In this paper I extend the case for a necessitation account of particular laws in Kant's philosophy of science by examining the relation between reason's hypothetical use in the Appendix to the Transcendental Dialectic and the legitimate hypotheses identified in the Doctrine of Method. Building on normative accounts of reason's ideas, I argue that reason's hypothetical use does not describe the connections between objects and their grounds, which lie beyond the reach of the understanding, but merely prescribes the relations between (...) appearances and their conditions, for which the understanding must seek. A legitimate hypothesis, I suggest, is a proposition we hold to be true that fills in one or several of those relations. The problematic character of hypotheses requires that we evaluate our reasons for holding them to be true. While natural modality is grounded in the nature of things, which cannot be fully known, our reasons for assent can and must be grounded on features of objects that are epistemically available to us. (shrink)

In this paper I extend the case for a necessitation account of particular laws in Kant's philosophy of science by examining the relation between reason's hypothetical use in the Appendix to the Transcendental Dialectic and the legitimate hypotheses identified in the Doctrine of Method. Building on normative accounts of reason's ideas, I argue that reason's hypothetical use does not describe the connections between objects and their grounds, which lie beyond the reach of the understanding, but merely prescribes the relations between (...) appearances and their conditions, for which the understanding must seek. A legitimate hypothesis, I suggest, is a proposition we hold to be true that fills in one or several of those relations. The problematic character of hypotheses requires that we evaluate our reasons for holding them to be true. While natural modality is grounded in the nature of things, which cannot be fully known, our reasons for assent can and must be grounded on features of objects that are epistemically available to us. (shrink)

In this paper I return to Hegel's dispute with Kant over the conceptual ordering of external and internal purposiveness to distinguish between two conceptions of teleology at play in the contemporary function debate. I begin by outlining the three main views in the debate (the etiological, causal role and organizational views). I argue that only the organizational view can maintain the capacity of function ascriptions both to explain the presence of a trait and to identify its contribution to a current (...) system, for it is the only view that considers teleology as a natural cause. To establish how teleology can be considered as a natural cause, advocates of the organizational view return to Kant's analysis of internal purposiveness. However, while Kant identifies the requirements that an object must meet to satisfy the demands of teleological judgment, I suggest that he denies that we can know whether they are truly met. I argue that Hegel's philosophy of nature is better equipped to determine how internal purposiveness can be considered as a natural cause, for it grounds organization in a form of purposiveness that is more fundamental than a designer's intention. (shrink)

Philosophers of biology claim that function talk is consistent with naturalism. Yet recent work in biology places new pressure on this claim. An increasing number of biologists propose that the existence of functions depends on the organisation of systems. While systems are part of the domain studied by physics, they are capable of interacting with this domain through organising principles. This is to say that a full account of biological function requires teleology. Does naturalism preclude reference to teleological causes? Or (...) are organised systems precisely a naturalised form of teleology? In this paper I suggest that the biology of organised systems reveals several contradictions in the main philosophical conceptions of naturalism. To integrate organised systems with naturalism’s basic assumptions—that there is no theory-independent view for metaphysics, and that nature is intelligible—I propose an idealist solution. (shrink)

Many students who sign up for undergraduate‐level philosophy arrive with the expectation that moral philosophy is concerned with how one should act in the concrete and familiar situations of everyday life. Yet moral philosophers are often motivated by an ideal of neutrality, and adopt a detached perspective to achieve a scientific view of the competing moral theories. To concretise the points of disagreement they present highly specific examples that are abstracted from daily reality. There is something odd about the image (...) of morality that comes into view. What kind of guidance about how to act in concrete and familiar situations can this form of theorising bring about? This paper examines Iris Murdoch’s account of moral perception as an alternative starting point. Murdoch offers a perspective that is conceptually prior to the separation of thought from action, one that addresses the agent on the level of perception. While accounts of moral perception are often criticized for proposing a complacent moral theory that is inherently conservative, I argue that Murdoch’s account offers a radical – or tragic – form of perfectionism. While moral philosophy cannot provide sufficient reasons to act, Murdoch shows that it can, like art, make us practical, capable of acting. (shrink)

European Journal of Philosophy, EarlyView.

