This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Bücher zählen bis heute zu den wichtigsten kulturellen Errungenschaften der Menschheit. Ihre Erfindung war mit der Einführung des Buchdrucks ähnlich bedeutsam wie des Internets: Erstmals wurde eine massenweise Weitergabe von Informationen möglich. Bildung, Wissenschaft, Forschung, aber auch die Unterhaltung wurde auf neuartige, technisch wie inhaltlich revolutionäre Basis gestellt. Bücher verändern die Gesellschaft bei heute. Die technischen Möglichkeiten des Massen-Buchdrucks führten zu einem radikalen Zuwachs an Titeln im 18. Und 19 Jahrhundert. Dennoch waren die Rahmenbedingungen immer noch ganz andere als heute: (...) Wer damals ein Buch schrieb, verfasste oftmals ein Lebenswerk. Dies spiegelt sich in der hohen Qualität alter Bücher wider. Leider altern Bücher. Papier ist nicht für die Ewigkeit gemacht. Daher haben wir es uns zur Aufgabe gemacht, das zu Buch gebrachte Wissen der Menschheit zu konservieren und alte Bücher in möglichst hoher Qualität zu niedrigen Preisen verfügbar zu machen. (shrink)

Excerpt from Beitrage zur Geschichte der Griechischen Philosophie und Religion Die alte Diatribe lebt mehr in der Satirendichtung als in der Philosophie fort. Nur Epiktets Diatriben nahern sich ihr wieder, nicht nur durch bewusste Anknupfung und Nachahmung, sondern auch schon dadurch, dass sie als wirkliche Gesprache, in denen der Lehrende die Horer zu mitforschender Teilnahme zwingt, dem sokratischen Dialoge, aus dem zum Teil die Diatribe hervorgewachsen ist, verwandt sind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and (...) classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Rolf KÜHN, Innere Gewißheit und lebendiges Selbst. Grundzüge der Lebens-phänomenologie ; John Wrae STANLEY, Die gebrochene Tradition. Zur Genese der philosophischen Hermeneutik Hans-Georg Gadamers ; Gisbert HOFFMANN, Heideggers Phänomenologie. Bewusstsein — Reflexion — Selbst und Zeit im Früh werk ; Dean KOMEL, Kunst und Sein. Beiträge zur Phänomenologischen Ästhetik und Aletheiologie.

On Heidegger's Beitraege and the influence of Nietzsche's Will to Power (a famous non-book).

The most important and extensive of Bernard Bolzano’s (1781–1848) correspondences is the one with his student and friend Michael Josef Fesl (1788–1864) which comprises altogether some 730 letters. Due to the great number of letters, starting with 1831, only Bolzano’s contributions are contained in his Collected Writings. Therefore, Fesl’s letters to Bolzano are published in the series "Beitraege zur Bolzano-Forschung". The present volume contains 88 letters that Fesl wrote in the years 1839 to 1841 to his “most-beloved teacher and friend”. (...) They focus on the works published by Bolzano during those years as well as on several projects that could not be realized. Moreover, they deal with philosophical trends, theological questions and political problems as well as with the epidemics of that time and their various treatments (including their success). Finally, Fesl also discusses the qualities of three portraits of Bolzano’s created by Áron Pulzer, Heinrich Hollpein und Karl Hoffmann during those years. (shrink)

