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  1.  11
    Screenplays and Screenwriting as an Innovative Teaching Tool in Medical Ethics Education.Abbas Rattani & Abdul-Hadi Kaakour - 2019 - Journal of Medical Humanities 42 (4):679-687.
    Innovation in ethics pedagogy has continued to evolve and incorporate other forms of storytelling aimed at improving student engagement and learning. The use of bioethics narratives in feature-length films, medical television shows, or short clips in the classroom has a well-established history. In parallel, screenplays present an opportunity for an active approach to ethical engagement. We argue that screenplays and screenwriting provide a rich supplement to current medical ethics teaching and serve as a strong form of reflective learning.
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  2.  4
    Current Ethical Considerations of Human Whole Eye Transplantation is Short-Sighted.Abbas Rattani & Abdul-Hadi Kaakour - 2024 - American Journal of Bioethics 24 (5):92-94.
    In May 2023, the world’s first whole-eye and partial-face transplant was performed, representing the first known whole-eye transplant in history and the “only successful combined transplant case of...
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  3.  15
    Changing the channel on medical ethics education: systematic review and qualitative analysis of didactic-icebreakers in medical ethics and professionalism teaching. [REVIEW]Abdul-Hadi Kaakour, Raafay H. Syed, Dalia Kaakour & Abbas Rattani - 2020 - Monash Bioethics Review 39 (1):125-140.
    As medical ethics and professionalism education continues to equip medical students and residents with long-lasting tools, educators should continue to supplement proven teaching strategies with engaging, relatable, and generationally appropriate didactic supplements. However, popular teaching aids have recently been criticized in the literature and summative information on alternatives is absent. The purpose of this review is to evaluate and assess the functional use and application of short form audiovisual didactic supplements or "icebreakers" in medical ethics and professionalism teaching. A systematic (...)
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