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  1.  26
    Present Pasts: Urban Palimpsests and the Politics of Memory.Andreas Huyssen - 2003 - Stanford University Press.
    Memory of historical trauma has a unique power to generate works of art. This book analyzes the relation of public memory to history, forgetting, and selective memory in Berlin, Buenos Aires, and New York—three late-twentieth-century cities that have confronted major social or political traumas. Berlin experienced the fall of the Berlin Wall and the city’s reemergence as the German capital; Buenos Aires lived through the dictatorships of the 1970s and 1980s and their legacy of state terror and disappearances; and New (...)
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  2.  31
    The Voids of Berlin.Andreas Huyssen - 1997 - Critical Inquiry 24 (1):57-81.
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  3.  14
    From Counter-Culture to Neo-Conservatism and Beyond: Stages of the Postmodern.Andreas Huyssen - 1984 - Social Science Information 23 (3):611-624.
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  4.  4
    Modernity and the Text: Revisions of German Modernism.Andreas Huyssen & David Bathrick (eds.) - 1989 - Columbia University Press.
    The unique contribution of this volume is that it combines theory with an attempt to reintroduce an historical and contextual dimension.
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  5.  8
    The Garden as Ruin.Andreas Huyssen - 2014 - In Cornelia Klinger (ed.), Blindheit Und Hellsichtigkeit: Künstlerkritik an Politik Und Gesellschaft der Gegenwart. De Gruyter. pp. 117-130.
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  6. The Inevitability of Nation: Germany After Unification.Andreas Huyssen - 1995 - In John Rajchman (ed.), The Identity in Question. Routledge. pp. 73--92.
     
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