Results for '��ngrid Vendrell-Ferran'

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  1.  1
    Philosophical Perspectives on Memory and Imagination.Anja Berninger & Íngrid Vendrell Ferran (eds.) - 2022 - New York, NY: Routledge.
    This book explores the structure and function of memory and imagination, as well as the relation and interaction between the two states. It is the first book to offer an integrative approach to these two emerging areas of philosophical research. The essays in this volume deal with a variety of forms of imagining and remembering. The contributors come from a range of methodological backgrounds: empirically minded philosophers, analytic philosophers engaging mainly in conceptual analysis, and philosophers informed by the phenomenological tradition. (...)
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  2. Epistemische Gefühle und epistemische Werte.Íngrid Vendrell Ferran - 2016 - In Maja Soboleva (ed.), Das Denken des Denkens: Ein Philosophischer Überblick. Transcript Verlag.
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  3.  29
    Wahrheit, Wissen und Erkenntnis in der Literatur. Philosophische Beiträge.Ingrid Vendrell Ferran & Christoph Demmerling (eds.) - 2014 - Berlin: De Gruyter.
    Die Beiträge dieses Bandes werfen die Frage nach dem Erkenntniswert der Literatur auf. Der erste Teil des Bandes enthält Beiträge, welche die Frage nach dem Verhältnis zwischen literarischen und anderen Weisen menschlicher Selbstverständigung diskutieren. Im zweiten Teil des Buches finden sich Aufsätze, welche die verschiedenen Argumente, die in der Diskussion um die Frage nach dem kognitiven Wert der Literatur eine Rolle spielen, einer eingehenden Prüfung unterziehen. Sie fragen danach, ob und inwieweit die Literatur Wissen vermittelt. Die Beiträge des dritten Teils (...)
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  4. On liking and enjoyment.Vendrell Ferran Íngrid - 2020 - Metodo. International Studies in Phenomenology and Philosophy 8 (2):207-232.
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  5. Türkische Philosophie: Möglichkeit und politische Aufgabe.Íngrid Vendrell Ferran & Katrin Wille - 2016 - Deutsche Zeitschrift für Philosophie 64 (5).
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  6.  3
    Ein anderer Blick auf das Ganze: China, Indien und der Westen.Íngrid Vendrell Ferran & Katrin Wille - 2015 - Deutsche Zeitschrift für Philosophie 63 (6).
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  7.  47
    Introduction: Empathy, Fiction, and Imagination.Susanne Schmetkamp & Íngrid Vendrell Ferran - 2019 - Topoi 39 (4):743-749.
    In contemporary discourses, it has become common sense to acknowledge that humans and some species of animals, from their very inception, are embedded in social and intersubjective contexts. As social beings, we live, interact, communicate, and cooperate with others for a range of different reasons: sometimes we do so for strategic and instrumental reasons, while at other times it is purely for its own sake. Moreover, in one way or another, we encounter others not only as rational but also as (...)
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  8.  1
    Griechenland und die Geschichte der Philosophie.Íngrid Vendrell Ferran & Katrin Wille - 2016 - Deutsche Zeitschrift für Philosophie 64 (3).
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  9. Phenomenological Approaches to Hatred: Scheler, Pfänder and Kolnai.Ingrid Vendrell Ferran - 2018 - New Yearbook for Phenomenology and Phenomenological Philosophy 16.
    This chapter aims to reconstruct the phenomenological theories on hatred developed by Scheler, Pfänder and Kolnai and to refl ect upon its anthropological implications. Four essential aspects of this phenomenon are analyzed, taking as point of departure the works of these authors: (1) its place in the taxonomy of the affective life; (2) the world of its objects; (3) its expression in the form of bodily manifestations and motivating force; and (4) the inherent possibilities for overcoming it. The chapter concludes (...)
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  10. Die Vielfalt der Erkenntnis. Eine Analyse des kognitiven Werts der Literatur.Ingrid Vendrell Ferran - 2018 - Münster, Deutschland: mentis Verlag.
