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  1. Truth, Fiction, and Literature: A Philosophical Perspective.Berys Gaut - 1996 - Philosophical Review 105 (1):84.
    Lamarque and Olsen argue for a “no truth” theory of fiction and literature, holding that there is no essential connection between the concepts of truth and those of fiction or of literature. Instead, they argue for a broadly Gricean account of both. The core of their characterization of the fictionality of a text is that it be the product of an intention that its reader adopt the fictive stance towards it, and the producer of the text intends there to be (...)
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  • Artistic Value Defended.Robert Stecker - 2012 - Journal of Aesthetics and Art Criticism 70 (4):355-362.
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  • The Myth of (Non-Aesthetic) Artistic Value.Dominic McIver Lopes - 2011 - Philosophical Quarterly 61 (244):518-536.
    Art works realize many values. According to tradition, not all of these values are characteristic of art: art works characteristically bear aesthetic value. Breaking with tradition, some now say that art works bear artistic value, as distinct from aesthetic value. I argue that there is no characteristic artistic value distinct from aesthetic value. The argument for this thesis suggests a new way to think about aesthetic value as it is characteristically realized by works of art.
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  • The Reality of (Non‐Aesthetic) Artistic Value.Louise Hanson - 2013 - Philosophical Quarterly 63 (252):492-508.
    It has become increasingly common for philosophers to make use of the concept of artistic value, and, further, to distinguish artistic value from aesthetic value. In a recent paper, ‘The Myth of (Non-Aesthetic) Artistic Value’, Dominic Lopes takes issue with this, presenting a kind of corrective to current philosophical practice regarding the use of the concept of artistic value. Here I am concerned to defend current practice against Lopes's attack. I argue that there is some unclarity as to what aspect (...)
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  • The Aesthetic Point of View.Monroe C. Beardsley - 1970 - Metaphilosophy 1 (1):39–58.
  • Aesthetic Creation.Daniel O. Nathan - 2008 - Journal of Aesthetics and Art Criticism 66 (4):416-418.
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  • Love's Knowledge: Essays on Philosophy and Literature.Alan Montefiore - 1994 - Journal of Philosophy 91 (2):105.
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  • The Aesthetic Point of View: Selected Essays.Francis Sparshott - 1984 - Journal of Philosophy 81 (4):230-234.
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  • The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
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  • Artworks: Definition, Meaning, Value.Robert Stecker - 1997 - Journal of Aesthetics and Art Criticism 56 (3):311-313.
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  • Refining Art Historically.Jerrold Levinson - 1989 - Journal of Aesthetics and Art Criticism 47 (1):21-33.
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  • Defining Art.George Dickie - 1969 - American Philosophical Quarterly 6 (3):253 - 256.
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  • Truth, Fiction, and Literature: A Philosophical Perspective.Noël Carroll - 1994 - Journal of Aesthetics and Art Criticism 54 (3):297-300.
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  • Values of Art: Pictures, Poetry, and Music.Eileen John - 1999 - Journal of Aesthetics and Art Criticism 57 (1):76-78.
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  • Aesthetics. Problems in the Philosophy of Criticism.Frank Sibley - 1958 - Philosophical Review 70 (2):275-279.
  • Aesthetics: Problems in the Philosophy of Criticism.John Fisher - 1958 - Journal of Aesthetic Education 18 (1):113.
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  • The Participatory Art Museum: Approached From a Philosophical Perspective.Sarah Hegenbart - 2016 - Royal Institute of Philosophy Supplement 79:319-339.
    This chapter introduces the participatory art museum and discusses some of the challenges it raises for philosophical aesthetics. Although participatory art is now an essential part of museological programming, an aesthetic account of participatory art is still missing. The chapter argues that much could be gained from exploring participatory art, as it raises fundamental challenges to our understanding of issues in aesthetics, such as the nature of aesthetic experience, the value of art, and the role of the spectator. Moreover, participatory (...)
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  • Art, Emotion and Ethics.Berys Gaut - 2008 - Journal of Aesthetics and Art Criticism 66 (2):199-201.
     
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  • Love's Knowledge: Essays on Philosophy and Literature.Martha C. Nussbaum - 1993 - Philosophy 68 (266):564-566.
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  • Values of Art: Pictures, Poetry and Music.Malcolm Budd - 1997 - Philosophical Quarterly 47 (187):246-248.
     
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  • Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy: Articles.Jason Gaiger - 2009 - British Journal of Aesthetics 49 (1):43-58.
    This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and (...)
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  • Revealing Art.Matthew Kieran - 2006 - Journal of Aesthetics and Art Criticism 64 (2):285-287.
     
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  • Revealing Art.Matthew Kieran - 2006 - Philosophical Quarterly 56 (224):471-473.
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  • Defining Art Historically.Jerrold Levinson - 1979 - British Journal of Aesthetics 19 (3):21-33.
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  • Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy.Jason Gaiger - 2009 - British Journal of Aesthetics 49 (1):43-58.
    This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and (...)
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