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Michel Serres is a major twentieth-century thinker who has made decisive contributions to major debates across disciplines ranging from the history of science to literary studies and philosophy. This is the first monograph to offer a comprehensive assessment of Serres’ thought from his early work on Leibniz to his final publications in 2019. The first three chapters carefully explore Serres’ ‘global intuition’, how he understands and engages with the world, and his characteristic ‘figures of thought’, the repeated intellectual moves that (...) |
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This chapter focuses upon Michel Serres' Hermes pentalogy, examining the way in which Serres grapples with one of the most persistent philosophical problems: namely, how philosophy, as a discursive form, might gesture toward that which remains external to all discourse—in simple terms, how philosophers might render the incommunicable communicable. Serres, it is argued, makes use of the conceptual affordances of the mathematical sciences in order to foreground that which philosophy has typically neglected: the background noise that lies behind all communication. (...) |
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Explores the concept of time in the work of Michel Serres, demonstrating close analogies in his work to the discourses of science, literature, and philosophy. |
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This chapter examines Language, translation, realms of practice, and the potential for errors. Moving through the ideas of Michel Serres and Ludwig Wittgenstein it makes the argument that, whether as duplicity or ‘misunderstanding’, what we often conceive of as errors are actually vital elements in sustaining a multiplicity of eco-systems. They mark moments of creativity and contestation and must necessarily be embraced as key elements in our thinking about contemporary digital environments. No categories |
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Noise is so often a ‘stench in the ear’ – an unpleasant disturbance or a… But there is much more to noise than what greets the ear as unwanted sound. Weaving together affect theory with technical descriptions, philosophical accounts, acoustic ecology and a range of noises – from disruptive neighbours to the music of Maria Chavez – Beyond Unwanted Sound critiques both the conservative politics of silence and transgressive poetics of noise, each of which position noise as a negative phenomenon. (...) No categories |
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