In lieu of an abstract, here is a brief excerpt of the content:Why Is the Gorgias so Bitter?1Alessandra FussiMihi in oratoribus irridendis ipse esse orator summus videbatur.-Cicero, De Oratore 1.471. The hand of an apprentice?Commentators have often responded with uneasiness to Plato's Gorgias. E. R. Dodds speaks of the "disillusioned bitterness" of the criticisms leveled against Athenian politics and politicians and of the tragic tone of the dialogue's last part, which culminates in a prediction of Socrates' condemnation (1959, 19). F. (...) M. Cornford observes that the discussion between Socrates and Callicles "is marked by a bitterness of tone rarely found elsewhere in the dialogues" (1945, 21). A. E. Taylor is more explicitly irritated: "Personally-he writes-I cannot help feeling that, with all its moral splendor, the dialogue is too long: it 'drags.' The Plato of the Protagoras or Republic, as I feel, would have known how to secure the same effect with less expenditure of words; there is a diffuseness about our dialogue which betrays the hand of a prentice, though the prentice in this case is Plato" (1960, 103). Many readers of the Gorgias have a similar emotional response, yet the feeling that this is a bitter dialogue is never analyzed, accounted for, or adequately justified.While assessing various hypotheses on the date of composition of the Gorgias, Dodds speculates that its "disillusioned bitterness" may suggest that Plato wrote the dialogue right after Socrates' death and under the impact of the event. The Gorgias is so bitter, the reasoning goes, because Plato was enraged with the Athenians when he wrote it. Dodds goes on to discard the hypothesis of such an early date of composition, but he does not revise his view that this is indeed a bitter dialogue. Why, then, does the [End Page 39] Gorgias sound so bitter? Instead of relying on external factors, I suggest it would be more profitable to turn to the dialogue itself for an answer. After all, the impression of bitterness is a function of the emotional impact that the dialogue has on its readers. A well-constructed chain of arguments can hardly sound bitter. The Gorgias contains many arguments, but its emotional impact must lie elsewhere. So where?In the dialogue, Socrates is involved in three discussions of increasing length and complexity with interlocutors who, in one way or another, defend the power of rhetoric and the superiority of political life over philosophical life. The discussions cannot, however, be characterized as mere exercises in abstract reasoning, or urbane conversations on different views of the good life; the Gorgias is a "fighting dialogue," as indicates its opening sally, "to war and battle" (447a1).2 As the saying goes, these are fighting words, since Callicles is basically accusing Socrates of being a coward.Even if we abstract from the themes evoked in the Gorgias, it is difficult to ignore the peculiarity of its dramatic movement. First, we are plunged in medias res, with no clear indication as to the time and place of the dialogue's unfolding. We then proceed through a tour de force of conversations that begin, are immediately interrupted, start again, and continue through refutations, repeated interruptions, fits of anger, and bad temper. If we expected Socrates to win against his nonphilosophical interlocutors, we are sorely disappointed. The further the conversations proceed, the more they are infiltrated by anger and misunderstanding, and the more we come to feel that, though Socrates' interlocutors may well be silenced, they will remain unpersuaded. Indeed, toward the end of the dialogue, Callicles simply refuses to respond to Socrates, who is finally reduced to performing a monologue. The dialogue ends with a myth addressed to Callicles in the stated conviction that the young man will dismiss it as an old wives' tale (527a5-b3). The invocation of Callicles' name, which concludes the dialogue, is significantly and poignantly left hanging.Besides the points just mentioned, I think that several aspects of the dramatic setting contribute significantly to the dialogue's peculiar emotional impact on its readers. I will try to show this, first, by considering eight dramatic devices Plato uses in the Gorgias and, second, by contrasting these devices with their counterparts in the Protagoras. The two dialogues... (shrink)

AT THE END OF A VERY LONG DISCUSSION with interlocutors who grow angrier and angrier with him, Socrates tells a story about the judgment of souls in the afterlife. He addresses the myth to Callicles, his final interlocutor, in the explicitly stated belief that the young man will not take it any more seriously than he would take a bunch of old wives tales. Socrates prophecy about Callicles response is likely to be correct. What is surprising, however, is that it (...) also turns out to describe well the reaction of many readers of the dialogue. Plato scholars pay no attention whatsoever to the myth, at most devoting a few pages to Platos sources. Does he rely on Orphic sources, or is he closer to the Pythagoreans? Once such problems are addressed, the myth is summarily dismissed. (shrink)

Few emotions have divided opinion as deeply as shame. Some scholars have argued that shame is essentially a maladaptive emotion used to oppress minorities and reinforce stigmas and traumas, an emotion that leaves the self at the mercy of powerful others. Other scholars, however, have argued that the absence of a sense of shame in a subject--their shamelessness--is tantamount to a vicious moral insensitivity. As the twelve original chapters in this collection attest, however, shame scholars are entering a new phase, (...) one in which scholarship no longer attempts to defend one side of shame against the other, but rather accepts both faces as faithful to the phenomenon to be explained. At the core of our understanding of shame there are profound disagreements about the importance of the Other in shaping our moral identity. As this collection shows by its study of shame, the difficulty of the connection between Self, Other, and morality spans over millennia and cultures and currently animates important debates at the core of feminism and disability studies. Contributors: Mark Alfano, Alessandra Fussi, Lorenzo Greco, JeeLoo Liu, Katrine Krause-Jensen, Heidi L. Maibom, Tjeert Olthof, Imke von Maur, Alba Montes Sánchez, Raffaele Rodogno, Alessandro Salice, Krista K. Thomason, Íngrid Vendrell Ferran. (shrink)

