Πλήρης άποκατάστατη τῶν στίχων 1-17 τοῦ κανονισμοῦ της Σαμοθράκης, The Inscriptions on Stone, n° 15, σελ. 25-33, μέ πρωτότυπη φωτογραφία τοῦ λίθου. Φαίνεται τώρα ὅτι τό ψήφισμα ἐξετάζει τρεῖς ἐπείγουσες περιπτώσεις, ὅλο καί πιο βιαστικές, γιά τήν προμήθεια σέ σιτάρι τῆς πόλης, καί ὅτι προβλέπει τά μέτρα, ὅλο καί πιό δραστικά, κατάλληλα γιά τήν ἀντιμετώπιση τους. Σχέσεις ἀνάμεσα στήν περιστασιακή ἐπιτροπή τῶν σιτοθετῶν καί τήν ὀργανική ἐξουσία τῶν ἀργνρολόγων, καί πιθανή συνύπαρξη τοῦ κανονισμοῦ μέ τά ψηφίσματα γιά τόν Έπίνικο καί (...) τόν Ίππομέδοντα. (shrink)

This article introduces the significance of the mythic tradition for modern theorizing, through a discussion of Schelling's study on the Deities of Samothrace. It argues that the mythic tradition constitutes a relatively unthematized legacy offering large resources for the investigation of the inscrutable aspects of human consciousness and the unconscious and their relation to the world. In particular, it extracts theoretical conclusions deriving from the specific traits of the myths and cult-practices of the Deities of Samothrace, which open (...) new horizons as far the notion of cognitive experience is concerned. This is undertaken with a view to challenging both Enlightenment conceptual models and traditional mythological ones, thereby opening the problematic for a new re-enchantment of the world. (shrink)

Despite Schelling’s recognized influence upon a wide spectrum of sciences and arts, only a small amount of his work has been translated into English. Earlier, Robert Brown’s The Later Schelling opened up a significant dimension to our understanding of Schelling. Now, with this first translation of The Deities of Somothrace, Brown has added substantially to the thin shelf of Schelling’s works now available to the English-language reader.

A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art (...) museums. -/- What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? -/- This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art. (shrink)

Following an archaeological and archaeometric study of the 4th century pottery on Thasos, laboratory research was carried out in a regional framework, with the assistance of the Ephorates concerned, on samples from the sites of Amphipolis, Abdera, Mesembria-Zoni, Maroneia and Samothrace. The results thus obtained in a particular region and at a precise period serve as the basis for a more general set of problems. We attempt to show to what extent this type of approach can lead to a (...) better understanding of the craftsmen and of the techniques used for manufacturing black-glaze pottery, as well as common and cooking pottery. (shrink)

Codex Parisinus graecus 1601 preserves an anonymous family chronicle covering the years 1446–1458 which records in some detail the dates of its author's marriage and the birth of his children. Apart from restoring some readings from its previous recent edition, this article proposes an identification of the anonymous author with Ioannes Kanaboutzes. A scholar with historiographical interests, he is documented as a native of Phocaea and close associate of the Gattelusio, the Genoese rulers of the adjacent island of Lesbos. He (...) is mostly known for his Commentary on Dionysios of Halicarnassus which he dedicated to Palamede Gattilusio, lord of Ainos and of Samothrace. (shrink)

