In the Augustinian reflection on time, the analysis derives from its condition as a creature; for this reason, the time turns out to be as it is, that is, turns out to have this ontological precariousness that shares with all creation. When we asked about the time, we discover that this reality is not something that our understanding can address as when a man takes an unknown object, but this notion is revealed to us as a dimension of our being. (...) In this article, I propose an interpretation key of the Book XI of Confessions in which I show the importance of presenting the sense of temporal existence facing the eternal Creator and also I propose an interpretation of the dual dimension, positive and negative, of distentio animi. (shrink)

Throughout his works, St. Augustine offers at least nine distinct views on the nature of time, at least three of which have remained almost unnoticed in the secondary literature. I first examine each these nine descriptions of time and attempt to diffuse common misinterpretations, especially of the views which seek to identify Augustinian time as consisting of an un-extended point or a distentio animi . Second, I argue that Augustine's primary understanding of time, like that of later medieval (...) scholastics, is that of an accident connected to the changes of created substances. Finally, I show how this interpretation has the benefit of rendering intelligible Augustine's contention that, at the resurrection, motion will still be able to occur, but not time. (shrink)

“영혼의 분산(distentio animi)”으로서 시간 개념은, 시간이 그것을 측정하는 ‘영혼 안에만’ 존재한다는 진술로 인해, 많은 학자들이 아우구스티누스의 시간론을 ‘주관주의적’인 것으로 해석하도록 만들었다. 하지만 이러한 시간 규정을 제대로 이해하기 위해서는 다양한 요소들이 해명되어야 한다. 무엇보다 먼저 『고백록』 제XI권의 주된 목적은 시간에 대한 체계적인 가르침을 주기 위한 것이라기보다는 시간의 창조주가 지닌 영원성과 자비를 찬미하는 데 있음을 유념해야 한다. 또한이 ‘찬미로서의 고백’의 주체인 아우구스티누스의 영혼(“animus meus”)은 ‘자기 내면보다 더 내밀한’ 신에 의해 관통되고 신으로부터 선사된 신을 향한 사랑에 종속된 주체이면서 동시에 육체를 통해 (...) 물질세계 전체를 향해 개방된 관계적 존재이기도 하다. 한편 시간은 ‘아직 존재하지 않는 것’(미래)에서 ‘간격 없는것’(현재)을 통해 ‘이미 존재하지 않는 것’(과거)이 됨으로써만, 곧 ‘비존재(nonesse)를 지향하는’ 방식으로써만 존재하면서, 인간 영혼과 물질세계 전체를 관통하는 객관적인 보편적 창조질서로 제시된다. 하지만 물질이 시간을 소유할 수 있는 ‘내적 공간’을 결하고 있기 때문에 단지 시간에 의해 소유되는 것과는 달리, 인간 영혼은 단지 시간에 의해 소유될 뿐만 아니라 시간을 자기 안에 대상화하고 동시에 소유할 수 있는 능력도 지니고 있다. 이렇게 역설적인 방식으로써만 존재하는 시간에 대한 대상적 소유는 영혼이 지닌 ‘지향작용(intentio)’과 ‘기억(memoria)’이라는 내적 공간으로 인해 가능한데, 동일한 영혼은 지속적으로 생성하고 소멸하는 사물들의 형상적 변화 안에서 개현되는 시간을 지향하며 그것의 흔적들(affectiones)을 기억에 저장함으로써 시간을 지각하고 측정할 수 있게 되는 것이다. 따라서 시간 존재의 아포리아는 오직 기억 안에서 이뤄진 영혼의 ‘분산지향(distentio)’을 통해서만 그 해결의 실마리가 열리지만, 그 경우에도 시간 그 자체의 본성이 영혼에게 개현되는 것이 아니라 분산지향을 통해 자기를 확장하면서 그것을 측정하는 영혼의 존재 그 자체가 지닌 근본적인 시간성, 곧 무를 지향하는 산란된 존재 방식이 개현될 뿐이다. 인간 영혼이 지닌 이러한 시간적 실존은 물질세계를 통해 그리고 그것을 넘어서 신의 영원성을 지향하고 소유함으로써만 궁극적 안식을 발견하도록 창조된 그의 존재론적 소명을 의미한다. (shrink)

