As Nelson Goodman highlighted, there are two main senses of “abstract” that can be found in discussions about abstract art. On the one hand, a representation is abstract if it leaves out certain features of its target. On the other hand, something can be abstract to the extent that it does not represent a concrete subject. The first sense of “abstract” is well-known in philosophy of science. For example, philosophers discuss mathematical models of physical, biological, and economic systems as being (...) abstract in this sense. However, it is the second sense that dominates discussions of abstract art in aesthetics. For example, abstract art was (and is) considered revolutionary precisely for being non-figurative. Through an analysis of artists including Kandinsky, Malevich, and Mondrian, we develop a reading of this second sense, which we call “generative abstraction,” as opposed to “subtractive” abstraction. Generative abstraction is a process in which a new artifact is created which does not represent the initial concrete target system that inspired it (if there was one), where the artifact’s features are explored for their own sake, and where the “language” of the new artifact is in some way more “universal.” Focusing on this sense of abstraction is helpful in revealing the complexity of the process of crafting an abstract artifact, in problematizing the notion that abstraction can always be un-done (or concretized), as well as revealing new ways for abstractions to be epistemically (un)successful. (shrink)

Some experimental results in science are productively surprising or beautiful. Such results are disruptive in their epistemic nature: by violating epistemic expectations they mark the phenomenon at hand as worthy of further investigation. Could it be that there are emotions beyond these two which are also useful for the epistemic evaluation of scientific experiments? Here, I conduct a structured sociological survey to explore affective experiences in scientific experimental research. I identify that learning the results of an experiment is the high (...) emotional point in the experimenting process. Thus, experimental results can be challenging, beautiful, or boring, and they can worry, amuse, make one sad, and so on. They can also drive meta-cognitive evaluations as well as motivate specific research-related actions. From this, I advance two claims: that emotions beyond surprise and disruptive beauty are epistemically useful in empirical research, and that emotions help to overcome specific challenges of reasoning about new experimental results. (shrink)

In this article I describe the implicit conceptualization of social order which exists in Death Stranding — localized in both the setting and the mechanics of the game — and compare it with the conceptualization of Thomas Hobbes’s “Leviathan”. First, the theoretical tension between Death Stranding and “Leviathan” is traced: the speculative conceptualization of the Leviathan and the procedural conceptualization of Death Stranding are compared by clarifying the role that the concepts of action, authorization, right and sovereignty play in Hobbesian (...) theory and the video game. Sec­ondly, the theoretical tension between the political and natural capacities of the Sovereign according to Hobbes is explicated; with the help of mate­rial from Death Stranding, a variant of its resolution is proposed, suggest­ing the conceptualization of the Sovereign-without-a-body: an instance devoid of physical capacity and materiality, yet still capable of maintaining social order as a product of its activity. Subsequently, attention is paid to the mechanics of state expansion in Death Stranding: I describe and analyze how the Sovereign-without-a-body’s messenger — the protagonist of the video game — interacts with people outside the Sovereign’s zone of influ­ence, convincing them to consent to return to the commonwealth. This theoretical move makes it possible to supplement Hobbes’s binary scheme of the state of nature and commonwealth with a third concept — the state of memory, in which the memory of the Sovereign turns out to be a deci­sive factor influencing whether the commonwealth will be restored to its former boundaries. By explicating the Hobbesian theory of imagination, I demonstrate that — in the state of memory — the Sovereign is contingent, not fully defined, and virtual. (shrink)