English summary: After borrowing their alphabet from the Phoenicians, the Greeks invented grammar, which is initially the art of letters, grammata. Platos' grammatike techne is the mastery of reading and writing. Elementary grammar, however, subject of school masters (grammarians), progressively expanded its ambitions in order to become the savant study of written works and Greek language - it is the subject of grammatikos. It is for the most part in Alexandria where generations of grammarians gave autonomy to this new discipline. (...) Their activity can be chronologically situated between the 3rd and 2nd century BC and the 1st and 2nd century AD. Jean Lallot's 26 studies touch upon various aspects - problems and diverse approaches, technical terminology, theory of the parts of discourse, syntax - the origins and the development of the discipline bound to provide the epistemological base of modern linguistics. French text. French description: Apres avoir emprunte leur alphabet aux Pheniciens, les Grecs ont invente la grammaire, qui est au depart l'art des lettres, grammata : la grammatike techne de Platon est la maitrise de la lecture et de l'ecriture. Mais la grammaire elementaire, domaine du maitre d'ecole (grammatistes), a progressivement elargi ses ambitions pour devenir l'etude savante des oeuvres ecrites et de la langue (grecque)--c'est le domaine du grammatikos. Dans le sillage des philosophes precurseurs (Platon, Aristote, les stoiciens), c'est en grande partie a Alexandrie que des generations de grammairiens ont donne corps et confere une autonomie a la nouvelle discipline. On peut situer chronologiquement leur activite entre le IIIe -IIe siecle avant J.-C., epoque des savants philologues de la grande Bibliotheque--au premier rang desquels Aristarque de Samothrace (ca 217-145)--et le IIe siecle de notre ere, domine par l'activite d'Apollonius Dyscole et de son fils Herodien. Les vingt-six etudes de Jean Lallot regroupees ici eclairent sous de multiples aspects--problematiques et demarches, terminologie technique, theorie des parties du discours, syntaxe--les origines et le developpement d'une discipline vouee a devenir la premiere du trivium medieval et a fournir le socle epistemologique de la linguistique moderne. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Religion and Philosophy from Plato's Phaedo to the Chaldaean Oracles PHILIP MERLAN A FEW YEARSAGO another of the so-called Orphic tablets was found? Like the previously known ones~it is an instruction for the deceased--it tells him what he will find in the beyond and how he is to act to secure for himself a blessed afterlife. As a rule the tablets differ somewhat in their wording and the newly (...) found is particularly remarkable in that the deceased, when asked by the guards of the Spring of Memory what his business here is, is instructed to answer, "I am a child of the Earth and o~octvo~5~aveOo~v~og ~ and my name is Asterios. ''~ Now, it is generally recognized that the tablets are the product of some mystery religion? The new tablet suggests that part of its initiation ceremony might have been the experience of a mock death and a mock rebirth, the latter symbolized by the assuming of a new name? XN. M. Verdelis, "XaXr~ 7eCp6~oxos raX~rls ~x r 'ApxaLoXoy~K ~ 'Er 1950-1951 (Athens, 1951), pp. 80-105, esp. pp. 99-105. 2 Their text can be found in any edition of Diels-Kranz, VS. New finds: N. M. Verdelis, '0pr162 ~,&rt*ara ~ Kpr "Ap~ca~oXo*t~x~"E~tzep~ 1953-54, Second Part (Athens, 1958), pp. 56-60. On their character (Orphic? Pythagorean?), see F. Cumont, Lex perpetua (Paris, 1944), p. 406. Which mystery religion professed these two as obviously the highest deities? One is tempted to think of the mysteries of Samothrace, as in them these two deities played a conspicuous role according to Varro, De lingua lat. V 58 (cf. B. Cardauns, Varros 'Logistoricus' iiber die G6tterverehrung [Wiirzburg, 1960], pp. 60-67). 4 dar (~po4pro~)seems to me an evident conjecture by Verdelis. See, e.g., M. P. Nilsson, Geschichte der griechischen Religion, Vol. 2 (Miinchen, 1950), pp. 223-227. 0This is the assumption of Verdelis, XaXxr ~'e,~0~oxo~ with which I agree. On baptismal names see, e.g., A Oepke, "AM~IOAAEIY~ im griechischen und hellenistischen Kult," Archiv fiir Religionswissenschaft 31 (1934), pp. 42-56, esp. 52, note 5 (den Anstoss---scil. to bestowing of a new name on the initiate--gaben wohl primitive Wiedergeburtsgedanken). It seems to me that the Pindaric lines praising him who descends to the netherworld if he had been initiated, because he ot~e ~p fllov.reXew'gu,/olSeJ,~b.&6a~orol,tlpx~p (fr. 137a Sch) are to be explained by assuming that Pindar is here alluding to the experience of mock death (~-~,ev~-~) and mock rebirth (apX~), though it remains unclear whether the initiate experienced them in his own person or was only shown something (e.g. the burial of a seed followed by its shooting into an ear) symbolizing such events. [163] 164 HISTORY OF PHILOSOPHY And it is only natural to suppose that the initiation ceremony was preceded by some kind of ritual purification. In one more respect the new tablet is remarkable. It is the oldest we know. It belongs to the mid-fourth century. And this means that perhaps only a few years separate it from the date of the publication of Plato's Phaedo.' Now, as everybody knows, the Phaedo has something to say on mystery religions. Socrates first explains to his friends why he is not only not afraid of death but even looking forward to it. All his life long, he says, he was a philosopher and philosophy, as he sees it, is nothing else but ~X~-c~l0ctvd,ov. And as he explains in what way philosophy is a preparation for death, he time and again uses for the description of the philosopher's way of life the word 'pure' and its cognates (Phaedo 67d-e; 69a6-e5 [~d~}aqot~,•, ~xa0a0~vog], so that in the end the philosopher's way of life can by Socrates be described as purification-obviously purification not in its ritual sense of the word but, as Socrates sees it, in its true sense. And now Socrates clinches his argument and says: And it seems indeed that the men to whom we are indebted for the institution of... (shrink)

