emergono chiaramente due diversi modi di argomentare e di rappresentare il mondo e le sue relazioni, cioè di costruire percorsi diversi sulla base dello stesso oggetto di studio. This paper investigates the definition of “justice” and its transformation, from Aquinas (analogical) to Cajetan (univocal). Through the commentaries of Cajetan to the S. Th., this contribution also deeps into the connection between Logic and Moral Philosophy. We intend to deepen the relationship between justice and the common good using the analogy (Aquinas) or not (Cajetan). This work also refers to the thesis of S. Hofstadter according to which the analogy is almost a cognitive a priori with which man conceptualizes the world and progresses in knowledge, bearing in mind the role that analogy played in Cajetan’s thought. If the analogical notion of justice renders much better the teaching of Aquinas, it is observed that Cajetan interpretates the same virtue according to univocity, because of his previous conception of the analogy. Therefore, we have two notions of “justice” related to the common good and the rest of the moral virtues. How could this affect the Ethics and the political reflections? What is the relationship between the suprema potestas, the government, etc.? Again, we have now two different ways of arguing and representing the world and its relations. (shrink)

"Ruskin was the most important aesthetic authority of the 19th century. In his dozens of books and lectures he wrote about the qualities of art. the key figure, the history that connected one to another. In The Stones of Venice, Modern Painters, Seven Lamps of Architecture he developed rules and standards that are amazingly contemporary in their range of sympathies. However, Ruskin wrote thousands of pages of criticism; for the modern reader his thought needs always to be rediscovered. This anthology (...) by Robert Herbert contains the essential thought of Ruskin on theory and practice (creativity, color, compositio, exhibiting workd of art), ("the nature of gothic," Venetian Renaissance, iron and glass as new materials for building), and sculpture and ornament (Greek, Byzantine, Medieval, and Renaissance). Herbert devotes his section on painting to Ruskin's remarks on Giotto, Fra Angelico, Botticelli, Michelangelo, the Venetians, Turner, the Pre-Raphaelites, and many others. Ruskin was full of contradictions and quirks, but he is the one 19th-century critic who gave the 20th century many of its most progressive thoughts on architecture, painting, and relationship of art to a social and moral context."--BOOK COVER. (shrink)

El propósito de nuestro artículo es analizar el concepto de permisión divina del mal en la obra de santo Tomás de Aquino, especialmente en referencia al mal físico y al mal moral de culpa. Subrayamos la importancia de distinguir los diversos planos en los que el autor expone la cuestión, a fin de evitar lecturas parciales o demasiado unívocas que podrían producir una incorrecta interpretación de la enseñanza del Doctor Angélico.

