Results for ' Art, Modern'

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  1. American Realists and Magic Realists.N. Museum of Modern Art York, Dorothy Canning Miller & Alfred Hamilton Barr - 1969 - Published for the Museum of Modern Art by Arno Press.
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  2. Derek Matravers.Why Some Modern Art is Junk - 1994 - Cogito 8:19.
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  3.  33
    Is Art Modern? Kristeller's ‘Modern System of the Arts’ Reconsidered: Articles.James I. Porter - 2009 - British Journal of Aesthetics 49 (1):1-24.
    Kristeller's article ‘The Modern System of the Arts: A Study in the History of Aesthetics’ is a classic statement of the view, now widely adopted but rarely examined, that aesthetics became possible only in the eighteenth-century with the emergence of the fine arts. I wish to contest this view, for three reasons. Firstly, Kristeller's historical account can be questioned; alternative and equally plausible accounts are available. Secondly, ‘the modern system of the arts’ appears to have been neither a (...)
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  4.  35
    Is Art Modern?James porter - 2009 - BJA 49 (1):1-24.
    Kristeller's article ‘The Modern System of the Arts: A Study in the History of Aesthetics’ is a classic statement of the view, now widely adopted but rarely examined, that aesthetics became possible only in the eighteenth-century with the emergence of the fine arts. I wish to contest this view, for three reasons. Firstly, Kristeller's historical account can be questioned; alternative and equally plausible accounts are available. Secondly, ‘the modern system of the arts’ appears to have been neither a (...)
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  5.  15
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to (...)
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  6. L'art moderne et le monde moderne (les fondements historiques et esthétiques des arts plastiques au XXe siècle).L. Hlavacek - 1989 - Estetika: The European Journal of Aesthetics 26 (1):8-30.
     
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  7.  8
    L'art moderne et la question du sacré. Ouvrage collectif publié sous la direction de Jean-Jacques Nillès.Pascale Seys - 1994 - Revue Philosophique De Louvain 92 (4):628-629.
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  8. The Russian Avant-Garde Book, 1910-1934.Margit Rowell, Deborah Wye & N. Museum of Modern Art York - 2002
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  9.  22
    Le premier musée d'art moderne, un monument englouti. Kronprinzenpalais, Berlin (1919-1933).Marylin Molinet - 2013 - le Portique 31.
    L’histoire du Kronprinzenpalais, dans sa lente émergence vers la reconnaissance de son existence, ainsi que du rôle majeur qu’il joua sur la scène muséale allemande, en tant que premier musée d’art moderne, demeure étroitement lié au sort de son unique conservateur, Ludwig Justi. Cet article s’attache à restituer les innovations didactiques et muséographiques menées par Justi, les très nombreuses expositions temporaires aussi bien que l’enrichissement des collections, de même que la fondation de la revue Museum der Gegenwart, lesquels eurent un (...)
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  10. Volontés de l'art moderne.Jean Goudal - 1927 - Paris,: Éditions Rieder.
     
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  11. El Museu d'Art Modern de Tarragona, un grato encuentro con el arte actual.Francisco Vicent Galdón - 2012 - Critica: La Reflexion Calmada Desenreda Nudos 62 (981):93.
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  12.  5
    anthes, bill. Native Moderns: American In-dian Painting, 1940–1960. Duke UP 2007. pp. 304. 34 colour plates.£ 60.00 (hbk);£ 14.99 (pbk). babich, babette. Words in Blood, Like. [REVIEW]Art Since Pollock - 2007 - British Journal of Aesthetics 47 (2).
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  13.  10
    Transparence et opacité: essai sur les fondements théoriques de l'art moderne: pour une nouvelle lecture de Konrad Fiedler.Philippe Junod - 1976 - Lausanne: Éditions L'Age d'homme.
    Transparence et opacité fut écrit à la fin des années 1960 et parut pour la première fois en 1975. Cet essai majeur sur les fondements théoriques de l'art moderne avait disparu des librairies depuis près de vingt ans. Partant d'une analyse de la théorie de l'art de Konrad Fiedler, qui écrivit entre 1876 et 1895, Philippe Junod se livre en fait à une archéologie de la modernité et envisage l'ensemble de la théorie de l'art et de l'esthétique depuis Platon et (...)
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  14.  31
    Art in its Time: Theories and Practices of Modern Aesthetics.Paul Mattick - 2003 - Routledge.
    Art In Its Time takes a close look at the way in which art has become integral to the everyday 'ordinary' life of modern society. It explores the prevalent notion of art as transcending its historical moment, and argues that art cannot be separated from the everyday as it often provides material to represent social struggles and class, to explore sexuality, and to think about modern industry and our economic relationships.
  15.  18
    Review of J. Kirk Varnedoe, A Fine Disregard: What Makes Modern Art Modern.Patrick Maynard - 1991 - Journal of Aesthetics and Art Criticism 49 (4):390-392.