This dissertation focuses on the problem of novelty as seen from the perspective of two French philosophers: Paul Ricoeur and Gilles Deleuze. As such, a new interpretation of the works of these two philosophers is developed. I argue that two models can be derived from their works: a model that strives to make tensions productive (based on Ricoeur) and a model that aims to organize encounters between bodies (taken from Deleuze). These models are developed on their own terms without superimposing (...) one over the other. Hence, the first part of the dissertation focuses on Ricoeur, the second on Deleuze. Through an extensive reading of Ricoeur’s La métaphore vive, it is shown that the living metaphor creates a productive tension in which two previously distinct domains are drawn together. This results in a semantic innovation that first appears as an image and only later can be conceptualized. This argument is further developed by analyzing Augustine’s notion ‘time is a distention of the mind (distentio animi)’ as an example of how a living metaphor introduces a new language that re-describes reality. This example prepares the way for broadening the model of productive tensions by showing how, from Ricoeur’s perspective, the innovative potential of actions can be understood in terms of a productive tension between two orders of imagination. In contrast to Ricoeur, Deleuze’s conception of novelty is not analyzed in terms of a productive tension between two heterogeneous domains, but in terms of an encounter between bodies in which a creative coupling or an affective relation emerges that links these bodies together in a common trajectory. On the basis of a reading of Deleuze’s essays on literature, it is shown how such an encounter can give rise to a single process of metamorphosis. This process can be divided in two closely connected moments: a mutual metamorphosis that sets the whole process in motion and a continuous metamorphosis of proliferating series that keeps it alive. This first, intuitive understanding of the model is deepened by linking it to a metamorphic ontology of expression that is derived from Deleuze’s works on Spinoza. This provides the model with a more rigorous vocabulary and also shows in how these encounters can be organized in such a way that they create the conditions for novelty in three forms of thinking: science, art, and philosophy. (shrink)

Phenomenologists turn to Augustine to remedy the neglect of life, love, and language in the Cartesian cogito: (1) concerning life, Edmund Husserl appropriates Augustine’s analysis of distentio animi, Edith Stein of vivo, and Hannah Arendt of initium; (2) concerning love, Max Scheler appropriates Augustine’s analysis of ordo amoris, Martin Heidegger of curare, and Dietrich von Hildebrand of affectiones; (3) concerning language, Ludwig Wittgenstein appropriates Augustine’s analysis of ostendere, Hans-Georg Gadamer of verbum cordis, and Jean-Luc Marion of confessio. Phenomenology’s (...) non-Cartesian Augustinianism can tell us something about phenomenology, namely that it is engaged in the project of recontextualizing the cogito, and something about Augustine, namely how radically different his project is than Descartes’s. Phenomenology presents an Augustine that is well positioned for the debates of our times concerning mind and world, desire and the human person, and language and embodiment. (shrink)

The progressive publication -along the past two decades- of the courses taught by Heidegger in his first years in teaching has allowed the reconstruction of the process of creation of Being and Time , its multiple textual references and influences. Among these, St. Augustine's thought bears a prominent place, for which reason I intend to consider its noticeable presence in some of the key concepts in the work mentioned. The first to be considered is Sorge , with which Heidegger characterises (...) the fundamental ontological constitution of human existence. His first drafts emerged from the reflection upon the famous "inquietum cor nostrum" and the cura for the vita beata from Confessions X. Based on this same text Heidegger had offered a phenomenological interpretation of temptation, which constitutes one of the first elaborations of the so-called "fall", precisely one of the structural moments of the Sorge. Explicit references or suggestive analogies between both thinkers can also be appreciated between the explanation of "tempus" as "distentio animi" in Confessions XI and the heideggerian thesis of "temporality" as the basis of the constitution of human subjectivity; the road from the search of God to the exploration of the interiority of the one who looks for Him and the way back from the question about the "being" to the question about the one who understands the "being", in other no less significant cases.La progresiva publicación a lo largo de las últimas dos décadas de los cursos dictados por Heidegger durante sus primeros años de docencia ha permitido reconstruir el proceso de gestación de Ser y Tiempo , sus múltiples referencias textuales e influencias. Entre ellas, ocupa un lugar destacado el pensamiento agustiniano, por lo cual me propongo considerar aquí su fuerte presencia en algunos de los conceptos centrales de dicha obra. El primero a tener en cuenta es el de "Sorge" con el que Heidegger caracteriza la constitución ontológica fundamental del existir humano. Sus primeros esbozos habían surgido de la reflexión en torno al célebre "inquietum cor nostrum" y a la cura por la vita beata de Confesiones X. A partir de este mismo texto Heidegger había realizado también una interpretación fenomenológica de la tentación, que constituye una de las primeras elaboraciones de la llamada "caída", precisamente uno de los momentos estructurales de la "Sorge". Referencias explícitas o sugerentes analogías entre ambos pensadores pueden apreciarse también entre la explicación de Confesiones XI del "tempus" como "distentio animi" y la tesis heideggeriana de la "temporalidad" como fundamento de la constitución de la subjetividad humana; el tránsito desde la búsqueda de Dios a la exploración de la interioridad de aquel que lo busca y el retroceso desde la pregunta por el "ser" a la pregunta por el que comprende el "ser", entre otros casos no menos significativos. (shrink)

