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Alex Neill [66]Alexander Sutherland Neill [5]Alex D. Neill [1]Alexander Neill [1]
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Alex Neill
University of Southampton
  1. Fiction and the Emotions.Alex Neill - 1993 - American Philosophical Quarterly 30 (1):1 - 13.
  2.  96
    Fear, fiction and make-believe.Alex Neill - 1991 - Journal of Aesthetics and Art Criticism 49 (1):47-56.
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  3.  67
    Aesthetic Experience in Schopenhauer's Metaphysics of Will.Alex Neill - 2007 - European Journal of Philosophy 16 (2):179-193.
  4.  7
    Appreciation and FeelingReading with Feeling: The Aesthetics of Appreciation.Alex Neill & Susan Feagin - 1996 - Journal of Aesthetics and Art Criticism 57 (1):67.
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  5.  42
    Art and emotion.Alex Neill - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press.
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  6.  49
    "An Unaccountable Pleasure": Hume on Tragedy and the Passions.Alex Neill - 1998 - Hume Studies 24 (2):335-354.
    In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XXIV, Number 2, November 1998, pp. 335-354 "An Unaccountable Pleasure": Hume on Tragedy and the Passions ALEX NEILL Hume begins his essay "Of Tragedy" with a description of what he calls "a singular phaenomenon": It seems an unaccountable pleasure, which the spectators of a well-written tragedy receive from sorrow, terror, anxiety, and other passions, that are in themselves disagreeable and uneasy. The more they are touched (...)
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  7.  53
    The pornographic, the erotic, the charming and the sublime.Alex Neill - 2012 - In Hans Maes & Jerrold Levinson (eds.), Art and Pornography: Philosophical Essays. Oxford: Oxford University Press. pp. 48-60.
  8.  47
    Yanal and others on Hume on tragedy.Alex Neill - 1992 - Journal of Aesthetics and Art Criticism 50 (2):151-154.
  9. Arguing about Art (3rd ed.).Aaron Ridley & Alex Neill (eds.) - 2007 - Routledge.
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  10.  57
    Locke on habituation, autonomy, and education.Alex Neill - 1989 - Journal of the History of Philosophy 27 (2):225-245.
  11.  14
    Film and Phenomenology. [REVIEW]Alex Neill - 1994 - Philosophy and Phenomenological Research 54 (2):486-488.
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  12.  15
    Inconvenient Fictions: Literature and the Limits of Theory.Alex Neill - 1992 - Journal of Aesthetics and Art Criticism 50 (4):345-347.
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  13.  13
    Schopenhauer's philosophy of value.Christopher Janaway & Alex Neill - 2009 - In Alex Neill & Christopher Janaway (eds.), Better Consciousness: Schopenhauer's Philosophy of Value. Wiley-Blackwell.
    Editor's contribution to the edited volume, Better Consciousness: Schopenhauer's Philosophy of Value, which reassesses Schopenhauer's aesthetics and ethics and their contemporary relevance.
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  14. Poetry.Alex Neill - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press.
     
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  15. Noel Carroll, The Philosophy of Horror, or Paradoxes of the Heart Reviewed by.Alex Neill - 1991 - Philosophy in Review 11 (4):233-235.
     
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  16.  27
    Schopenhauer on Tragedy and the Sublime.Alex Neill - unknown - In Bart Vandenabeele (ed.), A Companion to Schopenhauer. Oxford, UK: Wiley‐Blackwell. pp. 206–218.
    This chapter contains sections titled: Notes References Further Reading.
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  17. Arguing about Art (2nd edition).Alex Neill & Aaron Ridley (eds.) - 2002 - Routledge.
     
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  18. Noël Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Reviewed by.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
     
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  19. Arguing About Art: Contemporary Philosophical Debates.Alex Neill & Aaron Ridley (eds.) - 2001 - New York: Routledge.
    Offering a unique 'debate' format, the third edition of_ _the bestselling_ Arguing About Art_ is ideal for newcomers to aesthetics or philosophy of art. This lively collection presents an extensive range of short, clear introductions to each of the discussions which include: sentimentality appreciation interpretation understanding objectivity nature food horror. With revised introductions, updated suggestions for further reading and new sections on pornography and societies without art, _Arguing About Art _provides_ _a stimulating and accessible anthology suitable for those coming to (...)
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  20. Aesthetic experience in Schopenhauer's metaphysics of will.Alex Neill - 2009 - In Alex Neill & Christopher Janaway (eds.), Better Consciousness: Schopenhauer's Philosophy of Value. Wiley-Blackwell.
  21. Aesthetic Experience in Schopenhauer's Metaphysics of Will.Alex Neill - 2010 - In Robert Stern, Alex Neill & Christopher Janaway (eds.), Better Consciousness. Oxford, UK: Wiley‐Blackwell. pp. 26–40.
    This chapter contains sections titled: References.
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  22.  58
    Better Consciousness: Schopenhauer's Philosophy of Value.Alex Neill & Christopher Janaway (eds.) - 2009 - Malden, MA: Wiley-Blackwell.
    _Better Consciousness: Schopenhauer's Philosophy of Value_ reassesses Schopenhauer's aesthetics and ethics and their contemporary relevance. Features a collection of new essays from leading Schopenhauer scholars Explores a relatively neglected area of Schopenhauer's philosophy Offers a new perspective on a great thinker who crystallized the pessimism of the nineteenth century and has many points of contact with twenty-first century thought.
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  23. Constance Penley, ed., Feminism and Film Theory Reviewed by.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
     
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  24. Constance Penley, ed., Feminism and Film Theory. [REVIEW]Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10:345-351.
     
