This article argues that the impact of digital images on visual culture can only be understood if the specific materiality of these artefacts is taken into account. An analysis of the famous distinguishes five material layers, including making, coding, forensic and epistemic materiality, as well as the notion of trans-materiality. Each layer is developed in relation to theoretical concepts of materiality in media studies, art history, computer science, and anthropology.

Innate talents supposedly limit an individual's highest attainable level of performance and the rate of skill acquisition. However, Howe et al. have not reviewed evidence that the level of expert performance has increased dramatically over the last few centuries. Those increases demonstrate that the highest levels of performance may be less constrained by innate capacities than is commonly believed.

The identification of cellular deficiences in the ability to repair damage in DNA in individuals with several cancer‐prone genetic disorders, has led to the idea that defective DNA repair results in cancer. In patients with trichothiodystrophy, however, a recently discovered defect in the repair of ultraviolet damage in DNA is not associated with cancer‐proneness. Thus our previous ideas about the connections between DNA repair capacity and cancer susceptibility need to be reevaluated.

Der Beitrag stellt die These auf, dass der Einfluss digitaler Bilder auf visuelle Kultur nur verstanden werden kann, wenn die spezifische Materialität dieser Artefakte bedacht wird. Anhand einer Analyse des berühmten Utah teapot werden fünf materiale Schichten unterschieden, darunter Herstellung, Codierung, forensische und epistemische Materialität, sowie der Begriff der Trans-Materialität. Jede Schicht wird in Beziehung zu theoretischen Konzepten von Materialität in Medienwissenschaften, Kunstgeschichte, Computerwissenschaft und Anthropologie diskutiert. This article argues that the impact of digital images on visual culture can only (...) be understood if the specific materiality of these artefacts is taken into account. An analysis of the famous distinguishes five material layers, including making, coding, forensic and epistemic materiality, as well as the notion of trans-materiality. Each layer is developed in relation to theoretical concepts of materiality in media studies, art history, computer science, and anthropology. (shrink)