This paper explores the relationship between Augustine’s and Husserl’s conceptions of time, consciousness, and memory. Although Husserl claims to provide a phenomenological understanding of the paradox of time so famously formulated by Augustine in his Confessions, this paper explores the apparent similarities between Augustine’s concept of distentio animi and the Husserlian concept of inner time-consciousness against their more profound differences. At stake in this confrontation between Augustine and Husserl is a fundamental divergence in the sense of time as (...) the movement of transcendence in immanence. Within this discussion, the contrast between speaking time (rhetoric) and seeing time (perception), time and eternity, and contrasting notions of the past and future are explored. (shrink)

This work focuses on the role that music has in the constitution of the World as a philosophical category. I explore the work of Eugenio Trías and Augustine of Hippo, and the way both philosophers have conceptualized music in relation to the constitution of the time of the World. For Trías music is not about the World but about its limits and, in that way, gives it a form. For Augustine music relates man to universe’s ordo , liberating him from (...) mundane distentio animi and helping him to give sense to a World that gives itself as finite. (shrink)

Resumen: En este artículo presentamos a san Agustín como punto de partida de la reflexión de Husserl respecto del tiempo y la correlación entre memoria y Erinnerung. La investigación fenomenológica de Husserl acerca de la conciencia interna del tiempo parte de la reflexión de san Agustín por el mismo problema. En estas obras, el tiempo se puede medir porque hay una distentio animi. En Husserl, Die Erinnerung nos coloca ante una conexión infinita de “antes”, pues toda percepción se (...) encuentra en una relación de multiplicidad de percepciones. Ambos pensadores están unidos por la vocación de dar cuenta de la propia inmanencia.: This article presents Saint Agustin as a starting point for Husserl’s reflection on time and the correlation between memory and Erinnerung. Husserl’s phenomenological research on the internal consciousness of time starts from the reflection of St. Augustine on the same problem. In this works, time can be measured because there is distentio animi. In Husserl, Die Erinnerung places us in the face of an infinite “before” connection, because all perceptions are to be found on a relationship of multiplicity of perceptions. Both thinkers are united by the vocation to account for their own immanence. (shrink)

Étroitement liée à son exégèse du premier verset de la Genèse, qui inaugure le surgissement du temps, et à l’exégèse patristique, en général, qui promeut l’explication typologique ou anagogique de la Bible, la réflexion augustinienne sur le temps prétend répondre à la double aporie de l’éternité du temps ou du non-être du temps, à travers une expérience marquée par la méditation sur l’oeuvre de Dieu dans le temps: le temps universel de la création et de la rédemption, le temps personnel (...) de la conversion et de la confession, le temps collectif de l’Empire et des sociétés humaines. De la mémoire au désir, la distentio animi fonde la définition augustinienne du temps, rationnellement, en dilatant le présent vers le passé qui n’est plus et l’avenir qui n’est pas encore, éthiquement, en exprimant la souffrance de l’âme dispersée dans la «région de dissemblance». L’enjeu ultime du temps est alors la conversion, qui fixe le désir de l’homme sur l’avènement d’une cité hors du temps à travers une histoire qui promeut une vision intérieure de la citoyenneté comme instrument de salut individuel et collectif. (shrink)

