The Journal of Aesthetics and Art Criticism, Volume 78, Issue 1, Page 117-120, Winter 2020.

There has been a steady stream of articles written on the relations between political thought and the interpretation of literature, but there remains a need for a book that both introduces and significantly contributes to the field – particularly one that shows in detail how we can think more freely and creatively about political possibilities by reading and reflecting on politically significant literature. This volume offers analytically acute and culturally rich ways of understanding how it is that we (...) can productively think philosophically about political literature and what kind of distinctive conceptual progress we can make by doing so. Given the extremely widespread interest in political issues, this volume will strike resonant chords far and wide, while offering something that has not been done quite in this way and for which the time certainly seems right. (shrink)

The book presents the case for the making of a new political imagination by offering a critique of existing political institutions, philosophy and practices that are unable to provide the thinking, means and leadership to deal with the complexity and crises of specific locales and the world at large. The authors make clear that there is a fundamental disjuncture between the complexity of the combined critical conditions that are now putting life on Earth at risk, and the (...) divisions and theories of knowledge that are dominantly and instrumentally trying to understand the situation. In response this work makes the case for the need for a new political imagination that rejects the sufficiency of existing political ideologies (including democracy) being the end point of politics. The book tackles the political underpinnings of social and economic life in a world still embedded in the inequities of the afterlife of colonialism and state socialism. Thereafter it engages narratives of change, rethinks imagination and critical practices, to finally present a relationally connected way to move forward. (shrink)

“Imagination may be thought of as a ‘work-around.’ It is a resourceful tactic to ‘undo’ a rule by creating a path around it without necessarily defying it.... Transgression, on the other hand, is rule breaking. There is no pretense of reinterpretation; it is defiance pure and simple. Whether imagination or disobedience is the source, constraints need not constrain, ties need not bind.” So writes Kenneth A. Shepsle in his introduction to Rule Breaking and Political Imagination. Institutions (...) are thought to channel the choices of individual actors. But what about when they do not? Throughout history, leaders and politicians have used imagination and transgression to break with constraints upon their agency. Shepsle ranges from ancient Rome to the United States Senate, and from Lyndon B. Johnson to the British House of Commons. He also explores rule breaking in less formal contexts, such as vigilantism in the Old West and the CIA’s actions in the wake of 9/11. Entertaining and thought-provoking, Rule Breaking and Political Imagination will prompt a reassessment of the nature of institutions and remind us of the critical role of political mavericks. (shrink)

In social and political theory, the imagination is often used in accounting both for creativity, innovation, and change and for sociopolitical stagnation and the inability to promote innovation and change. To what extent, however, can we attribute such seemingly contradictory outcomes to the same mental faculty? To address this question, this paper develops a comprehensive account of the political imagination, one that explains the various roles played by imagination in politics and thus accounts for the (...) promises and limits of the political imagination. This conceptualization of the political imagination allows us to account for the simultaneous presence of its seemingly contradictory roles—such as promoting stability and order on the one hand while generating creativity and critical innovation on the other. (shrink)

There has been a steady stream of articles written on the relations between political thought and the interpretation of literature, but there remains a need for a book that both introduces and significantly contributes to the field – particularly one that shows in detail how we can think more freely and creatively about political possibilities by reading and reflecting on politically significant literature. This volume offers analytically acute and culturally rich ways of understanding how it is that we (...) can productively think philosophically about political literature and what kind of distinctive conceptual progress we can make by doing so. Given the extremely widespread interest in political issues, this volume will strike resonant chords far and wide, while offering something that has not been done quite in this way and for which the time certainly seems right. (shrink)

