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A. M. Bowie [44]Andrew Bowie [42]A. Bowie [6]Angus M. Bowie [2]
Angus Bowie [1]
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Andrew Bowie
Royal Holloway University of London
  1.  66
    Schelling and Modern European Philosophy: An Introduction.Andrew Bowie - 1993 - Routledge.
    Andrew Bowie's book is the first introduction in English to present F W J Schelling as a major European philospher in his own right. _Schelling and Modern European Philosophy_, surveys the whole of Schelling's philosophical career, lucidly reconstructing his key arguments, particularly those against Hegel, and relating them to contemporary philosophical discussion. Dr Bowie traces how central ideas and conceptual strategies in the work of philosophers as diverse as Nietzsche, Heidegger, Derrida and Davidson relate closely to Schelling's often misunderstood philosophy (...)
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  2. Aesthetics and Subjectivity: From Kant to Nietzsche.Andrew Bowie - 2003 - Manchester University Press.
    This new, completely revised and re-written edition of Aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities.
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  3.  11
    Adorno and the Ends of Philosophy.Andrew Bowie - 2013 - Polity.
    Theodor Adorno’s reputation as a cultural critic has been well-established for some time, but his status as a philosopher remains unclear. In _Adorno and the Ends of Philosophy_ Andrew Bowie seeks to establish what Adorno can contribute to philosophy today. Adorno’s published texts are notably difficult and have tended to hinder his reception by a broad philosophical audience. His main influence as a philosopher when he was alive was, though, often based on his very lucid public lectures. Drawing on these (...)
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  4.  53
    From Romanticism to Critical Theory: The Philosophy of German Literary Theory.Andrew Bowie - 1996 - Routledge.
    _From Romanticism to Critical Theory_ explores the philosophical origins of literary theory via the tradition of German philosophy that began with the Romantic reaction to Kant. It traces the continuation of the Romantic tradition of Novalis, Friedrich Schlegel and Schleiermacher, in Heidegger's approaches to art and thruth, and in the Critical Theory of Benjamin and Adorno. Andrew Bowie argues, against many current assumptions, that the key aspect of literary theory is not the demonstration of how meaning can be deconstructed, but (...)
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  5.  70
    Introduction to German Philosophy: From Kant to Habermas.Andrew Bowie - 2003 - Polity.
    _Introduction to German Philosophy_ is the only book in English to provide a comprehensive account of the key ideas and arguments of modern German philosophy from Kant to the present. the first book in English to provide a comprehensive account of the key ideas and arguments of modern German philosophy from Kant to the present. offers an accessible introduction to the work, among others, of Kant, Fichte, the Romantics, Hegel, Marx, Nietzsche, Wittgenstein, the Vienna Circle, Husserl, Heidegger, Benjamin, Adorno, Gadamer, (...)
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  6. Oldest System Programme of German Idealism.Georg Wilhelm Friedrich Hegel & Andrew Bowie - 1990 - Aesthetics and Subjectivity : From Kant to Nietzsche.
     
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  7.  59
    Friedrich Wilhelm Joseph Von Schelling.Andrew Bowie - 2008 - Stanford Encyclopedia of Philosophy.
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  8. Music, Philosophy, and Modernity.Andrew Bowie - 2007 - Cambridge University Press.
    Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie’s Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many current ideas about language, subjectivity, metaphysics, truth, and ethics, and he suggests that (...)
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  9.  22
    Religion and Politics in Aeschylus' Orestela.A. M. Bowie - 1993 - Classical Quarterly 43 (01):10-.
    In the light of the remarkable changes of political colour which Aeschylus has undergone in the hands of scholars, there is a certain amusing irony about the fact that the satyr-play which followed the Oresteia was the Proteus. Sadly, we know too little of the Proteus to say whether it would have resolved this debate about the Oresteid's political stance, though one may have one's doubts.
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  10. John McDowell's Mind and World, and Early Romantic Epistemology.Andrew Bowie - 1996 - Revue Internationale de Philosophie 50 (197):515-554.
     
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  11.  53
    Adorno, Heidegger and the Meaning of Music.Andrew Bowie - 1999 - Thesis Eleven 56 (1):1-23.
    T. W. Adorno's philosophy of music aims to show that music is a source of important insights into the nature of modern society. This position leads, though, to a series of methodological difficulties, some of which can be alleviated by using resources from Heidegger's hermeneutics. The essay takes the key notion of `judgementless synthesis' from Adorno's unfinished book on Beethoven and connects it to Heidegger's account of pre-propositional under-standing and to Kant's notion of schematism. This connection is shown to have (...)
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  12.  8
    Aristophanes: Myth, Ritual and Comedy.Alan H. Sommerstein & A. M. Bowie - 1994 - Journal of Hellenic Studies 114:188-189.
  13. The New Schelling. [REVIEW]Andrew Bowie - 2004 - Radical Philosophy 128.
     
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  14. The Actuality Of Schelling's Hegel-Critique.A. Bowie - 1990 - Bulletin of the Hegel Society of Great Britain 21:19-29.
     