    Eine Grundmotivation, sich mit fiktionaler Literatur zu beschäftigen, liegt in ihrer Fähigkeit, uns Lebenswahrheiten zu vermitteln, die Welt aus einer anderen Perspektive zu zeigen und unseren Erfahrungshorizont zu erweitern. In all diesen Fällen handelt es sich um Metaphern, die auf die kognitive Relevanz unserer Auseinandersetzung mit literarischen Werken hinweisen. Die Erklärung dieser Metaphern kann nicht nur unsere Beschäftigung mit fiktionaler Literatur, sondern auch den Begriff der Erkenntnis und seine Vielfalt erhellen. In diesem Buch wird eine akkurate Analyse des kognitiven Werts (...)
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  11. Religious Emotion as a Form of Religious Experience.Ingrid Vendrell Ferran - 2019 - Journal of Speculative Philosophy 33 (1):78-101.
    This article argues that religious emotions are variations of general emotions that we already know from our everyday life, which nevertheless exhibit specific features that enable us to think of them as forming a coherent subclass. The article claims that there is an experience of joy, sorrow, regret, fear, and so on that is specifically religious. The aim is to develop an account that specifies what makes them “religious.” The argument is developed in three stages. The first section develops a (...)
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  12.  78
    Empathy, Emotional Sharing and Feelings in Stein’s Early Work.Íngrid Vendrell Ferran - 2015 - Human Studies 38 (4):481-502.
    This paper is devoted to the study of the emotions in Edith Stein’s early work On the Problem of Empathy. After presenting her work embedded in the tradition of the early phenomenology of the emotions, I shall elaborate the four dimensions of the emotional experience according to this authoress, the link between emotions and values and the phenomenon of the living body. I argue that Stein’s account on empathy remains incomplete as long as we ignore the complex phenomenology of emotions (...)
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  13.  43
    Hate: Toward a Four-Types Model.Íngrid Vendrell Ferran - forthcoming - Review of Philosophy and Psychology:1-19.
    Drawing on insights found in both philosophy and psychology, this paper offers an analysis of hate and distinguishes between its main types. I argue that hate is a sentiment, i.e., a form to regard the other as evil which on certain occasions can be acutely felt. On the basis of this definition, I develop a typology which, unlike the main typologies in philosophy and psychology, does not explain hate in terms of patterns of other affective states. By examining the developmental (...)
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  14. Wolfgang Huemer and Ingrid Vendrell Ferran (eds.), Beauty: New Essays in Aesthetics and the Philosophy of Art. [REVIEW]Iris Vidmar Jovanović - 2021 - Croatian Journal of Philosophy 21 (3):442-445.
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  15. Die Emotionen. Gefühle in der realistischen Phänomenologie.Íngrid Vendrell Ferran - 2008 - Berlin, Deutschland: Akademie Verlag, De Gruyter.
    In den letzten Jahrzehnten sind die Emotionen zu einem der zentralen Themen der Philosophie des Geistes geworden. Erstaunlich ist in diesem Kontext einer neuen Entdeckung der Gefühle, dass die frühen phänomenologischen Beiträge der ersten Schüler Husserls zu dem Thema in Vergessenheit geraten sind. Dabei können die Gefühlskonzeptionen und Analysen emotionaler Phänomene von Pfänder, Voigtländer, Haas, Geiger, Scheler, Stein, Walther, Kolnai, Ortega y Gasset wegen ihrer einzigartigen Präzision und Erfahrungsnähe die heutige Debatte entscheidend bereichern. In diesem Buch wird einerseits die Rekonstruktion (...)
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  16. Beauty: New Essays in Aesthetics and the Philosophy of Art.Wolfgang Huemer & Íngrid Vendrell Ferran (eds.) - 2019 - München, Deutschland: Philosophia.
    The notion of beauty has been and continues to be one of the main concerns of aesthetics and art theory. Traditionally, the centrality of beauty in the experience of art was widely accepted and beauty was considered one of the key values in aesthetics. In recent debate, however, the significance of the notion of beauty has been discussed controversially. Especially in the second half of the twentieth century, the role of beauty was strongly challenged both by artists and in philosophy (...)
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  17.  62
    Feeling as Consciousness of Value.Ingrid Vendrell Ferran - 2022 - Ethical Theory and Moral Practice 25 (1):71-88.
    A vast range of our everyday experiences seem to involve an immediate consciousness of value. We hear the rudeness of someone making offensive comments. In seeing someone risking her life to save another, we recognize her bravery. When we witness a person shouting at an innocent child, we feel the unfairness of this action. If, in learning of a close friend’s success, envy arises in us, we experience our own emotional response as wrong. How are these values apprehended? The three (...)