  16.  31
    The phenomenology of modern art: exploding Deleuze, illuminating style.Paul Crowther - 2012 - New York, NY: Continuum.
    The first sustained phenomenological approach to modern art, taking a new approach and drawing upon an unsual selection of thinkers.
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  17.  39
    Is twenty-first-century liberal arts modern?Iain Tidbury - 2018 - Educational Philosophy and Theory 50 (11):1045-1051.
    In the first part of this paper I explore a recently conceived notion of a modern liberal arts education which brings the ancient Aristotelian search for first principles into a modern metaphysics of Kant and Hegel. In the second part I examine two ways in which this modern conception of a liberal arts education intervenes in important social and political debates in Western culture. My concluding comments centre on the belief that twenty-first-century liberal arts education needs to (...)
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  18.  1
    La forme et l'intelligible, écrits sur la Renaissance et l'art moderne: Articles et essais réunis et présentés par André Chastel.Robert Klein & André Chastel - 1970 - Gallimard.
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  19.  3
    Modern Artists on Art.Robert L. Herbert - 2000 - Courier Corporation.
    Sixteen of the 20th century's leading artistic innovators talk forcefully about their work — from Albert Gleizes and Jean Metzinger's 1912 presentation of cubist theory to Henry Moore's comments, three decades later, on sculpture and primitive art. Four newly added essays by Kurt Schwitters, Max Ernst, El Lissitzky, and Fernand Léger.
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  20. Matériaux et techniques des peintures de Nathalie S. Gontcharova et de Michel F. larionov du Musée national d'art moderne.Jean-Paul Rioux, Geneviève Aitken & Alain Duval - 1998 - Techne 8:16-32.
  21.  5
    L'émerveillement: de la présence dans la poésie et l'art modernes.Pascal Dethurens - 2019 - [Strasbourg]: L'Atelier contemporain, François-Marie Deyrolle éditeur.
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  22.  97
    Malraux, Art, and Modernity.Derek Allan - forthcoming - la Revue des Lettres Modernes 2024.
    For Malraux, modernity in art is not only about modern art; it is also about the birth of what he aptly terms “the first universal world of art.” This event was a consequence of the process of metamorphosis which is central to Malraux’s account of the relationship between art and time. The article explains this event, noting also that modern aesthetics has not provided an explanation. (This is the English version of the final which will be in French.).
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  23. Passivité et création: Merleau-Ponty et l'art moderne.Stâephanie Mâenasâe - 2003 - Paris: Presses universitaires de France.
     
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  24. La production du sens de l’image dans l’art moderne (The production of meaning in the image in modern art.Mihai Nadin - 1983 - Degrés: Revue de Synthese a Orientation Semiologique 34.
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  25. Inventaire du matériel de l'atelier du peintre Vassily Kandinsky tel qu'il est conservé au Musée national d'art moderne - CCI Centre Georges Pompidou dans le fonds Kandinsky.Benoît Dagron - 1998 - Techne 8:64-76.
  26.  42
    La psychologie structurale1 et l'art moderne.Hans Ruin - 1949 - Theoria 15 (1-3):253-275.
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  27.  28
    Serial Images: The Modern Art of Iteration.Jennifer Dyer Harnish - 2011 - Lit.
    Chapter One Introduction Serial Iteration in Modern Art This book is an analysis of the theoretical and historical relations between modern painting and seriality. While many modern artists have created and presented their works in the ...
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  28.  8
    Passivité et création: Merleau-Ponty et l'art moderne.Stéphanie Ménasé - 2003 - Paris: Presses universitaires de France.
    Passivité et création est un livre ancré dans une double pratique: la peinture et la philosophie. Sa composition s'inspire du trajet suivi par Maurice Merleau-Ponty dans l'élaboration de son cours au Collège de France de 1954-1955: "Le problème de la passivité: le sommeil, l'inconscient, la mémoire". A partir de l'étude de la pratique de certains artistes et de l'analyse de textes philosophiques, il s'agit de décrire une passivité de forme particulière, une passivité "opérante", corrélative d'une forme dynamique de la subjectivité. (...)
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  29. Passivité et création. Merleau-Ponty et l'art moderne, coll. « Pratiques théoriques ».Stéphanie Ménasé (ed.) - 2003 - Presses Universitaires de France.
     
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  30.  12
    Vision and Difference: Feminism, Femininity and the Histories of Art.Griselda Pollock - 2003 - Psychology Press.
    Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art, exploring the writings of Elizabeth Siddall, Mary Cassatt and Berthe Morisot.
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  31.  25
    L'œuvre d'art à l'époque de sa reproduction mécanisée.Walter Benjamin - 1936 - Zeitschrift für Sozialforschung 5 (1):40-68.
