The present article reports on the finding of the principle behind quantum mechanics. The principle, referred to as genuine fortuitousness, implies that the basic event, a click in a counter, comes without any cause and thus as a discontinuity in spacetime. From this principle, the formalism of quantum mechanics emerges with a radically new content, no longer dealing with things to be measured. Instead, quantum mechanics is recognized as the theory of distributions of uncaused clicks that form patterns laid down (...) by spacetime symmetry and is thereby revealed as a subject of unexpected simplicity and beauty. The departure from usual quantum mechanics is strikingly borne out by the absence of Planck's constant from the theory. The elimination of indeterminate particles as cause for the clicks, which the principle of genuine fortuitousness implies, is analogous to the elimination of the ether implied by the principle of relativity. (shrink)

Piercing incisively and deeply into the nature of the overlapping of the material andmental realms. Aage Petersen uncovers the reciprocal relations between quantum physics and theconcepts of metaphysics and epistemology, assessing the extent to which each has influenced theother. The author is eminently qualified to undertake this important work, which grew out of hisclose contact with Neils Bohr and his Copenhagen school during the years 1952-1962.Although themathematical formalism of quantum physics has long since been established, the question of itsphysical (...) interpretation is not yet closed, and the question of its philosophical interpretationremains in a formative state. The most widely accepted physical interpretation of the quantalformalism emerged from discussions between Bohr and Heisenberg in the winter of 1926-1927. ThisCopenhagen Interpretation centers around the relations of indeterminacy around the relations ofindeterminacy and the concept of complementarity, and was refined but not radically altered in theyears following, especially during the famous debate with Einstein on the completeness possible inthe description of events. The philosophical interpretation has proceeded along two principal lines:Bohr's emphasis on complementarity as a unifying concept, and Heisenberg's exploration of therelationship of quantum physics to the traditional categories of philosophy.To Bohr's mind, thecentral feature of human knowledge is the distinction between subject and object. The indeterminacyof the placing of the partition between instrument and system, which played so large a part inquantal description was, Bohr believed, an expression of the general relation between the knower andthe knowable. He thus sought to find relationships of complementarity in areas beyond quantumphysics.Quantum physics and traditional philosophy certainly relate enough to interact--even thoughthe effects of interaction may produce uncertain results. Heisenberg's view also emphasizes thatscience describes, not nature itself, but the interplay between nature and man, nature as affectedby man's method of questioning, thus denying the school of philosophical thought that began withDescartes' sharp separation of the World and the I.The author's investigation leads him as well tobelieve that complementarity is deeply linked to the basis of philosophy, but that the details ofthe relationship are so obscure that some other feature of quantum physics that makes amore directconnection with philosophy should be sought. He is led to choose the idea of correspondence as suchfeature. This idea played a key role in the development of the matrix version of the formalism andof the Copenhagen interpretation.Mathematically, the idea of correspondence was seen to imply thatquantal formalisms should emerge as generalizations of classical entities, that matrix mechanics wasa generalization of classical Hamiltonian mechanics. It is in this possibility of treating thetraditional categories of philosophy as limits of a more general scheme, or as analogies of a deeperorder, that the fruitfulness of the correspondence idea lies. (shrink)

In an article in Mind (Vol. 73, No. 291, July 1964) I tried to show that there is a fundamental difference between primary and secondary qualities. The present analysis of perceived size of an object and its relation to the size of the 'objective' and the 'real' object reveals that my thesis 1 regarding visual primary qualities, viz. size and shape, while true so far as shape is concerned, has to be modified in regard to size. After having criticized the (...) usual view of size constancy, I show by means of a diagram how we may determine the location in physical space of a percept of an object. This diagram reveals at the same time how perceived size decreases gradually with increasing distance of the object from the percipient, but at a much smaller rate than the retinal image of the object. By means of the diagram I show furthermore how the perceived size may in theory vary from person to person. In conclusion a modification of my thesis 1 is suggested. (shrink)