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  18. Emotion in the Appreciation of Fiction.Ingrid Vendrell Ferran - 2018 - Journal of Literary Theory 12.
    Why is it that we respond emotionally to plays, movies, and novels and feel moved by characters and situations that we know do not exist? This question, which constitutes the kernel of the debate on »the paradox of fiction«, speaks to the perennial themes of philosophy, and remains of interest to this day. But does this question entail a paradox? A significant group of analytic philosophers have indeed thought so. Since the publication of Colin Radford's celebrated paper »How Can We (...)
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  19. Introduction: The Place of Beauty in Contemporary Aesthetics.Ingrid Vendrell Ferran & Wolfgang Huemer - 2019 - In Wolfgang Huemer & Íngrid Vendrell Ferran (eds.), Beauty. New Essays in Aesthetics and the Philosophy of Art. München, Deutschland:
    The notion of beauty has endured a troublesome history over the last few decades. While for centuries beauty has been considered one of the central values of art, there have also been times when it seemed old-fashioned to even mention the term. The present volume aims to explore the nature of beauty and to shed light its place in contemporary philosphy and art practice.
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  20. Kulturen des Philosophierens. Ein Projekt interkultureller Philosophie in Briefen.Íngrid Vendrell-Ferran & Katrin Wille - 2020 - InterCultural Philosophy 1 (2020).
    Ziel des Aufsatzes ist es, das Projekt angewandter interkultureller Philosophie „Briefe über Philosophie weltweit“ vorzustellen. Der Beitrag ist in vier Teile gegliedert. Im ersten Abschnitt werden Anlass und Profil des Projektes vorgestellt. Der „akademische Nomadismus“ der Gegenwart verstärkt die immer schon interkulturelle Verfasstheit der akademischen Praxis und stellt den lebensweltlichen Anlass des Projektes dar, dies in Form von Briefen über die verschiedenen Bedingungen des Philosophierens auch zu reflektieren. Im zweiten Abschnitt wird genauer nach Erfahrungen gefragt, die in den Briefen zum (...)
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  21.  27
    Emotions and Sentiments: Two Distinct Forms of Affective Intentionality.Íngrid Vendrell-Ferran - 2022 - Phenomenology and Mind 23:20-34.
    How to distinguish emotions such as envy, disgust, and shame from sentiments such as love, hate, and adoration? While the standard approach argues that emotions and sentiments differ in terms of their temporal structures (e.g., Ben-ze’ev, 2000; Deonna & Teroni, 2012; Frijda et al., 1991), this paper sketches an alternative approach according to which each of these states exhibits a distinctive intentional structure. More precisely, this paper argues that emotions and sentiments exhibit distinct forms of affective intentionality. The paper begins (...)
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  22.  25
    Philosophie, in Geschichten verstrickt.Katrin Wille & Ingrid Vendrell Ferran - 2014 - Deutsche Zeitschrift für Philosophie 62 (6):1169-1170.
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  23.  10
    How to Understand Feelings of Vitality: An Approach to Their Nature, Varieties, and Functions.Ingrid Vendrell Ferran - 2021 - In Susi Ferrarello (ed.), Phenomenology of Bioethics: Technoethics and Lived Experience. Springer. pp. 115-130.
    A very basic form of experience consists in feeling energetic, vital, alive, tired, dispirited, vigorous and so on. These feelings – which I call feelings of vitality or vital feelings – constitute the main concern of this paper. My aim is to argue that these feelings exhibit a distinctive form of affectivity which cannot be explained in terms of emotions, moods, background feelings or existential feelings and to explore different paths for their conceptualization. The paper proceeds as follows. After introducing (...)
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  24. Feeling of Self-Worth in Else Voigtländer.Íngrid Vendrell-Ferran - 2020 - Encyclopedia of Concise Concepts by Women Philosophers.
    In Vom Selbstgefühl (1910) (identical to Über die Typen des Selbstgefühls), Else Voigtländer undertakes an accurate analysis of a category of feelings named “feeling of self-worth” and its types. This entry presents Voigtländer's definition, characterization and taxonomy of the feeling of self-worth.
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  25. Sham Emotions, Quasi-Emotions or Non-Genuine Emotions? Fictional Emotions and Their Qualitative Feel.Ingrid Vendrell Ferran - 2022 - In Thiemo Breyer, Marco Cavallaro & Rodrigo Sandoval (eds.), Phenomenology of Phantasy and Emotion. Darmstadt: WBG Academic.
