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  1. Only Imagine? Not Necessarily.Ruth Lorand - 2019 - British Journal of Aesthetics 59 (2):211-214.
    In her recent book, Only Imagine, Kathleen Stock promotes extreme intentionalism with respect to fictional content. She writes, ‘the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine’. There are at least three separate points here: the author’s intentions determine the fictional content; the fictional content is identical with the content of what the reader imagines; reading fiction necessarily entails imagining. The first two points are normative; they are (...)
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  • Imagination Minimalized.Amy Kind - 2019 - British Journal of Aesthetics 59 (2):215-218.
    In Only Imagine, Kathleen Stock defends a theory of fictional content she calls extreme intentionalism. Roughly put, this view holds that the fictional content of a text is determined solely by its author’s intention. What is true in a given work of fiction gets fixed by what the author of that fiction intends a reader to imagine.
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  • Extreme Intentionalism Modestly Modified.Mitchell Green - 2019 - British Journal of Aesthetics 59 (2):197-201.
    1. On at least one usage of ‘mean’, performing an action that leads someone else to think that P, is not, on its own, sufficient for meaning that P. Nor is performing an action that is intended to get someone to think this. Instead one must make one’s intention overt. Grice’s way of developing this overtness requirement requires audience-directed intentions: for an agent, on this approach, to mean that P, she must perform a publicly accessible action with the intention of (...)
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  • On the Nature of Fiction-Making: Austin or Grice?Manuel García-Carpintero - 2019 - British Journal of Aesthetics 59 (2):203-210.
    Only Imagine is a wonderful book. Clear and tersely written, it provides a compelling defence of a rather unpopular view : namely, extreme intentionalism about the determination of fictional content and the nature of fictionality. It thus unquestionably advances the philosophical debate. It is also a pleasure to read for those of us who like fictions and not just the philosophy thereof: Stock discusses for her arguments many examples from real fictions, systematically making perceptive remarks. Here I will respond to (...)
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  • Norms of Fiction-Making.Manuel García-Carpintero - 2013 - British Journal of Aesthetics 53 (3):339-357.
    I provide a variation on ideas presented by Walton and Currie, elaborating the view that fictive utterances are characterized by a specific form of illocutionary force in the family of directives – a proposal or invitation to imagine. I make some points on the relation between the proposal and the current debates on intentionalist and conventionalist views, and I discuss interesting recent objections made by Stacie Friend to the related, but crucially different, Gricean view of such force advanced by Currie (...)
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