O presente artigo propõe uma interpretação deflacionista para a doutrina da essência absolutamente considerada , apresentada por Tomás de Aquino no opúsculo "De ente et essentia". O norte do trabalho é a análise das expressões reduplicativas que são constantemente utilizadas pelo Doutor Angélico para designar as EAC's. Portanto, pretendo mostrar que a EAC é a consideração dos predicados essenciais, que se predicam das expressões reduplicadas, diferentemente da noção acidental de existência. Por isso, a EAC não existe nem no intelecto nem (...) na realidade, o que, dito em outras palavras, significa apenas que "existir no intelecto" e "existir na realidade" são predicados acidentais em relação às essências apreendidas abstrativamente pela mente. This paper proposes a deflationist interpretation of the doctrine of the Nature as such, which Thomas Aquinas exposes in his work "De ente et essentia". The aim of this paper is to provide an analysis of reduplicative expressions used by Aquinas to refer nature as such. Hence, I will show that the nature as such is the consideration of the essential properties predicated by the reduplicative expressions, diverse from the accidental notion of 'existence'. Consequently, nature as such does not exist in the intellect and do not exist in reality, for in other words 'existing in the intellect' and 'existing in the reality' are accidental predicates when attributed to essences grasped by the mind. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Apocalypse of Wisdom: Louis Bouyer's Theological Recovery of the Cosmos by Keith LemnaAaron WilliamsThe Apocalypse of Wisdom: Louis Bouyer's Theological Recovery of the Cosmos by Keith Lemna (Brooklyn, NY: Angelico, 2019), xxx + 488 pp.Keith Lemna has done the theological world a great service. In The Apocalypse of Wisdom: Louis Bouyer's Theological Recovery of the Cosmos, he offers the English-speaking world for the first time a (...) monograph on the thought of the Oratorian Louis Bouyer. Bouyer is undoubtedly one of the theological giants of the twentieth century. Born in Paris in 1913, he was ordained a Lutheran pastor in 1936. After only three years as a Lutheran clergyman, he was received into the Catholic Church at the Benedictine Abbey of Saint Wandrille. Then ordained as an Oratorian priest in 1944, he taught from 1946 to 1962 at the Institut Catholique de Paris and abroad for the three decades following.1 He is most well-known for his work on the liturgy both before and after the Second Vatican Council. With fifty books to his name, including a nine-part synthesis on Christian doctrine, the breadth of his theological vision and work is astounding. In France he is considered one of the four preeminent theologians of the post-World War II era, and his theological contemporaries in Europe, such as Hans Urs von Balthasar and Joseph Ratzinger / Benedict XVI, always held the Oratorian in high regard.2 Yet, in the English-speaking world, much of his work has gone without comment.3 Thankfully, into the void steps this excellent work by Lemna. [End Page 1353]Anyone familiar with the Bouyerian corpus knows the challenge of approaching it. With its vast array of subject matter, ranging from biblical to liturgical to historical to spiritual to speculative theology, one wonders whether there is any one thread woven throughout the varied strands, a single theme around which the whole sprawling corpus can be understood. In fact, there is, and Lemna has deftly identified it. For Bouyer, the fundamental question of theology is the world's relation to God.4 The structure of the first six books of his nine-part treatise on systematic theology attest to the priority of the question with the first three works addressing the question of the world, or the economy of creation and salvation, and the latter three works addressing the question of God, or theology properly speaking: the doctrine of the Trinitarian God. Interestingly, though Bouyer's work on theological cosmology, Cosmos, is the third book in the series, it was, in fact, the last of the six to be written. In this sense, as Lemna points out, "Cosmos is a capstone monograph... summarizing in important ways the decisive first six volumes" (xiv). Theological cosmology fully illuminates the God–world relation as Bouyer sees it, and since this relation sits at the heart of his thought, Cosmos is for Bouyer both his "most personal, as well as most speculative work" and indeed, "opens up the meaning of his other writings" beyond the dogmatic sphere (25). One could, then, scarcely choose a better entry point into the wide theological world of this "mind with a very special character," as Joseph Ratzinger saw him.5The Apocalypse of Wisdom is an expansive commentary on Bouyer's cosmology at the heart of which is a liturgical, even nuptial, vision of the whole of creation known and loved in the mind of God from all eternity, as the uncreated Wisdom of God. In creation God freely gives existence to the world ex nihilo, so that it might return to him in a liturgical song of praise and thanksgiving, as the Bride of his eternal Son, the eschatological and cosmic Church, created wisdom now made glorious and radiant through the indwelling of the Holy Spirit. As Lemna puts it, "Bouyer shows that cosmology should be a pursuit of wisdom, but that Wisdom is ultimately a gift revealed or uncovered by means of apokalypsis in the re-creative interventions of the divine Word and Holy Spirit in history" (xvii). The wisdom of man seeking a unified vision of the whole of reality [End... (shrink)