    Contemporary accounts on fictional emotions, i.e., emotions experienced towards objects we know to be fictional, are mainly concerned with explaining their rationality or lack thereof. In this context dominated by an interest in the role of belief, questions regarding their phenomenal quality have received far less attention: it is often assumed that they feel “similar” to emotions that target real objects. Against this background, this paper focuses on the possible specificities of fictional emotions’ qualitative feel. It starts by presenting what (...)
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  26.  7
    Does Philosophical Knowledge Presuppose a Moral Attitude? A Discussion of Max Scheler’s Metaphilosophical Thesis.Íngrid Vendrell-Ferran - 2022 - Philosophical Inquiries 10 (1).
    This paper explores Max Scheler’s metaphilosophical views. In particular, the paper seeks to reconstruct and assess Scheler’s thesis according to which philosophical knowledge presupposes a moral attitude which he describes as an “act of upsurge” on the part of the whole person of the philosopher toward the essential, an act which cannot be found in either the natural worldview or the sciences. After motivating the topic in the introduction (section 1), the paper explores how Scheler approaches the question about the (...)
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  27.  56
    Imagine what it feels like.Íngrid Vendrell-Ferran - 2022 - In Anja Berninger & Ingrid Vendrell Ferran (eds.), Philosophical Perspectives on Memory and Imagination. Routledge.
    Often in our everyday lives, for instance, in decision-taking, empathizing with others, and engaging with fictions, we are able to imagine what a particular emotion feels like. This chapter analyzes the structure of these imaginings as a kind of experiential imagining. After introducing the topic (section 1), I argue that these imaginings cannot be explained exclusively by their content and that a focus on the mode of imagining is required. We not only imagine having emotions, but we also imagine them (...)
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  28.  6
    Envy, Powerlessness, and the Feeling of Self-Worth.Íngrid Vendrell Ferran - 2021 - In Elisa Magrì & Anna Bortolan (eds.), Empathy, Intersubjectivity, and the Social World: The Continued Relevance of Phenomenology. Essays in Honour of Dermot Moran. Degruyter. pp. 279-302.
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  29. Philosophical Perspectives on Memory and Imagination.Anja Berninger & Íngrid Vendrell-Ferran (eds.) - 2022 - New York, NY: Routledge.
    This book explores the structure and function of memory and imagination, as well as the relation and interaction between the two states. It is the first book to offer an integrative approach to these two emerging areas of philosophical research. The essays in this volume deal with a variety of forms of imagining and remembering. The contributors come from a range of methodological backgrounds: empirically minded philosophers, analytic philosophers engaging mainly in conceptual analysis, and philosophers informed by the phenomenological tradition. (...)
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  30.  44
    Empathie.Íngrid Vendrell-Ferran - 2022 - In Siegmund Judith (ed.), Handbuch Kunstphilosophie. UTB.
    Dieser Beitrag handelt von der Empathie in der Kunst. Ich beginne mit einer Reflexion über die Ursprünge des Begriffes und seine Verwendung in der Ästhetik. Es folgt eine Analyse der Empathie im Vergleich zu anderen Formen der Anteilnahme an Kunstwerken. Im dritten Teil untersuche ich die Mechanismen der Empathie in der Kunst und die Funktion der Imagination. Der vierte Teil widmet sich der Bedeutung der Gefühle bei der Empathie für Kunstfiguren. Schließlich thematisiere ich den epistemischen, moralischen und ästhetischen Wert der (...)
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  31.  38
    “I could have been you”: Existential Envy and the Self.Íngrid Vendrell-Ferran - 2022 - In Sara Protasi (ed.), The Moral Psychology of Envy. Rowman & Littlefield. pp. 77-92.
    This paper explores “existential envy” as a kind of envy in which the subject targets the rival’s entire being rather than one of her possessions, achievements or talents. It argues that existential envy is characterized by a weakening of the distinction between good and rival and by a strong focus on the envious self. In existential envy, the subject becomes aware that another person is closer to her ideal self than she is, such that the rival painfully reminds her of (...)
