Results for 'A. D. Aristophanes'

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  1.  34
    “Les sphères divisées”. D'Aristophane à Ibn Hazm.Raja Ben Slama - 2002 - Anales Del Seminario de Historia de la Filosofía 19:039-051.
    The author makes a study of the problem of love understood as meeting of the two parts of a soul-sphere. It is a Greek myth that has had a long tradition in the Arabic literature on love. The author is centered in Ibn Hazm of Cordoba.
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  2. "Les sphères divisées": D'Aristophane à Ibn Hazm.Raja Ben Salma - 2002 - Anales Del Seminario de Historia de la Filosofía 19:39-51.
    La autora estudia el problema del amor entendido como reunión de las dos partes de un alma-esfera, mito griego que ha tenido una larga tradición en la literatura amorosa árabe y se centre especialmente en Ibn Hazm de Córdoba.
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  3.  5
    Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance.A. D. Irvine - 2007 - University of Toronto Press.
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  4.  43
    Le « chamanisme » et la comédie ancienne. Recours générique à un atavisme et guérison. (avec une application à l'exemple de la Paix d'Aristophane).Anton Bierl - 2007 - Methodos 7.
    Dans cette contribution, la Comédie Ancienne est associée de manière surprenante au complexe chamanistique, ou respectivement, au schéma du goës ou magos qui existait dans la Grèce archaïque et dans les premiers temps de la Grèce classique. Après un bref aperçu de l’histoire de la recherche concernant le ‘chamanisme’ grec dans les études classiques, l’auteur écarte explicitement les spéculations essentialistes sur l’origine, mais utilise le phénomène religieux au sens d’un procédé de fantaisie mental et théâtral. Le potentiel performatif du goës (...)
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  5.  14
    Le public féminin du thé'tre grec. A propos de la Lysistrata d’Aristophane.Angela Maria Andrisano - 2007 - Methodos 7.
    Chez Aristophane, le public est impliqué dans le jeu comique, grâce à la disposition physique de l’espace théâtral. Il est raisonnable de penser que les femmes faisaient partie du public. Ce travail analyse les vv. 42 ss. de Lysistrata, où il semble que Cléonice s’adresse aux femmes assises dans la cavea.
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  6.  41
    Recent Editions of Aristophanes - Aristophanis Ecclesiazusae. Cum prolegomenis et commentariis edidit J. Van Leeuwen J. F. Lugduni Batavorum apud A. W. Sijthoff. 1905. Pp. xxii + 160. 5 s_. - Aristophanis Pax. (The same.) 1906. Pp. xi + 201. 5 _s_. - Vindiciae Aristophaneae. Scripsit H. van Herwerden. Sijthoff. 1906. Pp. 124. 3 _s._ 6 _d_. - Aristophanes' Acharnians. Edited by C. E. Graves, M.A. Cambridge: at the University Press. 1905. Pp. xvi + 143. 3 _s[REVIEW]H. Richards - 1906 - The Classical Review 20 (7):352-353.
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  7.  24
    The Frogs of Aristophanes. Translated into kindred metres by A. D. Cope. Pp. 95. Oxford: Blackwell, 1911. 3s. net.Herbert Richards - 1913 - The Classical Review 27 (05):178-.
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  8.  17
    A. De Cremoux La Cité parodique. Études sur les Acharniens d'Aristophane. (Supplementi di Lexis 36.) Pp. iv + 423. Amsterdam: Adolf M. Hakkert, 2011. Paper, €96. ISBN: 978-90-256-1262-7. [REVIEW]S. Douglas Olson - 2013 - The Classical Review 63 (2):620-621.
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  9.  22
    A new commentary on peace S. D. Olson (ed.): Aristophanes: Peace pp. lxxiv + 330. Oxford: Clarendon press, 1998. Cased, £55. Isbn: 0-19-814081-. [REVIEW]A. M. Bowie - 2003 - The Classical Review 53 (01):19-.
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  10.  7
    Act Three. Crito and Phaedo.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 105-122.
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  11.  6
    Act Two. Apology.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 73-104.
