The notion of the Anthropocene is founded on the premise that traces of human activity on the earth will remain legible in the geological strata for millions of years to come, showing evidence of an anthropogenic 'signature' inscribed in the rock by the human species. Spectrality and Survivance shows how embedded in this understanding of the Anthropocene is a speculative and specular gesture that transforms the notion of the future into an anthropocentric reflection of the present, prohibiting any true (...) engagement with the possibility of a non-anthropocentric and post-anthropocenic world. In this volume, Marija Grech develops an alternative conceptual paradigm from which to think the Anthropocene beyond any limited notion of human language, human thought, human systems of meaning, or even a human world. Grech considers how the geological trace of the Anthropocene might be said to 'survive' outside of the possibility of any human readership, and how the very survival of the human in and beyond the Anthropocene might necessitate such thought. (shrink)

This article calls for an examination of the spectral operations of the perceptual architecture of colonization in conjunction with the enactment of a decolonial feminism as proposed by María Lugones. The first section discusses both the notion of ghostly subjectivity from Lugones's early work as well as the echoes of this notion in her recent work on the coloniality of gender that emphasizes the gender/race/sex nexus. Subsequently, through a photographic example, the article presents an analysis of the perceptual operations of (...) specter‐making in practices of colonization in light of Lugones's understanding of the “light” and “dark” sides of the coloniality of gender. This analysis highlights not only the intricate nexus between racialization and gender and sex norms both in the past and in the present context, but it also points to the necessity for of a decolonial feminism attuned to perceptual practices or a decolonial aesthesis. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Spectral Productances and Color PrimitivismCallie McGrathViews about the metaphysics of color can be divided broadly into realist and antirealist positions. In the realist camp are views that regard colors as instantiated; the pretheoretic appearance of the world as really being colored is correct. In the antirealist camp are views that regard this appearance as illusory.Realist views can be divided into reductionism and primitivism. The former has it that for (...) each color there is a reductive analysis: a true biconditional of the form "There is an F such that for all x, x is red (or blue, yellow) just in case x is F," where F is some predicate that explains what it is for x without making reference to color.1 To put the matter another way, suppose that one were to describe the world as accurately and exhaustively as possible, except that no explicit reference is ever made to color. According to reductionism, somewhere in such a description colors have nevertheless been attributed, only not using the usual color terms.There are two common varieties of reductionism, which we can call "subjective" and "objective reductionism." According to subjective reductionism, the right-hand side of each biconditional of the above sort makes reference to some effect x has on a perceiving subject.2 For instance, Peacocke gives the following analysis of red: "x is red just in case x is disposed to produce a red* sensation in normal perceivers under standard viewing conditions," where "red*" is a term referring to [End Page 509] a sensation in one's visual field.3 Other such color reductionists attempt to provide an analysis of sensations, such as a particular state of one's brain.Objective reductionism attempts to analyze colors without making reference to a perceiving subject. Some varieties of objective reductionism regard colors as microphysical properties of objects.4 Others propose that colors are reflectance properties of surfaces or, more generally, spectral productance properties of visibilia.5Primitivism is the rejection of reductionism; it is the view that no color is a property that can be described or understood purely in nonchromatic terms. Any biconditional of the sort mentioned above must make mention of color. Or, alternatively, the best one can hope to do to explain what any color is as such is to point to one of its bearers: "redness is that [demonstrating a fire truck, or a ripe beefsteak tomato, and so on]."6 Thus, if the world is described without explicitly using color terminology, something has been left out; there are further facts that must be included to give a complete description of the world.In what follows I outline some views that have been previously advanced to elaborate upon color primitivism. I show how one research program in perceptual psychology entails certain constraints on what colors must be like, and how they motivate one form of objective reductionism, which identifies colors as spectral productance profiles.7 However, productance physicalism is seemingly undermined by the fact that there is a pervasive many–one relationship between spectral productance and each color. I defend a variety of realist primitivism that regards colors as properties constitutively related to spectral productance. This view incorporates the advantages of the productance [End Page 510] view, while providing straightforward answers to the problems primitivism is alleged to face.IWhile primitivists agree about what colors are not, they do not agree about what colors are. Gert rejects the possibility of any metaphysical analysis of colors that goes much beyond ordinary, nonphilosophical discourse about color.8 Most primitivists do not go so far as this quietist sort of primitivism. One can reject reductive analysis of colors without altogether rejecting metaphysical theorizing about color.Most primitivists regard colors as categorical properties.9 This is to say that they reject the idea that colors are any sort of disposition. Benbaji is an exception, arguing that, for instance, red is a disposition to appear red to normal perceivers in standard conditions.10 Since, unlike subjective reductionists, Benjabi does not regard the phrase "appears red" and its cognates as amenable to reductive analysis, his position is a form of primitivism. Broackes suggests that surface colors are certain... (shrink)

