Ce volume presente une nouvelle edition et la premiere traduction dans une langue moderne du "Lexique platonicien" de Timee le Sophiste. Il presente egalement une histoire, riche de nouveaux materiaux, de la lexicographie platonicienne ancienne. Le texte est preface d'une longue introduction de Jonathan Barnes. This book contains a new edition of the Greek text of the "Lexicon to Plato" by Timaeus the Sophist. There is a rich commentary, and a French translation?the first translation of the work into a (...) modern language. The text is prefaced by a long introduction, by Jonathan Barnes. (shrink)

In this article, I make the case for the continued relevance of Plato’s Timaeus. I begin by sketching Allan Bloom’s picture of the natural sciences today in The Closing of the American Mind, according to which the natural sciences are, objectionably, increasingly specialized and have ejected humans qua humans from their purview. I argue that Plato’s Timaeus, despite the falsity of virtually all of its scientific claims, provides a model for how we can pursue scientific questions in a (...) comprehensive way that stresses their connections to other disciplines, including the humanities, and that puts humanity qua humanity back in the picture. I then argue that being led by Plato’s philosophy to return humanity conceptually to the natural world can improve our thinking regarding climate change and other important environmental crises. (shrink)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections (...) in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Platonis Timaeus: Interprete Chalcidio Cum Eiusdem Commentario Ad Fidem Librorum Manu Scriptorum Calcidius, Johann Wrobel, Plato aedibus B.G. Teubneri, 1876 Philosophy; History & Surveys; Ancient & Classical; Philosophy / History & Surveys / Ancient & Classical. (shrink)

_Plato's 'Timaeus'_ brings together a number of studies from both leading Plato specialists and up-and-coming researchers from across Europe, opening new perspectives on familiar problems, while shedding light on less well-known passages.

In this article I argue that "Timaeus" 48e-52d, the passage in which Plato introduces the receptacle into his ontology, Contains the material for a satisfactory response to the third man argument. Plato's use of "this" and "such" to distinguish the receptacle, Becoming, And the forms clarifies the nature of his ontology and indicates that the forms are not, In general, self-predicative. This result removes one argument against regarding the "Timaeus" as a late dialogue.

Now with extra footnotes, by editorial demand! Final version accepted by Oxford Studies in Ancient Philosophy. -/- This essay consists in a trick and a potential insight. The trick consists in a minimalist interpretation of color mixture. The account of color mixture is minimalist in the sense that, given certain background assumptions, there is no more to Timaeus’ account of color mixture than the list of the chromatic pathēmata and the list of how these combine to elicit perceptions of (...) all the colors. The only potential controversial elements of the minimalist interpretation are the relevant background assumptions and the interpretation of the chromatic pathēmata. The potential insight concerns a motive that Plato, in the guise of Timaeus, may have for presenting an account of color mixture. Specifically, I shall argue that on the minimalist interpretation, Plato may be read as reconciling the Democritrean four color scheme with an older tradi- tion where white and black are the fundamental chromatic opposition. As we shall see, this bears on the interpretation of the chromatic pathēmata. (shrink)

'The god wanted everything to be good, marred by as little imperfection as possible.'Timaeus, one of Plato's acknowledged masterpieces, is an attempt to construct the universe and explain its contents by means of as few axioms as possible. The result is a brilliant, bizarre, and surreal cosmos - the product of the rational thinking of a creator god and his astral assistants, and of purely mechanistic causes based on the behaviour of the four elements. At times dazzlingly clear, at (...) times intriguingly opaque, this was state-of-the-art science in the middle of the fourth century BC. The world is presented as a battlefield of forces that are unified only by the will of God, who had to do the best he could with recalcitrant building materials.The unfinished companion piece, Critias, is the foundational text for the story of Atlantis. It tells how a model society became corrupt, and how a lost race of Athenians defeated the aggression of the invading Atlanteans. This new edition combines the clearest translation yet of these crucial ancient texts with an illuminating introduction and diagrams. (shrink)

Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a (...) detailed glossary, and a selected bibliography are also included. (shrink)

Among all the writings of Plato the Timaeus is the most obscure to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The Critias is a fragment and it was designed to be the second part of a trilogy. Timaeus had brought down the origin of the world to the creation of man, and the dawn of history was now to succeed the philosophy of nature. It tells us about Atlantis and (...) Critias returns to this story, professing only to repeat what Solon was told by the priests. The war of which he was about to speak had occurred 9000 years ago. One of the combatants was the city of Athens, the other was the great island of Atlantis. (shrink)

I develop an account of the role that biology plays in the Timaeus’ view of nous and other aspects of cognitive life. I begin by outlining the biology of human cognition. I then argue that these biological views shine an important light on different aspects of the soul. I then argue that the human body is particularly friendly to nous, paying special attention to the heart and the liver. I next consider the ways that the body fails to protect (...) our nous. I conclude by comparing human nous with the cognition of non-humans. (shrink)

A study of the significance of Plato's resumption of the simile of model and likeness in the Timaeus, with attention to the place of the Timaeus in the "longer way" that Plato has Socrates announce in the Republic. The reader embarked on the "longer way," I argue, will find in the accounts of the elements and of the kinds of animals unannounced but detailed exhibitions of the "god-given" method of dialectic that Plato has Socrates announce in the Philebus.