Piercing incisively and deeply into the nature of the overlapping of the material andmental realms. Aage Petersen uncovers the reciprocal relations between quantum physics and theconcepts of metaphysics and epistemology, assessing the extent to which each has influenced theother. The author is eminently qualified to undertake this important work, which grew out of hisclose contact with Neils Bohr and his Copenhagen school during the years 1952-1962.Although themathematical formalism of quantum physics has long since been established, the question of itsphysical (...) interpretation is not yet closed, and the question of its philosophical interpretationremains in a formative state. The most widely accepted physical interpretation of the quantalformalism emerged from discussions between Bohr and Heisenberg in the winter of 1926-1927. ThisCopenhagen Interpretation centers around the relations of indeterminacy around the relations ofindeterminacy and the concept of complementarity, and was refined but not radically altered in theyears following, especially during the famous debate with Einstein on the completeness possible inthe description of events. The philosophical interpretation has proceeded along two principal lines:Bohr's emphasis on complementarity as a unifying concept, and Heisenberg's exploration of therelationship of quantum physics to the traditional categories of philosophy.To Bohr's mind, thecentral feature of human knowledge is the distinction between subject and object. The indeterminacyof the placing of the partition between instrument and system, which played so large a part inquantal description was, Bohr believed, an expression of the general relation between the knower andthe knowable. He thus sought to find relationships of complementarity in areas beyond quantumphysics.Quantum physics and traditional philosophy certainly relate enough to interact--even thoughthe effects of interaction may produce uncertain results. Heisenberg's view also emphasizes thatscience describes, not nature itself, but the interplay between nature and man, nature as affectedby man's method of questioning, thus denying the school of philosophical thought that began withDescartes' sharp separation of the World and the I.The author's investigation leads him as well tobelieve that complementarity is deeply linked to the basis of philosophy, but that the details ofthe relationship are so obscure that some other feature of quantum physics that makes amore directconnection with philosophy should be sought. He is led to choose the idea of correspondence as suchfeature. This idea played a key role in the development of the matrix version of the formalism andof the Copenhagen interpretation.Mathematically, the idea of correspondence was seen to imply thatquantal formalisms should emerge as generalizations of classical entities, that matrix mechanics wasa generalization of classical Hamiltonian mechanics. It is in this possibility of treating thetraditional categories of philosophy as limits of a more general scheme, or as analogies of a deeperorder, that the fruitfulness of the correspondence idea lies. (shrink)

The paper presents a revised view of quantum mechanics centered on the notion (“genuine fortuitousness”) that the click in a counter is a totally lawless event, which comes by itself. A crucial point is the distinction between events on the spacetime scene and the content of the symbolic algorism. A revised conception of matrix variables emerges, by which such a variable, as part of a whole, does not have a value, under any circumstance. This conception is at variance with that (...) of indeterminate variables. A matrix variable not having a value does not enter spacetime and is not a measurable quantity, but manifests itself by a click in a counter with the remarkable property of having an onset, a beginning, from which the click develops. The individual click with its immense complexity is unique and lawless, even beyond probability. The notion of probability only applies to clicks in low resolution, and the completeness of a probabilistic theory is thereby seen in a new perspective. The genuinely fortuitous click is not produced by the impact of a particle, nor caused by an event in the source prior to the click in the counter. Indeed, there are no particles on the spacetime scene. The theory is thereby liberated from notions, which go with particles having indeterminate variables, and which have given to quantum mechanics the image of an unfathomable theory. With no particle as intermediary, the connection between source and detector is non-local, as is the entire theory, which deals exclusively with distributions of clicks. The locality permeating quantum mechanics is a symbolic one. The wave function enters in the sole role of encoding the probability distributions of clicks. The quest to understand the occurrence of the click in terms of the evolution of the wave function loses its meaning. However, click distributions in low resolution can be analyzed in terms of the connection between click distributions for different sets of counters, as given by the wave function. With increasing resolution, the probabilities, and the wave function, gradually lose significance, whereby the onset remains beyond reach. Thus, the downward path from events on the spacetime scene does not extend beyond the onset. The notion that quantum mechanics deals with particles (or fields) is rooted in the historical evolution but appears unable to accomodate genuine fortuitousness. The latter concept is given its due place by fully accepting the abstract nature of the matrix variables. (shrink)

Litteraturforskeren Aage Henriksen skrev afhandlingen Kierkegaards Romaner og forsvarede den i oktober 1954. Som dr. phil. blev han i 1968 blev professor i nordisk litteratur ved Københavns Universitet.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

After giving some contextual information, we propose an analysis of music and meaning in the song “The Garden,” as performed by the rock group Einstürzende Neubauten in the official video from the 1996 release of the album Ende Neu. We present a semiotic blending model of the narrative content of the song and of its imagery, partly determined by the structure and character of the music. Finally, we add a view of the apocalyptic perspective of some comparable creations.

The book consists of three problem areas which are all connected with the question of creativity, esp. in gthe arts and poetry: It is about the ancient mythopoetic concept of the muses and their collision with the beloved of the poet, about the authority crisis of authorship and the dominance of the author over his creatures and fictional characters as well as their revolt against the father of the text and about a typ of creating and writing which acts against (...) all genetic traditions of authorship in the form of conception and birth, genealogical derivation. In this sense the, anti-generic' creativity doesn't originate and invent a work of art or a cultural phenomenon: the anti-generic product is something made, something constructed and not fgenerated, manufactured and not breed. This anti-oedupus-concept workts in a widespread tradition of the arts and literature, starting from our heroes of deconstructed narrative as Sterne's or Diderot's, over the classics of european realism Dostoevski or Flaubert until Nabokov and his, pregnant muse' Lolita. Wenn es ums Schaffen geht oder gar ums Schöpferische, liegt nichts so nahe wie das scheinbar unerschöpfliche Feld der Geburtsmetaphern, das Reden vom Zeugen und Empfangen, vom Austragen und Gebären eines Werkes, das für das Kind steht - ja dieses gar ersetzen soll. Die in diesem Band versammelten Überlegungen verknüpfen drei Problemkreise: Es geht um die Projektionsfigur der Musen und ihrer Kollision mit der Dichtergeliebten, um die permanente Autoritätskrise im Verhältnis des Autors zu seinen eigenen Geschöpfen und um die Entdeckung eines Kunstschaffens und Schreibens, das alle genetischen wie generischen Modi der Hervorbringung gegen den Strich dichtet und also konsequent antigenerisch verfährt. Vorgeführt werden diese drei Problemkreise an klassischen Texten des antigenerischen. Zuletzt bleibt die Frage nach den Musen der Musen und den Paradoxa der Dame Dichterin mit Blick auf ihre Inspirationsquellen. (shrink)

