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  1.  56
    Iconic Wonder: Pavel Florensky’s Phenomenology of the Face.Alexander V. Kozin - 2007 - Studies in East European Thought 59 (4):293 - 308.
    The key focus of this essay is the experience of encountering divine wonder in things. The examination of the divine encounter is staged against the phenomenological backdrop. Specifically, the concept of the divine wonder is taken in its original, Husserlian, definition as Verwunderung and is traced via Levinas and his concept of face (le visage) to the early 20th century Russian philosopher, Pavel Florensky (1882–1943), whose 1922 essay “Iconostasis” approaches divine representation (лuк) in icon painting explicitly and consistently as a (...)
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  2.  27
    Crossing Over with the Angel.Alexander V. Kozin - 2005 - Sign Systems Studies 33 (2):273-294.
    This essay is an analytical extension of Roland Barthes’ structural analysis of an excerpt from the Old Testament (Genesis 32: 22–32), known as “The Struggle with the Angel”. It thus continues the search for “the third meaning” of this enigmatic passage. In this essay, “The Struggle with the Angel” is undertaken in the phenomenological (xenological) register which situates it in the liminal sphere at the crossing of disclosure and concealment. Subsequent semiotic analyses of three visual renditions of Genesis 32: 22–32, (...)
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  3.  18
    The Legal File.Alexander V. Kozin - 2006 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 20 (2):191-216.
    In this essay I examine the criminal defense file. I argue that being a largely neglected “object” of the legal field, upon a close examination, the file discloses its intriguing materiality as what is predicated on the structure of the fold that allows for the objective, virtual, and narrative spheres to overlap in a specific act-object, which, with Gilles Deleuze, I call objectile. A subsequent phenomenological analysis of the legal file as objectile shows how its constitutive features help the attorney (...)
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  4.  14
    On the Cultural Meaning of The New Yorker ‘Lawyer Cartoon:’ An Experiment in Ethnography of Communication.Alexander V. Kozin - 2015 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 28 (4):801-823.
    This essay concerns itself with the Lawyer cartoon, a thematic subgenre of the “The New Yorker Magazine” cartoon, which focuses on the legal profession in the US context. An examination of the cultural meaning of this phenomenon is carried out on the strength of ethnography of communication, which discloses the cartoon as a cultural, social and rhetorical artifact. Among the findings of this study are the structural components, functions, and the rules of configuring the Lawyer cartoon toward it becoming a (...)
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  5.  11
    Iconic Wonder: Pavel Florensky’s Phenomenology of the Face.Alexander V. Kozin - 2007 - Studies in East European Thought 59 (4):293-308.
    The key focus of this essay is the experience of encountering divine wonder in things. The examination of the divine encounter is staged against the phenomenological backdrop. Specifically, the concept of the divine wonder is taken in its original, Husserlian, definition as Verwunderung and is traced via Levinas and his concept of face to the early 20th century Russian philosopher, Pavel Florensky, whose 1922 essay “Iconostasis” approaches divine representation in icon painting explicitly and consistently as a phenomenon of wonder. More (...)
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  6.  12
    Переход с ангелом. Резюмe.Alexander V. Kozin - 2005 - Sign Systems Studies 33 (2):295-295.
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