Słownik języka polskiego PWN odnotowuje m.in. trzy znaczenia słowa „fenomen”: (1) rzadkie, niezwykłe zjawisko; (2) osoba wyjątkowa, niezwykle uzdolniona; (3) fakt empiryczny będący punktem wyjścia badań naukowych. W tytule nie chodzi o „fenomen” w sensie drugim, chociaż do Szkoły Lwowsko-Warszawskiej należało wiele osób wyjątkowych i niezwykle uzdolnionych, do których z powodzeniem można odnosić słowo „fenomen” w tym sensie. Tytułowy zwrot „Fenomen Szkoły Lwowsko-Warszawskiej” sygnalizuje natomiast, z jednej strony, że książka zdaje sprawę z badań naukowych nad pewnym złożonym „faktem empirycznym” – (...) nad pewną formacją intelektualną wraz z jej dorobkiem. Z drugiej strony tytuł wskazuje na rzadkość i niezwykłość Szkoły: to, że była ona fenomenem nie tylko w dziejach Polski, lecz także w dziejach kultury in toto. Oto kilka faktów, które się na fenomen Szkoły – w tym drugim sensie – składają. Za początek Szkoły przyjmuje się rok 1895, kiedy jej założyciel, Kazimierz Twardowski, przybył z Wiednia do Lwowa i już wkrótce wypromował pierwszych doktorów. Wśród wychowanków (doktorantów) Twardowskiego było ponad dwudziestu przyszłych profesorów tytularnych, którzy w dwudziestoleciu międzywojennym zajęli większość katedr filozofii, logiki i psychologii, ale oddziałali także na inne dyscypliny – takie jak literaturoznawstwo, muzykologia, filologia klasyczna etc. Twardowski zmarł w 1938 roku, a za koniec Szkoły niektórzy przyjmują rok 1939 – istotnie II wojna światowa spowodowała spustoszenie w szeregach przedstawicieli Szkoły, a jeszcze silniejszy cios stanowił dla niej okres stalinizmu. Jednakże Kilka wybitnych postaci Szkoły – takich jak Kazimierz Ajdukiewicz, Tadeusz Czeżowski, Izydora Dąmbska, Tadeusz Kotarbiński, Stefan Swieżawski czy Władysław Tatarkiewicz – działało jeszcze wiele lat po wojnie, wychowując kolejne pokolenia w duchu właściwego Szkole antyirracjonalizmu. Wielu spośród autorów tekstów do niniejszego tomu to przedstawiciele młodszych pokoleń Szkoły Lwowsko-Warszawskiej sensu largo. Spoiwem Szkoły był nie pewien zespół idei, który wyznawaliby jej członkowie, lecz pewne postulaty metodologiczne oraz pewien zestaw wartości, które były w Szkole akceptowane przez kolejne pokolenia. O tych postulatach metodologicznych i o tym zestawie wartości mówią szczegółowo autorzy tekstów tu zamieszczonych. Ogromnemu wpływowi Szkoły na kulturę polską towarzyszyła recepcja wyników osiąganych przez jej członków za granicą. Naszym „towarem eksportowym” była szeroko rozumiana logika (logiki wielowartościowe i metalogika Łukasiewicza, gramatyka kategorialna Ajdukiewicza, koncepcja prawdy Tarskiego). Wiele osiągnięć członków Szkoły w innych dziedzinach zagranica odkrywa dla siebie dopiero dziś i wyniki te budzą podziw u tych, którzy się z nimi stykają. Ideą stojącą za powstaniem „Fenomenu Szkoły Lwowsko-Warszawskiej” była chęć ukazania Szkoły w jak najszerszej perspektywie, także przez pryzmat mniej znanych, choć ważnych postaci i osiągnięć. Ze wstępu Książkę można zamówić tutaj: https://ksiegarnia.academicon.pl/glowna/187-fenomen-szkoly-lwowsko-warszawskiej-miekka-oprawa--97883 62475193.html. (shrink)

The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of (...) dialectical materialism.Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences ; and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics--including an ethical act in a novel by Henry James and anti-anti-Semitism.The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes. (shrink)

