Saturn and Melancholy remains an iconic text in art history, intellectual history, and the study of culture, despite being long out of print in English. Rooted in the tradition established by Aby Warburg and the Warburg Library, this book has deeply influenced understandings of the interrelations between the humanities disciplines since its first publication in English in 1964. This new edition makes the original English text available for the first time in decades. Saturn and Melancholy offers an unparalleled inquiry into (...) the origin and development of the philosophical and medical theories on which the ancient conception of the temperaments was based and discusses their connections to astrological and religious ideas. It also traces representations of melancholy in literature and the arts up to the sixteenth century, culminating in a landmark analysis of Dürer's most famous engraving, Melencolia I. This edition features Raymond Klibansky's additional introduction and bibliographical amendments for the German edition, as well as translations of source material and 155 original illustrations. An essay on the complex publication history of this pathbreaking project - which almost did not see the light of day - covers more than eighty years, including its more recent heritage. Making new a classic book that has been out of print for over four decades, this expanded edition presents fresh insights about Saturn and Melancholy and its legacy as a precursor to modern interdisciplinary studies. (shrink)

The ArgumentRecent historiography of the Scientific Revolution has challenged the assumption that the achievements of seventeenth-century natural philosophy can easily be described as the ‘mechanization of the world-picture.’ That assumption licensed a story which took mechanization as self-evidently progressive and so in no need of further historical analysis. The clock-work world was triumphant and inevitably so. However, a close examination of one key group of natural philosophers working in England during the 1670s shows that their program necessarily incorporated souls and (...) spirits, attractions and congruities, within both their ontology and their epistemology. Any natural philosophical strategy which excluded spirits and sympathies from its world was condemned as tending to subversion and irreligion. This examination shows that the term ‘mechanical philosophy’ was a category given its meanings within local contexts and carries no universal sense separate from that accomplished by these natural philosophers. It also shows how the experimental praxis was compelled to treat souls and spirits, to produce them through experimental labor, and then to extend these experimentally developed entities throughout the cosmos, both social and natural. The development of mechanical philosophy cannot be used to explain the cognitive and social structure of this program, nor its success: instead, the historical setting of experimental work shows how a philosophy of matter and spirit was deliberately constructed by the end of the seventeenth century. (shrink)

Many writers have paid tribute to its power: Shakespeare urged his audiences to use it to create a setting; Hobbes asserted that "imagination and memory are but one thing; " for Wordsworth it was "the mightiest leveler known to moral world; " and to Baudelaire it represented "the queen of truth. " Imagination as artistic, poetic, and cultural predicate remains one of the most influential ideas in the history of Western thought. It has been simultaneously feared as a dangerous, uncontrollable (...) force, and revered as the supreme visionary power. The questions of its origins, nature, function, and effects have absorbed writers, theologians, and philosophers alike. J. M. Cocking's Imagination shows how these questions have recurred, through the ages and in various cultures. Exploring this theme, from antiquity to the Renaissance, it opens with a discussion of the treatment of imagination in the writings of Aristotle and Plato. Tracing its development in the Middle Ages, Cocking pays particular attention to the parallel tradition in Islamic thought of the period. The book pursues the concept through the theories of Dante and the neo-Platonists, concluding with the High Renaissance. (shrink)

With his remarkable range of vision, the author takes us on a voyage of discovery that leads from Eden to Fellini, from paradise to parody - plotting the various models of the imagination as: Hebraic, Greek, medieval, Romantic, existential and post-modern.

With his remarkable range of vision, the author takes us on a voyage of discovery that leads from Eden to Fellini, from paradise to parody - plotting the various models of the imagination as: Hebraic, Greek, medieval, Romantic, existential and post-modern.

This volume examines the influence that Epicureanism and Stoicism, two philosophies of nature and human nature articulated during classical times, exerted on the development of European thought to the Enlightenment. Although the influence of these philosophies has often been noted in certain areas, such as the influence of Stoicism on the development of Christian thought and the influence of Epicureanism on modern materialism, the chapters in this volume forward a new awareness of the degree to which these philosophies and their (...) continued interaction informed European intellectual life well into early modern times. The influence of the Epicurean and Stoic philosophies in the areas of literature, philosophy, theology, and science are considered. Many thinkers continue to perceive these philosophies as significant alternatives for understanding the human and natural worlds. Having become incorporated into the canon of philosophical alternatives, Epicureanism and Stoicism continued to exert identifiable influences on scientific and philosphical thought at least until the middle of the eighteenth century. (shrink)

Passion and Action is an exploration of the role of the passions in seventeenth-century thought. Susan James offers fresh readings of a broad range of thinkers, including such canonical figures as Hobbes, Descartes, Malebranche, Spinoza, Pascal, and Locke, and shows that a full understanding of their philosophies must take account of their interpretations of our affective life. This ground-breaking study throws new light upon the shaping of our ideas about the mind, knowledge, and action, and provides a historical context for (...) burgeoning current debates about the emotions. (shrink)