Results for 'Andr�� Breton'

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  1.  30
    Andre Breton, Magus of SurrealismAndre BretonThe Surrealist Movement in England.James Hill, Anna Balakian, Mary Ann Caws & Paul C. Ray - 1972 - Journal of Aesthetics and Art Criticism 31 (1):126.
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  2. "André Breton: Magus of Surrealism": Anna Balakian. [REVIEW]Alan Windsor - 1972 - British Journal of Aesthetics 12 (3):306.
     
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  3.  11
    André Breton and Three Surrealist Poets.Willard Bohn - 2020 - Philosophy and Literature 44 (2):310-322.
  4.  23
    André Breton’s and Eugène Atget’s Valentines.Andrea Loselle - 2009 - Substance 38 (1):77-96.
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  5.  34
    Atlantic Crossings After Surrealism: André Breton, French Culture, Gender, and World War I.Yves Laberge - 2010 - The European Legacy 15 (1):71-74.
  6.  14
    1920 Lacan Meets Andre Breton and Acquaints Himself with the Surrealist Movement.Alfred Lacan & Emilie Baudry - 2003 - In Jean-Michel Rabaté (ed.), The Cambridge Companion to Lacan. Cambridge University Press.
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  7. L'art Comme Manifestation Sociale: Autonomie de l'Art Et Engagement de l'Artiste Selon Andre Breton.Normand Baillargeon - 1993 - Dissertation, Universite de Montreal (Canada)
    Le present travail propose une analyse philosophique de l'esthetique d'Andre Breton. ;Meme si, en raison de l'importance du surrealisme au XXeme Siecle, cette doctrine semble bien incontournable pour quiconque s'interesse a l'esthetique, elle n'a guere fait, a ce jour, l'objet d'une veritable reflexion philosophique. Notre travail repose donc d'abord sur l'hypothese que l'oeuvre de Breton presente un interet du point de vue philosophique, hypothese qui est etablie en introduction. Faisant ensuite etat des difficultes que rencontre tout examen philosophique (...)
     
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  8.  2
    The Great Prehistoric Art Swindle: André Breton and Palaeolithic Cave Painting.Douglas Smith - 2021 - Paragraph 44 (3):364-378.
    At Pech Merle in 1952, André Breton provoked a controversial incident by damaging a Palaeolithic wall painting that he suspected to be a fake. This episode provides an insight into the contested status of prehistoric sites in post-war France and the theoretical and ideological implications of their cultural mobilization. Such sites allowed for a disavowal of wartime trauma and supported the reaffirmation of French national identity and its civilizing mission by locating the birthplace of human culture on French soil. (...)
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  9.  36
    Manifestoes of Surrealism.André Breton - 1969 - Ann Arbor: University of Michigan Press.
    Andre Breton discusses the meaning, aims, and political position of the Surrealist movement.
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  10.  6
    What is Surrealism?: Selected Writings.André Breton - 1936 - London: Faber & Faber.
    A short analysis, by 'one-who-was-there,' of one of the most significant art movements of our century.
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  11.  17
    BORD, André, Pascal Et Jean de la CroixBORD, André, Pascal Et Jean de la Croix.Jean-Claude Breton - 1989 - Laval Théologique et Philosophique 45 (1):168-169.
  12.  9
    BERNARD, Charles André, Théologie affectiveBERNARD, Charles André, Théologie Affective.Jean-Claude Breton - 1987 - Laval Théologique et Philosophique 43 (1):125-126.
  13.  3
    BERNARD, Charles André, Traité de Théologie spirituelleBERNARD, Charles André, Traité de Théologie Spirituelle.Jean-Claude Breton - 1987 - Laval Théologique et Philosophique 43 (3):418-419.
  14.  1
    Edgar Poe Et la Modernité: Breton, Barthes, Derrida, Blanchot.Patrizia Lombardo - 1985
  15. The History of Surrealism.Maurice Nadeau - 1965 - New York: Macmillan.
    "I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark (...)
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  16.  19
    Bergson's Influence on Beauvoir's Philosophical Methodology.Margaret A. Simons - 2003 - In Claudia Card (ed.), The Cambridge Companion to Simone de Beauvoir. Cambridge University Press. pp. 107-128.