I suppose you realize, as I do, how few of our school children have had the privilege of seeing even casts of the masterpieces of ancient art? They never see the sculptures of the Parthenon, the Hermes of Praxiteles, the Victory of Samothrace, the Venus of Melos, the Augustus Caesar, the works of Donatello, the achievements of Michelangelo. The same is true of our university students—thousands of them. They hear endless talk about these things as the recognized treasures of (...) civilization, the inheritance of the ages, but they never see them.... We... used to be familiar with casts in our art museums, for they once had fine collections and exhibited them in proud array. They have disappeared and are now packed.. (shrink)

The achievement of Thrasybulus on his last voyage has been variously estimated. Busolt saw no more than a series of strong-arm acts that added up to very little. Beloch spoke of the Second Athenian Empire. For others there were mere renewals of friendship. This note has as its starting-point that Thrasybulus sought to restore the fifth-century empire. If one looks merely at the list of places explicitly mentioned, the sum is not large. Thasos and its peraea, Samothrace and possibly (...) its peraea, Byzantium, Chalcedon, Abydos possibly, Mytilene, Methymna, Eresus, Antissa, Chios, Halicarnassus, Aspendus. But Xenophon implies a great deal more. (shrink)

All our ancient sources agree on the basic sequence of events after the battle of Pydna on 22 June 168: the consul L. Aemilius Paullus advanced to take possession of the whole of Macedonia and finally managed to capture Perseus, the defeated king, who had taken refuge on Samothrace. Once in complete control of the situation he sent his troops into winter quarters and himself set off on a trip that was to take him round the most famous sights (...) of Greece. Only when he heard of the arrival of the customary senatorial commission did he return to Macedon, settle its affairs, hold magnificent games, and finally return to Italy. Thus far there is little cause for concern, but what most of these events lack is a properly established date. Livy, our only ancient source venturing to date them, places everything up to sending the troops into winter quarters in the same consular year as Pydna and assigns the remaining events to autumn and winter 167 . He thereby creates an awkward gap of somewhat more than a year between the battle of Pydna and the subsequent actions of Aemilius Paullus. A majority of scholars either seem to have ignored this point altogether or silently corrected Livy's chronology by simply shifting the events in question back to 168/ . Others, ranging from Miiller and Weissenborn to Hammond and Walbank in their magisterial History of Macedonia, have kept Livy's date,4 while only one scholar has actually attempted to argue for a correction of Livy. (shrink)

Where might one start? Of “education,” the Latinate etymology is evocative: to draw out, draw away from, draw forth. The echoes are linear. Ex tenebras lux, from the shadows of ignorance to the luminosity of knowing, a path towards experience out of innocence. That path has its symbolic origin in the library of third and second century B.C. Alexandria, where Aristophanes of Byzantium and Aristarchus of Samothrace first coined the word canon, as the mark of a standard of excellence. (...) In that library we would have found the Aristotelian texts summoning the human race to immortality, through an education that alone can lead us from the conditions of bestiality to those of divinity. Political order rests on an education in harmony with the constitutional structure of the city state; ultimately however eudaimonia, the highest joy known to man, lies in the educated exercise of the soul’s faculties in conformity with the most perfect virtue through philosophical contemplation. Here is the telos of the pedagogic journey. (shrink)

