In his treatises Hero of Alexandria describes a range of devices for producing spectacles and generating wonder that have frequently been treated as marginal by historians of technology and science. In this paper I shall show that these devices and Hero’s emphasis on wonder-making are of central importance to the image that Hero presents of mechanics. Hero uses the concept of wonder to add an intellectual component to the utility of mechanics, to strengthen the epistemological claims of mechanics and to (...) relate mechanical expertise to divine cunning. He is thereby able to present mechanics as a form of knowledge which is epistemically on a par with philosophy, but which still maintains powerful practical consequence.Author Keywords: Hero of Alexandria; Wonder; Automata; Ancient Mechanics; Ancient Science. (shrink)

This essay describes two styles of natural theology that emerged in England out of a debate over the correct interpretation of divine evidences in nature during the seventeenth century. The first style was exemplified in the work of John Wilkins and Robert Boyle. It stressed the lawful operation of the universe under a providential order. The second, embodied in the writings of the Cambridge Platonists, was more open to evidence for the wondrousness of nature provided by the marvelous and by (...) spiritual phenomena. Initially appearing to be alternative and complementary arguments for orthodoxy, these two approaches to natural theology underwent different transformations during the ensuing decades. In the process, a natural theology predicated on the intellectual demonstration of divine power through the argument from design came to predominate over alternative strategies that placed greater emphasis on the wondrousness of nature. (shrink)

At various stages in his career, Francis Bacon claimed to have reformed and changed traditional natural history in such a way that his new “natural and experimental history” was unlike any of its ancient or humanist predecessors. Surprisingly, such claims have gone largely unquestioned in Baconian scholarship. Contextual readings of Bacon's natural history have compared it, so far, only with Plinian or humanist natural history. This paper investigates a different form of natural history, very popular among Bacon's contemporaries, but yet (...) unexplored by contemporary students of Bacon's works. I have provisionally called this form of natural history 'Senecan' natural history, partly because it took shape in the Neo-Stoic revival of the sixteenth-century, partly because it originates in a particular cosmographical reading of Seneca's Naturales quaestiones. I discuss in this paper two examples of Senecan natural history: the encyclopedic and cosmographical projects of Pierre de la Primaudaye and Samuel Purchas. I highlight a number of similarities between these two projects and Francis Bacon's natural history, and argue that Senecan natural history forms an important aspect in the historical and philosophical background that needs to be taken into consideration if we want to understand the extent to which Bacon's project to reform natural history can be said to be new. (shrink)

Wonders and the Order of Nature is about the ways in which European naturalists from the High Middle Ages through the Enlightenment used wonder and wonders, the passion and its objects, to envision themselves and the natural world. Monsters, gems that shone in the dark, petrifying springs, celestial apparitions---these were the marvels that adorned romances, puzzled philosophers, lured collectors, and frightened the devout. Drawing on the histories of art, science, philosophy, and literature, Lorraine Daston and Katharine Park explore and explain (...) how wonder and wonders fortified princely power, rewove the texture of scientific experience, and shaped the sensibility of intellectuals. This is a history of the passions of inquiry, of how wonder sometimes inflamed, sometimes dampened curiosity about nature’s best-kept secrets. Refracted through the prism of wonders, the order of nature splinters into a spectrum of orders, a tour of possible worlds. Frontmatter Preface, page 9 Introduction: At the Limit, page 13 I THE TOPOGRAPHY OF WONDER, page 21 II THE PROPERTIES OF THINGS, page 67 III WONDER AMONG THE PHILOSOPHERS, page 109 IV MARVELOUS PARTICULARS, page 135 V MONSTERS: A CASE STUDY, page 173 VI STRANGE FACTS, page 215 VII WONDERS OF ART, WONDERS OF NATURE, page 255 VIII THE PASSIONS OF INQUIRY, page 303 IX THE ENLIGHTENMENT AND THE ANTI-MARVELOUS, page 329 Epilogue, page 365 Photo Credits, page 369 Notes, page 373 Bibliography, page 451 Index, page 499. (shrink)

This book gives a clear and thorough description of three fascinating linguistic projects that were carried out in the seventeenth century: the philosophical languages of George Dalgarno (1661) and John Wilkins (1668), as well as the work of Leibniz in this area. These projects combined practical purposes, such as improving communication, with profound theoretical insights concerning the representation of knowledge and the nature of language. Rich in detail, this book provides all the material for a proper understanding of the workings (...) of these schemes, while illuminating the intellectual context in which they took shape. It will be welcomed by anyone interested in the history of linguistics and philosophy of language. This book: offers in-depth analysis of the two most sophisticated universal language schemes created in the seventeenth century: the philosophical languages of Dalgarno and Wilkins, supplementing existing literature in focusing on the internal details of the languages, highlights and documents the controversy between Dalgarno and Wilkins, largely ignored in most other books on the subject, showing that their schemes resulted from different, and in various respects antagonistic approaches, presents a careful account of Leibniz's plans for a philosophical language, and illustrates, in discussing his philosophy of language, how his thought was formed in constant interaction with contemporaries, discusses at greater length than usual the extensive work Leibniz did in carrying out his plans, and shows to what extent he was indebted to Dalgarno and Wilkins, emphasizes the importance of the logical tradition for the structure of artificial languages constructed in the seventeenthcentury, and clarifies the role played by dominant views of the relation between spoken and written language, maintains a fine balance between historical research and argument, presenting what was said as accurately as pos. (shrink)

Marcus Tullius Cicero (106 BC-43 BC) was a Roman statesman, lawyer, political theorist, philosopher, and Roman constitutionalist. He is widely considered one of Rome's greatest orators and prose stylists. He is generally perceived to be one of the most versatile minds of ancient Rome. He introduced the Romans to the chief schools of Greek philosophy and created a Latin philosophical vocabulary, distinguishing himself as a linguist, translator, and philosopher. An impressive orator and successful lawyer, he probably thought his political career (...) his most important achievement. Today, he is appreciated primarily for his humanism and philosophical and political writings. Although a great master of Latin rhetoric and composition, Cicero was not Roman in the traditional sense, and was quite self-conscious of this for his entire life. He was declared a "righteous pagan" by the early Catholic Church, and therefore many of his works were deemed worthy of preservation. Saint Augustine and others quoted liberally from his works On the Republic and On the Laws, and it is due to this that we are able to recreate much of the work from the surviving fragments. (shrink)

John Evelyn (1620-1706) is best remembered for Sylva - his magnum opus - and his Diary . Alongside Pepys' diary, Evelyn's is as well known now as anything else written in their time. A connoisseur of architecture, painting, music, coins, and sermons, Evelyn was renowned for his practical knowledge on horticulture and arboriculture, and he was one of the original Fellows of the Royal Society. His Diary begins with an account of his early life and travels in Europe. In addition (...) to his own jottings of events, Evelyn drew on contemporary newspapers and pamphlets. (shrink)