    The topic of this chapter, the early philosophical influence of Henri Bergson (1859-1941) on Simone de Beauvoir, may surprise those who remember Beauvoir’s reference to Bergson in her Memoirs of a Dutiful Daughter where she denies Bergson’s importance. She writes there of her interests in 1926: “I preferred literature to philosophy, and I would not have been at all pleased if someone had prophesized that I would become a kind of Bergson; I didn’t want to speak with that abstract voice (...)
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  17.  11
    Naming the Multiple: Poststructuralism and Education.Michael A. Peters (ed.) - 1998 - Bergin & Garvey.
    Poststructuralism--as a name for a mode of thinking, a style of philosophizing, a kind of writing--has exercised a profound influence upon contemporary Western thought and the institution of the university. As a French and predominantly Parisian affair, poststructuralism is inseparable from the intellectual milieu of postwar France, a world dominated by Alexandre Kojève's and Jean Hyppolite's interpretations of Hegel, Jacques Lacan's reading of Freud, Gaston Bachelard's epistemology, George Canguilhem's studies of science, and Jean-Paul Sartre's existentialism. It is also inseparable from (...)
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  18.  1
    Imagens Disruptivas: Elementos Surrealistas Na Concepção de História de Walter Benjamin.Francisco de Ambrosis Pinheiro Machado - 2020 - Trans/Form/Ação 43 (2):39-70.
    Resumo No Manifesto surrealista, de 1924, Breton explicita o produto da atividade surrealista como uma “luz de imagem”, gerado pela aproximação involuntária de duas realidades distantes. Essa estrutura dupla da imagem surrealista tem um caráter disruptivo, que rompe com a nossa percepção da realidade cotidiana. Com isso, abre-se a possibilidade de um espaço para a crítica social e histórica, bem como para uma intervenção estético-política justamente em uma sociedade na qual as formas tradicionais de crítica parecem estar neutralizadas. Essa (...)
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  19. Análisis lírico en Luis Cernuda y Federico García Lorca, adscritos a la heteronomía temática de la generación del 27.Jesús Miguel Delgado Del Aguila - 2021 - Revista Espergesia 8 (1):1-12.
    Este artículo realiza un análisis de los poemas de Luis Cernuda y Federico García Lorca que pertenecen a la generación del 27, un grupo de escritores españoles que surgió a inicios del siglo XX, que se distingue por la inmediata accesibilidad que suscitan para los lectores de su época, ya que adaptaron adecuadamente la poética del modernismo literario, que se opuso al determinismo y el estructuralismo estáticos del lenguaje como expresión. El propósito de este estudio es percibir las variantes, producto (...)
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  20. La Sculpture au défi. Surréalisme et matérialisme.Didier Ottinger - 2017 - Contrastes: Revista Internacional de Filosofía 21 (3).
    En prenant comme point de départ la proposition d’André Breton d’une « physique de la poésie », nous analyserons ici les conditions de surgissement de diverses variations qui pris forme dans la pratique surréaliste de l’objet surréaliste, depuis la Boule suspendue de Giacometti aux sculptures crées par Miró dans les années cinquante, en prenant compte de la construction des objets à fonctionnements symboliques de Dalí, à l’« Équation de l’objet trouvé», écrit fondamental de Breton, et à la célébration, (...)
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  21.  5
    Other Lives of the Image.Patricia Hayes & Iona Gilburt - 2020 - Kronos 46 (1).
    ABSTRACT This article seeks to examine the emergence of the image of hysteria that originated at the Salpêtrière Hospital in Paris in the late nineteenth century and has since been transferred across new generations of phototexts through ekphrasis. It is first shown how this stereotypically feminine and sexualised image was initiated by the medical tome Iconographie Photographique de la Salpêtrière - an effect that belies the physicians' original intentions - and is then taken up in the public imagination by the (...)
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  22.  36
    Crossed Wires on the Prague-Paris Surrealist Telephone.Derek Sayer - 2012 - Common Knowledge 18 (2):193-207.
    An exercise in humour noir, this essay explores relations between the Paris and Prague surrealist groups from André Breton and Paul Éluard's visit to “the magic capital of old Europe” in 1935 to the aborted “Prague Spring” of 1968. It focuses on the famous “starry castle” of Breton's Mad Love — which Czechs know better as Letohrádek Hvězda at Bílá hora, the White Mountain — as a signifier whose wanderings, over the period, encapsulate the mutual myths and misunderstandings (...)
