Results for 'Agavni Petrosyan'

9 found
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  1.  15
    A Detection-Theoretic Model of Echo Inhibition.Kourosh Saberi & Agavni Petrosyan - 2004 - Psychological Review 111 (1):52-66.
  2.  15
    Begetting the New: The Marrow of Originality as Discovered from the Making of Shakespeare's Romeo and Juliet Part 1. Retracing the Antecedents.Armen E. Petrosyan - 2020 - Journal of Aesthetic Education 54 (1):101-118.
    To the memory of my mother ErnaThe axis on which art creativity revolves is originality. Any genuine piece of art must be original; otherwise, it boils down to a mere replication or imitation and is of little worth. A work is thought to be the more original the newer it is. But what exactly should be new in it and to what extent for it to get sufficient ground to claim originality still remain a riddle.What is meant by the new? (...)
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  3.  8
    Zhuṛnalistakan ētʻika: himnakhndirnerě ev zargatsʻman mitumnerě ardi hay mamulum.Varuhi Gevorgi Petrosyan - 2012 - Erevan: EPH hratarakchʻutʻyun.
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  4.  26
    Regaining the Soul Lost (The Limits of Depersonalization in Organizational Management).Armen E. Petrosyan - 2019 - Philosophy of Management 18 (2):131-155.
    Many believe that organization is to be depersonalized far as possible. But can it be entirely rid of personal dimension? And should one consider the personal a mere impediment or it may claim also a wholesome part? The author sheds light on the personal “engines” of organizational management and reveals the mechanisms of its influence on the decisions and behavior of both rank and files and higher-ups by scrutinizing the relevant managerial practice and research findings. Are revealed in corpore and (...)
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  5.  20
    Begetting the New: The Marrow of Originality as Discovered from the Making of Shakespeare's Romeo and Juliet: Part 2. Creation Demystified.Armen E. Petrosyan - 2020 - Journal of Aesthetic Education 54 (2):94-112.
    To the memory of my mother ErnaShakespeare saw in the beauty and passion of young hearts "the irradiating glory of sunlight and starlight in a dark world." In contrast to Arthur Brooke, the dramatist shows not the omnipotence of merciless and inexorable fate but an inextinguishable image of "light, every form and manifestation of it: the sun, moon, stars, fire, lightning, the flash of gunpowder, and the reflected light of beauty and of love." All these are opposed to "night, darkness, (...)
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  6.  1
    Huyzeri ev kamkʻi derě andzi hogevor zargatsʻman mej: sotsʻial-pʻilosopʻayakan verlutsutʻyun.Ṛ. A. Petrosyan - 1991 - Erevan: "Hayastan".
    Sociological and philosophical analysis of the role of will power upon the moral development of individuals.
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  7.  16
    Effective temperature in a colloidal glass.P. Jop, A. Petrosyan & S. Ciliberto - 2008 - Philosophical Magazine 88 (33-35):4205-4211.
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  8.  15
    Finite size effects and ageing near a critical point.S. Joubaud, A. Petrosyan & S. Ciliberto - 2008 - Philosophical Magazine 88 (33-35):4189-4196.
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  9. Game theory modeling for the Cold War on both sides of the Iron Curtain.Harald Hagemann, Vadim Kufenko & Danila Raskov - 2016 - History of the Human Sciences 29 (4-5):99-124.
    The bi-polar confrontation between the Soviet Union and the USA involved many leading game theorists from both sides of the Iron Curtain: Oskar Morgenstern, John von Neumann, Michael Intriligator, John Nash, Thomas Schelling and Steven Brams from the United States and Nikolay Vorob’ev, Leon A. Petrosyan, Elena B. Yanovskaya and Olga N. Bondareva from the Soviet Union. The formalization of game theory took place prior to the Cold War but the geopolitical confrontation hastened and shaped its evolution. In our (...)
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