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  32. Contempt: The Experience and Intersubjective Dynamics of a Nasty Emotion.Ingrid Vendrell Ferran - 2017 - In John Drummond & Sonja Rinofner Kreidl (eds.), Emotional Experiences. Ethical and Social Significance. London and New York:
    This paper offers a phenomenological analysis of contempt. To this end, I will focus on four main features of this emotion. 1) In the first section, applying the phenomenological methodology to the case of contempt, I will distinguish the structure of this emotion from the structure of similar negative affective phenomena. Attention will be paid especially to the relation between contempt and hatred. 2) The emotional experience of contempt is analyzed in the next section acknowledging three main dimensions: quality, valence, (...)
     
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  33.  14
    Emoción.Íngrid Vendrell-Ferran - 2019 - Enciclopedia de Filosofía de la Sociedad Espanola de Filosofía Analítica.
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  34. Teorías analíticas de las emociones: el debate actual y sus precedentes históricos.Ingrid Vendrell Ferran - 2009 - Contrastes: Revista Internacional de Filosofía 14:217-240.
    Emotions are one of the topics that have caught the attention of analytical philosophy during the past years, and philosophers have developed different theories in this field. In this article, I shall present the main lines of investigation in the current debate on emotions and explain the arguments in favour and against each of them in order to build up my own position on the one hand, and, present the historical developments previous to the analytical theories, showing that the history (...)
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  35. Exploring Self and Emotion: Unamuno´s Narrative Fiction as Thought Experiment.Ingrid Vendrell Ferran - 2019 - In Garry L. Hagberg (ed.), Narrative and Self-Understanding. Between Literature and Philosophy. Palgrave.
    In this paper, I explore Unamuno’s narrative fictions as thought experiments about self and emotion. I begin by developing a notion of thought experiment consequent with his understanding of philosophy as a form of literature. Next, I focus on the philosophy of the emotions implicit in his major essay Del Sentimiento trágico de la vida. The third section offers a case study in the form of envy in the novel Abel Sánchez. The final section addresses different forms of knowledge about (...)
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  36. Intentionality, Value Disclosure and Constitution: Stein´s Model.Ingrid Vendrell Ferran - 2018 - In Elisa Magrì & Dermot Moran (eds.), Empathy, Sociality and Personhood. Essays on Edith Stein´s Phenomenological Investigations.
    This article provides an analysis of the phenomenology of affectivity underlying the work of Edith Stein. Taking as point of departure two of her works, The problem of Empathy (1917) and Philosophy of Psychology and the Humanities (1922), the paper focuses on the idea that emotions fulfil a cognitive function: they make us accessible the realm of values. The argument of the paper is developed in two sections. The first section offers an overview of Stein’s main theses about emotions, feelings, (...)
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  37. Ästhetische Erfahrung und Quasi-Gefühle.Ingrid Vendrell Ferran - 2010 - In Venanzio Raspa (ed.), Meinong Studien IV / Meinong Studies IV. The Aesthetics of the Graz School. Heusenstamm: Ontos. pp. 129 - 168.
    Vor etwa einem Jahrhundert entwickelte sich im deutschsprachigen Raum imRahmen einer allgemeinen Charakterisierung unserer ästhetischen Erfahrungvon Kunst eine umfassende Debatte über die Natur und die Möglichkeit vonGefühlen über fiktionale Charaktere und Situationen. Die damalige Debatteweist große Ähnlichkeit zur heutigen analytischen Debatte über das Paradoxonder Fiktion auf. Trotz des unterschiedlichen jeweiligen historischen Kontextesfindet sich in der analytischen Debatte und in der Philosophie zu Beginn des20. Jahrhunderts fast der gleiche Lösungsansatz. Gefühle über Fiktionen seienQuasi-Gefühle, d.h. ein gefühlsartiges Phänomen mit einer Realität sui (...)
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  38. Else Voigtländer.Ingrid Vendrell Ferran - 2020 - In Hilge Landweer & Thomas Szanto (eds.), The Routledge Handbook of Phenomenology of Emotions. Routledge.
    Else Voigtländer (1882–1946) provided one of the first substantial contributions to the phenomenology of the emotions. Her writings, which unfortunately have remained mostly unexplored, anticipate many of the issues that would become major focal points for later phenomenologists working on the topic. Within the phenomenological movement, Voigtländer was one of the first to study phenomena such as Ressentiment, inauthentic feelings and erotic love. In her book Vom Selbstgefühl (On the Feeling of Self-Worth) (1910), she undertakes an exhaustive study of the (...)