In October 2008, one of the largest bank crashes in history struck Iceland, a country of three hundred and thirty five thousand inhab-itants. The aim of the article is to examine two cultural responses to the crash and the crisis that followed. More precisely, the aim is to analyse how the creation of the haunted house in I Remember You, a crash-horror story by crime writer Yrsa Sigurðardóttir, as well as the spectral half-built houses portrayed by visual artist Guðjón Ketilsson (...) refer quite directly, yet spectrally, to the period. The spec-tral themes of the two works give the opportunity to discuss the moment following the crash as a moment of haunting—but who is haunted and by whom? (shrink)

We investigated spectral resting-state EEG in persons with chronic stroke-induced aphasia to determine its reliability, sensitivity, and relationship to functional behaviors. Resting-state EEG has not yet been characterized in this population and was selected given the demonstrated potential of resting-state investigations using other neuroimaging techniques to guide clinical decision-making. Controls and persons with chronic stroke-induced aphasia completed two EEG recording sessions, separated by approximately 1 month, as well as behavioral assessments of language, sensorimotor, and cognitive domains. Power in the classic (...) frequency bands was examined via spectral analysis of resting-state EEG data. Results suggest that power in the theta, alpha, and beta bands is reliable for use as a repeated measure. Significantly greater theta and lower beta power was observed in persons with aphasia than controls. Finally, in PWAs theta power negatively correlated with performance on a discourse informativeness measure, while alpha and beta power positively correlated with performance on the same measure. This indicates that spectral rsEEG slowing observed in PWAs in the chronic stage is pathological and suggests a possible avenue for directly altering brain activation to improve behavioral function. Taken together, these results suggest that spectral resting-state EEG holds promise for sensitive measurement of functioning and change in persons with chronic aphasia. Future studies investigating the utility of these measures as biomarkers of frank or latent aphasic deficits and treatment response in chronic stroke-induced aphasia are warranted. (shrink)

Written by leading experts in the field, Stellar Spectral Classification is the only book to comprehensively discuss both the foundations and most up-to-date techniques of MK and other spectral classification systems. Definitive and encyclopedic, the book introduces the astrophysics of spectroscopy, reviews the entire field of stellar astronomy, and shows how the well-tested methods of spectral classification are a powerful discovery tool for graduate students and researchers working in astronomy and astrophysics. The book begins with a historical survey, followed by (...) chapters discussing the entire range of stellar phenomena, from brown dwarfs to supernovae. The authors account for advances in the field, including the addition of the L and T dwarf classes; the revision of the carbon star, Wolf-Rayet, and white dwarf classification schemes; and the application of neural nets to spectral classification. Copious figures illustrate the morphology of stellar spectra, and the book incorporates recent discoveries from earth-based and satellite data. Many examples of spectra are given in the red, ultraviolet, and infrared regions, as well as in the traditional blue-violet optical region, all of which are useful for researchers identifying stellar and galactic spectra. This essential reference includes a glossary, handy appendixes and tables, an index, and a Web-based resource of spectra. In addition to the authors, the contributors are Adam J. Burgasser, Margaret M. Hanson, J. Davy Kirkpatrick, and Nolan R. Walborn. (shrink)

