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Alfonso Montuori [17]Alfonso M. Montuori [1]
  1. Complexity and Transdisciplinarity: Reflections on Theory and Practice.Alfonso Montuori - 2013 - World Futures 69 (4-6):200 - 230.
    (2013). Complexity and Transdisciplinarity: Reflections on Theory and Practice. World Futures: Vol. 69, The Complexity of Life and Lives of Complexity, pp. 200-230.
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  2.  63
    Creativity, culture contact, and diversity.Alfonso Montuori & Hillary Stephenson - 2010 - World Futures 66 (3-4):266 – 285.
    Recent trends in the understanding of culture contact, with concepts such as hybridization, cosmopolitanism, and cultural innovation, open up the possibility of a new understanding of human interaction. While the social imaginary is rich with images of conflict resulting from culture contact, images of creativity are far rarer. We propose the creation of an extensive research project to document cultural creativity, starting with obvious examples in the arts, and expanding into all areas of life in order to counteract the present (...)
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  3.  89
    Creativity, Culture Contact, and Diversity.Hillary Stephenson & Alfonso Montuori - 2010 - World Futures 66 (3-4):266-285.
    Recent trends in the understanding of culture contact, with concepts such as hybridization, cosmopolitanism, and cultural innovation, open up the possibility of a new understanding of human interaction. While the social imaginary is rich with images of conflict resulting from culture contact, images of creativity are far rarer. We propose the creation of an extensive research project to document cultural creativity, starting with obvious examples in the arts, and expanding into all areas of life in order to counteract the present (...)
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  4.  51
    Creativity, chaos, and self‐renewal in human systems.Alfonso Montuori - 1992 - World Futures 35 (4):193-209.
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  5.  42
    Planetary culture and the crisis of the future.Alfonso Montuori - 1999 - World Futures 54 (4):297-311.
    (1999). Planetary culture and the crisis of the future. World Futures: Vol. 54, Challenges of Evolution at Pat I: The Human Factor in Evolution, pp. 297-311.
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  6.  30
    The Complexity of Life and Lives of Complexity.Alfonso Montuori - 2013 - World Futures 69 (4-6):197 - 199.
    (2013). The Complexity of Life and Lives of Complexity. World Futures: Vol. 69, The Complexity of Life and Lives of Complexity, pp. 197-199.
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  7.  50
    Creativity, society, and the hidden subtext of gender: Toward a new contextualized approach.Riane Eisler & Alfonso Montuori - 2007 - World Futures 63 (7):479 – 499.
    Conventional categories of creativity are being deconstructed after the so-called postmodern debate. This article takes this process deeper, to what we will show is the hidden subtext of gender underlying how creativity has been socially constructed. It also proposes a more contextualized approach to creativity that takes into account both its individual and social dimensions and how this relates to what Eisler (1987) has called a partnership rather than dominator model of society.
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  8.  30
    Conservatism, creativity and social change: David Loye's dialogical perspective.Alfonso Montuori - 1997 - World Futures 49 (1):19-30.
    (1997). Conservatism, creativity and social change: David Loye's dialogical perspective. World Futures: Vol. 49, The Dialatic of Evolution: Essays in Honor of David Loye, pp. 19-30.
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  9.  34
    Creative Inquiry and Scholarship: Applications and Implications in a Doctoral Degree.Alfonso Montuori & Gabrielle Donnelly - 2013 - World Futures 69 (1):1 - 19.
    The doctoral dissertation is defined as an original contribution to a field. By definition, this makes the dissertation a creative product, and the result of a creative process. The creative process of doctoral work has historically not been highlighted. The same is true for education as a whole. While there is an increasing call for greater creativity in education, they remain aspirational. In this article we describe the underlying premises and some of the practices of a doctoral degree that has (...)
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  10.  47
    Evolutionary learning for a post-industrial society: Knowledge, creativity & social ecology.Alfonso Montuori - 1993 - World Futures 36 (2):181-202.
    (1993). Evolutionary learning for a post‐industrial society: Knowledge, creativity & social ecology. World Futures: Vol. 36, Evolutionary Consciousness, pp. 181-202.
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  11.  59
    Edgar Morin: A partial introduction.Alfonso Montuori - 2004 - World Futures 60 (5 & 6):349 – 355.
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  12.  69
    From strategic planning to strategic design: Reconceptualizing the future of strategy in organizations.Alfonso Montuori - 2003 - World Futures 59 (1):3 – 20.
    In this article I present an overview of critiques of strategic planning, focusing on their conceptualizations of the environment. I first outline the need for a more comprehensive understanding of the nature of the environment of strategy, and then outline some of the alternatives to strategic planning and their underlying bases in constructivism and the sciences of complexity. I conclude by arguing that Banathy's systems design methodology is eminently suited to the process of strategy formulation, and should be explored more (...)
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  13.  27
    Gylany and planetary culture: A personal exploration.Alfonso Montuori - 1997 - World Futures 51 (1):165-181.
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  14.  25
    Guest editor's introduction.Alfonso Montuori - 1997 - World Futures 49 (1):1-1.
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  15.  40
    Introduction.Alfonso Montuori - 2006 - World Futures 62 (1 & 2):1 – 2.
    (2006). Introduction. World Futures: Vol. 62, No. 1-2, pp. 1-2.
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  16.  39
    Introduction.Alfonso Montuori - 1998 - World Futures 53 (1):27-28.
    Sacred Pleasure: Sex, Myth, and the Politics of the Body, by Riane Eisler. Harper San Francisco, 495 pages. $15.00, 1996 paperback edition, ISBN 0?06?250283?2; $25.00, 1995 cloth edition, ISBN 0?06?250293?x.
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  17.  31
    Systemic Trajectories: Personal Accounts of the Development of Systems Perspectives.Alfonso Montuori - 2011 - World Futures 67 (4-5):217 - 218.
    World Futures, Volume 67, Issue 4-5, Page 217-218, May 2011.
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