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  15.  29
    Religion and Politics in Aristophanes' Clouds.A. M. Bowie & M. C. Marianetti - 1994 - Journal of Hellenic Studies 114:189-190.
  16. Romanticism and Technology.Andrew Bowie - 1995 - Radical Philosophy 72.
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  17.  32
    German Philosophy: A Very Short Introduction.Andrew Bowie - 2010 - Oxford University Press.
    The book also highlights the ideas of early German Romantic philosophy, including the works of Friedrich Schlegel, Novalis, Schleirmacher, and Schelling, ...
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  18.  20
    The Parabasis in Aristophanes: Prolegomena, Acharnians.A. M. Bowie - 1982 - Classical Quarterly 32 (1):27-40.
    In this article, an introduction to a proposed more comprehensive treatment of the subject, I wish to discuss the contribution that the parabasis makes to the understanding and interpretation of Aristophanes’ comedies. The study of this part of the plays has in the past concentrated upon two main areas: firstly, its role in the development of comedy, including questions about its original position in the dramatic structure and its relationship to other elements such as the parodos and agon; and secondly, (...)
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  19.  21
    The Meaning of the Hermeneutic Tradition in Contemporary Philosophy.Andrew Bowie - 1996 - Royal Institute of Philosophy Supplement 41:121-144.
    In his Notes on Philosophy , which he began writing in 1796, Friedrich Schlegel asserts that ‘The fact that one person understands the other is philosophically incomprehensible, but it is certainly magical.’ In the interim a large amount of philosophical effort has been expended on trying to refute Schlegel's first claim. The fact is, though, that what Michael Dummett calls a ‘fullblooded theory of meaning’ is now looking less and less like a really feasible philosophical enterprise, so Schlegel may have (...)
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  20.  41
    A. H. Sommerstein: Aristophanes: Frogs: Edited with a Translation and Notes. Pp. Xiii + 299. Warminster: Aris & Phillips, 1996. Cased, £35/$49.95 . ISBN: 0-85668-647-6. [REVIEW]A. M. Bowie - 2000 - The Classical Review 50 (1):272-273.
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  21.  1
    The ‘Philosophy of Performance’ and the Performance of Philosophy.Andrew Bowie - 2015 - Performance Philosophy 1 (1):51-58.
    The notion of the 'philosophy of x', which has recently tended to become part of many subjects, from music to management, tends to obscure a range of important issues. The idea behind it seems to be that, by designating one's reflections on a subject as the ‘philosophy’ of whatever it is one is reflecting about, one achieves some kind of higher insight. Such an approach arguably grants too much to a subject whose main manifestation is actually endless disagreement on fundamental (...)
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  22.  7
    The Actuality of Schelling's Hegel-Critique.Andrew Bowie - 1990 - Hegel Bulletin 11 (1-2):19-29.
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  23. Unreduced Experience in the Medium of Conceptual Reflection: Adorno and the Future of Post-Analytical Philosophy.Andrew Bowie - 2009 - Danish Yearbook of Philosophy 44 (1):7-33.
  24.  7
    The Romantic Connection: Neurath, the Frankfurt School, and Heidegger.Andrew Bowie - 2000 - British Journal for the History of Philosophy 8 (2):275-298.
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  25.  50
    German Philosophy Today: Between Idealism, Romanticism, and Pragmatism: Andrew Bowie.Andrew Bowie - 1999 - Royal Institute of Philosophy Supplement 44:357-398.
    In his essay On the History of Religion and Philosophy in Germany, of 1834, Heinrich Heine suggested to his French audience that the German propensity for ‘metaphysical abstractions’ had led many people to condemn philosophy for its failure to have a practical effect, Germany having only had its revolution in thought, while France had its in reality. Heine, albeit somewhat ironically, refuses to join those who condemn philosophy: ‘German philosophy is an important matter, which concerns the whole of humanity, and (...)
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  26.  27
    A. López Eire: La Lengua Coloquial de la Comedia Aristof´Nica. Pp. 211. Murcia: Universidad de Murcia, 1996. Paper, No Price Given. ISBN: 84-7684-705-X. [REVIEW]A. M. Bowie - 2000 - The Classical Review 50 (1):273-274.
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  27.  26
    Ernst Vogt : Griechische Literatur. Pp. 428; many illustrations in text. Wiesbaden: Akademische Verlagsgesellschaft Athenaion, 1981. DM. 154. [REVIEW]A. M. Bowie - 1985 - The Classical Review 35 (1):194-194.
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  28.  15
    The Death of Priam: Allegory and History in the Aeneid.A. M. Bowie - 1990 - Classical Quarterly 40 (02):470-.
    he true relation between these scenes and historic fact is more mysterious and less simple. The metamorphosis takes place on a higher plane. Historic events and the poet's inner experience are stripped of everything accidental and actual. They are removed from time and transported into the large and distant land of Myth. There, on a higher plane of life, they are developed in symbolic and poetic shapes having a right to an existence of their own. The fact, therefore, that the (...)
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  29.  36
    Humor in der Augusteischen Dichtung. Lacben Und Lächeln Bei Horaz, Properz, Tibull Und Vergil. [REVIEW]A. M. Bowie - 1978 - The Classical Review 28 (2):357-358.
  30.  35
    Tradizione Testuale Diretta E Indiretta Dei Poeti di Lesbo. [REVIEW]A. M. Bowie - 1979 - The Classical Review 29 (1):136-137.
  31.  33
    An Appreciation of Homer. [REVIEW]A. M. Bowie - 1981 - The Classical Review 31 (2):157-159.
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  32.  31
    Delectus Ex Iambis Et Elegis Graecis. [REVIEW]A. M. Bowie - 1982 - The Classical Review 32 (2):269-270.
  33.  30
    Introduzione a Aristofane. [REVIEW]A. M. Bowie - 1995 - The Classical Review 45 (2):430-431.
  34. Frank Significance.A. Bowie - 1996 - Radical Philosophy 80:56-56.
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  35. Fichte's Transcendental Philosophy. The Original Duplicity of Intelligence and Will. [REVIEW]Andrew Bowie - 2000 - Philosophy 75 (2):296-312.
     
