Social norms are important determinants of behavior. Hence, we need reliable methods to identify them in order to increase the predictive and explanatory power of models that aim to predict human behavior. In this paper, I will focus on a norm measurement method proposed by Krupka and Weber. In particular, I will discuss whether social norms elicited using this method are malleable, and whether these norms are good predictors of behavior.

Joint attention has been extensively studied in the developmental literature because of overwhelming evidence that the ability to socially coordinate visual attention to an object is essential to healthy developmental outcomes, including language learning. The goal of this study was to understand the complex system of sensory-motor behaviors that may underlie the establishment of joint attention between parents and toddlers. In an experimental task, parents and toddlers played together with multiple toys. We objectively measured joint attention—and the sensory-motor behaviors that (...) underlie it—using a dual head-mounted eye-tracking system and frame-by-frame coding of manual actions. By tracking the momentary visual fixations and hand actions of each participant, we precisely determined just how often they fixated on the same object at the same time, the visual behaviors that preceded joint attention and manual behaviors that preceded and co-occurred with joint attention. We found that multiple sequential sensory-motor patterns lead to joint attention. In addition, there are developmental changes in this multi-pathway system evidenced as variations in strength among multiple routes. We propose that coordinated visual attention between parents and toddlers is primarily a sensory-motor behavior. Skill in achieving coordinated visual attention in social settings—like skills in other sensory-motor domains—emerges from multiple pathways to the same functional end. (shrink)

Social change does not occur in the same form and direction in every social structure. In this context, every society experiences the modernization process with its own dynamics. These dynamics started with an intervention either from the top or from outside for the countries that want to be included in the modernization process. Due to the government's modernization initiatives, many differences have been made in the individual and social structure. Because, with the changes in the powers governing the state many (...) times in the short term, the society on the way to modernization has faced a new mentality and modernization steps accordingly. However, this difference has not always been in the way the state predicted and organized it. In this sense, the society sometimes accepted the foreseen change and continued it, and sometimes showed resistance to the change. The failure to legitimize the change successfully in the eyes of the people, however, the fact that it was put to work with various sanctions caused the new norms to not be internalized among the people. The modernization movements that could not be internalized by the society were tried to be applied superficially and formally. However, as a result of the development of information opportunities over time and the convergence of the levels in the state on both political and social planes, modernization has started to take its own motivation from internal processes. Thus, an eclectic culture has emerged between the east and the west, but with its own unique motifs. Individuals who grew up in this line have also applied the patterns of the society while living their own modernization experience. These patterns formed in society have changed the emotional and embarrassment thresholds of individuals. Thus, the sense of control, which started from the outside, descended to the core while human beings were civilized. Based on this background, the aim of our study is to read through clothes, within the scope of Elias' theory of civilization, how the change brought about by Turkish modernization has changed the emotional threshold of a single person in social and individual terms. Literature review was preferred for the progress of the study. The research is limited to dress as a subject. Temporally ıt was limited to the period from the II. Mahmud period to the early Republican period. Thus, the study made inferences about today by going back to the Turkish modernization adventure, which dates back 200 years. The study has been divided into three main parts. While these sections were being presented, the topics were often associated with the "religion" theme. (shrink)

The vestibulo-ocular reflex plays an important role in controlling the gaze at a visual target. Although patients with vestibular hypofunction aim to improve their VOR function, some retain dysfunction for a long time. Previous studies have explored the effects of direct current stimulation on vestibular function; however, the effects of random noise stimulation on eye–head coordination have not previously been tested. Therefore, we aimed to clarify the effects of high frequency noisy vestibular stimulation on eye–head coordination related to (...) VOR function. Thirteen healthy young adult participants with no serious disease took part in our study. The current amplitude and density used were 0.4 mA and 0.2 mA/cm2, respectively, with a random noise frequency of 100–640 Hz. The electrodes were located on both mastoid processes. The stimulus duration and fade in/out duration were 600 and 10 s, respectively. Subjects oscillated their head horizontally, gazing at the fixation point, at 1 Hz for 30 repetitions. The coordination of eye–head movements was measured by eye-tracking and a motion capture system. Peak-to-peak angles for eye and head movement and deviation of the visual line from the fixation target revealed no significant differences between HF-nVS and sham. The lag time between the eye and head movement with HF-nVS post-stimulation was significantly shorter than that of the sham. We found that HF-nVS can reduce the lag time between eye and head movement and improve coordination, contributing to a clear retinal image. This technique could be applied as a form of VOR training for patients with vestibular hypofunction. (shrink)

Spaces in the brain can refer either to psychological spaces, which are derived from similarity judgments, or to neurocognitive spaces, which are based on the activities of neural structures. We want to show how psychological spaces naturally emerge from the underlying neural spaces by dimension reductions that preserve similarity structures and the relevant categorizations. Some neuronal representational formats that may generate the psychological spaces are presented, compared and discussed in relation to the mathematical principles of monotonicity, continuity and convexity. In (...) particular, we discuss the spatial structures involved in the connections between perception and action, for example eye-hand coordination, and argue that spatial organization of information makes such mappings more efficient. (shrink)

