ArgumentThis paper analyzes the public fasts of two Italian “hunger artists,” Giovanni Succi and Stefano Merlatti, in Paris in 1886, and their ability to forego eating for a long period (thirty and fifty days respectively). Some contemporary witnesses described them as clever frauds, but others considered them to be interesting physiological anomalies. Controversies about their fasts entered academic circles, but they also spread throughout the urban public at different levels. First, Succi and Merlatti steered medical debates among physicians on the (...) “scientific” explanations of the limits of human resistance to inanition, and acted as ideal mediators for doctors’ professional interests. Second, they became useful tools for science popularizers in their attempt to gain authority in drawing the boundaries between “orthodox” and “heterodox” knowledge. Finally, in the 1880s, Succi and Merlatti’s contest, the controversy around the liquids they ingested, and their scientific supervision by medical doctors, all reinforced their own professional status as itinerant fasters in a golden decade for that kind of endeavor. For all those reasons, Succi and Merlatti can be viewed as useful, epistemologically-active charlatans. (shrink)

ArgumentThis paper analyzes the political dimension of Miguel Masriera's science popularization program. In the 1920s, Masriera worked at the Swiss Federal Institute of Technology in Zurich – with Hermann Staudinger, the luminary of polymer chemistry – to later become a lecturer of theoretical and physical chemistry at the University of Barcelona. After living in exile in Paris, at the end of the Civil War he returned to Spain but never recovered his position. Instead, Masriera became an active popular science writer (...) and adapted to the severe constraints of General Franco's military dictatorship. Inspired by the astronomer Arthur Eddington's world view, Masriera wrote and translated popular science books, and published articles in daily newspapers and journals. By examining Masriera's popular works, in particular his program for spreading “atomic culture” in Spain during the Cold War, this paper aims to contribute to the assessment of the role of science popularization in the domestic legitimization of that dictatorial regime and also its use as a vehicle for international recognition abroad. (shrink)

The study of science popularization in dictatorships, such as Franco’s regime, offers a useful window through which to review definitions of controversial categories such as “popular science” and the “public sphere.” It also adds a new analytical perspective to the historiography of dictatorships and their totalitarian nature. Moreover, studying science popularization in these regimes provides new tools for a critical analysis of key contemporary concepts such as nationalism, internationalism, democracy, and technocracy.

From 17 to 22 October 1955, Madrid hosted the UNESCO Festival of Science. In the early years of the Cold War, in a dictatorial country that had recently been admitted into the international community, the festival aimed to spread science to the public through displays of scientific instruments, public lectures, book exhibitions, science writers professional associations, and debates about the use of different media. In this context, foreign visitors, many of whom came from liberal democracies, seemed comfortable in the capital (...) of a country ruled by a dictatorship that had survived after the defeat of fascism in the Second World War and was struggling to gain foreign recognition after years of isolation. This article analyzes the political role of science popularization in Madrid at that time. It approaches the apparently puzzling marriage between UNESCO’s international agenda for peace and democracy and the interests of the Francoist elites. Shared views of technocratic modernity, the fight against communism, and a diplomacy that served Spanish nationalism, paved the way for the alliance. (shrink)

Summary The life and works of John Mercer (1791–1866), a calico-printer from Lancashire, is a good example to illustrate the complexity of the process of printing cottons with natural colours, and the different skills required to obtain a final product able to be sold in the markets in the early years of the nineteenth century. A subtle combination of entrepreneurial dynamism, chemical knowledge, and expertise in the workshop provided a very special sort of ‘artisan-chemist’, who played a key role in (...) the industrial prosperity of the coloured textiles in the early Victorian years. The paper tries to show how, apart from the traditional ‘great luminaries’ of the period (Gay-Lussac, Berzelius, Davy, or Dalton), self-educated provincial chemists such as Mercer also made significant practical and theoretical contributions. (shrink)

Summary Scrutinizing the main activities of the Sociedad Astronómica de Barcelona (SAB), a scientific society that was founded in 1910 and lasted until 1921, this paper analyses how and why its members disseminated astronomy to society at large. Inspired by Camille Flammarion (1842–1925), and with a strong amateur character, the programme of the SAB raised interest among academic scientists, politicians, priests, navy officers, educated audiences, and positivist anticlerical writers. It rapidly conquered the public sphere through well-attended lectures, exhibitions, observations, and (...) publications. In the context of an industrial city, which at that time was suffering serious social tensions, the popularization of astronomy transcended social and cultural boundaries. It created common ground between expert and lay knowledge, science and art, the ‘natural’ and the ‘social’, and between science and religion. In addition, it was considered as one of the only possible ways to raise the scientific level of a country such as Spain, which at that time perceived itself as peripheral, even backward, in terms of mainstream innovations in science and technology. (shrink)