Questioning the reasons that led Augustine to reflect about time, a theme often associated with metaphysics and cosmology, in his work Confessions, which main character is autobiographical, we hypothesized that the theme belongs to the unitary project of the work, whose keys of reading would be 1) the purpose of human life and 2) the distinction between God and creatures. When analyzing the Augustinian argument, it is noticed that it is possible to insert the debate in question in the general (...) scope of the narrative of this specific work. It is also noticed that, from this perspective, the psychological approach is not necessarily linked to an understanding of time from a purely subjectivist aspect, since the central concern of the discussion is not with the metaphysical / cosmological aspect, but with the analysis interior. (shrink)

his paper offers a fresh interpretation of the role played by the Dream of Scipio in Cicero’s De re publica. It explores Cicero’s key distinction between the cosmic and the local levels of statesmanship and the problems he sees with localism, and it details fully for the first time the importance that Cicero attached to the virtue of magnitudo animi (“greatness of soul”). The paper makes the case that in De re publica Cicero promotes his own innovative cosmic model (...) of politics, in which magnitudo animi is developed through an educational process situated in the traditional Roman mos maiorum. (shrink)

Agostino è una fonte trascurata di Dante, in particolare per quanto riguarda la sua concezione dell’amore. Un›associazione come questa potrebbe sembrare strana e fuori luogo, considerando l’importanza di San Tommaso e Aristotele nelle opere di Dante: il sistema scolastico di Tommaso d’Aquino e l’approccio logico ai problemi dello Stagirita sono entrambi il contrario della affascinante forma di neoplatonismo cristiano del vescovo di Ippona. Tuttavia, uno spazio vuoto per Agostino è stato lasciato nel cuore di Dante: il poeta ha condiviso con (...) il santo l’idea che un amore ardente potrebbe trasformarsi in uno stato di disperazione, la cui definizione corretta è malattia dello spirito. Aegritudo animi. Questa... (shrink)

Francis Bacon and the art of direction -- An art of tempering the mind -- The distempered mind and the tree of knowledge -- A comprehensive culture of the mind -- The end of knowledge -- The study of nature as regimen -- Cultura and medicina animi: an early modern tradition -- The physician of the soul -- Sources -- Genres -- Utility: practical versus speculative knowledge -- Self-love and the fallen/uncultured mind -- The office of reason -- Passions, (...) errors, and assent -- The discipline, the virtues, and habituation -- Virtuoso discipline -- The cure of the mind and Solomon's house -- Passions, errors, and method -- Idols and diseases of the mind -- Epistemic modesty -- The way of inquiry -- A 'union of eyes and hands': the community and objectivity revisited -- Robert Boyle: experience as paideia -- The limits and the 'perfection' of reason -- The weak mind and the virtues of a free inquiry -- Reason and experience -- The Christian philosopher -- John Locke and the education of the mind -- Limits of reason, useful knowledge, and the duty to search for truth -- A natural history of the distempered mind -- The regulation of assent: a perfecting exercise -- The discourse with a friend -- Studying nature -- Lived physics -- The appropriateness of disproportion -- Experience, history, and speculation -- Affective cognition -- Studying 'God's contrivances' -- The study of theology and the growth of the mind -- Worlds and angels -- Reading scripture -- Conclusion. (shrink)

In _Regimens of the Mind_, Sorana Corneanu proposes a new approach to the epistemological and methodological doctrines of the leading experimental philosophers of seventeenth-century England, an approach that considers their often overlooked moral, psychological, and theological elements. Corneanu focuses on the views about the pursuit of knowledge in the writings of Robert Boyle and John Locke, as well as in those of several of their influences, including Francis Bacon and the early Royal Society virtuosi. She argues that their experimental programs (...) of inquiry fulfill the role of regimens for curing, ordering, and educating the mind toward an ethical purpose, an idea she tracks back to the ancient tradition of _cultura animi_. Corneanu traces this idea through its early modern revival and illustrates how it organizes the experimental philosophers’ reflections on the discipline of judgment, the study of nature, and the study of Scripture. _ _ _ _ It is through this lens, the author suggests, that the core features of the early modern English experimental philosophy—including its defense of experience, its epistemic modesty, its communal nature, and its pursuit of “objectivity”—are best understood. (shrink)

Among the witnesses of Galen’s Quod animi mores has been not yet employed the excerptum contained in the miscellaneous codex of Munich Clm 807, written in 1491 by the well-known humanist Angelo Poliziano. This excerptum seems to depend on the same model as the 1525 editio princeps, the so–called Aldina, which is currently supposed to be lost. It thus represents the only instrument of control for this traditional branch as well as a precious witness to the interest aroused by (...) this Galen’s work and its circulation among classical scholars in the Renaissance Italy. This article provides a critical edition of the excerptum, including with identification, translation and commentary. (shrink)