Slavoj Zizek has been called "an academic rock star" and "the wild man of theory"; his writing mixes astonishing erudition and references to pop culture in order to dissect current intellectual pieties. In The Puppet and the Dwarf he offers a close reading of today's religious constellation from the viewpoint of Lacanian psychoanalysis. He critically confronts both predominant versions of today's spirituality--New Age gnosticism and deconstructionist-Levinasian Judaism--and then tries to redeem the "materialist" kernel of Christianity. His reading of Christianity is (...) explicitly political, discerning in the Pauline community of believers the first version of a revolutionary collective. Since today even advocates of Enlightenment like Jurgen Habermas acknowledge that a religious vision is needed to ground our ethical and political stance in a "postsecular" age, this book--with a stance that is clearly materialist and at the same time indebted to the core of the Christian legacy--is certain to stir controversy. (shrink)

A militant Marxist atheist and a "Radical Orthodox" Christian theologiansquare off on everything from the meaning of theology and Christ to the war machine of corporatemafia.

The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of (...) dialectical materialism.Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences ; and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics--including an ethical act in a novel by Henry James and anti-anti-Semitism.The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes. (shrink)

"A serious and good philosophical work could be written consisting entirely of jokes." -- Ludwig Wittgenstein The good news is that this book offers an entertaining but enlightening compilation of Žižekisms. Unlike any other book by Slavoj Žižek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Žižek's Jokes contains the set-ups and punch lines -- as well as the offenses and insults -- that Žižek is famous (...) for, all in less than 200 pages. So what's the bad news? There is no bad news. There's just the inimitable Slavoj Žižek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, "There is an old Jewish joke, loved by Derrida..." For Žižek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the "Not tonight, dear, I have a headache" classic: first the wife claims a migraine; then the husband does; then the wife exclaims, "Darling, I have a terrible migraine, so let's have some sex to refresh me!" A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a "truly obscene" version of the famous "aristocrats" joke has the family offering a short course in Hegelian thought rather than a display of unspeakables. _Žižek's Jokes_ contains every joke cited, paraphrased, or narrated in Žižek's work in English, including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Žižek's seriousness. (shrink)

Knjiga vsebuje filozofske in estetiške študije, v katerih avtor obravnava nekatere osrednje sodobne probleme estetike, umetnosti in kulture.

타자현상학 창도자 에마뉘엘 레비나스(Emmanuel Levinas)는 칸트가 해명한 무한이라는 시간 지평의 성격을 현상학적으로 새롭게 규정하는 과업에 착수한다. 레비나스는 하이데거의.

The present collection represents an attempt to bring together several contributions to the ongoing debate pertaining to supervenience of the normative in law and morals and strives to be the first work that addresses the topic comprehensively. It addresses the controversies surrounding the idea of normative supervenience and the philosophical conceptions they generated, deserve a recapitulation, as well as a new impulse for further development. Recently, there has been renewed interest in the concepts of normativity and supervenience. The research on (...) normativity – a term introduced to the philosophical jargon by Edmund Husserl almost one hundred years ago – gained impetus in the 1990s through the works of such philosophers as Robert Audi, Christine Korsgaard, Robert Brandom, Paul Boghossian or Joseph Raz. The problem of the nature and sources of normativity has been investigated not only in morals and in relation to language, but also in other domains, e.g. in law or in the c ontext of the theories of rationality. Supervenience, understood as a special kind of relation between properties and weaker than entailment, has become analytic philosophers’ favorite formal tool since 1980s. It features in the theories pertaining to mental properties, but also in aesthetics or the law. In recent years, the ‘marriage’ of normativity and supervenience has become an object of many philosophical theories as well as heated debates. It seems that the conceptual apparatus of the supervenience theory makes it possible to state precisely some claims pertaining to normativity, as well as illuminate the problems surrounding it. (shrink)