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  39. Narrative Fiction as Philosophical Exploration: A Case Study on Self-Envy and Akrasia.Ingrid Vendrell Ferran - 2019 - In Falk Bornmüller, Johannes Franzen & Mathis Lessau (eds.), Literature as Thought Experiment. Wilhelm Fink.
    This paper explores one of Unamuno's most challeng-ing short stories: Artemio, heuatontimoroumenos (1918). In this text, Unamuno deals with an experience for which he coins the expression ›self-envy‹. Is ›self-envy‹ conceptually sound? Or is it an unsuitable phrase for an emotional state that has nothing to do with envy? The paper proceeds in three steps in order to answer these questions. After presenting Unamuno’s Artemio, heuatontimoroumenos (section 1), the following section considers the notion of self-envy, which I interpret as a (...)
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  40.  10
    Affective Intentionality: Early Phenomenological Contributions to a New Phenomenological Sociology.Ingrid Vendrell Ferran - 2016 - In Dermot Moran & Thomas Szanto (eds.), Phenomenology of Sociality. Discovering the "We". London: Routledge.
    In this article I show the relevance of early phenomenology for the understanding of sociality by focusing on one element of pivotal importance: the phenomenological idea that affective phenomena are intentionally directed towards the world and others, and reveal what matters to us and what motivates us to action. This phenomenological idea of intentional feelings is amalgamated in the newly-coined concept of ‘affective intentionality’. The article focuses on three aspects of this concept: (i) the fact that our emotional intentional directedness (...)
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  41. Aurel Kolnai.Ingrid Vendrell Ferran - 2020 - In Hilge Landweer & Thomas Szanto (eds.), The Routledge Handbook of Phenomenology of Emotions. Routledge.
    Aurel Kolnai (1900–1973) is best known for his political and moral writings, but he also chiefly contributed to the phenomenology of the emotions. In a series of papers devoted to hostile and aversive emotions and, in particular, to disgust, haughty pride, fear, and hatred (Kolnai 1929, 1931, 1935 and 1998) Kolnai presents his most comprehensive views on the affective life and its ethical significance. Scattered discussions on the emotions can also be found in an early paper written on Scheler and (...)
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  42. Vergegenwärtigung von Erfahrungen, Perspektivenübernahme und Empathie.Íngrid Vendrell-Ferran - 2018 - In Susanne Schmetkamp & Magdalena Zorn (eds.), Variationen des Mitfühlens. Empathie in Musik, Literatur, Film und Sprache. Mainz, Stuttgart: Franz Steiner Verlag.
    Der Aufsatz ist in zwei Teile gegliedert. Im ersten Teil unterscheide ich das Phänomen der Empathie von ähnlichen Phänomenen. Im zweiten Teil werde ich auf die Bedingungen für Empathie eingehen. In diesem Teil geht es mir darum zu zeigen, dass wir es trotz einiger Unterschiede zwischen Empathie für Mitmenschen und Empathie für Figuren mit demselben Phänomen zu tun haben.
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  43. Männlichkeit: eine begriffliche Annäherung in phänomenologischer Perspektive.Íngrid Vendrell-Ferran - 2016 - In Hilge Landweer & Isabella Marcinski (eds.), Dem Erleben auf der Spur.
    Dieser Aufsatz widmet sich dem Begriff "Männlichkeit". Die Klärung des Begriffes soll mithilfe dreier philosophischer Strategien unternommen werden. Erstens werde ich zwei philosophische Modelle von Männlichkeit einander gegenüberstellen. Harvey C. Mansfields Theorie soll mithilfe von Pierre Bourdieus Konzept der männlichen Herrschaft kritisiert werden. Während Mansfield eine verbreitete Auffassung von Männlichkeit vertritt, die diese mit Assertivität, Mut und Adel verbindet, bietet Bourdieu uns ein gutes Instrumentarium dafür, versteckte Strukturen der männlichen Ordnung hinter diesem Bild zu entdecken. Zweitens wird diese Kritik mit (...)
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  44.  17
    Scheler and Zambrano: on a transformation of the heart in Spanish philosophy.Íngrid Vendrell-Ferran & Karolina Enquist Källgren - 2022 - History of European Ideas 47.