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  12.  5
    Classroom Notes.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 25-28.
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  13.  5
    List of Characters.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 35-36.
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  14.  4
    Acknowledgments.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press.
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  15.  4
    Bibliography.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 131-136.
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  16.  4
    Contents.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press.
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  17.  3
    Act One. Clouds.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 37-72.
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  18.  3
    Frontmatter.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press.
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  19.  3
    Production Notes.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 21-24.
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  20.  3
    Pronunciation of Greek Names.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 29-32.
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  21.  2
    Introduction.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 1-20.
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  22.  2
    Notes.A. D. Irvine - 2007 - In Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance. University of Toronto Press. pp. 123-130.
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  23. A Complete Concordance to the Comedies and Fragments of Aristophanes.C. D. Morris & Henry Dunbar - 1883 - American Journal of Philology 4 (4):496.
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  24.  7
    Aristophanes' acharnians 591–2: A proposed new interpretation.Nicholas D. Smith - 2017 - Classical Quarterly 67 (2):650-653.
    Kenneth Dover proposes an explanation of this joke in which the gist is to be understood in terms of ‘homosexual rape as an expression of dominance’, so that Dicaeopolis is offering himself up for use as a pathic by Lamachus. Dover believes that the joke becomes ‘intelligible if the assumption is that the erastēs handles the penis of the erōmenos during anal copulation’. Others have seen a circumcision joke here. Alan Sommerstein explains how the joke would work either of these (...)
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  25.  38
    Some Verse Translations 1. Prometheus: I. Prometheus Bound of Aeschylus—a metrical version; II. Prometheus Unbound. By Clarence W. Mendell. New Haven: Yale University Press, 1926. 9s. 2. The Antigone of Sophocles. Translated by Hugh Macnaghten. Cambridge University Press, 1926. 2s. net. 3. The Electra of Sophocles, with the First Part of the Peace of Aristophanes. Translated by J. T. Sheppard. Cambridge University Press, 1927. 2s. 6d. net. 4. The Hippolytus of Euripides. Translated by Kenneth Johnstone. Published by Philip Mason for the Balliol Players, 1927. 2s. net. 5. The Bacchanals of Euripides. Translated by Margaret Kinmont Tennant. Methuen and Co., Ltd., 1926. 6. Aristophanes. Vol. I. Translated by Arthur S. Way, D.Litt. Macmillan and Co., 1927. 10s. 6d. net. 7. Others Abide. Translations from the Greek Anthology by Humbert Wolfe. Ernest Benn, Ltd., 1927. 6s. net. 8. The Plays of Terence. Translated into parallel English metres by William Ritchie, Professor of Latin in the Unive. [REVIEW]A. S. Owen - 1928 - The Classical Review 42 (02):64-67.
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  26.  24
    The Lysistrata- (D.) Stuttard (ed.) Looking at Lysistrata. Eight Essays and a New Version of Aristophanes' Provocative Comedy. Pp. viii + 160, ill. London: Bristol Classical Press, 2010. Paper, £12.99. ISBN: 978-1-85399-736-5. [REVIEW]Rosanna Lauriola - 2012 - The Classical Review 62 (1):47-49.
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  27. Aristophanes in the Apology of Socrates.Sophia A. Stone - 2018 - Dialogues d'Histoire Ancienne 44 (2):65-85.
    Using an interdisciplinary approach to reading Plato's Apology of Socrates, I argue that the counter penalty offered by Socrates, what is commonly translated as maintenance in the Prytaneion, was a literary addition from Plato, resembling comic topoi from Aristophanes. I begin with the accounts we have from Plato and Xenophon, then analyze the culture and context of the Prytaneion. Given the evidence, I provide arguments for why the historical Socrates wouldn't respond with sitēsis in the Prytaneion. I suggest that (...)
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  28.  27
    The Manuscripts of Aristophanes Knights.D. Mervyn Jones - 1955 - Classical Quarterly 5 (1-2):39-48.