Slavoj Žižek and Srecko Horvat combine their critical clout to emphasize the dangers of ignoring Europe's growing wealth gap and the parallel rise in right-wing nationalism, which is directly tied to the fallout from the ongoing financial crisis and its prescription of imposed austerity. To general observers, the European Union's economic woes appear to be its greatest problem, but the real peril is an ongoing ideological-political crisis that threatens an era of instability and reactionary brutality. The fall of communism in (...) 1989 seemed to end the leftist program of universal emancipation. However, nearly a quarter of a century later, the European Union has failed to produce any coherent vision that can mobilize people to action. Until recently, the only ideology receptive to European workers has been the nationalist call to "defend" against immigrant integration. Today, Europe is focused on regulating the development of capitalism and promoting a reactionary conception of its cultural heritage. Yet staying these courses, Žižek and Horvat show, only strips Europe of its power and stifles its political ingenuity. The best hope is for Europe to revive and defend its legacy of universal egalitarianism, which benefits all parties by preserving the promise of equal representation. (shrink)

Cartesianer und Wittgensteinianer diskutieren über die logischen Grundlagen der Empfindungssprache. Mit einem Gedankenexperiment suggeriert der Cartesianer die Notwendigkeit, "private Objekte" anzunehmen. Der Wittgensteinianer deckt die "grammatische Täuschung" auf, der der Cartesianer dabei unterliegt. Nun sucht dieser, seinen Ansatz zu retten, indem er die Empfindungen des anderen als "theoretische Entitäten" (etwa im Rahmen der Himphysiologie) konstruiert: Neucartesianismus. Bestimmte empirische Befunde könnten ihn dabei aber in das Dilemma bringen, entweder seine Theorie oder seine "natürliche Einstellung" zum anderen Menschen aufzugeben. Allerdings bleibt auch (...) dem Wittgensteinianer ein ähnliches Dilemma letztlich nicht erspart. (shrink)

This article highlights the underlying themes or leitmotifs that recur in Russian war propaganda. Using the method of thematic analysis, we analyze the messages related to the war in Ukraine that have been disseminated in mass media and social media by Russian propagandists through the lens of the „principles of war propaganda“ presented and illustrated by Arthur Ponsonby and Anne Morelli. More precisely, we will show that all the eleven recurrent themes of war propaganda defined by Ponsonby and Morelli intervene (...) in the messages disseminated through two important media channels for the propaganda of the Kremlin regime: the TV show „Evening with Solovyov“ and the Russian news agency TASS. Misleading war propaganda is as lethal as weapons of mass destruction, and it is part of the arsenal of any aggressor country, including Russia. Through thorough knowledge of the underlying leitmotifs, it is easier to counter it. (shrink)

Catherine Malabou, Antonio Negri, John D. Caputo, Bruno Bosteels, Mark C. Taylor, and Slavoj Zizek join seven others--including William Desmond, Katrin Pahl, Adrian Johnston, Edith Wyschogrod, and Thomas A. Lewis--to apply Hegel's thought to twenty-first-century philosophy, politics, and religion. Doing away with claims that the evolution of thought and history is at an end, these thinkers safeguard Hegel's innovations against irrelevance and, importantly, reset the distinction of secular and sacred. These original contributions focus on Hegelian analysis and the transformative value (...) of the philosopher's thought in relation to our current "turn to religion." Malabou develops Hegel's motif of confession in relation to forgiveness; Negri writes of Hegel's philosophy of right; Caputo reaffirms the radical theology made possible by Hegel; and Bosteels critiques fashionable readings of the philosopher and argues against the reducibility of his dialectic. Taylor reclaims Hegel's absolute as a process of infinite restlessness, and Zizek revisits the religious implications of Hegel's concept of letting go. Mirroring the philosopher's own trajectory, these essays progress dialectically through politics, theology, art, literature, philosophy, and science, traversing cutting-edge theoretical discourse and illuminating the ways in which Hegel inhabits them. (shrink)

[1] Nisayon le-hadrikh et ben-dorenu bi-khenisato le-tokh ʻolam ha-Torah uvi-shelabe ʻaliyato -- ḥeleḳ 2. Nisayon le-hadrikh et ben dorenu bi-khenisato la-ʻavodah musarit.