Yablo has argued (1995) the received view in philosophy, that spectral surface reflectances (SSRs) are the causes of color-experience, is mistaken. SSRs, he says, are not commensurate with our experiences and so are not their causes. This motivated Yablo to posit sui generis, “unscientific” color properties to fill the resultant causal lacunae (cf. Watkins in Australasian Journal of Philosophy 83:33–52, 2005;Watkins in Philosophical Studies 150:123–137, 2010; Gert, in: Brown & Macpherson (eds) Routledge Handbook of Philosophy of Colour, Routledge, 2021). This (...) move, I argue, only works if no physical posits commensurate with our experiences exist to fill the same lacunae. And there are, today, familiar such posits: dispositions to reflect long-, medium-, and short-wavelength light (Bradley & Tye in Journal of Philosophy 98:469, 2001; cf. Koenderink in Color for the Sciences, MIT Press, 2010). Moreover, these dispositions are commensurate with our cone and opponent-neural states too, those states, more than our color-experiences, demanding paradigmatically physical causes. The above, conjoined with the platitude that colors are the causes of color-experience, motivates reducing colors to the noted (physical) dispositions. (shrink)

New aspects of spectral fluctuations of (quantum) chaotic and diffusive systems are considered, namely autocorrelations of the spacing between consecutive levels or spacing autocovariances. They can be viewed as a discretized two point correlation function. Their behavior results from two different contributions. One corresponds to (universal) random matrix eigenvalue fluctuations, the other to diffusive or chaotic characteristics of the corresponding classical motion. A closed formula expressing spacing autocovariances in terms of classical dynamical zeta functions, including the Perron–Frobenius operator, is derived. (...) It leads to a simple interpretation in terms of classical resonances. The theory is applied to zeros of the Riemann zeta function. A striking correspondence between the associated classical dynamical zeta functions and the Riemann zeta itself is found. This induces a resurgence phenomenon where the lowest Riemann zeros appear replicated an infinite number of times as resonances and sub-resonances in the spacing autocovariances. The theoretical results are confirmed by existing “data.” The present work further extends the already well known semiclassical interpretation of properties of Riemann zeros. (shrink)

An original analysis of the parallels between the arrested moment in photography and in the traumatized psyche.

In what follows I would like to uncover part of this history [of the phantasmagoria], not just as an exercise in romantic etymology but as a way of approaching a larger topic, namely, the history of the imagination. For since its invention, the term phantasmagoria, like one of Freud’s ambiguous primary words, has shifted meaning in an interesting way. From an initial connection with something external and public , the word has now come to refer to something wholly internal or (...) subjective: the phantasmic imagery of the mind. This metaphoric shift bespeaks, I think, a very significant transformation in human consciousness over the past two centuries—what I shall call here the spectralization or “ghostifying” of mental space. By spectralization I mean simply the absorption of ghosts into the world of thought. Even as we have come to discount the spirit-world of our ancestors and to equate seeing ghosts and apparitions with having “too much” imagination, we have also come increasingly to believe, as if through a kind of epistemological recoil, in the spectral nature of our own thoughts—to figure imaginative activity itself, paradoxically, as a kind of ghost-seeing. Thus in everyday conversation we affirm that our brains are filled with ghostly shapes and images, that we “see” figures and scenes in our minds, that we are “haunted” by our thoughts, that our thoughts can, as it were, materialize before us, like phantoms, in moments of hallucinations, waking dream, or reverie. Terry Castle, associate professor of English at Stanford University, is the author of two books: Clarissa’s Ciphers: Meaning and Disruption in Richardson’s “Clarissa” and Masquerade and Civilization: The Carnivalesque in 18th-Century English Culture and Fiction . She is currently working on a study of the literature and psychology of apparitions in the eighteenth and nineteenth centuries entitled “Spectropia: Ghost-Seeing and the Modern Imagination.”. (shrink)