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  25. "Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind": Bijoy H. Boruah. [REVIEW]Alex Neill - 1990 - British Journal of Aesthetics 30 (1):76.
  26. Graeme Turner, Film as Social Practice Reviewed by.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
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  27. Graeme Turner, Film as Social Practice. [REVIEW]Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10:345-351.
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  28. Jan Zwicky, Wittgenstein Elegies Reviewed by.Alex Neill - 1987 - Philosophy in Review 7 (9):386-387.
     
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  29. Jan Zwicky, Wittgenstein Elegies. [REVIEW]Alex Neill - 1987 - Philosophy in Review 7:386-387.
  30. Noël Carroll, Philosophical Problems of Classical Film Theory Reviewed by.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
     
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  31. Noël Carroll, Philosophical Problems of Classical Film Theory. [REVIEW]Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10:345-351.
     
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  32. Noel Carroll, The Philosophy of Horror, or Paradoxes of the Heart. [REVIEW]Alex Neill - 1991 - Philosophy in Review 11:233-235.
     
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  33. No Title available: New Books. [REVIEW]Alex Neill - 1992 - Philosophy 67 (261):412-414.
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  34. Robert Lapsley and Michael Westlake, Film Theory: An Introduction. [REVIEW]Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10:345-351.
     
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  35. Stanley Cavell, Disowning Knowledge in Six Plays of Shakespeare Reviewed by.Alex Neill - 1988 - Philosophy in Review 8 (6):203-205.
  36. Stanley Cavell, Disowning Knowledge in Six Plays of Shakespeare. [REVIEW]Alex Neill - 1988 - Philosophy in Review 8:203-205.
  37. "The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason": Mark Johnson. [REVIEW]Alex Neill - 1989 - British Journal of Aesthetics 29 (1):90.
     
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  38. TILGHMAN, B. R. Wittgenstein, Ethics and Aesthetics: The View from Eternity. [REVIEW]Alex Neill - 1992 - Philosophy 67:412.
     
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  39. "The Frontiers of Literature": Laurence Lerner. [REVIEW]Alex Neill - 1989 - British Journal of Aesthetics 29 (4):381.
     
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  40. Better Consciousness.Robert Stern, Alex Neill & Christopher Janaway (eds.) - 2010-02-19 - Wiley‐Blackwell.
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  41. Kristin Thompson, Breaking the Glass Armor: Neoformalist Film Analysis Reviewed by.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
     
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  42.  12
    Lyric Philosophy.Alex Neill - 1994 - Journal of Aesthetics and Art Criticism 52 (3):373-375.
  43.  43
    Moral and aesthetic freedom in Schopenhauer's metaphysics.Alex Neill & Sandra Shapshay - unknown
    The bleakness of Schopenhauer’s notoriously pessimistic take on the human condition is mitigated to some extent by his recognition of the possibilities of aesthetic experience and of denial of the will-to-live. However, as Schopenhauer himself acknowledges, his account of the latter appears inconsistent with his determinism, and we argue that this is no less the case with regard to his account of the former. After outlining what we take to be the basis and extent of Schopenhauer’s deterministic picture of human (...)
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  44.  40
    Schopenhauer on tragedy and value.Alex D. Neill - unknown
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  45.  32
    Why is it harder to design a beautiful cruise liner than it is to design a beautiful work boat?J. A. Sheridan, R. A. Shenoi, D. A. Hudson & Alex Neill - unknown
    Ship design needs to respond to and attract an ever more design conscious society. However, little research has been conducted into perceptions of beauty and pleasure and how such perceptions can be usefully absorbed into ship design. Aesthetic consideration, is seen as a distraction from the bespoke nature of the ship design process and is often avoided, second guessed or left for external consultancy. The ship design discipline requires the nurturing of its own aesthetic methods, for future development, and to (...)
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  46.  22
    Still an Error: Relational Theories of Art.Alex Neill & Aaron Ridley - 2016 - British Journal of Aesthetics 56 (2):187-189.
    Aaron Meskin and Simon Fokt have recently taken issue with our 2012 paper, ‘Relational Theories of Art: the History of an Error’. Here we respond to their objections.
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  47. Richard Abel, ed., French Film Theory and Criticism 1907-1939: A History/Anthology Reviewed by.Alex Neill & Aaron Ridley - 1990 - Philosophy in Review 10 (9):345-351.
     
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  48.  16
    Book reviews. [REVIEW]Alex Neill - 1990 - British Journal of Aesthetics 30 (1):90-92.
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  49.  27
    Fear and belief.Alex Neill - 1995 - Philosophy and Literature 19 (1):94-101.
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  50.  18
    Film and Phenomenology. [REVIEW]Alex Neill - 1994 - Philosophy and Phenomenological Research 54 (2):486-488.
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1 — 50 / 67