I argue that acknowledging Hume as a doxastic naturalist about belief in a deity allows an elegant, holistic reading of his Dialogues. It supports a reading in which Hume's spokesperson is Philo throughout, and enlightens many of the interpretive difficulties of the work. In arguing this, I perform a comprehensive survey of evidence for and against Philo as Hume's voice, bringing new evidence to bear against the interpretation of Hume as Cleanthes and against the amalgamation view while correcting several standard (...) mistakes. I ultimately isolate the interpretation of Philo's Reversal at the end of the Dialogues as of paramount importance, and show how my naturalistic interpretation makes this, and other notoriously difficult passages, unproblematic. (shrink)

Understandably, given the interpretive challenges posed by the dialogue form, the focus of David Hume's interest in religion in the Dialogues Concerning Natural Religion can be difficult to pinpoint.1 Much Hume scholarship on the Dialogues has traditionally suffered from two major shortcomings. First, its treatment of Hume's interest in religion is primarily theoretical or speculative, as though Hume were concerned above all to determine the nature of "true religion," say, or to dismiss religious belief altogether as simply irrational. Such scholarship (...) regards the Dialogues as a vehicle for delivering a theoretical or epistemological treatment of questions concerning the nature and existence of God, and has little... (shrink)

A central tactic in Philo’s criticism of the design argument is the introduction of several alternative hypotheses, each of which is alleged to explain apparent design at least as well as Cleanthes’ analogical inference to an intelligent designer. In Part VI, Philo proposes that the world “…is an animal, and the Deity is the soul of the world, actuating it, and actuated by it” (DNR 6.3; 171); in Part VII, he suggests that “…it is a palpable and egregious partiality” to (...) favour reason as a probable cause of apparent design over other principles such as instinct, generation, vegetation, and “… a hundred others which lie open to our conjecture” (DNR 7.11; 178); and in Part VIII, he offers an ‘Epicurean’ hypothesis according to which the appearance of design is due to matter itself.1 It is widely agreed that by the end of Part VIII, Philo has convincingly shown that the empirical evidence considerably underdetermines the conclusion Cleanthes purported it to establish. Philo, at any rate, declares a sceptical triumph: “A total suspense of judgement is here our only reasonable resource” (DNR 8.12; 186-7). -/- Philo’s swift argument for divine amorality at the end of Part XI contrasts markedly with this scepticism.2 Here, Philo reasons with great confidence concerning what he takes to be the (only) four hypotheses concerning the morality of the first cause(s) of the universe: divine benevolence, divine malevolence, Manicheeism, and divine amorality. He argues briefly against the first, summarily rejects the second and third, and declares with apparent sincerity that “[t]he true conclusion is, that the original source of all things is entirely indifferent to all these principles, and has no more regard to good above ill than to heat above cold, or to drought above moisture, or to light above heavy” (DNR 11.15; 212). -/- I first discuss Philo’s argument for divine amorality, and I distinguish it from his earlier criticisms of any inference from mundane data to divine benevolence. In Section 2, I diagnose deficiencies in two contrary interpretations of the argument for divine amorality. In Section 3, I offer three reasons for rejecting the surface meaning of this argument. In Section 4, I reveal Philo’s argument to be a sophisticated parody of both Cleanthes’ natural theology and his appeal to the passional influence of the design hypothesis. Philo, I argue, does not intend to show that the Deity is probably amoral; rather, he intends to show Cleanthes – by literally arguing with him “in his own way” (DNR 2.11; 145) – that the tools of Cleanthes’ ‘experimental theism’ can equally be wielded in service of a wholly incompatible view. (shrink)

What does David Hume do with the dialogue form in Dialogues Concerning Natural Religion? I pursue this question in the context of a partial taxonomy of uses for the dialogue form in philosophy in general—although I want to emphasize the word “partial.” My driving concern here is Hume’s use of dialogue, not to list all possible uses of dialogue or to draw conclusions about the uses of dialogue in philosophy in general. My question sits between two other related questions: a (...) biographical and historical question, “What did Hume intend to do with the dialogue form?” and a question about reception by his audiences, “What did Hume actually achieve with the dialogue form?” Both of these are worthwhile questions.. (shrink)

Many think that the aim of Hume’s Dialogues is simply to discredit the design argument for the existence of an intelligent designer. We think instead that the Dialogues provides a model of true religion. We argue that, for Hume, the truly religious person: believes that an intelligent designer created and imposed order on the universe; grounds this belief in an irregular argument rooted in a certain kind of experience, for example, in the experience of anatomizing complex natural systems such as (...) the eye; and retains this belief, on the basis of these reasons, even after careful scrutiny. We argue that two of the Dialogues’s characters, Philo and Cleanthes, exhibit true religion. A third character, Demea, exhibits false religion and a persistent impiety. Taken as a whole, we see the Dialogues as an educational performance for the benefit of Pamphilus, Cleanthes’s ward, as well as for the benefit of readers of the Dialogues. Specifically, we think, given that its lessons concern theology and the principles of religion, the dynamics of the Dialogues’s discussion and the interplay between its characters can be seen as a demonstration of a method for becoming truly religious. (shrink)

Spectres of False Divinity presents a historical and critical interpretation of Hume's rejection of the existence of a deity with moral attributes. In Hume's view, no first cause or designer responsible for the ordered universe could possibly have moral attributes; nor could the existence of such a being have any real implications for human practice or conduct. Hume's case for this 'moral atheism' is a central plank of both his naturalistic agenda in metaphysics and his secularizing program in moral theory. (...) It complements his wider critique of traditional theism, and threatens to rule out any religion that would make claims on moral practice. Thomas Holden situates Hume's commitment to moral atheism in its historical and philosophical context, offers a systematic interpretation of his case for divine amorality, and shows how Hume can endorse moral atheism while maintaining his skeptical attitude toward traditional forms of cosmological and theological speculation. (shrink)