Dichotic spectral integration range, or DSIR, was measured for consonant recognition with normal-hearing listeners. DSIR is defined as a frequency range needed from 0 to 8,000 Hz band in one ear for consonant recognition when low-frequency information of the same consonant was presented to the opposite ear. DSIR was measured under the three signal processing conditions: unprocessed, target: intensified target spectro-temporal regions by 6 dB responsible for consonant recognition, and target minus conflicting: intensified target regions minus spectro-temporal regions that increase (...) confusion. Each consonant was low-pass filtered with a cutoff frequency of 250, 500, 750, and 1,000 Hz, and then was presented in the left ear or low-frequency ear. To create dichotic listening, the same consonant was simultaneously presented to the right ear or high-frequency ear. This was high-pass filtered with an initial cutoff frequency of 7,000 Hz, which was adjusted using an adaptive procedure to find the maximum high-pass cutoff for 99.99% correct consonant recognition. Mean DSIRs spanned from 3,198–8,000 Hz to 4,668–8,000 Hz, depending on low-frequency information in the LF ear. DSIRs narrowed with increasing low-frequency information in the LF ear. However, the mean DSIRs were not significantly affected by the signal processing except at the low-pass cutoff frequency of 250 Hz. The individual consonant analyses revealed that /ta/, /da/, /sa/, and /za/ required the smallest DSIR, while /ka/, /ga/, /fa/, and /va/ required the largest DSIRs. DSIRs also narrowed with increasing low-frequency information for the two signal processing conditions except for 250 vs. 1,000 Hz under the target-conflicting condition. The results suggest that consonant recognition is possible with large amounts of spectral information missing if complementary spectral information is integrated across ears. DSIR is consonant-specific and relatively consistent, regardless of signal processing. The results will help determine the minimum spectral range needed in one ear for consonant recognition if limited low spectral information is available in the opposite ear. (shrink)

Going against orthodoxy, Pheng Cheah retraces the universal-rationalist foundations and progressive origins of political organicism in the work of Kant and its development in philosophers in the German tradition such as Fichte, Hegel, and ...

In this article I attempt to engage with Charlotte Brontë as both a teacher and a philosopher. In her depiction of two impoverished gentlewomen as teachers Brontë is, as is often pointed out, drawing on her own history, but she is also exploring two conflicting contemporary philosophic notions: the romantic ideal and the ideal of rationality, as they are played out in the lives of women. Brontë uses the plot device of taking her teachers into new environments, from where as (...) strangers they can report to the reader on the conditions they experience. But the teachers are also strangers in the teaching environments of their employment and, moreover, as individuals are stripped of all familial and social support. While her pedagogic strategies may not be appealing to twentieth century tastes, Brontë and her creations still have something to say about the issues, choices and constraints faced by young and inexperienced teachers, and the available subject-positions teachers may construct for themselves as they grapple with their own foreignness in their classrooms or other teaching situations. (shrink)

Asim Barut once,en passant, asked the question “For what transitions of the hydrogen atom do the spectral lines coincide”? It is a pleasure for us to give the answer in this paper.

The article addresses the theme of spectrality, the givenness of the other who remains here after departure as a ghost. It explores how this spectrality functions in Plato’s funeral oratory in the Menexenus dialogue. In the first part, the article discusses J. Patočka’s account of the specific givenness of the departed, which is experienced as a privation of a former intersubjectively intertwined life. The deceased other causes a twofold crisis. On the one hand, with the death of the (...) other also comes the withering of part of myself, for I am unable to realise possibilities dependent on his or her presence. On the other hand, the meaning of the other’s project, which becomes institutionalised through participation in the events and re-formation of the world, is endangered if no one is willing to take on and realise this meaning as one’s own. The second part of the article discusses how Socrates’ oratory addresses this crisis through specific temporality of the speech, one in which the past provides the present with a paradigm for appropriate civic action which is to be imitated in the future. In this context, he creatively uses the concept of shame to induce an attitude of responsibility for the polis, whose greatness is grounded in the virtuous deeds of spectrally present ancestry. (shrink)