The paper argues that thumos, which is never explicitly mentioned as a part of the soul in the Symposium, plays a major role in the dialogue. In light of the Republic’s characterization of thumos as the source of emotions such as of love of honor, love of victory, admiration for courage, shame, anger, and the propensity to become indignant at real or imaginary wrongs, the paper argues that both Phaedrus’ speech and the speech of Alcibiades are shaped by thumoeidetic motivations. (...) While Phaedrus’ stress on shame, honor, glory and courage aims at proving that Eros inspires virtue, the speech of Alcibiades shows that thumoeidetic motivations are not sufficient to shape a noble character. The dependence on recognition, the ambiguous role played by shame, and the tension between what is admirable and what just happens to be admired are implicit shortcomings in Phaedrus’ speech. When the same themes come back in Alcibiades’ speech they work as negative counterpoints to Phaedrus’ main arguments. Alcibiades’ obsession with power and victory dominates his ambivalent encomium of Socrates. The speech does not reveal who Socrates really is. Rather, it shows how the philosophical life can be misunderstood when reason’s best ally takes over in the souls of men. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Why Is the Gorgias so Bitter?1Alessandra FussiMihi in oratoribus irridendis ipse esse orator summus videbatur.-Cicero, De Oratore 1.471. The hand of an apprentice?Commentators have often responded with uneasiness to Plato's Gorgias. E. R. Dodds speaks of the "disillusioned bitterness" of the criticisms leveled against Athenian politics and politicians and of the tragic tone of the dialogue's last part, which culminates in a prediction of Socrates' condemnation (1959, 19). F. (...) M. Cornford observes that the discussion between Socrates and Callicles "is marked by a bitterness of tone rarely found elsewhere in the dialogues" (1945, 21). A. E. Taylor is more explicitly irritated: "Personally-he writes-I cannot help feeling that, with all its moral splendor, the dialogue is too long: it 'drags.' The Plato of the Protagoras or Republic, as I feel, would have known how to secure the same effect with less expenditure of words; there is a diffuseness about our dialogue which betrays the hand of a prentice, though the prentice in this case is Plato" (1960, 103). Many readers of the Gorgias have a similar emotional response, yet the feeling that this is a bitter dialogue is never analyzed, accounted for, or adequately justified.While assessing various hypotheses on the date of composition of the Gorgias, Dodds speculates that its "disillusioned bitterness" may suggest that Plato wrote the dialogue right after Socrates' death and under the impact of the event. The Gorgias is so bitter, the reasoning goes, because Plato was enraged with the Athenians when he wrote it. Dodds goes on to discard the hypothesis of such an early date of composition, but he does not revise his view that this is indeed a bitter dialogue. Why, then, does the [End Page 39] Gorgias sound so bitter? Instead of relying on external factors, I suggest it would be more profitable to turn to the dialogue itself for an answer. After all, the impression of bitterness is a function of the emotional impact that the dialogue has on its readers. A well-constructed chain of arguments can hardly sound bitter. The Gorgias contains many arguments, but its emotional impact must lie elsewhere. So where?In the dialogue, Socrates is involved in three discussions of increasing length and complexity with interlocutors who, in one way or another, defend the power of rhetoric and the superiority of political life over philosophical life. The discussions cannot, however, be characterized as mere exercises in abstract reasoning, or urbane conversations on different views of the good life; the Gorgias is a "fighting dialogue," as indicates its opening sally, "to war and battle" (447a1).2 As the saying goes, these are fighting words, since Callicles is basically accusing Socrates of being a coward.Even if we abstract from the themes evoked in the Gorgias, it is difficult to ignore the peculiarity of its dramatic movement. First, we are plunged in medias res, with no clear indication as to the time and place of the dialogue's unfolding. We then proceed through a tour de force of conversations that begin, are immediately interrupted, start again, and continue through refutations, repeated interruptions, fits of anger, and bad temper. If we expected Socrates to win against his nonphilosophical interlocutors, we are sorely disappointed. The further the conversations proceed, the more they are infiltrated by anger and misunderstanding, and the more we come to feel that, though Socrates' interlocutors may well be silenced, they will remain unpersuaded. Indeed, toward the end of the dialogue, Callicles simply refuses to respond to Socrates, who is finally reduced to performing a monologue. The dialogue ends with a myth addressed to Callicles in the stated conviction that the young man will dismiss it as an old wives' tale (527a5-b3). The invocation of Callicles' name, which concludes the dialogue, is significantly and poignantly left hanging.Besides the points just mentioned, I think that several aspects of the dramatic setting contribute significantly to the dialogue's peculiar emotional impact on its readers. I will try to show this, first, by considering eight dramatic devices Plato uses in the Gorgias and, second, by contrasting these devices with their counterparts in the Protagoras. The two dialogues... (shrink)