Elementær filologisk-litterær hermeneutik. En historisk skitse er et lærdomshistorisk og litteraturvidenskabeligt essay, som følger udvalgte traditionsstrenge fra det gamle Athen over de hermeneutiske klassikere Schleiermacher og Gadamer til de seneste års postmodernisme og dekonstruktion. Formålet er at vise, at den hermeneutiske tradition ikke kun rummer indsigter af blivende værdi for alle humanistiske videnskaber, hvor læsning og tolkning står centralt, men også i sin mangfoldighed rejser spørgsmål, som på ingen måde er uddebatterede.

This bibliography carries on the work of Jens Himmelstrups international bibliography from 1962.

In Transcendence and Sensoriness , scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts through case studies considered in a broad theological framework of religious aesthetics of the arts.

This article is a qualitative study charting the dimensional range of a particular type of translative phenomenon, namely, intralingual translation within educational practice. Theoretically, the article is based on a broadened concept of translation that encompasses any kind of sign translation, including the transcending of a language-internal comprehension barrier, such as the one between scientific and lay linguistic registers. Further, the article assumes that such intralingual translation is conceptually identical with the interpretive procedures found in didactic practice, given that the (...) central aim of (much) pedagogy is to make sense of new and unfamiliar knowledge – typically embedded in abstract, scientific concepts – to learners. The article also draws on the Bakhtinian concept of “dialogized heteroglossia,” i.e., the view that different language varieties may be fused into, and brought into dialogue with each other within, one and the same text. Empirically, the article investigates intralingual translation in didactic practice through analyses of textbooks and one classroom lecture in five different academic disciplines, spanning both the natural and social sciences and the humanities. The analyses identify a handful of different translational strategies, some of which are shared across several disciplines, and others of which are unique to a single discipline only. (shrink)

Journal Name: Semiotica Issue: Ahead of print.

We all intuitively know what a diagram is, and still it is surprisingly difficult to describe it as a semiotic function or type. In this article, we present four groups of hypotheses in view of a clarification. We hypothesize: (1) That diagrams are signs of a distinct type, unknown to classical semiotics; (2) That the elementary graphs of a diagram are all derived fromlines and pointsintopologicalmental spaces. The mind applies these diagrammatic spaces to referential spaces in many ways, but basically (...) through conceptual integration (blending). The mind blends topology and reference, which makes the topology unnoticeable; (3) That elementary diagrammatic graphs constitute a natural, phenomenological, spatiotemporal, figurative and dynamic but informal geometry in the embodied, thinking mind; (4) That diagrammatic signs are the active components of the abstract mental figuration in working memory that accompany perception and deliver the schematizing ideas which invest and connect our categories and construe proper descriptive, narrative, patterns of inferentialthoughtand programs of sensorimotor and social action. (shrink)

På husmuren i Rue Jussieu, hvor et af Paris' universiteter holder til, kan man læse følgende grafitiske memento: La femme comme objet sexuel est le point noir de l'humanite.

Cognitive semio-linguistics studies the relations between signs and language, between semiological and linguistic structures, as expressions of, and as causes of, the cognitive activities involved in thinking, here called epistemic activities. This short essay displays a leveled analysis of the relations holding between semio-linguistic and epistemic structures active in the human mind.

The heart has a high‐metabolic rate, and its “around‐the‐clock” vital role to sustain life sets it apart in a regenerative setting from other organs and appendages. The landscape of vertebrate species known to perform intrinsic heart regeneration is strongly biased toward ectotherms—for example, fish, salamanders, and embryonic/neonatal ectothermic mammals. It is hypothesized that intrinsic heart regeneration is exclusively limited to the low‐metabolic hearts of ectotherms. The biomedical field of regenerative medicine seeks to devise biologically inspired regenerative therapies to diseased human (...) hearts. Falsification of the ectothermy dependency for heart regeneration hypothesis may be a crucial prerequisite to meaningfully seek inspiration in established ectothermic regenerative animal models. Otherwise, engineering approaches to construct artificial heart components may constitute a more viable path toward regenerative therapies. A more strict definition of regenerative phenomena is generated and several testable sub‐hypotheses and experimental avenues are put forward to elucidate the link between heart regeneration and metabolism. Also see the video abstract here https://youtu.be/fZcanaOT5z8. (shrink)