This dissertation examines the tribulations and the futures of radical national literary culture as a vehicle of freedom in the postcolonial South within the general context of the vicissitudes of the postcolonial nation-state in contemporary neocolonial globalisation. In philosophical modernity, culture is regarded as the means to overcome finitude and the realm where the ideal of human freedom can be incarnated. Consequently, the modern idea of freedom culminates in a politics of culture. Culture supplies the ontological paradigm for different models (...) of modern political community and even the idea of the political itself in the philosophical cosmopolitanism of Kant and the philosophical nationalisms of Fichte and Hegel. Although Marx presents his materialist cosmopolitanism as an inversion of Hegel's idealist nationalism, the same philosopheme of culture informs his idea of the proletarian world community. This is made evident by the persistence of the national question in Marxism. Insofar as it grants primacy to culture in the struggle against colonial and neocolonial economic and political domination, the project of Third World revolutionary national culture has its conceptual origins in the modern philosopheme of culture. However, the vicissitudes of these projects in neocolonial globalisation as exemplified by the work and lives of Pramoedya Ananta Toer of Indonesia and Ngugi Wa Thiong'o of Kenya cast doubt on the viability of this philosopheme of culture. The inability of revolutionary national culture to transcend the neocolonial forces of domination, death and destruction unleashed by global capital suggests that culture qua incarnational work is plagued by various forms of haunting that are internal to its structure. Hence, instead of regarding postcolonial national culture as the incarnation of human freedom, we ought to understand it as being essentially constituted by spectral negotiations with global capital. It is only from this vantage point that we can better grasp how it in turn haunts and destabilises neocolonial hegemony. (shrink)

When it became uncool to speak of beauty with respect to pieces of art, physicists started claiming that their results are beautiful. They say, for example, that a theory's beauty speaks in favour of its truth, and that they strive to perform beautiful experiments. What does that mean? The notion cannot be defined. (It cannot be defined in the arts either). Therefore, I elucidate it with examples of optical experimentation. Desaguliers' white synthesis, for example, is more beautiful than Newton's, and (...) the many colourful syntheses done by Viennese painter Ingo Nussbaumer exemplify even greater beauty. Here are some criteria (which, of course, do not implement a decision procedure concerning beauty in experiments): cleanliness, simplicity, intellectual clarity, symmetry. Similar criteria are relevant to our aesthetical judgements about some pieces of music. So we can assume that our notion of beauty conserning art is related to the one conserning scientific experiments. (shrink)

This book examines spectral haunting through the philosophies of Levinas and Derrida. Arguing that moral obligation can appear terrifying to the complacent self, the text interrogates ethical responsibility in contemporary horror genres.

The density of states of a rectangular billiard with an Aharonov–Bohm flux line in its center was calculated in the semiclassical approximation and was used for the calculation of the form factor in the diagonal approximation. The distribution of nearest level spacings and the form factor were calculated also numerically. For some values of the flux these were found to be close to the ones of the semi-Poisson statistics. The difference between the numerical results and the semiclassical ones were found (...) to be much larger than for chaotic and for integrable systems within similar approximations. Possible reasons for these discrepancies are discussed. (shrink)

Is it possible to construct an alternative framework for the description of physical reality that is not based on space and time? According to Kant, because of the incorrigibility of the spatiotemporal scheme, the contents of any such alternative will be beyond our cognitive grasp. Nonetheless, the possibility of constructing such a descriptive scheme poses itself as an intriguing challenge. In this paper, we attempt to answer this challenge by exploiting an analytical tool extensively used by physicists and engineers: the (...) utilisation of multiple representations of the same data using integral transforms – for example, the Fourier transform. According to the spectral picture we propose, frequencies and wavelengths, related to time and space by the Fourier transform, form an adequate alternative basis for describing physical systems, and one that is of equal richness to the spatiotemporal picture. Furthermore, the routine use of Fourier analysis applied to familiar physical systems suggests ways in which sense organs might be constructed such that they naturally give rise to a spectral representation of the world. Although we might never be able to imagine perceiving the world in this way, we can nonetheless describe the contents of such a mode of perception and relate them precisely to our own world-view. Hence, we suggest in a Kantian spirit, that the spatiotemporal description of the world is not unique. (shrink)

