Many of the seemingly bland assertions and bald statements of the eighteenth-century philosopher David Hume contain more than the mind immediately perceives. Author John Valdimir Price contends that an understanding of Hume's writings cannot be separated from an understanding of his life. By examining the works of Hume, Price shows the way in which an ironic way of seeing events and an ironic mode of expression permeated Hume's life and writings. Price examines Hume's irony as it is exhibited in letters (...) to his friends and in his writings concerned with morality, people, philosophy, politics, history, and above all religion. Hume's opinions on life in general are stated in works ranging from the Treatise of Human Nature and the Essays, Moral and Political, through the Enquiry concerning Human Understanding and the Enquiry concerning Principles of Morals, to the Dialogue and Four Dissertations of his maturity. Price feels that Hume's recognition of the ironic in life came about from his perception of the disproportion between human hopes and human accomplishments. The rhetorical consequences of applying reason to a duality in human nature creates the ironic mode. Hume conceived man's opposing tendencies as his willingness to commit himself orally to a concept, a dogma, an idea, or an ideology, and his unwillingness to involve himself in the logical and rhetorical implications of articulating those principles. Hume's use of the ironic mode in his writings provides him with a means of challenging certain dogmatic assumptions common to thought, particularly to traditional religious thought; it acts as a mask for his sceptical intentions, and it is an implied criticism of many ideas. In his political writing, Hume frequently implied that the question under argument was almost too ridiculous to deserve serious treatment. This tactic was effectively employed in the Account of Stewart, in which Hume came to the defense of a friend. In his most profitable venture, the History of England, Hume not only used irony to advantage, but developed a new approach to the writing of history—the use of narrative. He presented history as a series of more or less connected events, not as a series of "right" or "wrong" attitudes. The author believes that Hume's initial religious scepticism, combined with the predominant satiric-ironic mode in the literature of his time, led him to seek irony as a method of self expression. This scepticism, which permeated all of Hume's attitudes toward life, reached its most complete expression in the Dialogues concerning Natural Religion, which accepted reason as its guide, but also accepted experience as its master. (shrink)

This article deals with the design argument for the existence of God as it is discussed in hume's "dialogues concerning natural religion". Using bayes's theorem in the probability calculus--Which hume almost certainly could not have known as such--It shows how the various arguments advanced by philo and cleanthes fit neatly into a comprehensive logical structure. The conclusion is drawn that, Not only does the empirical evidence fail to support the theistic hypothesis, But also renders the atheistic hypothesis quite highly probable. (...) A postscript speculates upon the historical question of hume's own attitude toward the design argument. (shrink)

This is a re-Examination of hume's intentions in the final part of the "dialogues". It is here, If anywhere, That we find the resolution of the conflict between his naturalistic acceptance that belief has non-Rational causes, And his wish to expose religious belief as irrational. The paper amends its author's previous view that hume is shown to have accepted, At least verbally, That such a theism is a result of cleanthes' arguments, But to have maintained his secularism by showing it (...) to be religiously vacuous, And hence a socially benign influence. The argument relies on hume's use of the thought and language of the fideist tradition, And on questioning how far we can identify hume with philo as the "dialogues" conclude. (shrink)

This chapter contains section titled: Hume, Cicero, and the Skeptical Tradition Hume and the French The Deists and Butler Conclusion References Further Reading.

Recognized in his day as a man of letters equaling Rousseau and Voltaire in France and rivaling Samuel Johnson, David Hume passed from favor in the Victorian age--his work, it seemed, did not pursue Truth but rather indulged in popularization. Although Hume is once more considered as one of the greatest British philosophers, scholars now tend to focus on his thought rather than his writing. To round out our understanding of Hume, M. A. Box in this book charts the interrelated (...) development of Hume's literary ambitions, theories of style, and compositional practice from his Treatise in 1739 through the Enquiries. In so doing, Box makes the case for Hume's career-long concern with the presentational modes of reaching an audience for his philosophical writings. Hume reacted to the popular failure of his masterpiece, A Treatise of Human Nature, Box suggests, by self-consciously exploring strategies in his subsequent works for agreeably bringing his readership to participate in the act of philosophizing. Combining a sensitive grasp of the ways Restoration period and eighteenth-century writers conceived the relations between rhetoric and philosophy with sound readings of particular texts, Box shows how Hume's literary concerns went beyond matters of style to involve persona, structure, and doctrine. While this book helps explain long-standing ambiguities surrounding Hume, especially by pointing out the tension between his created persona and his own voice, it also serves as an excellent introduction to his philosophy. (shrink)

This chapter contains section titled: Natural Religion in EHU The Critique of the Design Argument in DNR The Problem of Evil Part 12 and the Interpretation of DNR Conclusion References Further Reading.