In this paper, we present a Lacanian perspective on football, while notably fathoming its normative dimension. Starting with a defining imperative, the prohibition against ‘handling’ or touching the ball with your hands, diverging football historically from rugby, we will subsequently focus our attention on the role of the foot, the eye (notably the eyes of the audience) and the ‘object a’ (in the context of gender). Against this backdrop, we will address pressing issues such as the troubled position of the (...) referee (as an ‘impossible profession’), the commercialisation of football, and the rising tides of violence, match—fixing and other instances of systemic deviance. As we will argue, football exemplifies modern sport as an arena defined by prohibitions and desire, by inclusion and exclusion, by purity and abuse, culminating in recent challenges involved in gender trouble. Symbolical practices, like modern football, are based on in- and exclusion. Instead of more regulations and dichotomies, we advocate careful attention to the delicate art of handling desire in practice. (shrink)

For many of us, our relationship with the College Art Association (CAA) centers around the organization's annual meeting, that cacophonous yearly ritual that sees job applicants, panelists, and old friends and colleagues descend upon a convention hotel for one long weekend in February. The recent publication The Eye, the Hand, the Mind: 100 Years of the College Art Association, edited by former CAA executive director Susan Ball, attempts to historicize not only this event but the entire range of the (...) association's activities over its long life. Additionally, it serves as a reminder to all of us that the organization has long engaged in a wide range of pursuits that extend well beyond planning its annual conference. .. (shrink)

BackgroundTraumatic brachial plexus injury (TBPI) causes a sensorimotor deficit in upper limb (UL) movements.ObjectiveOur aim was to investigate the arm–forearm coordination of both the injured and uninjured UL of TBPI subjects.MethodsTBPI participants (n = 13) and controls (n = 10) matched in age, gender, and anthropometric characteristics were recruited. Kinematics from the shoulder, elbow, wrist, and index finger markers were collected, while upstanding participants transported a cup to their mouth and returned the UL to a starting position. The UL (...) coordination was measured through the relative phase (RP) between arm and forearm phase angles and analyzed as a function of the hand kinematics.ResultsFor all participants, the hand transport had a shorter time to peak velocity (p < 0.01) compared to the return. Also, for the control and the uninjured TBPI UL, the RP showed a coordination pattern that favored forearm movements in the peak velocity of the transport phase (p < 0.001). TBPI participants' injured UL showed a longer movement duration in comparison to controls (p < 0.05), but no differences in peak velocity, time to peak velocity, and trajectory length, indicating preserved hand kinematics. The RP of the injured UL revealed altered coordination in favor of arm movements compared to controls and the uninjured UL (p < 0.001). Finally, TBPI participants' uninjured UL showed altered control of arm and forearm phase angles during the deceleration of hand movements compared to controls (p < 0.05).ConclusionThese results suggest that UL coordination is reorganized after a TBPI so as to preserve hand kinematics. (shrink)

Purpose – The aim of this paper is to answer the question: how can judgment about good and bad behavior of a device or service under development be included in the development process? Design/methodology/approach – By distinguishing between detached good/bad judgment, called “ethics of the eye”, and judgment about good and bad behavior embedded in doing and dialogue, called “ethics of the hand”, two examples of designer judgment are examined, one embedded and one detached. The outcome is explained by (...) means of an application of Ricoeur's hermeneutics, where he shows how narration comprises pre-figuration, con-figuration and re-figuration. An examination of collaborative prototyping in Krzysztof Wodiczko's work on building a vehicle together with homeless people in Manhattan, New York, is contrasted with an example of the detached evaluation of use in Joseph Weizenbaum's account for use of his computer therapy program Eliza. Findings – The difference is identified as the difference between joint making and dialogue, resulting in re-configuration, and detached evaluation, which sticks with the pre-figuration. The paper concludes that for engineering and design at large “ethics of the hand”, the collaborative doing and dialogue, where the engineering and the designerly way of understanding come together over a prototype, brings out a shared frame, which makes ethics an integrated part of the development process. Originality/value – The paper discusses how judgment about good and bad behavior of a device or service under development can be included in the development process and shows that the answer is collaborative prototyping. (shrink)

Over the past decade, the number of clinical trials registered with the Food and Drug Administration has increased dramatically. The business of clinical research has become more diverse, involving academic institutions, clinician-researchers in community settings, pharmaceutical companies, and contract research organizations. This growth has been accompanied by increasing concerns about the ethical conduct of research. Much of this concern has been directed to procedural issues including institutional review board review, data monitoring, and informed consent forms. However, the protection of human (...) subjects cannot be achieved by relying solely on procedural safeguards. There are more nuanced issues related to recruitment and retention of subjects, and to the process of informed consent, that are generated during the interaction between study staff and subjects. It is only through an examination of these relationships that one can more fully define and understand the challenges of protecting subjects in research. (shrink)