Is it possible to construct an alternative framework for the description of physical reality that is not based on space and time? According to Kant, because of the incorrigibility of the spatiotemporal scheme, the contents of any such alternative will be beyond our cognitive grasp. Nonetheless, the possibility of constructing such a descriptive scheme poses itself as an intriguing challenge. In this paper, we attempt to answer this challenge by exploiting an analytical tool extensively used by physicists and engineers: the (...) utilisation of multiple representations of the same data using integral transforms – for example, the Fourier transform. According to the “spectral” picture we propose, frequencies and wavelengths, related to time and space by the Fourier transform, form an adequate alternative basis for describing physical systems, and one that is of equal richness to the spatiotemporal picture. Furthermore, the routine use of Fourier analysis applied to familiar physical systems suggests ways in which sense organs might be constructed such that they naturally give rise to a spectral representation of the world. Although we might never be able to imagine perceiving the world in this way, we can nonetheless describe the contents of such a mode of perception and relate them precisely to our own world-view. Hence, we suggest in a Kantian spirit, that the spatiotemporal description of the world is not unique. (shrink)

This book is an interdisciplinary study of the cultural representations of Jesus in the context of contemporary religious theory and continental philosophy. It looks at Jesus in view of an updated Derridean hauntology and spectrality, with an emphasis on the inherent plasticity of the Christian heritage. While the work engages with the recent Jesus-centered writings of Slavoj Žižek, François Laruelle, and Giorgio Agamben, it places a greater and much needed emphasis on the philosophical, theological, and cultural links between a (...) plastic, hauntological Christian heritage and Jesus's historically evolving plural subjectivity, with the latter explored in texts of popular culture. It is a multidisciplinary study of Jesus, as well as a dynamic Christian heritage that simultaneously constructs and deconstructs Jesus's philosophical, political, and cultural centrality. (shrink)

Quentin Meillassoux has argued that lives irremediably ruined by injustice, suffering, and tragedy confront us with an irresolvable dilemma: either God exists to bring justice to the world, or God does not exist and true justice is an impossibility. He proposes to escape this dilemma by introducing the idea of a “virtual” God who does not exist now but who could unpredictably come into existence in the future. According to Meillassoux’s argument, such an event would entail a radical break with (...) the world as we know it; at the same time, Meillassoux avows a thoroughgoing dismissal of any thought that relies on appeals to transcendence. This paper argues that Meillassoux’s notion of the inexistent God betrays his own commitment to immanence, and that Bruno Latour offers a more consistent and more constructive way of understanding the divine on immanent terms. (shrink)

Spectrum inversion is a thought experiment, and I would wager that there is no better diagnostic test to the disciplinary affiliation of a randomly selected member of the audience than your reaction to a thought experiment. It is a litmus test. If you find that you are paying close attention, subvocalizing objections, and that your heart-rate and metabolism go up, you have turned pink: you are a philosopher. If on the other hand the thought experiment leaves you cold, and you (...) wonder why otherwise sensible people would worry about such things, you have turned blue and you are a psychologist. (shrink)

Marx's call for a materialism capable of engaging reality as ‘sensuous human activity’ opens a question about the role of representation in relation to data. Images have increasingly been seen as significant forms of data in the history of education. Derrida's theory of the spectre—a variation on the positions established in his earlier works on the trace, the supplement and differance—offers a way of rethinking visual images, their relations with existing discourses of knowledge and with positioned subjects who makes sense. (...) Two early twentieth-century photographs are explored here in relation to ideas derived from Derrida as an exercise in the philosophy of representation. (shrink)

Globalization allegedly constitutes one of the most used and abused concepts in the contemporary academic and lay lexicons alike. This paper pursues a deconstructive avenue for canvassing the semiotic economy of cultural globalization. The variegated ways whereby ideology has been framed in different semiotic perspectives (Peircean, structuralist, post-structuralist, neo-Marxist) are laid out. By engaging with the post-structuralist semiotic terrain, cultural globalization is identified with a transition from Baudrillard’s Political Economy of Signs towards a spectral ideology where signs give way to (...) traces of différance. Subsequently, the process whereby globalization materializes is conceived as a social hauntology. In this context, global citizens engage in a constant retracing of the meaning of signs of globalization that crystallize as translocally flowing ideoscapes and mediascapes. The propounded thesis is exemplified by recourse to cultural consumption phenomena from the domains of cinematic discourse, computer-gaming, food and social gaming. (shrink)