In lieu of an abstract, here is a brief excerpt of the content:381 IMPRESSIONS, IDEAS, AND FICTIONS I. Introduction Under the heading of "fiction," Selby-Bigge's index to Hume's Treatise of Human Nature lists no fewer than seventeen distinct fictions. There is the fiction of perfect equality, of continued and distinct existence, of substance and matter, of substantial forms, accidents, faculties and occult qualities, the fiction of personal identity, and many others. The notion of a fiction is central in Hume's philosophy. (...) As the title of this paper suggests, I believe that fictions are so important that what is commonly called Hume's theory of impressions and ideas ought to be called the theory of impressions, ideas, and fictions. Although fictions are at the heart of a number of Treatise passages, they have 2 generally received very little sustained treatment. This paper is a start at filling a gap in Hume interpretation. I hope to lay the groundwork for a complete study of Hume's fictions. There are some obvious questions to be addressed in such a study: Is there just one type of fiction or are there many? Is there an essential feature or set of features shared by all fictions? Is the characterization of a view as involving a fiction always a criticism of that view? If fictions are in some sense false or wrong, what do they contrast with? What notions are true or correct? Does Hume's account of fictions mesh with an account of truth? If there is no account of truth, how can there be an account of fictions? These questions, by no means the only ones which can be raised, are related. They can be seen as hovering around the issue of whether Hume's notion 382 of a fiction is an ontological notion. Is calling something a fiction denying the existence of that thing? Does believing in fictions (e.g., believing that there are persons) amount to holding a false belief that something exists when in fact it does not? Should we read Hume as claiming, for example, that there are no substances because he calls substance a fiction? Answering 'yes' to these questions has obvious implications for the questions raised in the last paragraph. I believe that while the deflationist reading is not completely wrong, it is wrong enough to account for much confusion in Hume interpretation. Many readers of the Treatise think, for example, that in calling the self a fiction Hume is denying the existence of persons. This makes it completely mysterious why Hume talks about persons throughout the Treatise in a common-sense way, as if they do exist. Though I cannot investigate all the consequences of my interpretation of Hume's fictions for the numerous issues which involve fictions in the Treatise, it is my hope that clarifying Hume's notion of fiction will help shed light on those other notions, such as personal identity, which Hume calls fictions. I will offer an interpretation which attempts to locate some general features of fictions in the Treatise passages where Hume invokes them. Although there are different fictions, Hume has a core notion of fiction which is fundamentally epistemological rather than ontological. There will be space in this paper to look at only a few fictions, those which occur in or before "Of scepticism with regard to the senses." I believe, however, that the interpretation can be generalized. Finally, I will suggest how my interpretation provides answers to the above questions. 383 II. Fiction and Imagination It is tempting to think of Hume's notion of a fiction as an ontological notion because in contemporary usage, the notion of a fiction is ontologically loaded. Fictions are things we construct in our heads; they are the result of concatenating ideas in the imagination. Golden mountains and the Wicked Witch of the East are fictitious; they don't represent anything which exists. If Hume is using this notion of fiction, then he must be doing deflationary ontology. On this view, to call something a fiction is to demote it to the status of something thought up in one's imagination; it is to accord it the rank of something whose existence is not to be accepted. There is some support... (shrink)

What is the Moral Problem? NORMATIVE ETHICS VS. META-ETHICS It is a common fact of everyday life that we appraise each others' behaviour and attitudes from ...

The theory that practical reasoning is wholly instrumental says that the only practical function of reason is to tell agents the means to their ends, while their ends are fixed by something other than reason itself. In this essay I argue that Hume has an instrumentalist theory of practical reasoning. This thesis may sound as unexciting as the contention that Kant is a rationalist about morality. For who would have thought otherwise? After all, isn't the ‘instrumentalist’ line in contemporary discussions (...) of this topic descended directly from Hume himself? Contrast the following recent comment from Robert Audi's book on practical reasoning, holding the standard line, with the comment from Christine Korsgaard following it:Hume's conception of practical reasoning, so far as we can formulate it, can be located within … the foundationalist account of motivation in which reason plays the instrumentalist role … by virtue of arousing and directing our desires. (shrink)

On Hume's account, when we lack virtues that would typically prompt moral action, we can instead be motivated by the "sense of duty." Surprisingly, Hume seems to maintain that, in such cases, we are motivated by a desire to avoid the unpleasantness of "self-hatred" evoked in us when we realize we lack certain traits others possess. This account has led commentators to argue that Hume is not a moral internalist, since motivation by duty is motivation by a self-interested desire. This (...) paper concludes that Hume is indeed a moral internalist and that the motive of duty can be understood as a form of motivation by moral disapprobation in a way supported by Hume's general motivational psychology. (shrink)

First Published in 1980. Routledge is an imprint of Taylor & Francis, an informa company.

