This essay interrogates the common assumption that good care is necessarily human care. It looks to disruptive fictional representations of robot care to assist its development of a theory of posthuman care that jettisons the implied anthropocentrism of ethics of care philosophy but retains care’s foregrounding of entanglement, embodiment and obligation. The essay reads speculative representations of robot care, particularly the Swedish television programme Äkta människor (Real Humans), alongside ethics of care philosophy and critical posthumanism to highlight their synergetic critiques (...) of neoliberal affective economies and humanist hierarchies that treat some bodies and affects as more real than others. These texts and discourses assist me in proposing a theory of care that regards vulnerability as the normative effect of posthuman vital embodiment, as opposed to an anomalous state that can be overcome or corrected via neoliberal practice. (shrink)

This essay considers the ways in which graphic caregiving memoirs complicate the idealizing tendencies of ethics of care philosophy. The medium’s “capacious” layering of words, images, temporalities, and perspectives produces “productive tensions... The words and images entwine, but never synthesize”. In graphic memoirs about care, this “capaciousness” allows for quick oscillation between the rewards and struggles of care work, representing ambiguous, even ambivalent attitudes toward care. Graphic memoirs effectively represent multiple perspectives without synthesis, part of a structural and thematic ambivalence (...) that provides a provocative counterpart to the abstract idealism of ethics of care philosophy. (shrink)

Over the past decade cultural theory has seen a number of 'turns' - the materialist turn, the animal turn, the affective turn - that address the human as an affective, embodied, and ultimately vulnerable animal embedded in dense webs of more-than-human relations, in short as a posthuman phenomenon. Care philosophy shares this focus on embodiment and vulnerability in its insistence on interdependence as the defining condition of human life, making it well positioned for a posthuman turn. To this end, Curious (...) Kin in Fictions of Posthuman Care draws together contemporary narrative fictions that challenge humanist conceptions of care in their imaginative depiction of more-than-human affective bonds, arguing for an expansion care philosophy's central figure: the embodied, embedded, and encumbered 'human'.Fictional narratives of care between humans and robots, bioengineered creatures, clones, nonhuman animals, aliens or inanimate things, highlight the limits of humanist ethical models' capacity to register and accommodate posthuman relational intimacies, while gesturing towards a model of care able to accommodate networked interdependencies that extend beyond the human realm. Texts by Margaret Atwood, Louise Erdrich, Louisa Hall, Eva Hornung, Kazuo Ishiguro, Bhanu Kapil, and Jesmyn Ward, along with films and television programmes like Robot and Frank, Under the Skin, and Real Humans, depict a range of scenarios in which more-than-human care relations not only supersede human-human relationships, but suggest new human/animal/machine ways of being that offer novel insights into the possible presents and futures of posthuman care. Curious Kin in Fictions of Posthuman Care reveals how these fictions do their own theorizing, imagining the politics, ethics and aesthetics of specific, contextualized scenarios of posthuman contact and companionship.Interweaving posthuman theory, care philosophy and contemporary fiction, Curious Kin in Fictions of Posthuman Care offers generative visions of care that make room for the incredible range of affects, energies, behaviours, attachments and dependencies that produce and sustain life in more-than-human worlds. (shrink)

Ethics and Affects in the Fiction of Alice Munro explores the representation of embodied ethics and affects in Alice Munro's writing. The collection illustrates how Munro's short stories powerfully intersect with important theoretical trends in literary studies, including affect studies, ethical criticism, age studies, disability studies, animal studies, and posthumanism. These essays offer us an Alice Munro who is not the kindly Canadian icon reinforcing small-town verities who was celebrated and perpetuated in acts of national pedagogy with her Nobel Prize (...) win; they ponder, instead, an edgier, messier Munro whose fictions of affective and ethical perplexities disturb rather than comfort. In Munro's fiction, unruly embodiments and affects interfere with normative identity and humanist conventions of the human based on reason and rationality, destabilizing prevailing gender and sexual politics, ethical responsibilities, and affective economies. As these essays make clear, Munro's fiction reminds us of the consequences of everyday affects and the extraordinary ordinariness of the ethical encounters we engage again and again. (shrink)