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  1. ‘How Can It Not Know What It Is?’: Self and Other in Ridley Scott's Blade Runner.Andrew Norris - 2013 - Film-Philosophy 17 (1):19-50.
    In this essay I provide a reading of Ridley Scott's Blade Runner that focuses upon the question of the kind of creatures the Replicants are depicted as being, and the meaning that depiction should have for us. I draw upon Stanley Cavell's account of the problem of other minds to argue that the empathy test is in fact a mode of resisting the acknowledgment of others. And I draw upon Martin Heidegger's account of authenticity and mortality to argue that this (...)
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  • Living our Skepticism of Others through Film: Remarks In Light of Cavell.David Macarthur - 2016 - Substance 45 (3):120-136.
    In Stanley Cavell’s ethical universe, no concept is of more moment than that of acknowledgement. In Cavell’s view, the question of acknowledgement is not a matter of choice but is at issue whenever we confront, or are confronted by, others. To acknowledge is to admit or confess or reveal to someone, typically another, those things about oneself and one’s relations to the world and others that one, being human, cannot fail to know – except that “nothing is more human than (...)
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  • The World Viewed: Reflections on the Ontology of Film.James Milton Highsmith & Stanley Cavell - 1972 - Journal of Aesthetics and Art Criticism 31 (1):134.
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  • The Claim of Reason. Wittgenstein, Scepticism, Morality and Tragedy.H. O. Mounce - 1981 - Philosophical Quarterly 31 (124):280-282.
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  • Tractatus logico-philosophicus.Ludwig Wittgenstein - 1922 - Filosoficky Casopis 52:336-341.
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  • Ludwig Wittgenstein. Personal Recollections.Rush Rhees - 1981 - Critica 13 (39):86-87.
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  • Must We Mean What We Say?S. CAVELL - 1969
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