This book reflects on Indonesia's recent experience with REDD (Reducing Emissions from Deforestation and forest Degradation), all set within a broader discussion of neoliberal environmentalism, hyper-capitalism and Indonesian carbon politics. Drawing on the author's political ethnographic fieldwork conducted in Jakarta, Central Sulawesi and Oslo, where the author examined Norway's interests and role in implementing REDD, this book discusses the long evolution of the idea that foreign state and private financing can be used to protect tropical forests and the carbon stored (...) within them, resulting in both local economic development and global climate benefits. It shows how neoliberal environmental approaches to climate change, of which REDD is a leading example, increases the severity of political contestations that must be overcome to reach global climate mitigation goals, and how recent incarnations of REDD have tended to forget earlier scholarly advice to couple anti-deforestation approaches with policies that reduce industrial carbon emissions. In Indonesia, tectonic political and economic forces are shown to have negatively impacted REDD implementation. Using a political ecology approach, the book links the literature on REDD with that covering Indonesia's recent democratic regression, highlighting how the country's environmental performance is inextricably linked to the timbre of its political governance. Given the severity of the political contestations that must be overcome to reach its stated goals, REDD cannot replace global policies that drastically reduce industrial carbon emissions. This book will be of great interests to students and scholars of political ecology, deforestation, climate change, environmental politics, natural resource management and environmental conservation. (shrink)

Abstract:Atmosphere in architecture acts as a communication tool between the space and its experiencers. This tool has the potential of being detached from the physical environment and conveyed by memories and imagination, which may augment the physical environment in a poetic way. This paper aims to demonstrate this potential by utilizing the technique of comparative reading using unmanipulated photographs of physical space, computer- generated film/images of the same space, and a spatial narration/text, all in the context of Japanese architecture. By (...) viewing this context from a lens focused on the intersection of aesthetics, phenomenology, and architecture, the study points out the possibility of utilizing atmosphere as a tool to convey ideas and augment the aesthetic experience through different techniques of representation. In this way, it highlights the importance of the narrative quality of spatial atmosphere in architectural design, and its potential as a transposable spatial identity. (shrink)

The aim of this paper is twofold. First, I want to re-examine the epistemic status of elaborated delusions. Bortolotti (2016, 2020) claims that they can be epistemically innocent. However, I will show that this type of delusions is more unique than suggested by the existing analyses of their epistemic status. They typically cause more profound harms than other kinds of delusions, and in most cases, it would be counterproductive to classify them as epistemically beneficial or innocent. I will employ predictive (...) and phenomenological models of delusions and the enactivist notion of sensus communis to explain the harms and possible benefits of elaborated delusions and why I think the existing definition does not fully grasp them. Based on this analysis, I will propose changes to the conditions for epistemic innocence. (shrink)

With his characteristic wit, Zizek addresses the burning question of how to reformulate a leftist project in an era of global capitalism and liberal-democratic ...

In this new book, Slavoj Žižek and Glyn Daly engage in a series of entertaining conversations which illustrate the originality of Žižek’s thinking on psychoanalysis, philosophy, multiculturalism, popular/cyber culture, totalitarianism, ethics and politics. An excellent introduction to one of the most engaging and controversial cultural theorists writing today. Žižek is a Slovenian sociologist who trained as a Lacanian and uses Lacan to analyse popular culture and politics. Illustrates the originality of Žižek’s thinking on psychoanalysis, philosophy, multi-culturalism, popular/cyber culture, totalitarianism, ethics (...) and politics. Provides a unique glimpse of Žižek’s humour and character and offers new material and fresh perspectives which will be of interest to followers of Žižek’s writings. (shrink)

Fenomenologie není pouze specifická metoda filosofického zkoumání, ale též svébytná filosofická pozice. Husserl je znám a diskutován spíše jako autor právě zmíněné metody, ovšem ta přeci měla sloužit jakožto organon pro vytvoření samostatné filosofické nauky. Proto se bude v příspěvku věnovat pozornost Husserlovu chápání toho, co je to filosofie, a to v kontrastu proti dobově populárním filosofickým pozicím, jimiž byly naturalismus a filosofie světového názoru s jeho nejodpudivější podobou nazývanou Husserlem pejorativně „Tiefsinn“: důvtipná duchaplnost. Husserl zamýšlí odstranit oba zmíněné typy (...) filosofie skutečně přísně vědeckou filosofií, jež bude filosofií fenomenologickou. (shrink)