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  1. A new route to the necessity of origin.Guy Rohrbaugh & Louis deRosset - 2004 - Mind 113 (452):705-725.
    Saul Kripke has claimed that there are necessary connections between material things and their material origins. The usual defences of such necessity of origin theses appeal to either a sufficiency of origin principle or a branching-times model of necessity. In this paper we offer a different defence. Our argument proceeds from more modest ‘independence principles’, which govern the processes by which material objects are produced. Independence principles are motivated, in turn, by appeal to a plausible metaphysical principle governing such processes, (...)
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  • Artworks as historical individuals.Guy Rohrbaugh - 2003 - European Journal of Philosophy 11 (2):177–205.
    In 1907, Alfred Stieglitz took what was to become one of his signature photographs, The Steerage. Stieglitz stood at the rear of the ocean liner Kaiser Wilhelm II and photographed the decks, first-class passengers above and steerage passengers below, carefully exposing the film to their reflected light. Later, in the darkroom, Stieglitz developed this film and made a number of prints from the resulting negative. The photograph is a familiar one, an enduring piece of social commentary, but what exactly is (...)
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  • What a musical work is.Jerrold Levinson - 1980 - Journal of Philosophy 77 (1):5-28.
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  • Musical works as eternal types.Julian Dodd - 2000 - British Journal of Aesthetics 40 (4):424-440.
  • Platonism in Music: Another Kind of Defense.Peter Kivy - 1987 - American Philosophical Quarterly 24 (3):245 - 252.