This is the first English translation of a remarkable two-part lecture given by Cornelius Castoriadis at the École des hautes etudes en sciences sociales in January 1992. The lecture features within a series on social transformation and the task of creative forms of labour. In this installment Castoriadis explores the significance of art through a creative reading of Aristotle's famous definition of tragedy in the Poetics. He rejects Aristotle's dependence on the mimetic tradition in search for a vision of art (...) as the unveiling of the creative resources that lie within the human being. Yet he retains Aristotle's vivid depiction of art as a form of production that is at once cognitive, emotive and social. Art, for Castoriadis, affects a transformation on the level of imagination that opens us anew to the fundamental questions of human being and doing. Through his extensive knowledge of western forms of artistic production Castoriadis draws lucid connections between Aristotle, Shakespeare, Kant, Hegel, Greek sculpture, renaissance painting, modern literature and folk music to explore the work of art as a ‘window into chaos’, a creative production that gives form to what cannot be formed: the ground of creativity at the heart of the imagination. (shrink)

This paper walks through four different approaches to Hegel's notion of Consciousness in the Phenomenology of Spirit. Through taking four different approaches our aim is to explore the multifaceted nature of the phenomenological movement of consciousness. The first part provides an overview of the three chapters of the section on Consciousness, namely Sense-Certainty, Perception and Force and the Understanding, attempting to unearth the implicit logic that undergirds Consciousness’ experience. The second part focuses specifically on the shape of Sense-Certainty, providing an (...) analysis of the movement from Sense-Certainty to Perception from a neuroscientific view. Thirdly, we consider an inferentialist reading of the chapters on Consciousness which has been made popular by Robert Brandom. We think that while this view elucidates the connection that Hegel draws between meaning and use, it fails to account for the vital place of immediacy in each of the shapes. Finally, the fourth part suggests that Hegel’s notion of Consciousness improves the reading of tragedy he develops in chapters 5 and 7 of the Phenomenology. While many critics have noted that Hegel fails to do justice to tragic experience, Consciousness contains an epistemology that develops analogously to the heroes of ancient tragedy. Each approach in this paper comes at Hegel’s description of the journey of Consciousness from a different angle, and together they paint a multi-layered picture of a highly important part of Hegel’s corpus. (shrink)

In this paper I propose a new account of living natural products in Kant’s physical geography. I argue that Kant adopts Buffon’s twofold conception of natural history, which consists of a general theory of nature as a physical nexus of causes and a particular account of living natural products in the setting of the earth. Yet in contrast to Buffon, who placed the two parts of natural history on equal epistemic footing, Kant’s physical geography can be understood as a second, (...) pragmatic level of inquiry that stands under the formal conditions of nature outlined in Universal Natural History. On the higher, formal level, natural history provides a physical account of time and space as an expanding causal sequence. On the lower, pragmatic level, physical geography provides a causal account of particular natural products as developing within a specific place. I argue that this two-tiered account not only clarifies the relation between metaphysics and experience in Kant’s pre-critical philosophy, it also sheds light on the continuity between the method of physical geography and the systematisation of nature presented in the critical philosophy. (shrink)

Scholars often draw attention to the remarkably individual and progressive character of Kant's Universal Natural History and Theory of the Heavens. What is less often noted, however, is that Kant's project builds on several transformations that occurred in natural science during the seventeenth and eighteenth centuries. Without contextualising Kant's argument within these transformations, the full sense of Kant's achievement remains unseen. This paper situates Kant's essay within the analogical form of Newtonianism developed by a diverse range of naturalists including Georges (...) Buffon, Albrecht von Haller and Thomas Wright. It argues that Kant's universal conception of natural history can be viewed within the free-thinking and anti-clerical movement associated with Buffon. This does not mean, however, that it breaks from the methodological rules of Newtonianism. The claim of this paper is that Kant's essay contributes to the transformation of natural history from a logical system of classification to an explanation for the physical diversity of natural products according to laws. (shrink)