No nation can exist without its own religious cults and traditions. The practical absence of records of the presence of pagan priests in our ancestors, the bearers of knowledge, beliefs and rituals, testifies only to the careful deliberate destruction of important aspects of national history. Some pages in the history of the Eastern Slavs are simply crossed out from the chronicles and replaced by pious stories in line with Byzantine hagiography. An example in this regard is the description of the (...) baptism of Kiev under Prince Vladimir, which obviously had nothing to do with the real events. The pagan rites and traditions in the annals were changed beyond recognition and took the form of fairy tales and legends. Very interesting in this regard are the descriptions of the funeral rites related to the death of Prince Igor, which were transformed by the chronicler Nestor into the legend "On the revenge of Princess Olga Derevlyany". Even the term "priest" in ancient Slavic sources was replaced by the word "magician" or "old man". Because of all these facts, a fairly authoritative hypothesis has emerged in national historical science, according to which the Eastern Slavs did not have any "pagan priests" at all. (shrink)

It is almost impossible to fully understand the spirituality of the Ukrainian people, their mental features without a detailed study of the pagan - the basis of the consciousness of our ancestors, in particular archaic ideas about the infinite existence in the sacred tribal community. The belief in eternity, the infinity of human being, in the sacred connection between dead ancestors and living descendants has existed in our ancestors for millennia and arose long before the "birth" of pagan gods. It (...) is no coincidence that, several centuries after the introduction of Christianity, national scribes became confused in the names of several former pagan Eastern Slavic deities. The pagan beliefs and ordinances associated with the worship of the dead ancestors: - Births and births, carnations and ghouls - were preserved in the national environment until almost the sixteenth century. (shrink)

Сучасний прогрес у таких наукових науках, як історія філософії, археологія, етнографія, етнопсихологія та теорія культурної традиції, захоплює увагу, довідавшись про відокремлення коренерів колективних вірогідностей, моделей та образів, а також їх збереження, перегляду й трансляції у часі. Спеціальний інтерес у використанні з боку цього полягає в еволюції стародавніх східнослов'янських історій і культурів, історіософське осміння дозволяє зробити глибше усвідомлене архаїчне першооснову українського православ'я.

Ancient Slavic archaic culture proved to be much more complex and incomprehensible than domestic researchers had imagined at the end of the 20th century. Modern scientists have discovered new complex aspects of ancient pagan culture that require considerable attention from researchers in various scientific fields. Of particular interest in this regard are the cults of ancient Slavic pagan gods-warriors, who are worshiped both among the people and among warrior-warriors.

East Slavic archaic culture turned out to be much more complicated than domestic researchers have already imagined in the 20th century. Modern scholars have opened up new complex aspects that require considerable attention from researchers from various scientific fields. So, after the discovery by Soviet archaeologists BO Timoshchuk and IP Rusanova in the 80-90 years of the XX century. in Western Ukraine, the great Eastern Slavic pagan temple complexes, ancient settlements, sanctuaries and holy sites became evident the fact that Eastern (...) Slavs had a developed pagan worldview and a complex religious system not only in the pre-Christian age, but also in the early Christian era. (shrink)

The name of A. M. Gorky is known to the broad masses of the people of our country, to the laboring population of the countries of the socialist camp, and to all advanced and progressive mankind as that of one of the greatest builders of the new socialist culture and a tireless fighter for the bright ideals of mankind. By his writings of genius, his brilliant articles of literary criticism, his speeches and public affairs writing, and all his many-faceted activity, (...) both prior to the Great October Socialist Revolution and in the epoch of transition from capitalism to socialism, Gorky made a truly invaluable contribution to the treasury of world culture. He defined the place and role of culture in the life of modern society and broke new ground for the progressive development of culture in terms of the principles of socialism and communism. There is hardly a single problem of socialist culture, of its theory and practice, with which Gorky did not concern himself one way or another, and upon the handling of which, even if his contact with it was accidental, he did not lay the unique imprint of his genius. (shrink)

To fully understand the spirituality of the Ukrainian people, his mental features, without a detailed study of his pagan background, in particular the notions about the other world, is practically impossible. An important place in the Slavic pagan myth about the other world occupy the notion of "anti-world" - the place where, according to our ancestors, the bones of burned dead were inhabited. Thus, the purpose of this article is to study the archaic basis of the spirituality of the modern (...) Ukrainian nation. (shrink)