The traditional distinction between social robots and service robots is gradually being eroded in the design, planning and public presentation of physically embodied artificial intelligence. The paper is mainly concerned with two case studies: a service robot named Spot, from Boston Dynamics, and two social robots named Kaspar and Zeno, advertised as useful therapeutic tools for children in the autistic spectrum. The discussion centers on three key factors that play a role in the affective responses robots may elicit in the (...) public: 1) the “uncanny valley effect,” i.e., the cognitive and affective dissonance that may be provoked by machines that are very close to reaching lifelike appearance, but fail to replicate it with respect to behavior, fine motor skills or perceptual cues. 2) the capacity to evoke affective responses thanks to the symbolic connotations that may be associated with the robot’s appearance. 3) The relevance of situational and contextual factors. -/- The paper reaches three conclusions: 1) producers sometimes fail to consider carefully the symbolic connotations that may be associated with the design chosen for their robots. 2) The context in which robots are meant to be used ought to play a more significant role in a fair-handed and pluralistic approach to robot production. 3) it is to be hoped that producers, in collaboration with psychologists and philosophers of emotion, extend their understanding of affectivity beyond the theories of basic emotions upon which they mostly rely. It is important and urgent to reflect on the relevance of social context with respect both to emotion recognition and to the affective response of the public. (shrink)

Diotima criticizes, but does not refute, Aristophanes’ thesis that love is desire for completeness. Her argument incorporates that thesis within a more complextheory: eros is desire for the permanent possession of the good, and hence also desire for immortality. Aristophanes cannot account for the aspirations entailed in the desire for fame or in the desire for knowledge. Such aspirations can be understood only with reference to the good. However, the paper shows how time plays a fundamental role in the original (...) pursuit of wholeness at the center of Aristophanes’ myth of the two halves. Diotima appropriates his thesis when she describes the urge to leave behind something similar to what one has been. The desire for immortality is nothing but a desire for completeness pursued by mortal nature against the never-ending destruction of time. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Aux marges des dialogues de Platon: Essai d'histoire anthropologique de la philosophie ancienneAlessandra FussiMarie-Laurence Desclos. Aux marges des dialogues de Platon: Essai d'histoire anthropologique de la philosophie ancienne. Grenoble: Millon, 2003. Pp. 286. Paper, €27,00.The book takes its bearings from Plato's knowledge of Herodotus's and Thucydides' writings as it is witnessed in such dialogues as the Menexenus, the Timaeus, the Critias and the Laws. Plato not only indirectly (...) quotes from both authors, but also frequently plays with chronology and the relationship between historical events. What motivates Plato's interest in historical events? Is it possible to speak of a Platonic philosophy of history? Before addressing such questions, the author devotes several chapters to a very detailed and insightful study of the meaning(s) of "historiography" in Herodotus and Thucydides. The first chapter examines different contemporary views concerning Herodotus's and Thucydides' attitude towards their sources. Desclos sides with those who underlie the distance between modern theories of historical sources and ancient historical literature. The ancients had no theory of objective sources. Rather, they focused on the subjective means employed, such as the historian's own sense of sight, and his good judgment. As to the witnesses of the past, the accent was not as much on their reliability as it was on their plausibility vis-à-vis the opinions of the historian himself.Chapters II and III are devoted respectively to Thucydides' employment of the rhetorical instruments of the law courts, and to the stylistic and methodic proximity of Herodotus's Histories to the Corpus Hippocraticum. Both chapters oppose the view that the two ancient historians identify their task as "critical history," i.e., as an attempt to free the historical attitude towards facts and events from the subjective aspects of rhetoric, poetry, and religion, where persuasion and chance play a major role. Thucydides' language is rooted in the law courts. However, Desclos argues, the place he occupies in the Peloponnesian War is not that of the impartial judge—as N. Loraux and C. Darbo-Peshanski have suggested—but that of the defendant's attorney. He is much closer to Antiphon's antidikoi—whose ability he extols in VIII, 68, 1-2—than to the modern, impartial judge. The main stress of the methodological chapters in Book I of the Peloponnesian War, then, is not as much on the critical attitude that the historian must have towards his different kinds of sources, as it is on the attempt to persuade the readers that he is true to the facts, while his opponents and competitors are not. In this sense, Desclos agrees with Lloyd that we are in the presence of a "rhetoric of legitimation." According to this interpretation, then, Thucydides' text assigns his ideal reader a passive role. He is meant to be persuaded, conquered, and entirely a-critical (62).Chapter III argues that Herodotus's Histories give their ideal reader an entirely different role. Desclos focuses here on the analogy between medicine and writing, and on Herodotus's preference for Greek medicine, which uses "sweet" methods, over Persian medicine, characterized by harshness and violence. The Greek doctors' superiority ultimately resides in their ability to enroll the patients in the fight against illness. Analogously, the superiority of the Greek historian resides in his ability to accommodate his writings to the reader in such a way that the latter may become an active participant in the historical inquiry. Herodotus does not pretend to be above all opinions. He clearly states his opinions, but by treating them as such he allows the reader to take position, to be "interactive" with the written work (85). [End Page 203]This interesting analysis bears its fruits in the last chapters devoted to Plato. Desclos suggests that the anonymous and silent interlocutor in such dialogues as the Charmides, the Lysis and the Republic plays an important philosophical function, by circumscribing a dialogical empty space that the reader is invited to fill (220). This takes Herodotus's strategy a step forward, since the truly philosophical nature of the Platonic dialogue lies thereby in its openness to the reader. Unfortunately Desclos's chapters on Plato are not as... (shrink)