In this thesis I investigate the notion of experience in German Idealist Philosophy. I focus on the exploration of an alternative to the transcendental model notion of experience through Schelling's insight into the notion of logogrif. The structural division of this project into two sections reflects the two theoretical standpoints of this project, namely the logic and the logogrif of experience. The first section - the logic of experience - explores the notion of experience provided in Kant's Critique of Pure (...) Reason, Critique of Judgement and Fichte's Science of Knowledge. I argue that Kant's fundamental question about the possibility of synthetic a priori judgements succeeds in thematising the aporia of cognitive experience but results in a subject-oriented, representational model which radically confines the notion of experience to the constitutive laws of the understanding or to the normative precepts of Reason. Experience is founded upon a sharp division between faith and knowledge, will and logic, desire and reflection, absolute and finitude. Fichte's endeavour to articulate a non-representational account of experience, does not succeed in extricating itself from the representational model, so long as experience is reduced to the ever-producing deeds of the self-positing ego. Despite the serious differences between Kant's and Fichte's notions of experience, both accounts, so long as they unfold from a transcendental standpoint, attempt to resolve experience into conceptual laws or determinations of the ego's absolute will. Experience is transformed into an object of the subject's cognitive or volitional faculties. The paradoxes of man's interaction with the world are intended to be accommodated either by the law-giving spontaneity of the understanding and the Architectonic of Pure Reason or by the overpowerful primordial act of the self-positing ego. This implies the conceptualisation of the self in terms of constant identity-through-time, or sheer self-determination. However, this conceptualisation remains at the normative or prescriptive level, which in turn is projected upon the world. The latter, though appears as the subject's property, essentially remains alien and opaque, confirming the radical limitations of the ego rather than its order-giving authority. Moreover, this notion of experience is ultimately founded upon a radical expulsion of the divine from the world, the de-spiritualisation of the sensual and the de-sensualisation of the spiritual, the sharp juxtaposition between absolute and finitude. This results in a self-defeating subjectivity, whose firm identity and rule-giving authority does not rescue it from its perennial unattainability to 'organise the conditioned' or 'conquer the unconditioned'. In Kant's and Fichte's thought, however, I detect elements that potentially transgress their transcendental account of experience. These are found in Kant's concept of spontaneity and free play between understanding and imagination, and Fichte's concept of productivity. I argue that these elements lose their potential dynamism, so long as they are absorbed by the transcendental demands for the solution of the aporias of logic. However, these elements point to the need for a radical re-conceptualisation of the notion of experience. This is provided by means of Schelling's logogriflic approach, which constitutes the theme of the second section. The second section - the logogrif of experience - attempts to articulate a different approach towards the notion of experience, through an exploration of Schelling's versatile and provocative thought. This section focuses on Schelling's original insight into the notion and act of logogrif, which opens the dialogue between logos and mythos, cosmic becoming and human soul, cosmic imagination and human reflection, faith and knowledge. This section attempts to illuminate Schelling's fascinating philosophical investigations and discoveries that have been rather overlooked, possibly, due to Hegel's overwhelming critique. This section, after a brief critical examination of the Identity Philosophy, attempts to elucidate Schelling's notion of experience through his middle works, Of Human Freedom, Ages of the World, The Deities of Samothrace, which are treated as a self-developing trilogy. Schelling re-addresses the aporias of logic not as part of Reason's self-interrogation but as part of the cosmic paradoxes and living experiences. In this way, Schelling resets the scene of the debate on the conditions of possibility for cognitive experience by putting on the stage the enigmas of the cosmos and life rather than the Tribunal of Reason. Logic itself is conceived as a potency in the cosmic becoming, and consequently can no longer attempt to establish the transcendental conditions for the possibility of cognitive experience. Cosmic becoming, in which man is an active part, is conceived as the process of the movement, the interaction, the transformations and transmutations of multiple potencies. These, far beyond any mechanical conceptualisation, appear as self-moving and yet interdependent, unknown yet familiar, inscrutable and yet manifest powers, describing the mystery of life itself. The latter is depicted as an ever-recurrent act of longing for self-expression as active unity. Experience is conceived as the lived process of a network of living potencies, which may not only resist rational powers but may also puzzle and seize them. In this context, reflection acquires a plastic dimension, as opposed to its rigidity in the representational model of experience. Reflection depicts cosmic longing's self-formation, whose man is part. This self-bending formation partially illuminates the nature of longing, and from this standpoint is the logic of the longing. However, this formation is movable, transmutable and mostly ineffable, and from this standpoint is the logic of a riddle: a logogrif. Logogrif is the transitive term that attempts to describe the transition of experience from its enacted phase to its allusive conceptual utterance, and in this sense the term itself participates in both phases, as both form of thought and form of life. The logogrific approach to experience in turn transposes us as from the realm of pure concepts to the realm of the mystery of life, from pure thought to acts of longing, from the Architectonic of Pure Reason to Cosmic Theurgy. The latter term attempts to grasp the paradox and dynamism of cosmic and non-cosmic becoming by means of multiple, vanishing and ever-recurring, transmutable potencies, or in Schelling's terms 'the magic of insoluble life'. Schelling's logogrific account consists in a powerful voice for the re-enchantment of the world, the introduction into the notion of experience of the imminence of the divine. This is not suggested in terms of the adoption of old religious doctrines but by means of the discovery and re-discovery of the theurgy of life, through the intensification of our artistic mood, the creative expansion of our deeds. This notion of experience allows for the reconsideration of the notion of the self, in terms of a dynamic, conflictual process between conscious and unconscious powers and the critical revaluation of the accounts of subjectivity which reduce it to the sphere of self-consciousness. The thesis concludes with the need for an investigation into the relation between logos and mythos, which only tangentially has been introduced by the present project. In this context it will be possible to re-appraise the potential that the logogrific approach opens for an alternative to both logical and traditional mythological patterns of thinking. (shrink)

This chapter contains sections titled: Of Greek Gods, the Judaeo‐Christian God, and the Sea A Ship Bound for India Beyond the Pillars of Hercules.

Name der Zeitschrift: Journal of Ancient History Jahrgang: 5 Heft: 2 Seiten: 323-356.