La constitución de Jesús en el pensamiento de Ibn ‘Arabī depende de su herencia materna y paterna. El ángel Gabriel toma el estatuto de padre por su aparición a María y por ser el portador de un “Espíritu que procede de Dios”. En este artículo presentaremos la herencia que Jesús recibe del ángel y las repercusiones que sobre su ser tendrá el encuentro de una madre humana y un espíritu angélico. Jesús va a ser un ser dual sobre el que (...) va a primar su aspecto espiritual, puesto que el “agua imaginal” de Gabriel primará sobre el “agua real” de María. Será medio humano y medio espíritu. Su “cristología” es plenamente islámica, pero se acerca, de esta manera, sin identificarse, al docetismo. Jesús aparecerá como un varón, aun siendo un espíritu, y será, por ello, capaz de obrar milagros de vivificación. Para el gran maestro sufí, cada profeta es manifestador de una cualidad divina; en el caso de Jesús, él es la corporalización del Aliento divino. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Modernity as Apocalypse: Sacred Nihilism and the Counterfeits of Logos by Thaddeus J. KozinskiMehmet CiftciModernity as Apocalypse: Sacred Nihilism and the Counterfeits of Logos by Thaddeus J. Kozinski (Brooklyn, NY: Angelico, 2019), 231 pp.Whether the names Adrian Vermeule, Fr. Edmund Waldstein, and Sohrab Ahmari provoke anxiety or glee in readers' minds will depend on where they stand on integralism, the brand of Catholic traditionalism that all three (...) have sought to promote through various websites and publications. Presenting themselves as the authentic interpreters of magisterial teachings on church–state relations, the integralists have challenged the long-standing attempt (especially in North America) to combine the Catholic faith with a commitment to political liberalism, natural rights, religious liberty, and state neutrality toward religion. For the integralists, attempting such a combination succeeds only in distorting the Catholic faith and causes us to forget what the Church taught before the Second Vatican Council, which still obliges the assent of Catholics, they claim, and is desperately needed to stand against the onward march of secularism. [End Page 966]Although Thaddeus Kozinski, former professor at Wyoming Catholic College, may not be one of the more well-known integralists, his latest book presents an interesting iteration of Catholic traditionalism that displays both what is valuable and what is most worrying about contemporary traditionalism. Kozinski's previous book was a closely argued critique of John Rawls and Jacques Maritain using the thought of Alasdair MacIntyre. It built up a cumulative case for the impossibility of resolving the political problem of religious pluralism without moving beyond philosophy by making a decision to reject or accept the political importance of the Catholic Church and its teachings.1 Although the author's preference for some sort of confessional state was already clear in that book, he preferred not to defend it, but rather to argue that it is impossible to be agnostic or neutral toward the ideal of church–state union. Now he goes on the offensive, presenting in the twenty brief chapters of Modernity as Apocalypse his "sundry attempts over the past decade to grapple with the question of modernity" (14). More precisely, he is grappling with the questions of what defines modernity, how we arrived at where we are, and what Christians should do while living in it, particularly in the fields of education and politics.The two chapters that form the first part (entitled "Modernity") use Charles Taylor's A Secular Age to argue that modernity's increasingly pluralistic and secular culture creates "an entirely new incapacity to experience the reality of a particular worldview in a naïve way, that is, without the consciousness of there being other viable options" (37). Yet the problem also reveals a blessing. "Encountering reality through the lens of other perennial traditions can serve to expose that false dichotomy in our minds that leads us to interpret other views as nothing more than full-fledged errors and our own personal lenses as nothing less than the whole truth" (21). Anyone who has read what passes for commentary on websites such as Church Militant or Rorate Caeli will find that statement surprising and refreshing.The second part ("Logos") contains four chapters that lucidly discuss contemporary disagreements in ethics between Kantians and virtue-ethicists, between new natural lawyers and MacIntyreans. Chapter 4 makes an effective and moving argument to read Plato "as a precursor to Faith, and a guide along the way home" (50). There are some brief but suggestive remarks drawing on Benedict XVI's Caritas in Veritate in [End Page 967] chapter 6 to argue that an ethics of gift can enable us to express the moral teachings of the New Testament in terms that are potentially convincing to a broader audience. "Metanoia" is the title of the third part, dedicated to education. Chapters 7–8 and 10 give not very original and yet timely arguments for the importance of the liberal arts, the need for Catholic universities to be institutions that can foster, rather than deform, the practice of philosophy, and the need for pedagogy to be rooted in the transmission of a community's tradition.2However, one cannot help but be startled when... (shrink)