The Phaedrus’s Palinode ascribes to the wing the double function of lifting the soul towards truth while itself being nourished by truth. The paper concentrates on the role Socrates ascribes to the wing in the structure and ‘physiology’ of the soul—mortal and divine—as well as on the role it plays in Socrates’ subsequent phenomenological description of falling in love. The experience of love described in Socrates’ first speech—an experience dominated by envy—is examined in light of Socrates’ Palinode, by reference to (...) Socrates’ account of the different ways souls can relate to truth before incarnation. (shrink)

On Tyranny, by Leo Strauss and Alexander Kojève, is now available in Italian. The article examines the debate between the two philosophers, focussing primarily on their respective views of political philosophy and the opposition between ancients and moderns concerning such issues as the role of luck, the gap between theory and practice, and whether or not history is meaningful, teleologically oriented, able to prove political theory or, on the contrary, itself subject to theoretical judgment. The author explains how the debate (...) centres around two fundamentally different views of the relationship between philosophy and love of recognition. While for Kojève subjective certainty becomes knowledge only when widely recognized , Strauss, whose starting points are Xenophon’s and Plato’s views on the relationship between love of honour and philosophy, maintains that recognition is no guarantee of truth, and philosophy, in its most authentic form, is sceptical or zetetic. (shrink)

The Gorgias has been delivered to us in medieval manuscripts with the subtitle ἢ περὶ ‘ρητορικῆσ. As a matter of fact, the starting point of the dialogue is the question concerning the nature of rhetoric. In the course of the dialogue, however, this question gives rise to a more fundamental inquiry: how should one live? By the time Callicles starts his long speech the theme of εὐδαιμονία has already been introduced by Polus. Callicles takes a radical stand by reducing εὐδαιμονία (...) to a choice between what is good and noble by nature and what is posited as good and noble by convention. The opposition between nature and convention, in turn, gives rise to the comparison between two forms of life: philosophy and politics. (shrink)

The Gorgias has been delivered to us in medieval manuscripts with the subtitle ἢ περὶ ‘ρητορικῆσ. As a matter of fact, the starting point of the dialogue is the question concerning the nature of rhetoric. In the course of the dialogue, however, this question gives rise to a more fundamental inquiry: how should one live? By the time Callicles starts his long speech the theme of εὐδαιμονία has already been introduced by Polus. Callicles takes a radical stand by reducing εὐδαιμονία (...) to a choice between what is good and noble by nature and what is posited as good and noble by convention. The opposition between nature and convention, in turn, gives rise to the comparison between two forms of life: philosophy and politics. (shrink)

The paper critically discusses the thesis, originally put forth by Taylor, that there is a form of envy whose target is the good possessed by someone else. Section 2 analyzes the distinction between object-envy and state-envy, discusses the connection between object-envy and benign envy, and develops the ethical consequences that follow from the thesis that envy is never benign. Section 3 presents a thought experiment with five variations developed from the basic elements of object-envy: an agent, a good the agent (...) desires but lacks, and a person who possesses the good. The variations generate emotions like longing, sadness, happiness for, admiration, covetousness, self-disappointment, but they do not generate envy. Section 4 concentrates on envious self-reproach and shows that its nature and genesis are different from the self-disappointment one may experience in other forms of self-assessment. Section 5 argues that the so-called sour-grape syndrome serves different goals when it is connected to a good one lacks and when it is connected to envious comparisons. Section 6 maintains that what looks like benign envy can be better understood as emulous admiration. In conclusion, the paper argues that object-envy is not a useful concept. The desired goods are not valued in themselves when a person feels envy. Rather, they are taken to signal the superior recognition enjoyed by someone else within the reference group that is currently deemed important by the agent. (shrink)

This paper identifies major inconsistencies in the threefold argument that Glaucon presents in defence of Thrasymachus in the second book of Plato's Republic. Specifically, the paper argues for three claims. Firstly, it argues that in his account of the origin of justice Glaucon treats the consequences of justice as necessary, while in the test case he merely emphasizes incidental consequences. Secondly, the paper argues that in setting up the test case of the perfectly unjust man and the perfectly just man (...) Glaucon -- despite claiming to be restating Thrasymachus' claims, and also to be presenting the ordinary view of justice -- uses some Socratic assumptions about the nature of justice. That is, although Gyges' example follows directly from the first part of the argument and, in particular, from the claim that justice is grounded in convention, the unshakably just man of the test example is supposed to be motivated by justice itself. Finally, it is argued that the test case and Gyges' example are at variance with respect to public recognition: in the test case Glaucon suggests that most people would respect and admire a man who seemed to be perfectly just, while in his discussion of Gyges he intimates that tyrannical power strengthens itself not by the false appearance of perfect justice, but by appealing to a secret and yet widespread admiration for unpunished injustice. (shrink)