Having been found ‘vehemently suspected of heresy’ by the Holy Office in 1633, at the time of his death Galileo's remains were laid to rest in the tiny vestry of a lateral chapel of the Santa Croce Basilica, Florence. Throughout his life, Vincenzo Viviani, Galileo's last disciple, struggled to have his master's name rehabilitated and his banned works reprinted, as well as a proper funeral monument erected. He did not live to see all this come true, but his efforts triggered (...) a mechanism that eventually led to the fulfilment of his wishes. A key element of his project was the transformation of the facade of his palace into a private tribute to Galileo, with two long inscriptions celebrating Galileo's achievements and calling Florence's attention to the need to pay a proper tribute to him. Shortly afterwards, he revised the text and circulated it in print. This article presents the first critical edition and annotated translation of Viviani's original manuscript, long thought to be lost, and describes its role in Viviani's lifelong struggle for Galileo's intellectual legacy, as well as its impact on future historiography. (shrink)

Quid est enim tempus? s’interroge Augustin au livre xi des Confessions. Si l’éternité nous échappe par son inaccessibilité, le temps n’en est pas moins mystérieux. Toute sa substance tient de cette réalité sans étendue, inaccessible elle aussi, qu’est le présent. Et pourtant nous parlons d’un temps plus ou moins long, plus ou moins court. Or, le passé n’est plus, l’avenir n’est pas encore. Ils ne peuvent donc être ni longs ni courts. Et le présent est sans extension. Cette manière d’aborder...

Review of: Guillelmus de Aragonia, De nobilitate animi, ed. and trans. William D. Paden and Mario Trovato. (Harvard Studies in Medieval Latin 2.) Cambridge, MA: Harvard University Press, 2012. Pp. xvi, 193. $40. ISBN: 978-0-674-06812-4.

In Quod animi mores, Galen says both that there is an identity between the capacities of the soul and the mixtures of the body, and that the soul’s capacities ‘follow upon’ the bodily mixtures. The seeming tension in this text can be resolved by noting that the soul’s capacities are constituted by, and hence are nothing over and above, bodily mixtures, but bodily mixtures explain the soul’s capacities and not the other way around. Galen’s proposal represents a distinctive position (...) in the Ancient debate on the relationship between soul and body. (shrink)

The aim of this work is to focus on the most unusual application of the Lateran bull Apostolici regiminis, the founding document of the inquisitorial legislation which regulated the teaching activity of philosophy professors by forcing them to refute any heterodox theory and to teach the doctrine of faith. In 1519, the inquisitor of Bologna Giovanni de’ Torfanni censored the book Defensorium, in which the secular Aristotelian philosopher Pietro Pomponazzi developed against his colleague Agostino Nifo a long series of arguments (...) in favor of the mortality of the human soul without match them with their respective Christian refutations, as prescribed by the papal bull. Nevertheless, as a result of a not well documented negotiation with the competent authorities, Pomponazzi was relieved of all obligations, provided that he submitted his book to the emendations of the Dominican theologian Crisostomo Javelli. Pomponazzi accepted the agreement and Javelli drew up a list of forty-two solutions to as many mortalistic arguments found in Defensorium. Javelli’s list – titled Solutiones rationum animi mortalitatem probantium quae in Defensorio contra Niphum excellentissimi Petri Pomponatii formantur – was then attached to Defensorium and in this way Pomponazzi gained permission to print and sell his book. After a short reconstruction of the key steps of this affair, the present work provides a critical edition of Javelli’s Solutiones, based upon both the sixteenth-century editions of the text, the first one contained in Defensorium, the other included in Pomponazzi’s Tractatus acutissimi, utillimi, et mere peripatetici. (shrink)

En el presente trabajo, se analizan tres mujeres de época julio-claudia: Agripina la Mayor, Epícaris y Boudica, procedentes de diferentes condiciones sociales y orígenes geográficos distintos como paradigmas de _fortitudo animi et corporis_ en los _Anales_ de Tácito. A través de los pasajes de esta obra, se entreve la admiración y simpatía del autor por las causas perdidas defendidas por estas mujeres frente al poder de la tiranía. En su narración introduce elementos que atraen al lector para que se (...) postule en favor de ellas, si bien en ocasiones señala comportamientos impropios de sus _conditiones feminarum_. A pesar de la extensa bibliografía existente sobre estas féminas, sus figuras no han sido tratadas bajo la perspectiva que aquí se aborda. (shrink)

Restitere primo obstinatis animis; deinde ut obtinentes locum †uires ferebant† audent ultro gradum inferre.