Given the sociopolitical crisis and turmoil in the world today, there is a great need for philosophical and sociocultural critiques that are not only concerned with deconstructing the present and the past but also with offering forward-looking, radical solutions to the problems and challenges we face. Drastic times call for drastic measures, including in exploring and advancing a flagrantly partisan scholarship with explicitly transformative activist agendas of strengthening the public and personal agency needed to constrain capital for the sake of (...) social and economic justice. The argument advanced in this article is that Marxism – reinvigorated, re-envisioned and infused with insights from recent scholarship in feminism, critical pedagogy, cultural-historical and critical race theories, and new materialism, among others – can offer a new worldview in which political imagination and other phenomena of human subjectivity find their due, that is, central and formative place to thus allow for the advancement of research with activist agendas as a form of resistance. In utilizing such a worldview, research and theoretical constructions can break away from the ethos of adaptation and instead to actively strive for social transformation based in a radical reworking of the status and role of political imagination and associated notions of agency, hope, and commitment. (shrink)

This article deals critically with the process of coming to terms with ‘genocide’. It starts from the observation that conventional philosophical and legal approaches to capturing the essence of ‘genocide’ through an improved definition necessarily fail to adapt to the ever-changing nature of political violence. Faced with this challenge, the article suggests that the contemporary debate on genocide (and its denial) should be complemented with a focus on transforming the perceptive and interpretive frameworks through which acts of violence are (...) discussed in the public sphere. The main purpose of this article is to contribute, from the vantage point of political theory, to this debate by offering a novel normative perspective on negative reactions to genocide. Hence I argue that it is productive to speak of ‘genocide blindness’ in cases when the members of the public sphere are simply incapable of seeing an instance of violence as genocidal. To establish this claim, the article introduces Ludwig Wittgenstein’s reflections on ‘aspect-seeing’ so as to underline the importance of changing the way that political violence is perceived and interpreted. In a second step, the article turns to María Pía Lara’s theory of storytelling as a concrete mechanism for triggering and instituting this kind of change. (shrink)

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today's emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in (...) Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism. (shrink)

This book critically examines the Confucian political imagination and its influence on the contemporary Chinese dream of a powerful China. It views Confucianism as the ideological supplement to a powerful state that is challenging Western hegemony, and not as a political philosophy that need not concern us. Eske Møllgaard shows that Confucians, despite their traditionalist ways, have the will to transform the existing socio-ethical order. The volume discusses the central features of the Confucian political imaginary, the (...) nature of Confucian discourse, Confucian revivals, Confucian humanism and civility, and the political ideal of the Great Unity. It concludes by considering if Confucianism can be universalized as an ideology in competition with liberal democracy. (shrink)

In this article, I focus on intersections between colonial violence, aesthetics, and ecological crises as reflections of a crisis of the political imagination. I engage Namita Goswami’s Subjects That Matter and argue that the ways in which her text pursues forms of questioning racialized and gendered colonial violences provides a context for approaching variations of colonial violence collectively. By engaging Goswami’s text, I propose a postcolonial aesthetics as a way of rethinking our planetary bonds, aesthetically. I further argue (...) that postcolonial aesthetics runs contrary to our contemporary political imagination, and that it makes the crisis of this imaginary apparent. (shrink)

Collective Dreams looks at ideals of community, frequently embraced as the basis for reform across the political spectrum, as the predominant form of political imagination in America today.

How do we go about imagining different and better worlds for ourselves? _Collective Dreams_ looks at ideals of community, frequently embraced as the basis for reform across the political spectrum, as the predominant form of political imagination in America today. Examining how these ideals circulate without having much real impact on social change provides an opportunity to explore the difficulties of practicing critical theory in a capitalist society. Different chapters investigate how ideals of community intersect with conceptions (...) of self and identity, family, the public sphere and civil society, and the state, situating community at the core of the most contested political and social arenas of our time. Ideals of community also influence how we evaluate, choose, and build the spaces in which we live, as the author’s investigations of Celebration, Florida, and of West Philadelphia show.Following in the tradition of Walter Benjamin, Keally McBride reveals how consumer culture affects our collective experience of community as well as our ability to imagine alternative political and social orders. Taking ideals of community as a case study, _Collective Dreams_ also explores the structure and function of political imagination to answer the following questions: What do these oppositional ideals reveal about our current political and social experiences? How is the way we imagine alternative communities nonetheless influenced by capitalism, liberalism, and individualism? How can these ideals of community be used more effectively to create social change? (shrink)

Imagination (Philosophy). ; Imagination -- Religious aspects -- Islam. ; Iran -- Politics and government.