Over the past decade, the number of clinical trials registered with the Food and Drug Administration has increased dramatically. The business of clinical research has become more diverse, involving academic institutions, clinician-researchers in community settings, pharmaceutical companies, and contract research organizations. This growth has been accompanied by increasing concerns about the ethical conduct of research. Much of this concern has been directed to procedural issues including institutional review board review, data monitoring, and informed consent forms. However, the protection of human (...) subjects cannot be achieved by relying solely on procedural safeguards. There are more nuanced issues related to recruitment and retention of subjects, and to the process of informed consent, that are generated during the interaction between study staff and subjects. It is only through an examination of these relationships that one can more fully define and understand the challenges of protecting subjects in research. (shrink)

What are historians doing in the laboratory? Looking back over six years of collaborative work, researchers of the Making and Knowing Project at Columbia University discuss their experience with hands‐on reconstruction as a historical method. This work engages practical forms of knowledge—from pigment‐making to metal casting—recorded in the BnF Ms. Fr. 640, an anonymous French manuscript compiled in the later sixteenth century. Bodily encounters with materials and processes of the past offer insights into the material and mental worlds of early (...) modern artists and artisans, and train the eye in the interpretation of historical objects. At the same time, reconstruction contributes to the interpretation of the text: it is only by attempting to implement the instructions of practical or recipe literature that these texts can be understood as vehicles of emergent knowledge that only fully manifests itself in the doing. Overall, our approach to reconstruction mirrors that of the anonymous author‐practitioner, who explored a wide range of techniques through experimenting and writing. (shrink)

Cet article se propose d’analyser la notion d’exercice telle qu’elle est pensée dans les traités d’art maniéristes de la seconde moitié du XVIe siècle en Italie ; il procède à une reconstitution des théories de l’exercice ainsi qu’à une explicitation de leurs sources philosophiques (aristotélisme, néoplatonisme…). Pour les maniéristes, l’art est une disposition subjective qui s’acquiert par l’habitude ; la pratique du dessin est supposée apporter à l’artiste une aisance qui concerne autant sa dextérité manuelle que l’acuité de son jugement. (...) En acquérant un « jugement de l’œil », l’artiste doit apprendre à « savoir voir », afin de pouvoir adapter les règles générales aux situations particulières les plus complexes, comme l’homme prudent d’Aristote. Le dessin, en particulier, est l’occasion pour l’artiste d’affiner et d’enrichir son regard en corrigeant ses erreurs. La grâce, qui est une « facilità nella difficoltà » censée émanée de cette pratique assidue du dessin, implique en outre une forme d’authenticité par rapport à soi-même, l’artiste respectant et cultivant ses tendances naturelles et personnelles. C’est dans ce contexte, où l’art devient vertu et engage la vie entière de celui qui le pratique, que l’exercice du dessin devient un exercice de soi, par lequel l’artiste se forme, se questionne, se perfectionne. (shrink)

O mundo construído, o mundo da arquitetura, nas palavras de John Dewey, é “supremamente expressivo dos interesses e valores humanos”, influenciando o futuro, mas também recordando e transmitindo o passado. Ele “recorda e celebra mais que qualquer outra arte as características genéricas da nossa vida humana comum”. Prédios, ele escreve, entre todos os objetos de arte, são os que mais se aproximam ao “expressar a estabilidade e persistência da existência. Eles são para as montanhas o que a música é para (...) o mar”. Eu traço alguns novos vínculos entre uma estética pragmatista experiencial e o rico trabalho do arquiteto finlandês praticante e filosoficamente sofisticado, Juhani Pallasmaa. Em seu Os Olhos da Pele, Pallasmaa retoma o tema da “arquitetura e os sentidos” e desenvolve no caso da arquitetura uma afirmação deweyiana central: o mundo construído deve ser medido por quão bem fora construído de forma a nos ativar em todos estes níveis de nosso ser corpóreo. Pallasmaa proporciona um “ângulo” de arquiteto com a ajuda de diferentes, embora complementárias ferramentas filosóficas. Em A Mão Pensante, ele foca na fertilidade heurística e valor exemplificador do processo “manual” ou “guiado a mão” envolvidos no design do mundo construído em oposição ao uso privilegiado do computador. Pallasmaa vê a mão pensante como uma espécie de dispositivo mediador que supera o abismo, que também Dewey queria, entre as artes formativas e automáticas, permitindo um papel central para a imaginação baseado no corpo. O foco de Pallasmaa da dimensão háptica da percepção e a “mão pensante” é, como o foco de Dewey na “ressonância orgânica total”, não apenas descritivo, mas normativo. Suas análises e conceitos são de relevância universal para a compreensão não apenas da arquitetura mas da dimensão estética da vida de forma geral. (shrink)