    Die Untersuchung gliedert sich in einen allgemeinen und einen besonderen Teil. Der allgemeine Teil, der die ersten neun Kapitel umfasst, hat es mit den Veränderungen zu tun, denen die Funktion des Kunstwerkes in seiner technisch reproduzierten Gestalt unterworfen ist. Die Qualität seiner technischen Reproduktion und die Geschwindigkeit ihrer Herstellung sind seit den einschlägigen Erfindungen des letzten Jahrhunderts in schnellem Wachstum begriffen. Die Zeit, die zwischen der Erfindung der Lithographie und der des Tonfilms liegt, umfasst kaum mehr Jahrzehnte als die zwischen (...)
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  32.  10
    In Defense of Art Museum Audio Guides.Antony Aumann - 2024 - The Journal of Aesthetic Education 58 (2):43-63.
    This article aims to defend the value of art museum audio guides. Modern guides have many functions, but I will focus on two that pertain directly to art appreciation. First, audio guides offer tours that direct visitors' attention to museum highlights. Second, they have individual stops that offer commentary and criticism about individual works of art. I will concede that the tours do not serve the interests of all visitors. However, I will defend the merits of the individual stops. (...)
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  33.  21
    The Immortal Comedy: The Comic Phenomenon in Art, Literature, and Life.Agnes Heller - 2005 - Lexington Books.
    This book is the first attempt to think philosophically about the comic phenomenon in literature, art, and life. Working across a substantial collection of comic works author Agnes Heller makes seminal observations on the comic in the work of both classical and contemporary figures. Whether she's discussing Shakespeare, Kafka, Rabelais, or the paintings of Brueghel and Daumier Heller's Immortal Comedy makes a characteristic contribution to modern thought across the humanities.
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  34.  31
    Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art.Raymond Klibansky, Erwin Panofsky & Fritz Saxl - 1964 - Chicago: McGill-Queen's University Press. Edited by Raymond Klibansky, Erwin Panofsky & Fritz Saxl.
    Saturn and Melancholy remains an iconic text in art history, intellectual history, and the study of culture, despite being long out of print in English. Rooted in the tradition established by Aby Warburg and the Warburg Library, this book has deeply influenced understandings of the interrelations between the humanities disciplines since its first publication in English in 1964. This new edition makes the original English text available for the first time in decades. Saturn and Melancholy offers an unparalleled inquiry into (...)
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  35.  9
    The building blocks of art and its accompanying role and meaning.Chris Jones & Juri Van den Heever - 2022 - HTS Theological Studies 78 (4).
    In this article, focusing on the building blocks of art with its concomitant role and meaning, we commence with a brief evolutionary overview of the origin of land vertebrates, which culminated in the rise of our species as we view it. We then review three iconic phases of human evolution, colloquially designated as the Neanderthals, the San and the Cro-Magnons, as manifested by their artistic endeavours. We are well aware that the Cro-Magnons are currently regarded as not sufficiently distinct from (...)
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  36.  33
    Governance: The art of governing after governmentality.Henrik Enroth - 2014 - European Journal of Social Theory 17 (1):60-76.
    As Michel Foucault and others have shown, from the seventeenth through the twentieth centuries, Western political discourse has perpetuated an art of governing aimed at societies and populations. This article argues that this modern art of governing is now coming undone, in the name of governance. The discourse on governance is taking us from an art of governing premised on producing policy for a society or a population to an art of governing premised on solving problems with no necessary (...)
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  37.  13
    Modern art and artist in Hegel.Javier Domínguez-Hernández - 2023 - Estudios de Filosofía (Universidad de Antioquia) 69:137-158.
    Hegel’s assertion that, for us moderns, art is a matter of the past has obscured his genuine interest in the art of his time and modern art in general. This article attempts to correct this situation. First, it contextualizes the claim in its historical and conceptual aspects; second, it returns to Hegel’s approaches to modern art, neglected hitherto by interpreters. This revision implies clarifying what for Hegel is the modern, whose concept comes from the freedom and autonomy (...)
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  38. Deeper Than Reason: Emotion and its Role in Literature, Music, and Art.Jenefer Robinson - 2005 - Oxford, GB: Clarendon Press.
    Jenefer Robinson takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Laying out a theory of emotion supported by the best evidence from current empirical work, she examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as (...)
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  39.  24
    Art and Enlightenment: Aesthetic Theory after Adorno.David Roberts - 1992 - Journal of Aesthetics and Art Criticism 50 (3):262-263.
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  40. Hegel and Herder on art, history, and reason.Kristin Gjesdal - 2006 - Philosophy and Literature 30 (1):17-32.