Kant’s Critique of the Power of Judgment is often interpreted in light of its initial reception. Conventionally, this reception is examined in the work of Fichte, Schelling and Hegel, who found in Kant’s third Critique a new task for philosophy: the construction of an absolute, self-grounding system. This paper identifies an alternative line of reception in the work of physiologists and medical practitioners during the 1790s and early 1800s, including Kielmeyer, Reil, Girtanner and Oken. It argues that these naturalists called (...) on Kant’s third Critique to solidify an experimental natural history that classifies organic form within a system of laws. Kant held both kinds of system in tension, which is why the third Critique remains a singular and provocative text. (shrink)

In this introductory article we reconstruct several broad developments in the scholarship on Kant’s theory of natural science with a particular focus on the Anglophone context over the past half-century. Our goal is to illuminate the co-development of Kant scholarship and the philosophy of science during this period and to identify points of influence in both directions. In section 2 we present an overview of the scholarship on Kant’s account of natural laws. In section 3 we survey the diverse interpretations (...) of Kant’s views on biology and consider recent appeals to Kant by philosophers of biology. In section 4 we explore several recent developments in philosophy of science that have potential synergies with Kant scholarship. Our aim is not simply to establish that Kant’s philosophy can have relevance for philosophy of science but also to point out where it has been and continues to be relevant. Appreciating this relevance, we suggest, can help identify productive lines of inquiry for Kant studies. (shrink)

While Kant introduces his critical philosophy in continuity with the experimental tradition begun by Francis Bacon, it is widely accepted that his Copernican revolution places experimental physics outside the bounds of science. Yet scholars have recently contested this view. They argue that in Critique of the Power of Judgment Kant’s engagement with the growing influence of vitalism in the 1780s leads to an account of nature’s formative power that returns experimental physics within scientific parameters. Several critics are sceptical of this (...) revised reading. They argue that Kant’s third Critique serves precisely to deflate the epistemological status of experimental physics, thereby protecting science from the threat of vitalism. In this paper I examine Kant’s account of science in the context of the experimental tradition of philosophy, particularly in relation to the generation dilemma of the eighteenth century. I argue that Kant does not deflate the epistemological status of experimental physics but rather introduces systematicity to the experimental tradition. By identifying the reflective use of reason to organize laws of experience into a systematic whole, Kant aims to ground experimental inquiry on the secure course of a science, opening a conception of science as a research programme. (shrink)

Intensive care physicians often must rely on substitute decision makers to address all dimensions of the construct of.

Over the past few decades, philosophers of biology have debated the need for a revised evolutionary synthesis that could integrate the causal dynamics of singular organisms into mainstream biological theory. In this chapter I examine two synthesizing arguments (extension and accretion) by turning to a historical source that has recently caught the attention of philosophers on both sides of the debate: Immanuel Kant’s Critique of the Power of Judgment. I argue that accretionists and extenders both pick out one of two (...) key components in Kant’s account of teleological judgment, which, according to Kant, must be held together. By emphasizing one part of Kant’s account of teleological judgment at the expense of the other, both sides overlook the practical nature of his critique. Kant does not simply identify the conditions that render it necessary to judge some products of nature teleologically, I suggest, but also demonstrates the need for second-order analysis to define various domains of inquiry that arise in response to the explanatory demands of nature. The shared turn to Kant indicates that synthesizing arguments can be evaluated against their capacity to accommodate ongoing negotiation between the plurality of research aims in practice. I conclude that a deflationary version of the extension argument is best suited to the task. (shrink)

Against the growing trend in philosophy toward naturalistic analysis, Kant’s Critique of the Power of Judgment has gained significant attention. Some scholars suggest that Kant’s insights bear on our aesthetic appreciation of nature, others on our account of the life sciences. In this paper I draw these lines of inquiry together to identify two overlooked dimensions of Kant’s project: the role of moral hope in problematizing the limits of natural science and the role of culture in providing a solution. Kant (...) argues that we cannot think consistently unless we are able to conceive of nature as a domain that is hospitable to human freedom. His response is to identify the productive capacity of the imagination to transform the material of nature into something more. While the prevailing conception of nature today is at best indifferent and at worst antagonistic to human habitation, this dimension of Kant’s work has much to bear on contemporary thought. (shrink)

