Giovanni Sartori (1924-2017) was a founder and icon of contemporary political science. A number of his books and articles have become part of the theoretical and conceptual basis of the field, and of social science in general. This volume brings together selected essays that examine Sartori as a scholar, university professor and intellectual. It is unique in covering all three aspects of Sartori's academic work: comparative politics, social science methodology and political theory. General overviews of Sartori's contribution to (...) political science are complemented by chapters that focus on specific areas of his interest; and Sartori's theoretical and methodological contributions are examined alongside his extensive public appearances, which remain little known outside Italy. (shrink)

A systematic treatment of Hume's conception of imagination in all the main topics of his philosophy.

This book examines the Condorcet Jury Theorem and how its assumptions can be applicable to the real world. It will use the theorem to assess various familiar political practices and alternative institutional arrangements, revealing how best to take advantage of the truth-tracking potential of majoritarian democracy.

In this new book, Jon Mandle explores the meaning of global justice and provides students with an accessible introduction to the core concepts and debates in the field. Global justice, he explains, requires universal respect for basic human rights. These rights belong to each and every one of us, and they can be used to guide policy-making in areas such as humanitarian intervention, global poverty, and secession. Emphasizing the importance of legitimate political institutions for protecting basic rights and ensuring (...) self-determination, Mandle sets out concrete reforms which would protect core human rights internationally."--Jacket. (shrink)

Alien and its sequel Aliens pit small groups of humans against a foe that knows only violence. Actually, much of what goes wrong in these films is due to confused beliefs the characters hold. This chapter uses the approach of an American philosophical school of thought known as pragmatism, and its foremost defender John Dewey, to critically address this problem. Through Alien and Aliens, we can apply pragmatism to political philosophy, and in particular we can see how John (...) Dewey's philosophy in The Public and Its Problems serves to illustrate the social and political failings we viscerally experience in these films. The Alien universe, with its diabolical pact between the United Americas and the Weyland‐Yutani Corporation, provides us with a worst‐case scenario of the future. The Xenomorph is not the big bad enemy of the first two Alien movies. The enemy is our own ineffectual political forms. (shrink)

Name der Zeitschrift: Kant-Studien Jahrgang: 107 Heft: 1 Seiten: 89-110.

Explores some steps toward non-assimilative encounters in the "global village.".

This chapter contains sections titled: Getting Under Her Skin Revolutionary Politics and Feminist Body Consciousness Homosociality Skinship Bonding, and Corporeal Feminism Meeting Narrative Needs Pricks as Needles Odd Girls Out ‘By the Father's Hand’: The Tattoo Taboo, Public Anxiety, and India(n) Ink The Skin She's In: Keeping Tattooing Personal and Political.

This chapter contains sections titled: A New Tattoo Space The Savage and Civilization Nothing Ladylike About Being Tattooed? Ornaments, Crimes, and the Creation of a Feminine Tattoo Space From Tattoos to Graffiti Skinscape Recuperating the Political Body.

Comparative political theory is at best an embryonic and marginalized endeavor. As practiced in most Western universities, the study of political theory generally involves a rehearsal of the canon of Western political thought from Plato to Marx. Only rarely are practitioners of political thought willing (and professionally encouraged) to transgress the canon and thereby the cultural boundaries of North America and Europe in the direction of genuine comparative investigation. Border Crossings presents an effort to remedy this (...) situation, fully launching a new era in political theory. Thirteen scholars from around the world examine the various political traditions of West, South, and East Asia and engage in a reflective cross-cultural discussion that belies the assumptions of an Asian "essence" and of an unbridgeable gulf between West and non-West. The denial of essential differences does not, however, amount to an endorsement of essential sameness. As viewed and as practiced by contributors to this ground-breaking volume, comparative political theorizing must steer a course between uniformity and radical separation--this is the path of "border crossings.". (shrink)

Anyone interested in the philosophy of music, especially popular music, should be familiar with Cristyn Magnus, P.D. Magnus, and Christy Mag Uidhir’s contempora.

