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Andrew Harrison
University of Tennessee, Knoxville
  1.  43
    The Effects of the Dark Triad on Unethical Behavior.Brian Mennecke, James Summers & Andrew Harrison - 2018 - Journal of Business Ethics 153 (1):53-77.
    This article uses behavioral theories to develop an ethical decision-making model that describes how psychological factors affect the development of unethical intentions to commit fraud. We evaluate the effects of the dark triad of personality traits on fraud intentions and behaviors. We use a combination of survey results, an experiment, and structural equation modeling to empirically test our model. The theoretical insights demonstrate that psychopathy, Machiavellianism, and narcissism affect different parts of the unethical decision-making process. Narcissism motivates individuals to act (...)
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  2.  5
    Philosophy And The Visual Arts.Andrew Harrison - 1987 - Dordrecht: Kluwer Academic Publishers.
    This volume consists of papers given to the Royal Institute of Philos ophy Conference on 'Philosophy and the Visual Arts: Seeing and Abstracting' given at the University of Bristol in September 1985. The contributors here come about equally from the disciplines of Philosophy and Art History and for that reason the Conference was hosted jointly by the Bristol University Departments of Philosophy and History of Art. Other conferences sponsored by the Royal Institute of Philosophy have been concerned with links between (...)
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  3.  16
    Philosophy and the Visual Arts: Seeing and Abstracting.Andrew Harrison - 1989 - Journal of Aesthetics and Art Criticism 47 (2):191-193.
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  4.  26
    VI—Works of Art and Other Cultural Objects.Andrew Harrison - 1968 - Proceedings of the Aristotelian Society 68 (1):105-128.
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  5.  40
    Making and Thinking: A Study of Intelligent Activities.Peter Lewis & Andrew Harrison - 1979 - Philosophical Quarterly 29 (117):362.
  6. Making and Thinking: A Study of Intelligent Activities.Andrew Harrison - 1979 - Philosophy 55 (211):128-130.
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  7.  76
    Metaphor in Context.Andrew Harrison - 2003 - British Journal of Aesthetics 43 (4):428-432.
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  8. "Aesthetics After Modernism": Peter Fuller. [REVIEW]Andrew Harrison - 1985 - British Journal of Aesthetics 25 (4):401.
     
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  9. Philosophy and the Arts: Seeing and Believing.Andrew Harrison - 1997 - Burns & Oates.
    How can pictorial and narrative arts be usefully contrasted and compared? What in principal can be, or cannot be, communicated in such different media? Why does it seem that, at its best, artistic communication goes beyond the limitations of its own medium -- seeming to think and to communicate the uncommunicable? Indeed, what kinds of thought are exercised in the pictorial and narrative arts?Both refer to or represent what we take the world to be, and in so doing make the (...)
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  10. Von Leyden, W. "Seventeenth-Century Metaphysics: An Examination of Some Main Concepts and Theories". [REVIEW]Andrew Harrison - 1971 - British Journal for the Philosophy of Science 22:59.
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  11. Creativity and Understanding.Anthony Palmer & Andrew Harrison - 1971 - Aristotelian Society Supplementary Volume 45:73-121.
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  12.  30
    Representation and Conceptual Change.Andrew Harrison - 1972 - Royal Institute of Philosophy Lectures 6:106-131.
    This paper suffers from a disconcerting generality. I need an excuse for wandering from Wittgenstein's Tractatus to Picasso's drawing of a Weeping Woman, via the philosophy of science and the theory of sense data. The thesis of the paper is that I have such an excuse. These are all areas where the concept of representation either exists in its own right, or has been found to be illuminating by philosophers. An important question is whether it could be the same concept (...)
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  13.  21
    Representation and Conceptual Change.Andrew Harrison - 1972 - Royal Institute of Philosophy Lectures 6:106-131.
    This paper suffers from a disconcerting generality. I need an excuse for wandering from Wittgenstein's Tractatus to Picasso's drawing of a Weeping Woman, via the philosophy of science and the theory of sense data. The thesis of the paper is that I have such an excuse. These are all areas where the concept of representation either exists in its own right, or has been found to be illuminating by philosophers. An important question is whether it could be the same concept (...)
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  14.  43
    In Memoriam: Stephan Körner (1913–2000). [REVIEW]Andrew Harrison - 2001 - Erkenntnis 55 (1):1-5.
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  15.  15
    The Neoplatonism of William Blake.Andrew Harrison - 1962 - Philosophical Books 3 (3):6-8.
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  16.  82
    Poetic Ambiguity.Andrew Harrison - 1963 - Analysis 23 (3):54 - 57.
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  17.  15
    Music and the Emotions: The Philosophical Theories.Andrew Harrison - 1993 - Cogito 7 (2):157-159.
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  18.  17
    Zeno's Paper Chase.Andrew Harrison - 1967 - Mind 76 (304):568-575.
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  19.  6
    Reflections.Eudora Welty, Milan Kundera, Maurice Merleau-Ponty, Guy Stock & Andrew Harrison - 1985 - Thinking: The Journal of Philosophy for Children 5 (4):42-46.
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  20.  9
    Reviews. [REVIEW]Andrew Harrison - 1971 - British Journal for the Philosophy of Science 22 (1):59-60.
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  21.  10
    The Language of Art and Art Criticism: Analytic Questions in Aesthetics.Andrew Harrison - 1966 - Philosophical Books 7 (2):17-19.
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  22.  7
    Philosophy of Art.Andrew Harrison - 1965 - Philosophical Books 6 (1):1-4.
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  23.  7
    Philosophical Sketches.Andrew Harrison - 1963 - Philosophical Books 4 (2):12-13.
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  24.  7
    Works and Worlds of Art.Andrew Harrison - 1982 - Philosophical Books 23 (2):116-118.
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  25.  8
    Book Reviews. [REVIEW]Andrew Harrison - 1985 - British Journal of Aesthetics 25 (4):453-457.
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  26.  5
    Music and the Emotions. [REVIEW]Andrew Harrison - 1993 - Cogito 7 (2):157-159.
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  27.  9
    Book Reviews. [REVIEW]Andrew Harrison - 1995 - British Journal of Aesthetics 35 (1):453-457.
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  28.  2
    Logic and Criticism.Andrew Harrison - 1965 - Philosophical Quarterly 15 (61):369-370.
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  29.  7
    Creativity and Understanding.Anthony Palmer & Andrew Harrison - 1971 - Aristotelian Society Supplementary Volume 45 (1):73 - 121.