    IN the first part of this paper we discussed R and the y family, which divides into the two groups v and Φ. Before leaving the y family, however, we may consider some of the recentiores, nearly all of which belong within it. They seem to contain no genuine tradition unknown to their elders and betters; so it is not proposed to inflict on the reader a detailed account of them all, but rather to study a representative selection. These manuscripts (...)
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  29.  3
    Aristophanes, acharnians 833.Michael D. Reeve - 2014 - Classical Quarterly 64 (2):835-837.
    in memory of Eric HandleyDicaeopolis brushes the informer aside and closes his deal with the starving Megarian: ΔΙ. … λαβὲ ταυτὶ τὰ σκόροδα καὶ τοὺς ἅλαςκαὶ χαῖρε πόλλ’. ΜΕ. ἀλλ’ ἁμὶν οὐκ ἐπιχώριον.ΔΙ. πολυπραγμοσύνη νῦν ἐς κεϕαλὴν τράποιτ’ ἐμοί. 833 Even before Douglas Olson's thorough study of the tradition in his commentary on Acharnians it was clear that the oldest manuscript, R, has as much weight as the agreement of the others that editors report. In 833 it reads πολυπραγμοσύνη, the (...)
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  30.  3
    The Manuscripts of Aristophanes, Knights.D. Jones - 1952 - Classical Quarterly 2 (3-4):168-185.
    The present study of the manuscripts of the Knights arose out of the preparation of a text of the scholia for a forthcoming edition. The completion of a collation of all the manuscripts for the scholia seemed a suitable occasion for extending the inquiry and re-examining our manuscript tradition in both text and scholia, especially as the scholia in a manuscript, provided they come from the same source as the text, can often reveal facts that might escape an investigator who (...)
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  31.  24
    Technical Terms in Aristophanes.J. D. Denniston - 1927 - Classical Quarterly 21 (3-4):113-.
    Every living science, especially in its early stages, is compelled to devise fresh terms, either by coining new words or by giving new meanings to old ones. Unless and until these fresh terms become absorbed in the vocabulary of everyday speech, their unfamiliarity makes them a target for the shafts of the humourist. There can be no doubt that in the late fifth century B.C. literary criticism was still a new science. We can trace its beginnings in the treatises of (...)
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  32.  68
    Some Translations The Choephoroe of Aeschylus, translated into English rhyming verse by Gilbert Murray; Aeschylus: Agamemnon, Choephoroe, Ewmenides, rendered into English verse by G. M. Cookson; The Birds of Aristophanes, as arranged for performance in the original Greek at Cambridge, translated by J. T. Sheppard; The Cyclops, freely translated and adapted for performance in English from the satyric drama of Euripides by J. T. Sheppard; Thirty-two Passages from the Odyssey in English Rhymed Verse, by C. D. Locock; The Girdle of Aphrodite: The Complete Love Poems of the Palatine Anthology, translated by F. A. Wright; The Soul of the Anthology, by W. C. Lawton. The Aeneid of Virgil, translated by Charles J. Billson; Some Poems of Catullus, translated, with an Introduction, by J. F. Symons-Jeune. Greek and Latin Anthology thought into English Verse, by William Stebbing, M.A. Part I.: Greek Masterpieces; Part II.: Latin Masterpieces; Part III.: Greek Epigrams and Sappho. [REVIEW]J. Harrower - 1924 - The Classical Review 38 (7-8):172-175.
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  33.  10
    The Manuscripts of Aristophanes, Knights (I).D. Mervyn Jones - 1952 - Classical Quarterly 2 (3-4):168-.
    The present study of the manuscripts of the Knights arose out of the preparation of a text of the scholia for a forthcoming edition. The completion of a collation of all the manuscripts for the scholia seemed a suitable occasion for extending the inquiry and re-examining our manuscript tradition in both text and scholia, especially as the scholia in a manuscript, provided they come from the same source as the text, can often reveal facts that might escape an investigator who (...)
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  34.  1
    P.oxy. 2438 and the order of books in Aristophanes byzantius’ edition of pindar.Marco Ercoles - 2020 - Classical Quarterly 70 (2):822-826.