This paper examines Calcidius’ position in the notorious interpretative controversy over Plato’s dialogue Timaeus. Despite Calcidius’ far-reaching influence on the later philosophical and theological tradition, his contribution to the history of this debate has received surprisingly little attention. Against previous studies that have concluded unfavourably with regard to Calcidius’ merits as a commentator, this inquiry shows that his Platonic exegesis, far from being problematic and contradictory, is original in its approach and method. During the course of this paper, moreover, (...) Calcidius’ affiliation with the Christian faith is reevaluated and found to be less extensive than has sometimes been assumed. (shrink)

The relationship between mind and necessity is one of the major points of difficulty for the interpretation of Plato’s Timaeus. At times Timaeus seems to say the demiurge is omnipotent in his creation, and at other times seems to say he is limited by pre-existing matter. Most interpretations take one of the two sides, but this paper proposes a novel approach to interpreting this issue which resolves the difficulty. This paper suggests that in his speech Timaeus presents (...) two hypothetical models of creation, one with an omnipotent demiurge and one where he is limited by matter, so as to investigate their theoretical and empirical validity. Further, he shows that each model is ultimately an inadequate explanation of the first principles of the cosmos. Timaeus’ speech is therefore properly understood to be aporetic: it leaves its listeners aware of the difficulties inherent in the two models of creation, but without a more viable alternative. (shrink)

In this paper I examine a much discussed passage of the Timaeus. This passage contains one of the most important descriptions of Plato's ontology to be found in all the dialogues. The ontological scheme there described differs from that presented in the middle Platonic dialogues in that a third sort of entity, the Receptacle or space, is added to the two classes of things familiar to readers of the Phaedo and Republic: Being and Becoming. The introduction of the Receptacle (...) into Plato's ontology enables Plato to clarify the relation between the orders of Being and Becoming in a way not otherwise possible. When the relation between the Forms and their phenomenal counterparts has been clarified, I shall argue, it becomes clear that the Theory of Forms as presented in the Timaeus is in fact a coherent metaphysical theory, one which is not susceptible to the Third Man Argument. This fact in turn bears on the vexed question of the place of the Timaeus in the chronology of Plato's works. (shrink)

Plato’s Timaeus was his only cosmological dialogue and for almost thirteen hundred years it provided the basis in the West for educated people’s general view of the natural world. The author provides a translation of this important work, together with the Critias – the source of the legendary tale of Atlantis. He has taken particular care to provide an accurate rendering of Plato’s words and to avoid putting his own or any other interpretation on the works.

Few works of philosophy have enjoyed the prestige of the Timaeus, the dialogue in which Plato set out to provide a rational account, cast in the form of a cosmological "myth," of the universe and humankind. Calcidius translated and commented on Plato's Timaeus. Chronology does little to explain Calcidius' work, which so falls outside the scope of any developmental account of "Middle-" and "Neoplatonism." Calcidius' identification of the Platonic Receptacle with Aristotelian Matter and his various Stoicising impulses reflect (...) traditions that had altered ancient perspectives on the Timaeus, but it is difficult to ascertain the degree to which his philosophical points of reference are Numenius, Alcinous, and Apuleius in the second century CE as opposed to Plotinus, Porphyry, and Iamblichus in the third to fourth. This may have contributed to the later fascination with Calcidius, especially during the "renaissance" of the twelfth century, when his translation and commentary presented themselves as a coalescence of ideas frozen outside of time and space. From Calcidius twelfth-century readers may have learned how ancient opinions on the World Soul, Fate, and Matter lined up conceptually, but they got from him no reliable means of disentangling the historical descent or intersections of those opinions. Yet Calcidius proved to be a fundamental source of inspiration for thinkers such as Bernardus Silvestris, William of Conches, and Alan of Lille, who set out to make new sense of the world, its architecture, the forces that animate it, and our place within it."--Provided by publisher. (shrink)

