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Agnes Horvath [6]Agnese Horvath [1]
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  1.  37
    Pulcinella, or the metaphysics of the nulla: in between politics and theatre.Agnes Horvath - 2010 - History of the Human Sciences 23 (2):47-67.
    This article argues that Pulcinella, a figure of classical Italian commedia dell’arte, could also be considered as emblematic for the reordering of politics in the early-modern and modern periods. By placing emphasis on the common underlying theatrical aspects of ‘representation’, it effectively connects the absolutist and democratic periods and helps us to understand why actors and acting came to play such a prominent role in contemporary politics, whether as politicians imitating actors, or as actors actually becoming politicians. The article also (...)
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  2.  13
    The Dual Power of the State-Party and Its Grounds.Agnes Horvath & Arpad Szakolczai - 1990 - Social Research: An International Quarterly 57:275-302.
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  3.  9
    The fascination with eros: The role of passionate interests under communism.Agnes Horvath - 2013 - History of the Human Sciences 26 (5):0952695113484319.
    Plato’s work offers insights into the corrosive impact of eros, insights central for contemporary politics. The article combines an in-depth reading of Plato with a case study, arguing for the relevance of communism. This is because love also establishes a relationship of subordination to the object of desire, which can subjugate and entrap the lover in his or her feelings. Such instrumentalization of eros in communism was promoted by adherents being supposed to love the sufferers. The obligation that to understand (...)
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  4.  36
    The gravity of eros in the contemporary: Introduction to the special section.Agnes Horvath & Arpad Szakolczai - 2013 - History of the Human Sciences 26 (5):69-78.
    The study of eros as passionate devotion leads back to the classical foundations of social and political analysis, in particular Plato’s philosophical anthropology, focusing on imitation and not rationality as the moving force of social life.
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