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  23. Oberhuber, Andrea, Ed. A Belles Mains. Livre Surrealiste-Livre D'Artiste. Melusine, No. XXXII. Lausanne, Editions L'Age d'Homme, 2012. Pp. 336. [REVIEW]E. Mechoulan & J. D. Hubert - 2013 - Substance 42 (1):185-191.
    This issue of Mélusine pursues the research initiated in 1982 on the surrealist book, without giving the last word on such a complex subject. Demonstrating erudition worthy of La Revue d'histoire littéraire de la France, the contributors propose new ideas and points of view. By the sheer abundance of technical terms, the articles would have astonished the avant-garde poets and artists in question, who were so very fond of entertainment. Some contributors examine the illustrated book, the artist's book and the (...)
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  24.  10
    Primitivisme et surréalisme : une « synthèse » impossible ?Philippe Sabot - 2003 - Methodos 3.
    Cet article s’interroge sur le statut complexe de la figure du « primitif » au sein du surréalisme, et particulièrement au sein de l’œuvre d’André Breton. L’A. s’attache à montrer d’abord que le surréalisme s’inscrit clairement dans la lignée d’un certain nombre de mouvements culturels et artistiques se fondant sur une réévaluation critique des schémas mentaux et esthétiques imposés par le « rationalisme » occidental. Mais il cherche également à souligner l’ambiguïté constitutive du primitivisme surréaliste, en quête d’une primitivité (...)
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  25.  7
    “That Very Funny Article,” Pollyperruque, and the 100th Anniversary of Duchamp’s Fountain.Thomas Girst - 2019 - Nordic Journal of Aesthetics 28 (57-58):48-64.
    Within half a century, the status of Duchamp’s readymades changed from iconoclastic object to iconic sculpture. This contribution focusses on two of Duchamp’s readymades, one from 1915 and thus dated at the very beginning of Duchamp’s occupation with this subject matter, while the other is dated 1967, the very last object to enter this particular category within Duchamp’s oeuvre. André Breton remarked that “future generations can do no less than make a systematic effort to go back the stream of (...)
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  26.  11
    La crise de l’œuvre d’art.Jean-François Mattéi - 2012 - Noesis 19:81-93.
    Si l’on juge et apprécie les objets uniquement par concepts, on perd toute représentation de la beauté.Emmanuel Kant Toute la duplicité de l’art contemporain est là : revendiquer la nullité, l’insignifiance, le non-sens, viser la nullité alors qu’on est déjà nul. Viser le non-sens alors qu’on est déjà insignifiant. Prétendre à la superficialité en des termes superficiels.Jean Baudrillard En 1934, dans une conférence prononcée à Bruxelles sur « Le surréalisme », André Breton faisait état d’une...
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  27.  31
    The Hegel Renaissance.Mark Poster - 1973 - Telos: Critical Theory of the Contemporary 1973 (16):109-127.
    Before World War II French intellectuals had paid little attention to Hegel. Only offbeat intellectuals like André Breton's surrealists and a circle of young Marxists in the 1920s paid tribute to the German dialectician. Among the reasons suggested by Alexandra Koyré for the lack of interest were the obscurity of Hegel's writing, the strength of Cartesian and Kantian traditions, Hegel's Protestantism, but, above all, the incredulity of the French toward Hegel's “strict identity of logical synthesis and historical becoming.” If (...)
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  28.  1
    Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media.Adam Lowenstein - 2014 - Cambridge University Press.
    Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and (...)
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  29.  6
    I Am a Beautiful Monster: Poetry, Prose, and Provocation.Marc Lowenthal (ed.) - 2007 - MIT Press.
    Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only "true" Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. _ I Am a Beautiful Monster_ is the first definitive edition in English of Picabia's writings, gathering a sizable array of (...)
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  30.  10
    I Am a Beautiful Monster: Poetry, Prose, and Provocation.Marc Lowenthal (ed.) - 2012 - MIT Press.
    Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only "true" Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. _ I Am a Beautiful Monster_ is the first definitive edition in English of Picabia's writings, gathering a sizable array of (...)