This paper identifies major inconsistencies in the threefold argument that Glaucon presents in defence of Thrasymachus in the second book of Plato’s Republic. Specifically, the paper argues for three claims. Firstly, it argues that in his account of the origin of justice Glaucon treats the consequences of justice as necessary, while in the test case he merely emphasizes incidental consequences. Secondly, the paper argues that in setting up the test case of the perfectly unjust man and the perfectly just man (...) Glaucon—despite claiming to be restating Thrasymachus’ claims, and also to be presenting the ordinary view of justice — uses some Socratic assumptions about the nature of justice. That is, although Gyges’ example follows directly from the first part of the argument and, in particular, from the claim that justice is grounded in convention, the unshakably just man of the test example is supposed to be motivated by justice itself. Finally, it is argued that the test case and Gyges' example are at variance with respect to public recognition: in the test case Glaucon suggests that most people would respect and admire a man who seemed to be perfectly just, while in his discussion of Gyges he intimates that tyrannical power strengthens itself not by the false appearance of perfect justice, but by appealing to a secret and yet widespread admiration for unpunished injustice. (shrink)

This dissertation is a study of the images of the soul in the Gorgias. I analyze the relationship between power and omnipotence in the conceptions of the soul defended and/or exemplified by the characters of the dialogue. ;In chapter 1 I focus on the dramatic setting of the Gorgias, which lacks clear temporal and spatial indications. I show that the three conversations are dramatically linked to the last myth of judgment. My hypothesis is that Gorgias and his followers are seen (...) by Socrates as the representatives of the age of Kronos. As opposed to the age of Zeus, which allows for correct judgment of the soul, the age of Kronos is characterized by deception and manipulation. ;Chapter 2 analyzes in detail the myth of last judgment, which presents the problem of correct and incorrect knowledge of the soul. I focus on the relationship between surface and depth involved in judging the soul of another. I show that the passage from the age of Kronos to the age of Zeus represents the passage from a primitive condition of the soul to a condition which allows for thinking and power. The concept of separation is central in my analysis. ;While Chapter 3 shows how Gorgias' claim for rhetoric's omnipotence is first brought to light and then refuted by Socrates, Chapter 4 examines Gorgias' legacy in Callicles' theory of the law of nature. The interplay between Callicles' theory and the examples used to support it brings me to consider the master/slave relationship involved in Callicles' theory and his ambiguous stance towards omnipotence and rhetoric. ;The Appendix is mainly devoted to an analysis of Socrates' Palinode in the Phaedrus. I maintain that the Palinode reveals what is implicit in Socrates' and Callicles' discussion of pleasure in the Gorgias, namely that thinking is possible only when transcendence is acknowledged. ;I conclude that the Gorgias gives us not only a topology of the human soul, but also a rich and deep understanding of the genealogy of thinking. (shrink)

A DISCUSSION OF: CATHERINE COLLOBERT, PIERRE DESTRÉE, FRANCISCO J. GONZALEZ , PLATO AND MYTH: STUDIES ON THE USE AND STATUS OF PLATONIC MYTHS. MNEMOSYNE. SUPPLEMENTS, 337. LEIDEN/BOSTON: BRILL, 2012. PP. VIII + 476. ISBN 9789004218666. $222.00.

Diotima criticizes, but does not refute, Aristophanes’ thesis that love is desire for completeness. Her argument incorporates that thesis within a more complextheory: eros is desire for the permanent possession of the good, and hence also desire for immortality. Aristophanes cannot account for the aspirations entailed in the desire for fame or in the desire for knowledge. Such aspirations can be understood only with reference to the good. However, the paper shows how time plays a fundamental role in the original (...) pursuit of wholeness at the center of Aristophanes’ myth of the two halves. Diotima appropriates his thesis when she describes the urge to leave behind something similar to what one has been. The desire for immortality is nothing but a desire for completeness pursued by mortal nature against the never-ending destruction of time. (shrink)

Strauss’s invitation to understand Greek authors as they understood themselves was attacked by influential scholars as anti-historical. In the first part of the paper, I argue that the charge is due to a misunderstanding of Strauss’s position on the respective role of interpretation and criticism in historicism. In the second part, I highlight Strauss’s view of the tension between scientific history as the manifestation of a certain age, and scientific history as the culmination of historical progress. In the third part, (...) I discuss Strauss’s thesis that the belief in progress prevented Collingwood from taking past thinkers seriously. Collingwood claimed that the Greeks failed to appreciate that age-long traditions shaped their thought. Strauss held the opposite: the beginning of Greek philosophy coincides with questioning the identity between the ancestral and the good, and philosophy in Plato’s Republic is shown to be a form of critical reflection on the reasons why certain traditions and myths can exercise political, religious, and psychological power. (shrink)

In this paper I discuss some moral implications of Ferraris’ theory of documents. I address, firstly, his theory of knowledge and its relationship with the concepts of freedom and responsibility; secondly, the notion of “leaving trace” in its connection with memory, identity, and the desire for honour and recognition. Finally, I surmise that the anthropological basis of “leaving trace” is the desire to gain control over the environment (as in animals marking their territory) as well as over the memory, the (...) ethical attitudes, and the behaviours of others (through inscriptions). (shrink)