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  36. Geschichte und Eigensinn.A. Bowie - 1985 - Télos 1985 (66):183-190.
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  37. Isaiah Berlin, The Roots of Romanticism.A. Bowie - forthcoming - Radical Philosophy.
     
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  38. Obituary: Hans-Georg Gadamer, 1900–2002.Andrew Bowie - 2002 - Radical Philosophy 114.
     
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  39. Oskar Negt and Alexander Kluge, "Geschichte Und Eigensinn". [REVIEW]Andrew Bowie - 1985 - Telos: Critical Theory of the Contemporary 66:183.
     
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  40. On the History of Modern Philosophy.Andrew Bowie (ed.) - 2012 - Cambridge University Press.
    On the History of Modern Philosophy is a key transitional text in the history of European philosophy. In it, F. W. J. Schelling surveys philosophy from Descartes to German Idealism and shows why the Idealist project is ultimately doomed to failure. The lectures trace the path of philosophy from Descartes through Spinoza, Leibniz, Kant, Fichte, Jacobi, to Hegel and Schelling's own work. The extensive critiques of Hegel prefigure many of the arguments to be found in Feuerbach, Kierkegaard, Marx, Nietzsche, Heidegger, (...)
     
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  41. Philosophical Hermeneutics and Literary Theory. [REVIEW]Andrew Bowie - 1993 - Radical Philosophy 63.
     
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  42. Review of Adorno. A Critical Introduction by Simon Jarvis. [REVIEW]Andrew Bowie - 1998 - European Journal of Philosophy 6 (3):356–385.
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  43. Reply: The Schellingian Alternative.A. Bowie - 1994 - Bulletin of the Hegel Society of Great Britain 30:23-42.
     
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  44. Schleiermacher: Hermeneutics and Criticism: And Other Writings.Andrew Bowie (ed.) - 1998 - Cambridge University Press.
    The founding text of modern hermeneutics. Written by the philosopher and theologian Friedrich Schleiermacher as a method for the interpretation and textual criticism of the New Testament, it develops ideas about language and the interpretation of texts that are in many respects still unsurpassed and are becoming current in the contemporary philosophy of language. Contrary to the traditional view of Schleiermacher as a theorist of empathetic interpretation, in this text he offers a view of understanding that acknowledges both the structurally (...)
     
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  45. The Ideology of the Aesthetic. [REVIEW]Andrew Bowie - 1991 - Radical Philosophy 57.
     
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  46. The Roots of Romanticism. [REVIEW]Andrew Bowie - 1999 - Radical Philosophy 97.
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  47. Very Little… Almost Nothing: Death, Philosophy, Literature. [REVIEW]Andrew Bowie - 1998 - Radical Philosophy 90.
     
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  48. Architecture or Art? ; War Between Philosophy and Art ; Frank Significance.Dirk Hansen, Alan Munton, Jeffrey Steele & Andrew Bowie - 1996 - Radical Philosophy 80.
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  49.  56
    Schleiermacher and Post-Metaphysical Thinking.Andrew Bowie - 2004 - Critical Horizons 5 (1):165-200.
    Schleiermacher rarely features in the now widespread discussion of the relevance of the German Idealist and Romantic traditions for contemporary philosophy because he has mainly been regarded as a theologian and theorist of textual interpretation. This essay shows that his most important philosophical work, the Dialectic, involves many ideas concerning truth and language which are generally regarded as belonging to what Habermas terms 'post-metaphysical thinking'. Schleiermacher's views of truth and language are contrasted with those of Habermas and Rorty, and are (...)
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  50.  22
    The Themes of Greek Lyric Poetry. [REVIEW]A. M. Bowie - 1983 - The Classical Review 33 (2):169-170.
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