    This paper compares the concept of the heart in the works of Max Scheler and María Zambrano. Both authors use the heart as a metaphor for distinct human affective phenomena that have a central anthropological, epistemological, and ontological significance. The comparison between authors’ use of the metaphor is organised around three main topics: the order of the heart; the idea of a primordial feeling and its place in the affective life; and the primacy of love in relation to negative affective (...)
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  45.  9
    Envy, Powerlessness and the Feeling of Self-Worth.Ingrid Vendrell Ferran - 2022 - In Anna Bortolan & Elisa Magrì (eds.), Empathy, Intersubjectivity, and the Social World. De Gruyter. pp. 279 - 302.
    While standard definitions of envy tend to focus on the coveted good or the envied rival, this paper describes envy by reflecting on the envious self and its feelings. The paper begins by describing envy and establishing its key features and objects. It presents envy as an emotion of self-assessment which necessarily involves a sense of powerlessness and a feeling of one’s own diminishing value as a person. The second section illustrates the link between envy and the feeling of self-worth (...)
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  46. Emotion, Reason and Truth in Literature.Vendrell Ferran Íngrid - 2009 - Universitas Philosophica 26 (52):19-52.
    In this essay I want to offer an analysis of the structure of the fictional emotions that we have reading novels. I shall start with a presentation of the structure of emotions in general and their relation to aesthetic fiction. Afterwards, I shall offer a critical review of the current positions on fictional emotions. The aim of this section is to question the presuppositions that dominate the current debate on fictional emotions in particular and on emotions in general. Finally, I (...)
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  47. La noción del valor en la filosofía de Meinong.Íngrid Vendrell-Ferran - 2014 - In Anne Reboul (ed.), Mind, Values, and Metaphysics.
    Aunque la figura de Meinong se asocia a posiciones realistas acerca delos valores, un análisis más cuidadoso de su obra revela al menos tres concepcionesdiferentes de esta noción. El objetivo de este artículo consiste en examinar sistemáti-camente las tesis acerca de los valores sostenidas en tres de sus obras. Se analizará primero la teoría disposicionalista defendida en Psychologische ethische Untersuc-hungen zur Werttheorie (1894) según la cual los valores son posibles sentimientosde valor. Centraremos después nuestra atención a los cambios realizados en (...)
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  48. Can Literature be Moral Philosophy? A Sceptical View on the Ethics of Literary Empathy.Ingrid Vendrell Ferran - 2011 - In Sebastian Hüsch (ed.), Philosophy and Literature and the Crisis of Metaphysics.
    One important aspect of Nussbaum´s thesis on the moral value of literature concerns the power of literature to enhance our ability to empathise with other minds. This aspect will be the focus of the current article. My aim is to reflect upon this question regarding the moral value of our empathy for fictional characters. The article is structured in two main parts. I will first examine the concept of “empathy” and distinguish between empathy for human beings and empathy for fictional (...)
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  49. On Liking and Enjoyment: Reassessing Geiger’s Account of Aesthetic Pleasure.Íngrid Vendrell-Ferran - 2020 - Metodo. International Studies in Phenomenology and Philosophy 8 (2):207 - 232.
    This paper examines the notion of aesthetic pleasure within the framework of an aesthetics of value. The topic is introduced in sect. 1, while sect. 2 presents Moritz Geiger’s distinction between two kinds of aesthetic pleasure: liking, which enables us to grasp the aesthetic values of the artwork; and enjoyment, which is understood to be an emotional response. Sect. 3 reassesses the main tenets of Geiger’s account in the light of current research. In particular, I provide arguments in favor of (...)
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  50. Spur, Zeugnis und Imagination: Der Erkenntniswert von Dokumentarfilmen.Íngrid Vendrell-Ferran - 2020 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 65 (1).
    In diesem Aufsatz argumentiere ich für die These, dass alle Dokumentarfilme darauf abzielen, uns Erkenntnis über einen Aspekt der Realität zu vermitteln. Dieser These zufolge sind Dokumentarfilme – im Unterschied zu anderen Filmgattungen – der Wirklichkeit verpflichtet. Vor diesem Hintergrund sollen in diesem Aufsatz zwei Aspekte genauer untersucht werden: zum einen, wie der kognitive Wert von Dokumentarfilmen genauer zu verstehen ist, und zum anderen, inwiefern ausgehend von diesem epistemischen Aspekt Unterscheidungskriterien zwischen Dokumentarfilmen und anderen Filmgattungen entwickelt werden können. Der Aufsatz (...)
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