In this paper I discuss some moral implications of Ferraris’ theory of documents. I address, firstly, his theory of knowledge and its relationship with the concepts of freedom and responsibility; secondly, the notion of “leaving trace” in its connection with memory, identity, and the desire for honour and recognition. Finally, I surmise that the anthropological basis of “leaving trace” is the desire to gain control over the environment (as in animals marking their territory) as well as over the memory, the (...) ethical attitudes, and the behaviours of others (through inscriptions). (shrink)

I analyse the dramatic setting of the Gorgias by contrasting it with that of the Protagoras. The two dialogues are closely related. In the Gorgias Socrates states that the rhetorician and the sophist are basically indistinguishable in everyday life. In both the Protagoras and the Gorgias, his confrontation with his interlocutors is metaphorically related to a descent to Hades. However, while the events in the Protagoras are narrated by Socrates himself, the Gorgias has readers face the unfolding events without mediation. (...) The temporal and spatial framing of the Gorgias is indeterminate, while both aspects are described in detail in the Protagoras. I maintain that the magical passage from an indeterminate "outside" to an indeterminate "inside" in the Gorgias is significantly related to the characters' attitude towards the boundaries of each other's souls, which are constantly ignored or attacked. As a matter of fact, the dialogue presents a very impressive amount of anger and exchange of abuse, which never ceases until the end. I suggest that the temporal framing demonstrates that the beginning and the end of the dialogue are closely connected. Socrates unexpectedly arrives and refutes Gorgias by asking him unexpected questions. The last myth of judgment indicates that Gorgias' attitude is comparable to that of the mortals who lived during Kronos' age, while Socrates brings about a liberation from appearance which is analogous to the innovations brought about by Zeus. (shrink)

This discussion paper responds to two recent articles in Biology and Philosophy that raise similar objections to cultural attraction theory, a research trend in cultural evolution putting special emphasis on the fact that human minds create and transform their culture. Both papers are sympathetic to this idea, yet both also regret a lack of consilience with Boyd, Richerson and Henrich’s models of cultural evolution. I explain why cultural attraction theorists propose a different view on three points of concern for our (...) critics. I start by detailing the claim that cultural transmission relies not chiefly on imitation or teaching, but on cognitive mechanisms like argumentation, ostensive communication, or selective trust, whose evolved or habitual function may not be the faithful reproduction of ideas or behaviours. Second, I explain why the distinction between context biases and content biases might not always be the best way to capture the interactions between culture and cognition. Lastly, I show that cultural attraction models cannot be reduced to a model of guided variation, which posits a clear separation between individual and social learning processes. With cultural attraction, the same cognitive mechanisms underlie both innovation and the preservation of traditions. (shrink)

Once upon a time, Aesop says, there was a donkey who wanted to be a pet dog. The pet dog was given many treats by the master and the household servants, and the donkey was envious of him. Hence, the donkey began emulating the pet dog. What happened next? The story ends up with the donkey beaten senseless, chased off to the stables, exhausted and barely alive. Who is to blame for the poor donkey’s unfortunate fate? Well, there could be (...) disagreement upon this, but we think emulation is to blame. And it’s on the kinds of envy-related emulation that we focus in this chapter. More analytically, we aim at vindicating the role of envy for moral exemplars within an exemplarist character educational framework. In the first section, we recall the central tenets of an exemplarist account of moral progress, and highlight how negative emotions, in general, have suffered a bad press within character education, with exemplarism being no exception. Then we provide a brief outline of standard strategies of defending envy by appealing to useful taxonomies of envy (e.g., Taylor 1988; Protasi 2016; Fussi 2018). After that, we put forward our 'Donkey Objection' by recalling Aesop’s fable on "foolish imitation", so as to show that when envy triggers mere emulation, it can bear devastating effects such as conformism and a lack of self-worth and personal integrity. In response to this objection, we bring into play a distinction between two rival forms of imitation—emulation and inspiration—and we coin the label of "inspired envy" for those forms of imitation by inspiration triggered by envy that lead to self-improvement avoiding morally detrimental consequences. (shrink)