"The Federalist" is commonly read as an exemplar of political realism. However, alongside Publius' arguments against the enthusiastic imagination --its tendency to inflame the passions, betray the intellect, and subvert political authority--are formative appeals to the imagination 's role in reconstituting the public authority shaken during the postrevolutionary years. This essay explores three central aspects of Publius' restorative appeal to the imagination : the appeal to the public veneration required for sustaining political authority across (...) time; the strategies for shifting citizen loyalty from the state and local level to that of a newly energized federal government; and the rhetorical elicitation of the public's imagination in aestheticized portrayals of Providential nationality. These aspects of Publius' argument make up the core of "The Federalist's aesthetics of rule. In each instance, Publius invokes the imagination as a heteronomic support to navigate familiar dilemmas of democratic self-authorization. (shrink)

Late in life, Foucault identified with “the critical tradition of Kant,” encouraging us to read both thinkers in new ways. Kant’s “Copernican” strategy of grounding knowledge in the limits of human reason proved to stabilize political, social-scientific, and medical expertise as well as philosophical discourse. These inevitable limits were made concrete in historical structures such as the asylum, the prison, and the sexual or racial human body. Such institutions built upon and shaped the aesthetic judgment of those considered “normal.” (...) Following Kant through all of Foucault’s major works, this book shows how bodies functioned as “problematic objects” in which the limits of post-Enlightenment European power and discourse were imaginatively figured and unified. It suggests ways that readers in a neoliberal political order can detach from the imaginative schemes vested in their bodies and experiment normatively with their own security needs. (shrink)

If we understand Arendt’s work on totalitarianism as the beginning of her philosophizing, then we can better appreciate her concern with human nature and better judge her Existenz philosophy. Certifying Arendt as an existentialist allows those who would label her to recast her ideas into the language of modernity and thereby abolish the nature that stalks modem theorizing. Eliminating nature as a reckoning also obliterates history as an anchor and offers modems unlimited will for shaping the future. But Arendt is (...) decisively anti-modem in her formulation ofImagination, which she uses to connect men to the past, to the deeds and the speech that set limits to human action. Imagination allows her to break through the thought-systems that now substitute for a God who is no-more and for a rationalist potential that is not-yet. This in-between forms a space of existence for thinkers who want to be at home in the world. (shrink)

In recent years, scholars of Jewish politics have invested political hopes in the revival of “political imagination.” If only we could recapture some of the imaginativeness that early Zionists displayed when wrestling with questions of regime design, it is argued, we might be able to advance more compelling “solutions” to the Israeli-Palestinian conflict. Yet how does one cultivate political imagination? Curiously, scholars who rehearse the catalogue of regimes that Jews have historically entertained seldom pose this (...) question. In this Article, I revisit a historical episode—the appropriation of diasporic historical narratives by Zionists in mandatory Palestine—in an effort to cultivate a richer political imaginary. I analyze the labor Zionist deployment of Simon Dubnow’s influential master narrative, focusing on a 1926 speech in which David Ben Gurion depicts the autonomist regime that he advocates as a variation upon diasporic political practices. On my reading, this episode illustrates the dilemmas that confront thinkers who invest political hopes in regime design. To realize the promise that new political configurations may emerge from reflections upon Jewish history, I argue, we must develop a new account of political agency, once foundational assumptions of the nation-state have been suspended. (shrink)

Late in life, Foucault identified with “the critical tradition of Kant,” encouraging us to read both thinkers in new ways. Kant’s “Copernican” strategy of grounding knowledge in the limits of human reason proved to stabilize political, social-scientific, and medical expertise as well as philosophical discourse. These inevitable limits were made concrete in historical structures such as the asylum, the prison, and the sexual or racial human body. Such institutions built upon and shaped the aesthetic judgment of those considered “normal.” (...) Following Kant through all of Foucault’s major works, this book shows how bodies functioned as “problematic objects” in which the limits of post-Enlightenment European power and discourse were imaginatively figured and unified. It suggests ways that readers in a neoliberal political order can detach from the imaginative schemes vested in their bodies and experiment normatively with their own security needs. (shrink)