The aim of this paper is twofold. First, it may be clear that ears play a role quite different from that of the other sense-organs. Unlike the eyes, nose and tongue, ears cannot be called genuine sense-organs. They only transmit the blow in the air to the brain and the blood in the head that receive the blow. Second, since hearing is defined as a motion extending from the brain to the region around the liver, there is a possibility to (...) assume that the same sound can be grasped by the rational and the appetitive parts of the soul. It gives rise to different emotions: joy in the wise and pleasure in the fool. Furthermore, if sound affects the brain and through the brain it reaches the rational soul, then one may suppose that human reason is open to direct influences from the sensible world and plays a central role in sense-perception. (shrink)

In a long and important sentence in the Timaeus , Plato explains that, whereas that which truly or really is () cannot come to be in anything else, sensible things, being mere images, must necessarily come to be in something else, on pain of not existing at all.

Hartshorne and Reese thought that in the Timaeus Plato wasn’t quite a panentheist—though he would have been if he’d been consistent. More recently, Cooper has argued that while Plato’s World Soul may have inspired panentheists, Plato’s text does not itself describe a form of panenetheism. In this paper, I will reconsider this question not only by examining closely the Timaeus but by thinking about which features of current characterizations of panentheism are historically accidental and how the core of (...) the doctrine might most fruitfully be understood. I’ll argue that there is a polytheistic view that deserves to be called panentheistic and that Plato’s Timaeus describes such a view. (shrink)

The Timaeus is perhaps the most unusual of Plato’s dialogues. In this paper, I attempt to interpret Timaeus’s strange speech, which makes up most of the dialogue. I argue that Timaeus has grasped the grave challenge posed to philosophic reason by men like Hesiod who claim that mysterious gods are the first causes of the world, and therefore one cannot say that there are any true necessities governing this world. If this is true, then philosophy, as the (...) study of nature, which depends on the existence of necessity, would be impossible. Timaeus articulates two serious attempts to meet this challenge by demonstrating the stability and rational comprehensibility of the world from solid first principles: one according to which mind is the cause of all things; another according to which everything comes to be through mindless necessity. But he ultimately suggests that neither of these attempts have been successful, thereby demonstrating the limits of natural science’s ability to meet the religious challenge. Timaeus’s speech also has a rhetorical purpose related to this failure: insofar as he finds himself unable adequately to meet the religious challenge, and yet is still attracted to and finds worthwhile the pursuit of philosophy, he thinks a rhetorical account of the cosmos is necessary to shore up faith in reason for elite and educated young men who find themselves inclined to natural science. The more rhetorical aspects of Timaeus’s speech, and above all his account of the triangles, serve this purpose. (shrink)

Unitarianism was the norm amongst ancient interpreters of Plato. One strategy they used to maintain the unity of his thinking was to argue that different works were saying the same things but in different modes. So, for example, the Republic was saying ethically what the Timaeus was saying in the manner of natural philosophy. In this paper, I want to offer an interpretation of the Cave image in Republic 7 which lends support to this division of labour, and so (...) indirectly, at least, to a unitarian understanding of Plato’s thinking across these two works. (shrink)

Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a (...) detailed glossary, and a selected bibliography are also included. (shrink)

Reading the Timaeus as an early attempt at mathematizing natural science runs into serious difficulties. The so-called Platonic Solids are five in number, more by one than the traditional 'elements'. Plato provides a proportional ratio for these elements but this ratio fails to tie in with their geometrical features. Appealing to the authority of mathematics appears to be a rhetorical move with no further consequences.

in G.Fine (ed.), The Oxford Handbook on Plato, OUP forthcoming.

It is now nearly axiomatic among Platonic scholars that the Timaeus and its unfinished sequel the Critias belong to the last stage of Plato's writings. The Laws is generally held to be wholly or partly a later production. So, by many, is the Philebus, but that is all. Perhaps the privileged status of the Timaeus in the Middle Ages helped to fix the conviction that it embodies Plato's maturest theories.

Mit der Ubersetzung des platonischen Dialogs "Timaios" wollte Cicero den Romern einen weiteren Zugang zur Philosophie eroffnen. Da der lateinischen Sprache wichtige Worter fehlten, musste er sich dabei auch als Sprachschopfer betatigen. Das Gesprach kreist um die Erschaffung des Weltkorpers und der Weltseele, die Erschaffung der Zeit und der Planeten, aber auch musiktheoretische Uberlegungen, Gedanken uber die Seele und die Seelenwanderung sowie die menschliche Wahrnehmung spielen eine Rolle. Der Dialog schliesst mit einem Lob der Philosophie, "dem wunschenswertesten und hervorragendsten Gut, (...) das dem Menschengeschlecht von den Gottern als Gnadengabe zugestanden worden ist."". (shrink)