Most studies deny that Kritik der Urteilskraft played a significant role in the early reception of Kant’s philosophy in England. In this paper, I examine the notebooks, letters and lectures of several members of British medical and scientific institutions to tell a different story. Drawing from the writings of Thomas Beddoes, Samuel Taylor Coleridge, Joseph Henry Green and William Whewell, I identify a line of reception in which Kant’s critique of judgement’s power of reflection was used to establish the consilience (...) of the mind’s anticipation of systematic order and the organization of natural bodies. Each discovered in Kant’s Kritik der Urteilskraft a shared principle for judgements of taste and scientific inquiry, made available through the mind’s affective response to the appearance of contingent order in nature. Their writings, I contend, evince a more sophisticated reception of Kant’s philosophy in England than has hitherto been recognized. (shrink)

Martin Heidegger and Cornelius Castoriadis both understood Greek tragedy in relation to a political rupture in the Athenian world, a rupture containing insights into the ontological grounding of human beings. This paper critically explores the role of 'the Greeks' in Heidegger and Castoriadis' political thought, drawing implications for the availability of the Greeks for any philosophical thinking. After his infamous Rectoral Address in 1933 Heidegger turned explicitly to Greek tragedy in his lectures at Freiburg to search for resources that might (...) prove fundamental to instigating a new political era. However, he constructed a transcultural notion of 'the Greeks' at the expesnse of seeing tragedy as the development of a public institution that facilitated the criticism of the shared values and ideas of a particular historical epoch. Castoriadis, on the other hand, saw tragedy not simply as an awareness of the groundlessness of human society, but as the ceaseless questioning of what society is for. For Castoriadis, the Greeks are present to us in the same political rupture we experience today. In this paper I will argue that Castoriadis is more successful than Heidegger in developing an account of human creativity that holds open the problematic relation between the created world and human beings, though not without significant problems. I will conclude by suggesting that Euripides, a tragedian overlooked by Castoriadis, can supply some critical recouses for addressing them. (shrink)

Heidegger’s blatant anti-Semitism in the recently published volumes of the Black Notebooks has led several philosophers to question the future of Heidegger scholarship. In this article I suggest that the publication of the Notebooks indeed provides a deeper understanding of Heidegger’s entanglement with National Socialism. Yet rather than viewing this entanglement as cause to reject his work, I examine how it might help us to define philosophy’s role in the project of building a society in which Nazism is impossible. Through (...) reference to Heidegger’s public voice during the years covered by the first three volumes of the Black Notebooks I identify a paradox in his thought: Heidegger powerfully diagnoses modernity’s penchant to encase the natural and social orders in a determinate ontology, and yet his diagnosis introduces a new kind of determination that actively sides with totalitarianism. By representing the political sphere as the site of ontological movement, Heidegger opens us to the fluidity of politics only to obfuscate the priority of action. Through attending to this paradox I argue that the way of thinking capable of responding to the problems of modern politics cannot be ontological but must be political – with others. (shrink)

It is a well-worn trope to view Plato’s banishment of the poets in Republic as a crude form of philistinism. In this paper I defend Plato against this charge. I argue that Republic does not present a final view of poetry, for it leaves room for a philosophical love of poetic beauty. First I analyse the political nature of Plato’s critique of poetry. I suggest that Plato does not reject the political order of change and decay, but opens space for (...) a new kind of political project. I then suggest that Plato’s discussion of tragic poetry in Book X supports this claim, for it contains the hope for a reconfigured love of poetic beauty. I conclude that Plato does not limit aesthetic experience to artistic solace or metaphysical escapism, but opens a way to see aesthetic experience as a vital part of building a world in which it makes sense to live. (shrink)

One of the fundamental questions in post-Fregean philosophy is how to account for the normativity involved in assertoric claims once the traditional subject-object view of thinking is rejected. One of the more productive lines of inquiry in the contemporary literature attributes normativity to second nature, which is presented as a sui generis space of reason giving and receiving distinct from the space of nature studied by the natural sciences. In this paper I suggest an alternative account by drawing from Castoriadis’s (...) philosophical interpretation of autopoiesis. For Castoriadis, the idea of second nature protects the modern conception of nature from undergoing the radical critique it requires, for it restricts normativity to the anthropic sphere. In contrast, he proposes an autopoietic account of the subject that grounds the capacity to know that one knows in the activity of the living being. Castoriadis demonstrates that the normativity of assertoric claims is not a vertical break from nature but rather a horizontal transformation of the biological capacity for self-referentiality. (shrink)