In un saggio intitolato La fede e il dubbio. L’inesistenza e la violenza della fede, Emanuele Severino giudica incoerente la dottrina cattolica – come pure la prospettiva di Tommaso d’Aquino cui essa risale – stando alla quale la fede risulta certa nonostante le verità che in essa si credono manchino di evidenza. La fede sarebbe non solo inesistente (una fede certa, come quella proclamata dai Vangeli e sostenuta da Tommaso, semplicemente non può esistere) ma anche violenta (l’incoerenza che la contraddistingue (...) vìola la natura della conoscenza razionale). La tesi di Severino è stata già discussa e criticata da alcuni studiosi ad avviso dei quali la prospettiva che la genera manca di un’adeguata considerazione della natura della fede cristiana, giudicata da Severino unicamente in base al criterio dell’evidenza razionale. In questo saggio si intende approfondire questa posizione critica nei confronti della tesi severiniana. Si puntualizzerà che al centro della dottrina tommasiana della fede si situa l’amore per Dio inteso come fine e senso della fede. Secondo Tommaso infatti non l’evidenza razionale ma la carità – donata da Dio stesso – porta i cristiani ad affidarsi a lui e a credere con fermezza quanto egli ha rivelato. Si preciserà quindi che, nel pensiero dell’Angelico, la realtà di un legame così decisivo non sminuisce la rigorosità dell’esercizio razionale. Al contrario, quanto maggiore è la fiducia riposta in Dio creatore tanto più grande risulta l’apprezzamento delle facoltà razionali da lui create. Per questo, Tommaso spinge la ragione a un’indagine senza limiti, sicuro del fatto che essa, sebbene non possa evidenziare la verità della fede, può tuttavia dimostrarne la coerenza interna e combatterne le obiezioni. Prima di procedere con l’esposizione della critica di Severino alla fede cristiana, una precisazione di carattere metodologico risulta doverosa. Alcuni studiosi hanno rilevato che tale critica dipende essenzialmente dalla prospettiva ontologica severiniana, incentrata, come è noto, sull’assunto parmenideo che l’essere è ed è impossibile che non sia. Tutta la tradizione occidentale, dall’evoluzione tecnologica alle convinzioni morali e alla fede cristiana, sarebbe stata fatalmente minata dal proprio radicamento in quella “follia” che per Severino è rappresentata per l’appunto dall’accettazione della realtà del divenire. Secondo la sintesi offerta ad esempio da Giuseppe Pirola, «pensando l’essere come niente, come ciò che può essere e non essere, anziché come ciò che è ed è impossibile che non sia, tutta la modernità cade nel nichilismo; non solo la tecnologia ma anche la morale e la stessa fede cristiana». Allo stesso modo, Leonardo Messinese sostiene che «l’affermazione rigorosa e concretamente determinata della verità dell’essere si è configurata in Severino comeun’affermazione che estende il suo raggio dal campo dell’ontologia a ogni altro ambito tradizionale della filosofia e, ancora più ampiamente, a ogni ambito della cultura e prassi dell’uomo». Ne consegue che «siamo in presenza di una critica della fede cristiana la quale contiene degli elementi di originalità rispetto alle tradizionali forme di critica della religione operate nel pensiero moderno e contemporaneo». Le considerazioni severiniane che qui si prenderanno in esame –considerazioni strettamente relative alla presunta inconsistenza razionale dell’atto di fede – sono tuttavia pienamente riconducibili al primato dell’evidenza così come esso si configura presso ogni forma di evidenzialismo moderno. Come verrà mostrato nel corso di queste pagine, al cuore della critica che Severino rivolge all’atto della fede cristiana vi è l’attenzione per una caratteristica propria dell’epistemologia della fede che anche altri pensatori, pur partendo da prospettive molto diverse da quella severiniana, ritengono sia il limite dell’esperienza dei cristiani: l’assenza di evidenza tipica delle verità rivelate e il fatto che conseguentemente è la volontà a spingere l’intelletto a dare loro l’assenso (da questo seguirebbe il dubbio e quindi la contraddizione con la pretesa di certezza che la fede cristiana porta con sé). In questa sede si procederà dunque a discutere la posizione di Severino a questo riguardo senza considerarne le assunzioni ontologiche e storico-filosofiche. (shrink)

Este artículo indaga en la profunda fecundación que Santo Tomás de Aquino establece entre la teología trinitaria y la vida cristiana. En una mirada complexiva del plan integral de la Summa Theologiae no puede pasarnos desapercibido que la concepción de la moral del Angélico tiene lugar en un horizonte exquisitamente teológico. La perspectiva de la secunda pars trata del hombre, ser “a imagen”, después de haber tratado del Modelo, y siempre a su luz y en relación con Él. Es precisamente (...) en la teología del Espíritu Santo donde la vida divina trinitaria se abre a su comunicación –¡y uso! – en la historia de la salvación de los hombres. De este modo, la vida cristiana es concebida fundamentalmente como vida de la gracia, en la que no recibimos únicamente un efecto divino –la gracia creada–, sino al Espíritu Santo en persona –Gracia increada– que nos mueve y protege Él mismo juntamente con el Padre y el Hijo. (shrink)

Passare da Wittgenstein per arrivare a san Tommaso non è un percorso a ritroso, filosoficamente parlando. Lo sostengono importanti pensatori britannici della tradizione post-analitica come Peter Geach, Elizabeth Anscombe e Anthony Kenny, i quali propongono una lettura molto originale del Dottor Angelico e dell’autore delle Ricerche filosofiche. Roger Pouivet ricostruisce in Dopo Wittgenstein, san Tommaso i percorsi di una nuova e provocatoria corrente filosofica che ha preso il nome di “tomismo analitico” ed è una delle più coraggiose frontiere filosofiche (...) di oggi. (shrink)