Husserl on the Ego and its Eidos (Cartesian Meditations, IV) ALFREDO FERRARIN THE THEORY OF the intentionality of consciousness is essential for Husserl's philosophy, and in particular for his mature theory of the ego. But it runs into serious difficulties when it has to account for consciousness's transcendental constitution of its own reflective experience and its relation to immanent time. This intricate knot, the inseparability of time and constitution, is most visibly displayed in Husserl's writings from the 192os up to (...) the notion of the eidos ego in the fourth Cartesian Meditation. In this paper I want to dwell on the most problematic aspects of this theory. After a few preliminary remarks about the intentionality of consciousness (sec- tion 1), I try to place the theory of the substrate of habitualities in the context of Husserl's evolution on the issue of the reflection of the ego on itself (section ~). I briefly follow the threads of Husserl's shifting position from the Logical Investi- gat/ons and Ideas I to Ideas II, the Cartesian Meditations and the Cr/s/s. I indicate Husserl's works are quoted with the following abbreviations: CM = Cartesiani.~he Meditationen, Husserliana Bd. I, hrsg. v. S. Strasser (Den Haag, 195o); Carte- s/an M~, trans. D. Cairns (Dordrecht, 196o ) SW = Husserl, Shorter Works, ed. P. McCormick and F. Elliston (Notre Dame, 198a) IZ = Zur Phttnomenologie des inneren Zeilheun~tseim (z 893-z 917), Husserliana Bd. X, hrsg. v. R. Boehm (Den Haag, 1966 ) Ideen I = ldeen zu einer reinen Ph~nomenologie und ph~nomenologischen Philosophic, Husserliana Bd. III, hrsg. v. W. Biemel (Den Haag, t95o); Ideas I, trans. F. Kersten (The Hague, Boston, Lancaster, s983) ldeen// = ld., Hussefliana Bd. IV, hrsg. v. M. Biemel (Den Haag, 1952); Ideas I1, trans. R. Rojcewicz and A. Schuwer (Dordrecht, Boston, London, x 989) FTL = Forma/e und transzendenta~ Log/k, Husserliana Bd. XVII, hrsg. v. P. Janssen (Den Haag, t974) Kr/sh = Kr/s/s der europ~/schen W/ssen~haften, Husserliana Bd. VI, hrsg. v. W. Biemel (Den Haag, 1954) I wish to express my gratitude to Pierre Kerszberg and Alessandra Fussi for their helpful com- ments on an earlier draft of the paper, and to Graham Harman for checking the final version of my English text. [645] 646 JOURNAL OF THE HISTORY OF PHILOSOPHY 32:4 OCTOBER 1994 some historical antecedents, in particular Aristotle, of Husserl's theory of abid- ing properties which, as far as I can see, have not been pointed out before. Husserl's Entwicklungsgeschichte on the topic of the pure ego has already been the object of important scholarly works, of which Kern's 1964 Husserl und Kant seems to me the best example. But what the secondary literature does not do is develop thematically the ambiguities of Husserl's definitions of consciousness and temporality in a unitary and comprehensive way. While I follow the lead of Berger, Broekman, Kern, Marbach,' and others, I find that their work does not sufficiently stress the difficulties at the core ofintentionality and reflective time- consciousness. Therefore, although section 2 is a necessary presupposition for drawing some critical conclusions in the final two sections, it does not exhaust my theme. After clarifying the peculiarity of the notions of essence, intuition, tran- scendental and apriori, as well as their irl:educibility to a Kantian meaning, I turn to the "de facto transcendental ego" resulting from eidetic variation (section 3) in order to introduce an examination of temporality. The difficul- ties in the twofold requirement, namely, that consciousness be the identical subject of its Erlebnisse and be synthetically unified in time, concern the unity, primacy, and mutual relation of time and consciousness in the constitution of our experience. They have been heady pointed out by Ricoeur in his commen- tary on the Cartesian Meditations. But what I want to argue in section 4, going beyond Ricoeur's text, is that the tension between temporally constituted and constitutive consciousness in the ego's reflection on its own retentions and protensions does not simply make the question of time ambiguous, but has crucial and problematic bearings on the very definition of consciousness as intentionality. In this respect... -/- . (shrink)

This chapter first talks about LEGO modal epistemology. Modal epistemology has the two parts. Some of it is the study of how one knows that some things are contingent and others necessary. The other part of modal epistemology concerns how much one know about what is contingent and necessary. The chapter then talks about what went wrong with the imagination‐based story. Whatever the story about how one knows what he/she can build, it had better be one that factors in his/her (...) background knowledge, since that is what makes the imagination useful. With working knowledge of those little pieces, one can make judgments about what can and can not be done with them. Crucially, there are various ways to make those judgments. The chapter further focuses on a segment of the LEGO community that might seem a bit fussy: purists. (shrink)