Activist and political art works, particularly feminist ones, are frequently either dis-missed for their illegitimate combination of the aesthetic and the political, or embraced as chiefly political works. Flawed conceptions of politics and the imagination are responsible for that dismissal. An understanding of the imagination is developed that allows us to see how political work and political explorations may inform the artistic imagination.

The dominant narrative today of modern political power, inspired by Foucault, is one that traces the move from the spectacle of the scaffold to the disciplining of bodies whereby the modern political subject, animated by a fundamental fear and the will to live, is promised security in exchange for obedience and productivity. In this essay, I call into question this narrative, arguing that that the modern political imagination, rooted in Hobbes, is animated not by fear but (...) instead by the desire for glory and immortality, a desire that is spectacularly displayed in the violence of the modern battlefield. I go on to argue that Hannah Arendt, writing in the ruins of the Second World War, rethinks the modern legacy of political glory. I claim that Arendt's reflections on violence and glory, which she rethinks from her earliest writings on violence in the 1940s to her later reflections on war in the 1960s, offer the possibility of a new political imagination wherein glory and the desire for immortality is now rooted in the responsibility of bearing an enduring world. (shrink)

1. Firmly grounded in Political Discourse Theory (PDT), this article is a study of how the spatial–political imaginary of conservative Protestants in nineteenth-century Derry city, a contested spac...

The legacy of classical antiquity -- War and peace in the medieval world -- Holy wars, crusades, and religious wars -- Humanism and Neo-Stoicism -- The search for a science of peace.

This article discusses three different conceptions of ethics within contemporary feminist theory and how they depict the connection between ethics and politics. The first position, represented by Wendy Brown, mainly describes ethics as a sort of anti-political moralism and apolitical individualism, and hence as a turn away from politics. The second position, represented by Saba Mahmood, discusses ethics as a precondition for politics, while the third position, represented by Vikki Bell, depicts it as the ‘external consciousness’ of the (...) class='Hi'>political, and as destabilising political discourse by confronting it with singularity and ‘radical’ difference. Though they represent distinct positions, the article argues, all three suffer from a tendency to reify ethics by failing to give a contextualised account of it. The article then introduces the ethical perspective of Judith Butler, arguing that she – while offering both a transhistorical and a contextualised dimension – tends to psychologise and individualise ethics and politics. The last part of the article introduces Terry Eagleton and what, in a Marxist vein, could be called a ‘materialist ethics’ or an ‘ethics of socialism’, and argues that this way of framing the relationship between ethics and politics provides a solution to the trap of reification identified in the three described positions. This part also discusses how Eagleton’s theory relates to – but also differs from – arguments made by Butler. One advantage of Eagleton’s work, the article argues, is that it does not psychologise and individualise ethics and politics as Butler’s work does. (shrink)

_The Politics of Imagination_ offers a multidisciplinary perspective on the contemporary relationship between politics and the imagination. What role does our capacity to form images play in politics? And can we define politics as a struggle for people’s imagination? As a result of the increasingly central place of the media in our lives, the political role of imagination has undergone a massive quantitative and a qualitative change. As such, there has been a revival of interest in (...) the concept of imagination, as the intimate connections between our capacity to form images and politics becomes more and more evident. Bringing together scholars from different disciplines and theoretical outlooks, _The Politics of Imagination_ examines how the power of imagination reverberates in the various ambits of social and political life: in law, history, art, gender, economy, religion and the natural sciences. And it will be of considerable interest to those with contemporary interests in philosophy, political philosophy, political science, legal theory, gender studies, sociology, nationalism, identity studies, cultural studies, and media studies. (shrink)