Andrew Cooper presents the first systematic study of Kant's account of natural history. Cooper contends that Kant made a decisive contribution to one of the most explosive and understudied revolutions in the history of science: the addition of time to the frame in which explanations are required, sought, and justified in natural science. Through addressing a wide range of Kant's works, Cooper challenges the claim that Kant's theory of science denies a developmental conception of nature and argues instead that it (...) establishes a method by which natural historians can genuinely dispute historical claims and potentially come to consensus. This method, Cooper argues, can be used to expose serious flaws in Kant's own historical reasoning, including the formation and defence of his racist views. The book will be valuable to philosophers seeking to discern both the power and limitations of Kant's theory of science, and to historians of science working on the fractured landscape of eighteenth-century Newtonianism. (shrink)

Is tragedy, as Nietzsche declared, dead? In recent years many philosophers have reconsidered tragedy's relation to philosophy. While tragedy is deemed to contain important lessons for philosophy, there is a consensus that it remains a thing of the past. This article calls this consensus into question, arguing that it reifies tragedy, keeping tragedy at arm's length. With the interest of identifying the necessity of tragedy to philosophy, it draws from Quentin Skinner to put forward an alternative approach to genre as (...) living form. This approach alters our understanding of the philosopher at the heart of philosophy's dialogue with tragedy, Immanuel Kant. Moreover, it shows that tragedy is closer to contemporary philosophy than we might think. (shrink)

The modern world is characterised by the juxtaposing forces of hope in unlimited expansion on the one hand, and scepticism at the state of the world on the other. Society is in many ways in a state of distrust, uncertain of how to exist in an inherited world of opportunity and turmoil, optimism and confusion. As the rationality of the economy and its ability to fairly distribute resources is being called into question in current times, technological development in the service (...) of no end continues in a seemingly uncontrollable fashion. In economic rationality, everything is reduced to effectiveness, but for whom? And for what end? This paper, motivated by the writings of Cornelius Castoriadis, explores the inherited state of philosophy today and offers a call towards self reflective autonomy. It outlines the process underpinning social being and doing through Castoriadis‟ notion of the social-historical, which involves a world of significations instituted for the subject by the social imaginary. I suggest that the future for the thinking individual and the autonomous society is seen in revolutionary praxis, involving a radical calling into question of the institution of society and collective praxis to transform the given. This paper will conclude by arguing that philosophy is the key site of promise for the future – philosophy in its truest sense, which encompasses all domains of thought, seeks to break open the closure of the world, ultimately forming creative, reflecting and deliberating subjects. For, as Castoriadis‟ argues, humanity has a genuine future, and this future is to be made. (shrink)

This chapter examines Goethe’s notion of the “economy of nature [Ökonomie der Natur]” to argue that his morphological writings play a more extensive role in the formation of evolutionary science than scholars have previously acknowledged. I suggest that Goethe’s economic analogy replaces the Newtonian model of force with an experimental conception of the formative drive, opening a large-scale programme of research. This feature of his work was rightly picked up by his early critics and yet was overlooked by later biologists (...) given the emphasis on population genetics following the Modern Synthesis. Goethe’s economic analogy marks an important advance in the study of organic form, I conclude, for it places comparative anatomy within a biodynamic system of exchange. (shrink)

Hegel's theory of tragedy has polarized critics. In the past, many philosophers have claimed that Hegel's theory of tragedy removes Kant's critical insights and returns to pre-critical metaphysics. More recently, several have argued that Hegel does not break faith with tragic experience but allows philosophy to be transformed by tragedy. In this paper I examine the strength of this revised position. First I show that it identifies Hegel's insightful critique of Kant's theoretical assumptions. Yet I then argue that it fails (...) to note the practical importance of Kant's separation of knowledge and aesthetics. I propose an alternative approach to tragedy that builds from the revised view and yet maintains the autonomy of aesthetics. Tragedy represents an action, a set of events that are internally unified and yet cannot be reduced to theory. This is to say that tragedy confronts us with an aesthetic sphere of making and doing that, while constrained, is incessantly open and free. (shrink)