    In lieu of an abstract, here is a brief excerpt of the content:Hegel and Herder on Art, History, and ReasonKristin GjesdalThe introduction of a historical perspective in aesthetics is usually traced back to Hegel's 1820 lectures on fine art. Given at the University of Berlin, these lectures were amongst Hegel's most successful and best attended.1 By then a recognized intellectual figure, Hegel sets out to salvage art from its subjectivization in Kantian and romantic aesthetics, but ends up declaring that art, (...)
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  41.  6
    The Philosophy of Modern Song by Bob Dylan (review).Peter Cheyne - 2024 - Philosophy and Literature 48 (1):254-257.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Philosophy of Modern Song by Bob DylanPeter CheyneThe Philosophy of Modern Song, Bob Dylan; 422 pp. New York: Simon and Schuster, 2022.Bob Dylan, like Dante's Virgil, takes us on an odyssey through sixty-six levels, not of the Underworld but of Songworld, in The Philosophy of Modern Song. With playful prose rhythms measured for pleasure and effect, these vistas are almost all seen through second-person (...)
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  42.  10
    Adorno's Modernism: Art, Experience, and Catastrophe.Espen Hammer - 2015 - Cambridge: Cambridge University Press.
    Theodor W. Adorno's aesthetics has dominated discussions about art and aesthetic modernism since World War II, and continues to inform contemporary theorizing. Situating Adorno's aesthetic theory in the context of post-Kantian European philosophy, Espen Hammer explores Adorno's critical view of art as engaged in reconsidering fundamental features of our relation to nature and reality. His book is structured around what Adorno regarded as the contemporary aesthetician's overarching task: to achieve a vision of the fate of art in the modern (...)
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  43.  29
    Media literacy education in art: Motion expression and the new vision of art education.Kenta Motomura - 2003 - Journal of Aesthetic Education 37 (4):58-64.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 58-64 [Access article in PDF] Media Literacy Education in Art:Motion Expression and the New Vision of Art EducationThe Bauhaus, which established the foundation of modern design, has greatly influenced Japanese design and art education. It is a historical fact that the movement views "synthetic art" as an integration of the various fields and the integration of the art and machine technology (...)
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  44.  10
    Modern theories of art.Moshe Barasch - 1990 - New York: New York University Press. Edited by Moshe Barasch.
    Annotation. In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; (...)
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  45.  36
    Folk Song as Hybrid Art Form.David Atkinson - 2022 - British Journal of Aesthetics 62 (3):419-430.
    A number of philosophers of music have proved resistant to the idea that song should be considered as a hybrid art that combines language and music. Separately, Levinson in his influential account of hybrid art forms does not admit folk song, even though he does allow nineteenth-century lieder into the hybrid category. Folk songs are sometimes treated as if they are anterior to and therefore ontologically distinct from the more complex songs of Western art music, or even of modern (...)
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  46.  3
    Modern Art and the Modern Mind.J. P. Hodin & Josef Paul Hodin - 1972
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  47.  3
    Adrift in aesthetic latitudes: for those at sea about art.Birney Quick - 1980 - Bloomington, MN: Voyageur Press.
    The 'Capital of Latin America', Miami is without a doubt the most foreign of US cities. The home of a large Hispanic population and the Latin American headquarters of some 120 multinational corporations, Miami has become more than just America's playground; it's a city whose cultural diversity has given it a vibrant edge and unique sense of place. This is a stunning tribute to this colourful city and introduces readers to its history, architecture, culture, diverse peoples, beaches, tourism, sports teams, (...)
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  48.  21
    Microphones in modern drama theatre.Daniil Vladimirovich Bliudov - forthcoming - Philosophy and Culture (Russian Journal).
    The object of this study is acting speech in modern theater and cinema. The subject of the study is the influence of the aesthetics of screen speech on the theatrical word in the 21st century. The author explores in detail the phenomenon of "microphone speech" in modern drama theater, analyzes the reasons for the rapid expansion of microphone sound and, in particular, the influence on stage speech of the aesthetics of post-drama theater. With numerous examples, various options for (...)
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  49.  28
    The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, From Vienna 1900 to the Present.Eric Kandel - 2011 - Random House.
    A psychoanalytic psychology and art of unconscious emotion -- An inward turn : Vienna 1900 -- Exploring the truths hidden beneath the surface : origins of a scientific medicine -- Viennese artists, writers, and scientists meet in the Zuckerkandl Salon -- Exploring the brain beneath the skull : origins of a scientific psychiatry -- Exploring mind together with the brain : the development of a brain-based psychology -- Exploring mind apart from the brain : origins of a dynamic psychology -- (...)
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  50.  4
    Hegel and the present of art's past character.Alberto L. Siani - 2024 - New York, NY: Routledge/Taylor & Francis Group.
    This book reclaims Hegel's notion of the "end of art"-or, more precisely, of "art's past character"-not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art both in Hegel and contemporary philosophy and aesthetics. The book's innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but applies the idea of (...)
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