My aim is to show how Žižek's political philosophy is informed and made possible by his reading of German Idealism, thus establishing an intrinsic relationship between Žižek's politics and ontology, by focusing on the problematic of “political imagination.” First, we will see to what degree Žižek's interpretation of the Schellingian logic of the Grund lays the foundation for his own appropriation of Marx's analysis of capital and this theorization of the sociopolitical deadlock we find ourselves in. Next, (...) I will show how his reading of Hegel's concept of tarrying with the negative allows him to establish the possibility of a way out of this deadlock while simultaneously giving him resources to rethink orthodox Hegelian-Marxist interpretations of the philosophy of history and the very nature of the communist struggle. In the last section, I will demonstrate how it is the Schellingian-inspired concept of ontological catastrophe, which is implicitly at work in the former as that which guarantees the always formally possible capacity for political imagination and thus the condition of the possibility of an authentically political act. (shrink)

Tracing the fictions that lie at the core of political theory's attempts to ground itself in nature, truth or knowledge of the real opens the space for a new mode of political theorizing. This new mode of (self-consciously) fictive theorizing has, McManus argues, both epistemological and ethical advantages. Methodologically reflexive, part epistemological critique, and part political manifesto, this book unfolds a creative epistemology of the possible, a utopian and deconstructive mode of political theory which moves beyond (...) a politics based on legislative drives. This means moving from a political-theoretical mode concerned with models of governance, to a critically utopian mode, concerned with emancipatory knowledges and resistance. (shrink)

ABSTRACT This article explores the extent to which the traditional Catholic philosophies of Thomas Aquinas influence the Irish political imagination in the nineteenth century. It looks first to Pope Leo XIII, one of the leading proponents of restoring Thomism into mainstream Catholic political thought, and the author of the influential encyclical Rerum Novarum (1891). The article examines how the Irish Land War during the 1880s influenced the development and audience of the encyclical. Finally, it analyses how the (...) Thomistic principles which served as the foundations of Rerum Novarum were used by the lower-class Irish Catholic laity to legitimize incidences of protest and resistance which were considered morally illicit by the Catholic Church. In doing so, the article demonstrates how Catholicism and Thomistic philosophy influenced the way in which Irish Catholics perceived their relationship with the state and their rights as citizens. (shrink)

Despite Emmanuel Levinas’ own ambivalent relationship to utopianism, Levinasian ethics and utopianism have much in common. First, I look at Levinas’ own remarks on utopianism, to underline the said ambivalence. It is clear that Levinas is concerned with utopia’s “totalitarian” potential. Then I turn to the utopian tradition and scholarship to argue that utopia ought to be properly understood precisely as a resistance to a given order, or totality. Utopia is a form of political imagination that positions itself (...) against the dominant forces of its time, giving a voice to those who have “no place” in society. But there is an inherent danger to utopia as well. What if it lends itself to a dangerous “other”? I conclude by looking at Levinas’ politics and the importance of the Third, which politically keeps our singular ethical obligation in check by forcing us to think about our obligation to all other others. (shrink)

It is often claimed that in normative political theory political imagination should remain unaffected by real-world contingencies: our idea of how the world “ought to be” should be independent from how the world “actually is”. According to the practice-dependent thesis, instead, “[t]he content, scope, and justification of a conception of justice depends on the structure and form of the practices that the conception is intended to govern”. This methodological approach conceives the relationship between theory and practice as (...) an interplay: normative theory applies to practice, but practices are also able to affect the content of normative theory. In this paper, I argue that the interplay between theory and practices that the practice-dependent method generates has not been fully understood. Though it may – at a superficial look – appear as a method compliant with the status quo, I will show that this method implies an idea of political theory as an activity of continuous critical engagement. Given an extended account of the method, political imagination has boundaries but these are not fixed nor easilydefinable: the real-world fact that constrains practice-dependent principles is the point and purpose of the practice they are meant to apply to, but this fact in itself is partly shaped and critically assessed by the theorist. (shrink)

