Irony is acknowledged to be usually critical: the ironic speaker tends to exhibit an apparent positive attitude in order to communicate a negative valuation. The reverse is considered to be also possible though: the ironic speaker can praise by apparent blaming, although it seldom happens. This unbalance between the two sorts of ironic examples is the so-called asymmetry issue of irony. Here I shall deny the possibility of being ironic without criticizing — hence the asymmetry issue is an illusion. By (...) claiming that irony is always critical I suggest an even stronger claim: criticism is what distinguishes irony from the similar phenomenon of metaphor. (shrink)

The long-standing debate between cognitive and feeling theories of emotion stems, in part, from the assumption that cognition and thought are abstract, intellectual, disembodied processes, and that bodily feelings are non-intentional and have no representational content. Working with this assumption has led many emotions theorists to neglect the way in which emotions are simultaneously bodily and cognitive-evaluative. Even hybrid theories, such as those set forth by Prinz and Barlassina and Newen, fail to account fully for how the cognitive and bodily (...) elements of emotion are integrated. As a result, such accounts are unable to provide an adequate characterization of the intentionality or phenomenology of emotions. I will argue that an enactive account of emotions, one which characterizes them as a way of engaging with and making sense of one’s surroundings, can help us to overcome this false dichotomy between cognitive and body elements. What I call ‘ affective framing’ is at the core of emotional experience. It is the way in which we engage with and appraise our surroundings in and through bodily feelings of caring, so that the bodily and cognitive elements of emotion necessarily are fused. The notion of affective framing not only helps to clarify the relationship between bodily and cognitive elements of emotion, but also offers a useful way to make sense of both the intentional directedness and phenomenal character of emotional experience. (shrink)

Our main aim in this paper is to show that constructing an adequate theory of communication involves going beyond Grice’s notion of speaker’s meaning. After considering some of the difficulties raised by Grice’s three-clause definition of speaker’s meaning, we argue that the characterisation of ostensive communication introduced in relevance theory can provide a conceptually unified explanation of a much wider range of communicative acts than Grice was concerned with, including cases of both ‘showing that’ and ‘telling that’, and with both (...) determinate and indeterminate import. (shrink)

Traditionally irony has been researched as a verbal mode of communicating non-literal meaning. Yet, the extant literal/non-literal meaning oriented research provided conflicting evidence and failed to explain how irony vs. non-irony is processed. The dominant literal/non-literal meaning approach hasn’t accounted for the role of attitudinal non-propositional contents so crucially involved in irony communication and comprehension. Employed to communicate indirectly, on top of non-literal meaning, irony serves to convey implicit attitudes: emotional load non-propositionally attached to the propositional contents. The role of (...) emotional contents implicitly communicated by irony has not been acknowledged in irony research so far. This paper reviews irony and attitude research, focusing on the non-propositional, emotional contents, aiming to bridge the propositional-non-propositional meaning gap in irony research. Neuroimaging and behavioral evidence showing that emotional load profoundly influences communicative contents processing, priming its computation and determining its processing patterns, is presented, and its role for irony processing is highlighted. (shrink)