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  31.  1
    Le cri et le bel canto. Konrad Klapheck, Gustave Moreau et les questions du sphinx.Emmanul Guigon - 2017 - Contrastes: Revista Internacional de Filosofía 21 (3).
    Ces pages servent de présentation à l’artiste allemand Konrad Klapheck en se proposant de centrer son approche sur les aspects les plus pertinents de sa fameuse série de « machines », particulièrement celui relatif à l’imaginaire, si proche de Lautréamont, des « machines à coudre ». Klapheck, auquel André Breton dédie en 1965 le dernier des écrits publiés dans Le surréalime et la peinture, a élaboré depuis les années soixante une oeuvre de difficile adscription stylistique. En références aux propres (...)
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  32. El velamiento de la evidencia en el Simbolismo y el Surrealismo belgas.Martine Renouprez - 2017 - Contrastes: Revista Internacional de Filosofía 21 (3).
    La sociología de la literatura da explicación de las condiciones de existencia de lo literario en Bélgica y de su rivalidad inevitable con la institución francesa. Es posible señalar, entre estos dos campos literarios, vínculos diacrónicos de connivencia, con particular relieve entre el Simbolismo y el Surrealismo desarrollado en ambos países: comparten el rechazo de las constricciones que tiranizan al individuo y la defensa de la escritura como vía de liberación hacia una vida más plena. A la vez, la sociología (...)
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  33. The Radical Use of Chance in 20th Century Art.Denis Lejeune - 2012 - Editions Rodopi.
    To many, chance and art are antagonistic terms. But a number of 20th century artists have turned this notion on its head by attempting to create artworks based on randomness. Among those, three in particular articulated a well-argued and thorough theory of the radical use of chance in art: André Breton (writer), John Cage (composer) and François Morellet (visual artist). The implications of such a move away from established aesthetics are far-reaching, as much in conceptual as in practical terms, (...)
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  34. Literatura, capitalismo y revolución: La crítica literaria de Walter Benjamin a la novela francesa.Paloma Martínez Matías - 2022 - Tópicos 43:171-199.
    Este trabajo analiza la relación que Walter Benjamin establece entre la crítica literaria y la política a través del estudio de los dos ensayos más relevantes que dedica a la creación literaria en Francia y en los que concede una posición destacada al surrealismo. En ambos ensayos Benjamin examina cuál es la función que los intelectuales ejercen en la sociedad capitalista adoptando una posición política que se pronuncia abiertamente por la vía revolucionaria para resolver los problemas estructurales que genera el (...)
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  35. Pour Une Esthétique de l'Essai Analyses Critiques.Robert Champigny - 1967 - Lettres Modernes, Minard.
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  36. Modern French Criticism From Proust and Valéry to Structuralism.John K. Simon, Ralph Freedman, John Porter Houston, Angelo Philip Bertocci & René Wellek - 1972
     
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  37. Les Défis de la Rationalité: Actes du Colloque Organisé Par l'Institut Supérieur de Philosophie (Ucl) à l'Occasion des 80 Ans du Jean Ladrière.Jean Ladrière, Bernard Feltz & Michel Ghins (eds.) - 2005 - Peeters.
    Cet ouvrage reprend l'essentiel des discours prononces et des communications presentees lors du colloque qui s'est tenu le 16 novembre 2001 a l'Institut Superieur de Philosophie en l'honneur des 80 ans de Jean Ladriere. On y trouve, outre les discours de Marcel Crochet, Gilbert Gerard et Michel Molitor, une contribution importante de Jean Ladriere et des communications de Stanislas Breton, Bernard d'Espagnat, Dominique Lambert, Jean-Francois Malherbe, James Pembrun, Andre Van de Putte et Philippe Van Parijs. Toutes les interventions portent (...)
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  38.  32
    II_– _Andre Gallois.Andre Gallois - 1998 - Aristotelian Society Supplementary Volume 72 (1):263-283.
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  39. André Mercier, Physicien Et Métaphysicien.André Mercier, Maja Svilar & A. Held - 1983 - Institut des Sciences Exactes de l'Université de Berne.