    Two well-known ancient witnesses report that Aristophanes of Byzantium was responsible for the arrangement of Pindar's poems into seventeen book-rolls according to lyric genres. These witnesses form fr. 381 in the edition of Aristophanes’ fragments by W.J. Slater : Vit. Pind. P.Oxy. 2438.35–9 δ]ιῄρητα̣ι̣ δὲ α̣ὐ̣τ̣[ο]ῦ̣ τ̣[ὰ ποιήματα ὑπ’ Ἀριστοφάν]ους εἰς βιβλία ιζˊ· διθ̣[υ]ρά̣[μ]βων βˊ [προσοδίω]ν̣ βˊ παιάνων αˊ πα[ρ]θεν[εί]ων γ̣ˊ [ἐπινικίω]ν̣ δˊ ἐγκωμίων αˊ ἐν [ᾧ] κα̣ὶ [σκ]όλ̣[ια ±4 ὕμ]ν̣ων αˊ ὑ[π]ορχημάτων αˊ θρ̣[ήνων.| nisi aliter ind., omnia (...)
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  35.  7
    The Structure of Mythological Old Comedy.Loren D. Marsh - 2020 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 164 (1):14-38.
    Scholars often assume that Old Comedies based on mythological stories differed from other Old Comedies primarily by their mythological plot material, and that therefore they shared the structural features of the surviving plays of Aristophanes. I show that the evidence may instead indicate that these Old Comedies did not as a rule have a parabasis or an agon. The structure of mythological Old Comedy could then have resembled the satyr play more closely than Aristophanic Old Comedy, meaning genre did (...)
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  36.  37
    Book Review:National Education. H. E. Armstrong, H. W. Eve, Joshua Fitch, W. A. Hewins, John C. Medd, T. A. Organ, A. D. Provand, B. Reynolds, Francis Stoves, Laurie Magnus. [REVIEW]A. D. Sanger - 1903 - International Journal of Ethics 13 (3):395-.
  37.  23
    Berkeley on Action: A. D. Woozley.A. D. Woozley - 1985 - Philosophy 60 (233):293-307.
    At the risk of proving myself such a caviller, I want to ask a question which I have seldom heard raised, and which I have never seen discussed in anything that I have read about Berkeley. If I am right, it poses a problem for his immaterialism, not only different, but coming from a different direction, from those objections that are commonly levelled against him. If I am wrong, it will show how right Berkeley was to stress the difficulty of (...)
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  38. The Trials of Socrates: Six Classic Texts.C. D. C. Reeve (ed.) - 2002 - Hackett Publishing Company.
    Lampooned in 406 B.C.E. in a blistering Aristophanic satire, Socrates was tried in 399 B.C.E. on a charge of corrupting the youth, convicted by a jury of about five hundred of his peers, and condemned to death. Glimpsed today through the extant writings of his contemporaries and near-contemporaries, he remains for us as compelling, enigmatic, and elusive a figure as Jesus or Buddha. Although present-day opinion on the real Socrates diverges widely, six classic texts that any informed judgment of him (...)
     
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  39. National Education, by H. E. Armstrong, H. W. Eve Joshua Fitch W. A. Hewins John C. Medd T. A. Organe A. D. Provand, B. Reynolds, Francis Stoves and Laurie Magnus. [REVIEW]A. D. Sanger - 1902 - International Journal of Ethics 13:395.
     
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  40.  98
    Otto's criticisms of Schleiermacher: A. D. SMITH.A. D. Smith - 2009 - Religious Studies 45 (2):187-204.
    An assessment is made of Rudolf Otto's criticisms of Friedrich Schleiermacher's claim that religious feeling is to be interpreted as essentially involving a feeling of absolute dependence. Otto's criticisms are divided into two kinds. The first suggest that a feeling a dependence, even an absolute one, is the wrong sort of feeling to locate at the heart of religious consciousness. It is argued that this criticism is based on misinterpretations of Schleiermacher's view, which is in fact much closer to Otto's (...)
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  41.  32
    A Treatise of Human Nature.David Hume & A. D. Lindsay - 1978 - Oxford : Oxford University Press.