:Hume distinguishes natural obligation, the motive of self-interest, from moral obligation, the sentiment of approbation and disapprobation. I argue that his discussion of justice makes use of a third notion, in addition to the other two: rule-obligation. For Hume, the just person regulates her conduct by mutually advantageous rules of justice. Rule-obligation is the notion she requires to express her acceptance of these rules in so regulating herself. I place these ideas in relation to Hume's official theory of the will (...) and to early modern thinking about obligation and the will more generally. (shrink)

Hume is committed, By one of his criticisms of reason as the route to moral knowledge, To an internalist position. In the argument from motivation, Hume starts by observing that morality is practical--That morals excite passions and produce or prevent actions. But, Hume argues, Rationalist moral theories cannot explain how moral considerations motivate. This is because reason alone is incapable of motivating us. The premise that morality is practical, However, May be interpreted in two ways--Either in an externalist or internalist (...) manner. Charity requires us to adopt the internalist reading because only then is the argument valid. An internalist reading of the argument, However, Commits hume, In his constructive phase, To construing the moral sentiments of approval and disapproval as possessing motivational influence by themselves. But an examination of what hume has to say about the motives that prompt us to do what is right shows that he fails to provide such an account himself. This points to an inconsistency in hume's moral theory. (shrink)

Ruling Passions is about human nature. It is an invitation to see human nature a certain way. It defends this way of looking at ourselves against competitors, including rational choice theory, modern Kantianism, various applications of evolutionary psychology, views that enchant our natures, and those that disenchant them in the direction of relativism or nihilism. It is a story centred upon a view of human ethical nature, which it places amongst other facets of human nature, as just one of the (...) elements which give us the manifold objects of our concerns and cares. (shrink)

This book explores Hume's account of reason and its role in human understanding, seen in the context of other notable accounts by philosophers of the early modern period. David Owen offers new interpretations of many of Hume's most famous arguments about induction, belief, scepticism, the passions, and moral distinctions.

First Published in 1980. Routledge is an imprint of Taylor & Francis, an informa company.

It is widely believed that Hume often wrote carelessly and contradicted himself, and that no unified, sound philosophy emerges from his writings. Don Garrett demonstrates that such criticisms of Hume are without basis. Offering fresh and trenchant solutions to longstanding problems in Hume studies, Garrett's penetrating analysis also makes clear the continuing relevance of Hume's philosophy.

This book is a major work in the history of ethics, and provides the first study of early modern British philosophy in several decades. Professor Darwall discerns two distinct traditions feeding into the moral philosophy of the seventeenth and eighteenth centuries. On the one hand, there is the empirical, naturalist tradition, comprising Hobbes, Locke, Cumberland, Hutcheson, and Hume, which argues that obligation is the practical force that empirical discoveries acquire in the process of deliberation. On the other hand, there is (...) a group including Cudworth, Shaftesbury, Butler, and in some moments Locke, which views obligation as inconceivable without autonomy and which seeks to develop a theory of the will as self-determining. (shrink)

Simon Blackburn puts forward a compelling original philosophy of human motivation and morality. He maintains that we cannot get clear about ethics until we get clear about human nature. So these are the sorts of questions he addresses: Why do we behave as we do? Can we improve? Is our ethics at war with our passions, or is it an upshot of those passions? Blackburn seeks the answers in an exploration of guilt, shame, disgust, and other moral emotions; he draws (...) also on game theory and cognitive science in his account of the structures of human motivation. Many philosophers have wanted a naturalistic ethics a theory that integrates our understanding of human morality with the rest of our understanding of the world we live in. What is special about Blackburn's naturalistic ethics is that it does not debunk the ethical by reducing it to the non-ethical. At the same time he banishes the spectres of scepticism and relativism that have haunted recent moral philosophy. Ruling Passions sets ethics in the context of human nature: it offers a solution to the puzzle of how ethics can maintain its authority even though it is rooted in the very emotions and motivations that it exists to control. (shrink)