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  40.  12
    France Giroux et André Mineau (dir.), Les populismes d’hier à aujourd’hui. Les ambiguïtés d’une parole attribuée au peuple, Montréal, Éditions JPD, 2021, 150 pages. [REVIEW]André Rocque - 2022 - Philosophiques 49 (1):313-318.
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  41.  38
    PADOUX, André, Vac, the Concept of the Word in Selected Hindu TantrasPADOUX, André, Vac, the Concept of the Word in Selected Hindu Tantras.André Couture - 1993 - Laval Théologique et Philosophique 49 (1):168-169.
  42. André Lalande Par Lui-Mê,E.André Lalande - 1967 - J. Vrin.
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  43.  36
    Filosofia E Simbolismo. Scritti di T. W. Adorno, S. Breton, F. Bianco, A. Gianquinto, F. McGuinness, K. Kerenyi, T. Munro, A. Plebe, E. Przywara, J. Pucelle, R. Pucci in Archivio di Filosofia. [REVIEW]Enrico Castelli, T. W. Adorno, S. Breton, F. Bianco, A. Gianquinto & F. Mcguinness - 1957 - Journal of Aesthetics and Art Criticism 16 (2):264-265.
  44.  22
    Arturo Andrés Roig: Metodología y Filosofía del Pensamiento latinoamericano.Andrés C. G. Pérez Javaloyes - 2014 - Estudios de Filosofía Práctica E Historia de Las Ideas 16 (2):120-123.
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  45.  45
    Lettre de M. André cresson.André Cresson - 1945 - Revue de Métaphysique et de Morale 50 (1/2):5 - 7.
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  46.  2
    Ideas and Identities: A Festschrift for Andre Liebich.André Liebich, Jaci Eisenberg & Davide Rodogno (eds.) - 2014 - Peter Lang.
    This volume gathers contributions at the intersection of history and politics. The essays, covering such topics as diverse as Italian identity in the Tientsin concession, international refugee policies in the interwar period and after, and the myths and realities of the Ukranian-Russian encounter in independent Ukraine, show that history provides better grounding as well as a more suitable paradigm for the study of politics than economics or other hard sciences. All of the contributors have a common link - doctoral work (...)
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  47.  24
    BRUNNER, Fernand, CHRÉTIEN, Jean-Louis, GISEL, Pierre, GODIN, André, SCHEUER, Jacques, SEVRIN, Jean-Marie, THOMAS, Louis-Vincent, Réincarnation, immortalité, résurrectionBRUNNER, Fernand, CHRÉTIEN, Jean-Louis, GISEL, Pierre, GODIN, André, SCHEUER, Jacques, SEVRIN, Jean-Marie, THOMAS, Louis-Vincent, Réincarnation, immortalité, résurrection.André Couture - 1990 - Laval Théologique et Philosophique 46 (1):111-113.
  48. Reasonableness, Thy Name is Nature: A Review of John Finnis, Natural Law Natural Rights by Andres Rosler. [REVIEW]Andrés Rosler - 2011 - Jurisprudence 2 (2):529-545.
    Coercion and the State: A review of B Sharon Byrd and Joachim Hruschka, Kant's Doctrine of Right: A Commentary by Helga Varden.
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  49.  40
    Authors’ Response: The Virtues of Minimalism in Ontology and Epistemology: Michael Esfeld and Dirk-André Deckert: A Minimalist Ontology of the Natural World. New York: Routledge, 2017, 182pp, US$140.00 HB.Michael Esfeld & Dirk-André Deckert - 2018 - Metascience 27 (3):443-451.
    The paper sets out and defends against criticism the claims argued for in the book A minimalist ontology of the natural world.
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  50.  11
    Ideals-Based Accountability and Reputation in Select Family Firms.Isabelle Le Breton-Miller & Danny Miller - 2020 - Journal of Business Ethics 163 (2):183-196.
    We develop a model of ideals-based accountability which we have witnessed at work in several long-thriving family businesses. The owners and managers of these firms eschew individualism and materiality in the pursuit of ethical ideals such as supporting democracy and bettering the human condition. Although accountability is to these ideals, not for outcomes such as profitability or even reputation, IBA has resulted in outstanding reputations for some firms. We characterize IBA according to its missions, leadership, culture, and stakeholder relationships. We (...)
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