    A Treatise of Human Nature was Hume's comprehensive attempt to base philosophy on a new study of human nature. The volume includes an explanatory introduction, annotations and a glossary.
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  42.  24
    National Education. H. E. Armstrong, H. W. Eve, Joshua Fitch, W. A. Hewins, John C. Medd, T. A. Organ, A. D. Provand, B. Reynolds, Francis Stoves, Laurie Magnus. [REVIEW]A. D. Sanger - 1903 - International Journal of Ethics 13 (3):395-398.
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  43.  47
    Lectures delivered in connection with the dedication of the Graduate college of Princeton university in October, 1913, by Émile Boutroux, Alois Riehl, A. D. Godley, Arthur Shipley. [REVIEW]Emile Boutroux, A. D. Godley, Alois Riehl & A. E. Sir Shipley - unknown
  44.  40
    Process and Reality. By A. N. Whitehead Sc.D., LL.D., F.R.S., Fellow of Trinity College in the University of Cambridge and Professor of Philosophy in Harvard University (Gifford Lectures delivered in the University of Edinburgh during the Session 1927–1928). (Cambridge, at the University Press. 1929. Pp. xxiii + 509. Price 18s.). [REVIEW]A. D. Ritchie - 1931 - Philosophy 6 (21):102-.
  45.  18
    Hérodote et Artémisia d’Halicarnasse.Violaine Sebillotte Cuchet - 2008 - Clio 27:15-33.
    Le point de vue d’Hérodote sur les guerres médiques, et particulièrement la bataille de Salamine en 480 avant notre ère, n’est pas totalement conforme à la bipolarisation grec/barbare, qui organise et hiérarchise les individus et les groupes vivant autour de la Méditerranée à l’époque classique. En effet Hérodote est un métis d’Halicarnasse en Asie mineure, et il s’amuse plutôt à décrire dans cet engagement naval la provocation d’Artémisia, reine de sa cité en 480. Celle-ci, également métissée, prouve qu’une cité grecque (...)
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  46. Vzgli︠a︡d na slavi︠a︡nskui︠u︡ aksiologii︠u︡.I. A. Sedakova (ed.) - 2019 - Moskva: Institut slavi︠a︡novedenii︠a︡ RAN.
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  47.  13
    Apologii︠a︡ Sofistov: Reli︠a︡tivizm Kak Ontologicheskai︠a︡ Sistema.Igorʹ Nikolaevich Rassokha - 2009 - Kharkivsʹka Nat͡sionalʹna Akademii͡a Misʹkoho Hospodarstva.
    Sophists’ apologia. -/- Sophists were the first paid teachers ever. These ancient Greek enlighteners taught wisdom. Protagoras, Antiphon, Prodicus, Hippias, Lykophron are most famous ones. Sophists views and concerns made a unified encyclopedic system aimed at teaching common wisdom, virtue, management and public speaking. Of the contemporary “enlighters”, Deil Carnegy’s educational work seems to be the most similar to sophism. Sophists were the first intellectuals – their trade was to sell knowledge. They introduced a new type of teacher-student relationship – (...)
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  48.  10
    The Annotations of M. Valerivs Probvs.H. D. Jocelyn - 1984 - Classical Quarterly 34 (02):464-.
    When Mommsen saw foll. 28r line i–29r line 6 of cod. Paris, Bibl. Nat. lat. 7530, an eighth-century grammatical miscellany from Monte Cassino, he realised immediately the importance of their contents. He wrote to Bergk about his discovery on 2 November 1844 and Bergk published the material early the next year as being an epitome of a treatise on signs applied to literary texts by Probus and earlier Latin grammarians. There had long been known Diogenes Laertius' account of the χ (...)
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  49.  20
    The Works of George Berkeley Bishop of Cloyne. Edited by A. A. Luce and T. E. Jessop. Volume 7. Edited by A. A. LuceD.D. Litt.D,. [REVIEW]A. D. Ritchie - 1957 - Philosophy 32 (120):92-.
  50. In search of the absolute: a critical study of the the advaitic philosophy of the equality of religions.A. D. Vallooran - 2021 - Bengaluru, India: ATC Publishers.
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