This article problematizes the republican reliance on contemporary ‘states as they are’ as protectors and guarantors of the republican notion of freedom as non-domination. While the principle of freedom as non-domination constitutes an advance over the liberal principle of freedom as non-interference, its reliance on the national, territorial, legal-technical and extra-economic contemporary state prevents the theoretical uncovering of its full potential. The article argues that to make the most of the principle of freedom as non-domination, a strong Athenian element is (...) required. The democratic confederalist project that is being experimented with by Syrian Kurds in the cantons of Rojava, it is maintained, can contribute theoretically and practically to this republican ideal through its democratic and participatory mechanisms, despite fundamental challenges it has to face. (shrink)

Political judgment in its historical context -- The politics of managing decline -- Moralism and realpolitik -- On the very idea of a metaphysics of right -- The actual and another modernity : order and imagination in Don Quixote -- Culture as ideal and as boundary -- On museums -- Celan's Meridian -- Heidegger and his brother -- Richard Rorty at Princeton : personal recollections -- Melody as death -- On bourgeois philosophy and the concept of "criticism".

Political Monsters and Democratic Imagination explores the democratic thought of Spinoza and its relation to the thought of William Blake, Victor Hugo, and James Joyce. As a group, these visionaries articulate: a concept of power founded not on strength or might but on social cooperation; a principle of equality based not on the identity of individuals with one another but on the difference between any individual and the intellectual power of society as a whole; an understanding of thought (...) as a process that operates between rather than within individuals; and a theory of infinite truth, something individuals only partially glimpse from their particular cultural situations. For Blake, God is the constellation of individual human beings, whose collective imagination produces revolutionary change. In Hugo's novel, Jean Valjean learns that the greatest truth about humanity lies in the sewer or among the lowest forms of social existence. For Joyce, Leopold and Molly Bloom are everybody and nobody, singular beings whose creative power and truth is beyond categories and social hierarchies. (shrink)

Elias’s view of democracy and German Sonderweg is discussed by looking at his analysis of intellectuals. How should the figuration of culture and politics be conceived at a time when the civilizing process could trigger both democracy and autarchy? It is argued that Elias’s answer was that democracy is always accompanied by discontinuity in existence, and that the Weimar Republic therefore needed intellectual spokespersons promoting tolerance of political uncertainty. Such democratic culture demanded a fair balance between involvement and detachment. (...) Elias claimed that intellectuals ought to act as defenders of chance and a fragmented society, and moreover as critics of political romanticism and utopian myths. (shrink)

Between about 1500 and 1620, the Roman censors were repeatedly invoked as a useful political model. Besides being discussed by antiquarians and political theorists, they were actually imitated in early sixteenth-century Venice, and figured in polemics over office-holding in early seventeenth-century France. This episode throws an interesting light on civic humanism. The censors were generally seen not as a means of creating the virtuous citizen body of classical republicanism, but as a supplement to the modern legal system, capable (...) of creating a capable and honest class of magistrates. A few theorists even suggested that they might be adapted to promote purely economic efficiency. (shrink)

_A revisionist account of Zionist history, challenging the inevitability of a one-state solution, from a bold, path-breaking young scholar_ The Jewish nation-state has often been thought of as Zionism’s end goal. In this bracing history of the idea of the Jewish state in modern Zionism, from its beginnings in the late nineteenth century until the establishment of the state of Israel, Dmitry Shumsky challenges this deeply rooted assumption. In doing so, he complicates the narrative of the Zionist quest for full (...) sovereignty, provocatively showing how and why the leaders of the prestate Zionist movement imagined, articulated, and promoted theories of self-determination in Palestine either as part of a multinational Ottoman state, or in the framework of multinational democracy. In particular, Shumsky focuses on the writings and policies of five key Zionist leaders from the Habsburg and Russian empires in central and eastern Europe in the late nineteenth and early twentieth centuries—Leon Pinsker, Theodor Herzl, Ahad Ha’am, Vladimir Ze’ev Jabotinsky, and David Ben-Gurion—to offer a very pointed critique of Zionist historiography. (shrink)

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in (...) Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism. (shrink)