Is it possible to compose a history of images? It is obvious that history can be composed only from that which is intrinsically historical; history has an order of its own because it interprets and clarifies an order which already exists in the facts. But is there an order in the birth, multiplication, combination, dissolution and re-synthesis of images? Mannerism had discredited or demystified form with its pretense of reproducing an order which does not exist in reality. But is the (...) world of existence, like the world of images, chaos or cosmos? Erwin Panofsky's1 great merit consists in having understood that, in spite of its confused appearance, the world of images is an ordered world and that it is possible to do the history of art as the history of images. In order to do this, he had to begin, as indeed he did, with the demonstration that classical art, in spite of the deep-rooted theoretical certitude, is also an art of the image; its forms are nothing if not images to which one tries to attribute the consistency of concepts, with the sole result of the demonstrating that even concepts are images and that the intellect is still another sector or segment of the image. · 1. See, e.g., Erwin Panofsky, Meaning in the Visual Art: Papers in and on Art History ; Studies in Iconology: Humanistic Themes in the Art of the Renaissance ; Problems in Titian, Mostly Iconographic ; Idea: Ein Beitrag zur Begriffsgeshicte der älteren Kunsttheorie [Idea: a concept in art theory, trans. Joseph J. S. Peake ]. Giulio Carlo Argan, who has seriously influenced the course of art history and criticism in postwar Italy, is professor of modern art at the University of Rome. He has written on Fra Angelico, Botticelli, Borromini, Brunelleschi, and Gropius and three volumes of critical essays on modern art. His Skira volume on Baroque art, Europe of the Capitals, is his only major work published in English. "Ideology and Iconology" originally appeared in Italian in the journal Storia dell'arte, which he edits, and in Psicon. Rebecca West, translator of this article and assistant professor of Romance Languages and Literatures at the University of Chicago, presently is collaborating on a translation of Dario Fo's theater. She has translated "Narrative Structures and Literary History" by Cesare Segre, for the Winter 1976 issue of Critical Inquiry. (shrink)

La diversificación moderna de los saberes sobre el ser humano ha llevado a una visión diversificada de la antropología tomista. Se impone una vuelta revitalizadora a esta antropología que muestre la unidad estructural que para Santo Tomás tienen el alma y el hombre. El trabajo se centrará en las tres tesis que articulan la teoría tomista del espíritu y, en concreto, la exposición que nuestro autor hace en la Summa contra gentiles, obra capital en la producción del Angélico que, sin (...) embargo, ha sido bastante marginada. (shrink)

(Tesis de Licencia en Filosofía. Moderador Alessandro Salucci, OP. Angelicum, Roma, Febrero 2006) -/- El problema causal está íntimamente ligado y nos lleva necesariamente al problema del ser, finito e infinito. Por tanto, no es un problema más en la filosofía. En la larga discusión que se planteó en el último período escolástico (fines del s. XIX y primera mitad del s. XX) las líneas de solución más originales las ha dado el p. Cornelio Fabro -/- Por lo tanto, nos (...) proponemos investigar su propuesta de solución. El p. Fabro defendía la necesidad de la dependencia causal a través de la noción de participación. Nuestro objetivo es por tanto hacer un análisis crítico de la postura del p. Fabro acerca de la dependencia causal como exigencia del ser participado, a través del estudio de algunas de sus obras más importantes al respecto. Buscamos respondernos por qué para el p. Fabro el ser participado exige una causa, y valorar sus argumentos. -/- Como hemos dicho, para nuestro trabajo nos valdremos ante todo del estudio de algunas de las obras más importantes del p. Cornelio Fabro con respecto a la causalidad. Nos referimos en concreto a tres de ellas: la primera, el artículo La difesa critica del principio di causa, donde el autor expone de un modo preciso la noción de participación como el fundamento de la justificación crítica del principio de causalidad. Las otras dos obras son La Nozione Metafisica di Partecipazione secondo San Tommaso d’Aquino, donde la noción de participación es puesta al centro de la metafísica tomista, como clave de bóveda de las tesis más características de la doctrina del Angélico; y Partecipazione e Causalità, obra en la cual el autor rescata el esse tomista original como fundamento de una metafísica de la causalidad. -/- Este estudio nos ha llevado a destacar la importancia de la noción de “ser que no es por sí” como noción esencialmente relacionada a la noción de participación y por otro lado cuasi necesaria para hacer el pasaje a la causa. (shrink)