The essays assembled here are all very early and differ in a number of ways from Bakhtin's previously published work.

Rescued in 1972 from a storeroom in which rats and seeping water had severely damaged the fifty-year-old manuscript, this text is the earliest major work (1919-1921) of the great Russian philosopher M. M. Bakhtin. Toward a Philosophy of the Act contains the first occurrences of themes that occupied Bakhtin throughout his long career. The topics of authoring, responsibility, self and other, the moral significance of "outsideness," participatory thinking, the implications for the individual subject of having "no-alibi in existence," the difference (...) between the world as experienced in actions and the world as represented in discourse--all are broached here in the heat of discovery. This is the "heart of the heart" of Bakhtin, the center of the dialogue between being and language, the world and mind, "the given" and "the created" that forms the core of Bakhtin's distinctive dialogism. A special feature of this work is Bakhtin's struggle with the philosophy of Immanuel Kant. Put very simply, this text is an attempt to go beyond Kant's formulation of the ethical imperative. Toward a Philosophy of the Act will be important for scholars across the humanities as they grapple with the increasingly vexed relationship between aesthetics and ethics. (shrink)

Incessantly cited by critics, Bakhtin's work none the less remains relatively unavailable: partly through lack of suitable editions, partly because no individual text conveys all the key concepts or arguments. This anthology provides in a convenient format a good selection of the writing by Bakhtin and of that attributed to Voloshinov and Medvedev. It introduces readers to the aspects most relevant to literary and cultural studies and gives a focused sense of Bakhtin's central ideas and the underlying cohesiveness of his (...) thinking. (shrink)

Au milieu du bouillonnement intellectuel des années vingt en U.R.S.S., Mikhaïl Bakhtine, philosophe et critique littéraire, sʹinterroge sur les rapports entre lʹidéologie, le langage et le psychisme. Refusant la dichotomie saussurienne langue / parole, qui vide la pratique linguistique de sa substance, il affirme la nature sociale du signe et pose les fondements dʹune linguistique de lʹénonciation en tant que manifestation sociale et non individuelle. Au signe figé, réduit à nʹêtre quʹun "signal", il oppose le signe mouvant, changeant, arène où (...) se jouent les conflits sociaux. Publié en 1929 à Leningrad sous le nom de Volochinov, élève de Bakhtine, cet ouvrage paraît pour la première fois sous le nom de son véritable auteur. -- Back cover. (shrink)