In this paper, I present the beginnings of a resemblance theory of representation. I start by surveying the contemporary philosophical debate surrounding musical representation and reveal that its main interlocutors share a conception of artistic representation as a mode of meaningful communication. I then show how conceiving of artistic representation in this way severely limits music’s possibilities as a medium for representation. Next, I propose an alternative conception of representation that, despite its widespread acceptance outside of the philosophy of (...) art, has been largely denigrated within it: namely, that representation fundamentally depends on structural resemblance. Finally, I demonstrate how conceiving of artistic representation as grounded upon structural resemblances, rather than as a mode of meaningful communication, provides us with a more accurate picture of both (a) how music represents and (b) how we perceive and appreciate musical representations. (shrink)

This dissertation defends the place of representation in music. Music’s status as a representational art has been hotly debated since the War of the Romantics, which pitted the Weimar progressives (Liszt, Wagner, &co.) against the Leipzig conservatives (the Schumanns, Brahms, &co.) in an intellectual struggle for what each side took to be the very future of music as an art. I side with the progressives, and argue that music can be and often is a representational medium. Correspondence (or resemblance) theories (...) of representation, such as the one I offer, have been much maligned in philosophy since the 1960s. Most theories assimilate representation under “meaning,” which has usually been thought to belong primarily to language. As a result, representational content has been taken to be purely conventional in the way that sentential meaning is. People want to know what music “means,” and these theories interpret this as “what does it refer to?” or “what propositions does it express?” I argue that propositional communication is only one (small) part of the issue. Once we overcome the bias of conceiving of musical works as essentially linguistic items, speech acts (performed) or sentence tokens (written), we can begin to take music on its own terms to discover how it represents—one way in which it “means.” The first step is to “naturalize” music’s representational content. Influenced by recent discussions in the philosophies of mind and science, I argue in Chapter 1 that composers represent extra-musical objects, events, and states of affairs through their works by exploiting antecedent relations (such as similarities in pitch, timbre, and structure) in order to secure reference to them. In Chapter 2, I survey and respond to the main challenges that those skeptical of music’s representational possibilities would raise against my theory of musical representation. In Chapter 3, I explore a number of ways through which music has been claimed to represent in order to show how my theory accounts for these diverse phenomena better than its conventionalist rivals, both in terms of the metaphysics and the epistemology. Chapter 4 extends this discussion by offering an account of how we perceive, understand, appreciate, and interpret sophisticated musical representations. I conclude by teasing out some of my theory’s implications and suggesting areas for further research. (shrink)

José Ortega y Gasset not only expressed his views on subjects such as art or mass culture but he was also one of the promoters and founders of a United Europe which he considered a cultural unity. However, his view on the proper functioning of multicultural societies was as skeptical as his attitude towards the possibility of constructing an unified world that could be based on cultural coexistence of the Western World societies.

"... some very serious critiques of French existential phenomenology and post-structuralism... the contributors offer some refreshingly new insights into some tried and 'true' philosophical texts and more recent works of literary theory." -- Philosophy and Literature "By bridging the gap between 'analytic' and 'continental' philosophy, the authors of The Thinking Muse: Feminism and the Modern French Philosophy largely overcome the cultural polarity between 'male thinker' and 'female muse'." -- Ethics "These engaging essays by American Feminists bring toether (...) feminist philosophy, existential phenomenology, and recent currents in French poststructuralist thought. The editors provide an excellent introductory overview, making this an ideal book for courses in feminist theory and philosophy and modern French thought." -- Philosopher's Index "The concerns raised in this volume are substantial.... a solid addition to the canon of American feminist philosophy." -- Philosophy and Literature "... a forum for feminist appropriations of existential and post-structuralist philosophy." -- Canadian Philosophical Reviews Marking a radical shift in the traditional philosophical separation between muse (female) and thinker (male), The Thinking Muse revises the scope and methods of philosophical reflection. These engaging essays by American feminists bring together feminist philosophy, existential phenomenology, and recent currents in French poststructuralist thought. (shrink)