[Text is in German] Unsere Gegenwart scheint mehr und mehr Umbruechen zu unterliegen. Eine Innovation folgt der naechsten, Traditionen gelten schnell als ueberholt, moderne Trends werden altmodisch. Dieser permanente Wandel verlaeuft in unserer Wahrnehmung immer rasanter. Auch bei einem Blick in die Vergangenheit scheinen Umbrueche, neue Ideen und Erfindungen zu ueberwiegen und in staendigen Wertverschiebungen zu resultieren. Aber was ist mit den bestaendigen Dingen? Nicht nur Veraenderungen schaffen Werte, sondern auch Bestaendigkeit. Dabei stellt sich nicht nur die Frage, welche Werte (...) durch Kontinuitaet entstehen, sondern auch welche Werte sie bedingen. Traditionen sind identitaetsstiftend. Sie gehoeren zum kulturellen Gedaechtnis, bilden oftmals eine Basis fuer Innovationen und haben dadurch eine eigene Bedeutung im Hinblick auf Veraenderungen. Kontinuitaeten zu erkennen, ist in einer Welt im stetigen Wandel ein schwieriges Unterfangen und auch im Rueckblick nicht unproblematisch, vor allem wenn die Akteure selbst nicht mehr zu sprechen sind. Aber ein Blick auf die materielle Kultur erlaubt Aufschluesse ueber Bestaendigkeit. Von Menschen gefertigte Objekte sind Traditionstraeger, sie beherbergen die Ideen und Wertvorstellungen ihrer Gestalter und bleiben ueber Zeit und Raum hinweg erhalten. The Limits of Change umfasst Beitraege aus Archaeologie, Philosophie und Ethnologie, die sich auf unterschiedliche Weise mit der Thematik der Kontinuitaet auseinandersetzen und den Sachverhalt kritisch beleuchten. So wird zum einen der Blick in die Vergangenheit gerichtet und auf Basis archaeologischer ueberlieferungen das Thema untersucht. Zum anderen liefert die Diskussion zeitgenoessischer und globaler Sachverhalte wichtige Hinweise im Hinblick auf Kontinuitaet und Tradition. So wird beispielsweise diskutiert, welche Arten von Kontinuitaeten sich in heutigen Gesellschaften finden und wodurch sich diese auszeichnen bzw. sichtbar werden. Ferner wird die Frage gestellt, ob Tradition als kulturelles Marketing im Hinblick auf Tourismus genutzt werden kann. Mit Beitraegen von Torsten Bendschus, Arthur Depner, Stefan Eisenhofer, Martin Hensler, Elwira Janus, Thomas Knopf, Beate Loeffler, Bonka Nedeltscheva, Ton Otto, Laura Picht, Elnaz Rashidian und Geraldine Schmitz. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Abailard and the Problem of Universals JOHN F. BOLER ABAILARD t IS A CLEVERman, but in one respect he is just like the rest of us: Given one clear idea of which he is convinced, he tends to become intolerant, thinking the worst of everyone else. Abailard's clear idea goes something as follows. In what does universality consist? It consists, says Abailard, in the signifying of many things by (...) one sign? Abailard's predecessors had been searching for some thing which was universal. But a sign must signify many things to be universal; and furthermore, the sign itself, as a thing--a noise, gesture, or statue--is individual. ~ It may help to describe the model which crops up here and there in Abailard's examples and which, I think, dominates his analysis. Consider, then, a statue which is not meant to stand for any one particular individual: for example, the Minute Man at Concord, Massachusetts.* First of all, the statue is an individual thing. Second, just as a piece of metal, it need not stand for anything--anymore than a bird bath would, had the town council decided to build that instead. What is more, it is information from other sources which leads us to take the statue as "general" rather than as depicting some individual (like Nathan Hale). And even though the statue stands for "all" minute men, not only is the statue an individual thing but all those things for which it stands are (or were) individuals. And finally, we might also point out that the statue must be taken as signifying; it does not have "representative" qualities in quite the same way that it has properties like weight and shape. t The text of Abailard to which I have referred is: Peter Abaelards Philosophische Schrqte, herausgegeben yon Dr. Bernhard Geyer, I Die Logica "Ingredientibus,'" II Die Logica "'Nostrorum Petitioni Sociorum" which is to be found in Beitraege zur Geschichte der Philosophie und Theologie des Mittelalters, Band XXI (1933). A partial translation of this text appears in R. McKeon, Selections from Medieval Philosophers (New York: Scribners, 1929), II, 208-258. Hereafter I shall refer to the latin text as "G" followed by the page number and lines; and to the translation, where possible, as "'M" with the page number. 9Abailard feels that when Aristotle says that a universal is what is fitted for being predicated of many things, it is the signifying of many things which is at stake; and he chides Aristotle for seeming to ascribe universality to things as well as to words. G ~ (M 221). The reference to Aristotle is On Interpretation, 17a (38-40). *See note 7, below. 9I have interpolated on two passages: G 22t~-~ (M 241-242), and G 522*t-=. [37] 38 HISTORY OF PHILOSOPHY The upshot of Abailard's insight is that universality pertains to the interpretation of signs: the effort to locate universal things is misguided. Some want to say that the universal is a collection; but do collections signify their members? ~ Some want to say that the universal is a substance of which individuals are accidents; but is a substance predicated of its accidents? e And some want to say that universals are words--that is noises; but noises are also individual things. ~ In short, to signify or to show ("monstrare") pertains to words; to be signified or shown pertains to things. 8 And to transfer the properties of one to the other leads to hopeless difficulties. ~ One can understand Abailard's exultation (and exaltation) at having shown both sides of a seething controversy to be equally misguided? ~ But what then remains as the problem of universals? It is this: one would expect that every sign would have some subject which it signifies; but universals seem to lack a proper subject. And does this not mean that universals are fictions (like goat-stag or chimera)? = Having thus set out rather baldly what I take to be Abailard's "clear idea," let me now try to show more fully how he goes about establishing the problem and providing for a solution. Abailard's position on universals is set forth in his two logic books, both of which begin... (shrink)