An evolutionary model of crying requires consideration of nonhuman primate data. Chimpanzees do not have colic. Although they have a peak of fussiness at 6 weeks with a decline by 12 weeks whether raised by biological mothers or in a human nursery, their crying is always consolable. Colic may be a by-product of delayed rates of brain development; that is, neoteny.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato on the Rhetoric of Philosophers and SophistsMichael SvobodaPlato on the Rhetoric of Philosophers and Sophists by Marina McCoy New York: Cambridge University Press, 2008. vii + 212 pp. $74.00, hardcover.With her new book, Marina McCoy, an assistant professor of philosophy at Boston College, succeeds in opening up new lines of inquiry into Plato’s formative engagement(s) with rhetoric: first, by involving other Platonic dialogues in the ongoing interrogations (...) of the Gorgias and Phaedrus and, second, by patiently considering the implications of the different accounts of sophists and philosophers that result. These new investigations are aided by the diverse disciplinary voices with which Marina McCoy herself converses—works by classicists, critics, philosophers, political theorists, and rhetoricians, works taken from a wide range of journals. In her interpretation of the Gorgias, for example, one encounters the names one would expect from a thorough and up-to-date review of these different literatures: Arieti, Dodds, Fussi, Gordon, McComiskey, Nightingale, Saxonhouse, and Yunis. Thus, Plato scholars from both rhetoric and philosophy will find much of interest in this book.McCoy provides a clear overview of her project in her introduction (1–22). In separate readings of the Apology, Protagoras, Gorgias, Republic, Sophist and Theaetetus, and Phaedrus, three interrelated claims are presented and developed: first, consistently distinguishing the philosopher from the sophist was a difficult challenge for Plato—and for the ancient Athenians; second, Plato’s conception of philosophy includes “important rhetorical dimensions,” and third, Plato ultimately differentiates the philosopher [End Page 191] from the sophist on the basis of character (3). To substantiate these claims, the dramatic and historical elements of Plato’s dialogues are interpreted in tandem with their explicit arguments. McCoy notes that the experience of reading the dialogues often reproduces the psychological tensions captured by them. In other words, Plato uses rhetorical techniques to cause his readers both to question philosophy and to engage in it as they do so (7). At the same time, McCoy recognizes that the terms of these discussions were hotly contested: “The Greek mindset at the time of Plato is one of passionate interest in the nature, power, and danger of logos : terms such as philosophia, rhetorike, sophist, and rhetor become part of the weaponry in the battle” (11). By attending to these elements in the seven dialogues examined in the following six chapters, McCoy seeks to show that philosophy is better defined as an interaction of souls than as a collection of analytical techniques, that the approach of Plato’s Socrates “relies more on phronesis and kairos than techne ” (15).These broad claims are immediately tested in the second chapter of the book, “Elements of Gorgianic Rhetoric and the Forensic Genre in Plato’s Apology ” (23–55). Here McCoy further develops two observations about the Apology. First, Socrates’ claims to the contrary, the Apology actually incorporates a number of elements common in forensic speeches at the time of his trial: a standard speech structure, arguments from probability ( eike ), and portrayal of character ( ethopoioa ) (26, 40). But perhaps more provocatively, second, in the Apology Plato seems to allude to Gorgias’ In Defense of Palamedes ; both speeches portray their speakers as public benefactors who cannot have committed the crimes of which they are accused but who nonetheless cannot defend themselves effectively under the conditions of their trial (32–39). When McCoy then calls our attention to the historical elements in the Apology —the life and death of Chaerophon, the role played in Athenian culture and politics by the oracle at Delphi, and the rules governing testimony—we must consider the possibility that Socrates may successfully be using rhetorical techniques, not to win his juror’s favor but to confuse and challenge them. Thrown off their moral balance, McCoy argues, his jurors might be led to question themselves. “Socrates’ risky choice to appeal to the oracle story forces each juror to make a choice: he must decide whether Socrates’ philosophical activity is a moral and even religious virtue” (51). In and through the Apology, Plato may be doing something very similar for his readers: “If Gorgias’ Encomium of Helen is a forensic piece disguised as [an] encomium, perhaps Plato’s Apology... (shrink)

The irreversibility in time, the multicausality on lines, and the uncertainty of feedbacks make economic systems and the predictions of economic chaotic time series possess the characteristics of high dimensionalities, multiconstraints, and complex nonlinearities. Based on genetic algorithm and fuzzy rules, the chaotic genetics combined with fuzzy decision-making can use simple, fast, and flexible means to complete the goals of automation and intelligence that are difficult to traditional predicting algorithms. Moreover, the new combined method’s ergodicity can perform nonrepetitive searches in (...) a global scope, hence improving the algorithm’s accuracy and efficiency. On the basis of summarizing and analyzing previous research works, this paper expounded the research status and significance of the prediction of economic chaotic time series, elaborated the development background, current status, and future challenges of the combined algorithm of chaotic genetics with fuzzy decision, introduced the basic principles of chaotic genetic algorithm and fuzzy decision algorithm, constructed a prediction model for economic chaotic time series, performed parameter synchronization optimization and moderate function construction, analyzed the prediction processes of economic chaotic time series, conducted phase space reconstruction and correlation dimension calculation, and finally carried out a simulation experiment with its result analysis. The study results show that the algorithm of chaotic genetics combined with fuzzy decision-making can dynamically adjust chaotic mutation operators and summarize fussy expert experiences. The phase space of its reconstructed chaotic attractor has high-precision predictability and can find orderly processes from changeable economic results, which in turn can be used to analyze and predict the complex economic chaotic time series. The study results of this paper provide a reference for further research on predictive analysis of economic chaotic time series based on chaotic genetics combined with fuzzy decision algorithm. (shrink)

The Platonic School regarded the Alcibiades I as the most suitable introduction to Plato. Proclus' wideranging discussion includes later Neoplatonism as well as questions of Aristotelian logic. O'Neill's translation is always readable and his commentary helpful without being fussy.—D. J. B.

Monographic issue on the Philosophy of Emotions. Contents: Resentment, Empathy and Indignation; Jacqueline Taylor / Compassion without Cognitivism; Charlie Kurth / “I Don’t Want Your Compassion!”. The Importance of Empathy for Morality; Manuel Camassa / Making sense of emotional contagion; Carme Isern-Mas, Antoni Gomila / On Pride; Lorenzo Greco / Envy and its objects; Alessandra Fussi / Admiration, moral knowledge and transformative experiences; Maria Silvia Vaccarezza / Fear as Related to Courage: An Aristotelian-Thomistic Redefinition of Cognitive Emotions; Claudia Navarini, (...) Ettore De Monte / On Courage. The Sense Of θυμός; Tiziana Migliore / Shades of Schadenfreude. A phenomenological account of pleasure at another’s misfortune; Danilo Manca / Concern and the Structure of Action; Alexander A. Jeuk / On Sexual Lust as an Emotion; Larry A. Herzberg / Emotions and Literature in Musil; Zeynep Talay Turner. (shrink)