Hegel's theory of tragedy has polarized critics. In the past, many philosophers have claimed that Hegel's theory of tragedy removes Kant's critical insights and returns to pre-critical metaphysics. More recently, several have argued that Hegel does not break faith with tragic experience but allows philosophy to be transformed by tragedy. In this paper I examine the strength of this revised position. First I show that it identifies Hegel's insightful critique of Kant's theoretical assumptions. Yet I then argue that it fails (...) to note the practical importance of Kant's separation of knowledge and aesthetics. I propose an alternative approach to tragedy that builds from the revised view and yet maintains the autonomy of aesthetics. Tragedy represents an action, a set of events that are internally unified and yet cannot be reduced to theory. This is to say that tragedy confronts us with an aesthetic sphere of making and doing that, while constrained, is incessantly open and free. (shrink)

Reframes philosophical understanding of, and engagement with, tragedy. In The Tragedy of Philosophy Andrew Cooper challenges the prevailing idea of the death of tragedy, arguing that this assumption reflects a problematic view of both tragedy and philosophy—one that stifles the profound contribution that tragedy could provide to philosophy today. To build this case, Cooper presents a novel reading of Immanuel Kant’s Critique of Judgment. Although this text is normally understood as the final attempt to seal philosophy from the threat of (...) tragedy, Cooper argues that Kant’s project is rather a creative engagement with a tragedy that is specific to philosophy, namely, the inevitable failure of attempts to master nature through knowledge. Kant’s encounter with the tragedy of philosophy turns philosophy’s gaze from an exclusive focus on knowledge to matters of living well in a world that does not bend itself to our desires. Tracing the impact of Kant’s Critique of Judgment on some of the most famous theories of tragedy, including those of G. W. F. Hegel, Friedrich Nietzsche, Martin Heidegger, and Cornelius Castoriadis, Cooper demonstrates how these philosophers extend the project found in both Kant and the Greek tragedies: the attempt to grasp nature as a domain hospitable to human life. (shrink)

Martin Heidegger and Cornelius Castoriadis both understood Greek tragedy in relation to a political rupture in the Athenian world, a rupture containing insights into the ontological grounding of human beings. This paper critically explores the role of 'the Greeks' in Heidegger and Castoriadis' political thought, drawing implications for the availability of the Greeks for any philosophical thinking. After his infamous Rectoral Address in 1933 Heidegger turned explicitly to Greek tragedy in his lectures at Freiburg ( Introduction to Metaphysics and Hölderlin’s (...) Hymn ) to search for resources that might prove fundamental to instigating a new political era. However, he constructed a transcultural notion of 'the Greeks' at the expesnse of seeing tragedy as the development of a public institution that facilitated the criticism of the shared values and ideas of a particular historical epoch. Castoriadis, on the other hand, saw tragedy not simply as an awareness of the groundlessness of human society, but as the ceaseless questioning of what society is for. For Castoriadis, the Greeks are present to us in the same political rupture we experience today. In this paper I will argue that Castoriadis is more successful than Heidegger in developing an account of human creativity that holds open the problematic relation between the created world and human beings, though not without significant problems. I will conclude by suggesting that Euripides, a tragedian overlooked by Castoriadis, can supply some critical recouses for addressing them. (shrink)

Unlike many recent studies on the notion of lifestyle, Christopher Mayes’ The Biopolitics of Lifestyle balances theoretical rigour with empirical investigation to problematize the use of lifestyle in public health strategies. Not only does Mayes’ book expose the unjustified emphasis on individual autonomy undergirding neoliberal strategies of governance and contemporary ethical theory, it also marks a significant step forward in enhancing our understanding of one of Foucault’s most underappreciated concepts, the dispositif. In clearly framing the import of Foucaultian analysis and (...) placing it against the backdrop of the obesity epidemic, Mayes continues his contributions towards a productive space wherein practitioners, social theorists, and ethicists can genuinely and self-reflectively exchange knowledges in order to respond to living issues of ethical import. (shrink)